Arts & Crafts in the Cotswolds
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The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints. -
The English Country House Garden: Traditional Retreats to Contemporary Masterpieces Free
FREE THE ENGLISH COUNTRY HOUSE GARDEN: TRADITIONAL RETREATS TO CONTEMPORARY MASTERPIECES PDF George Plumptre,Marcus Harpur | 208 pages | 01 Oct 2014 | Frances Lincoln Publishers Ltd | 9780711232990 | English | London, United Kingdom Cothay Manor - Wikipedia George Plumptre is an author, journalist, and lecturer, acknowledged as an international authority on gardens and gardening. A former gardening correspondent for the Times, he has been Chief Executive of the National Gardens Scheme since He has lect. Colourful Gardening? George Plumptre. There is something special about the English country house garden: from its quiet verdant The English Country House Garden: Traditional Retreats to Contemporary Masterpieces to its high yew hedges, this is a style much-desired and copied around the world. The English country house is most often conceived as a private, intimate place, a getaway from working life, and here you will see gardens with meandering walks amongst greenery and contemplative pools of water. A sundial, a pergola, a croquet lawn, a herbaceous border of soft planting; here is a space to share secrets, to wander and relax, and above all to enjoy English afternoon tea. But even the most peaceful of gardens also take passion and hard work to create. This new book takes a fresh look at the English country house garden, starting with the owners and the stories behind the making of the gardens. With spectacular photos by Marcus Harpur, the text presents thirty gardens - some grand, some personal, some celebrated, some never-before-photographed - to explore why this garden style has been so very enduring and influential. Rodmarton Manor - Wikipedia Rodmarton Manor is a large country house, in Rodmarton The English Country House Garden: Traditional Retreats to Contemporary Masterpieces, near CirencesterGloucestershirebuilt for the Biddulph family. -
Little Chapel V2
RODBOROUGH TABERNACLE UNITED REFORMED CHURCH Welcome to our Little Chapel a place o spiritual serenity and a valued example o Arts and Cra ts Movement design. The Little Chapel is a place o tran)uillity and prayer a retreat rom the hustle and bustle o everyday li e. It is used regularly or worship and or special occasions such as weddings and baptisms. Its under- cro t is still used as meeting,room and head)uarters by the local Scout group. providing a valued lin/ with the wider community. We also wel, come visitors who are interested in the Arts 0 Cra ts Movement. as well as those simply see/ing a place to re lect. The Little Chapel was built circa 1835, originally as a coach house and stables to the Church, at a time when the sanctuary in the main church building was enlarged to accommodate a growing congregation. Subsequently, during the pastorate o the Rev. C. Ernest Watson (1909-1942) the number o young people in the church increased considerably. This began in 1909 when Rev. Watson was inspired to start a Scout Troop. , -uide Company was added in 1914. .n Sunday a ternoons, meetings attracted about i ty young people and Rev. Watson had the vision o converting the coach house into a worship centre or what was to become the -uild o the Tri-Sigma. The idea caught the imagination o local businessman Reginald Tyrell, who lived about hal a mile away on Wal/ley 0ill. 1n 1925 he generously inanced the cost o the conversion. -
The Arts & Crafts Movement
The Arts & Crafts Movement The craft revival was started in the 1850’s by a group of Oxford University students, known as The Birmingham Set, led by William Morris and Edward Burne‐Jones. Although originally apolitical, the group rapidly became politicised against the “barbarity of contemporary culture” and pursued literary and artistic activities to "wage Holy warfare against the age". They were heavily influenced by the romantic works of Tennyson, Keats and Shelley; later, by the writings of Ruskin and the mediaevalist writings of Mallory’s Morte d'Arthur. Members of the group took up careers as painters, writers, designers, architects and, later, as craftsmen in wood and other materials. In 1861 Morris and some friends founded a company, Morris Marshall Faulkner & Co (later Morris & Co), which designed and made decorative objects for homes, including wallpaper, textiles, furniture and stained glass. In 1891 Morris established the Kelmscott Press, for which he designed a typeface based on 15th‐century letterforms. The press printed fine and de‐luxe editions of contemporary and historical English literature. Morris's ideas spread during the late 19th and early 20th centuries resulting in the establishment of many associations and craft communities, although Morris was not involved because of his preoccupation with promoting socialism. A hundred and thirty Arts and Crafts organisations were formed in Britain between 1895 and 1905. The Arts and Crafts Movement started in the 1880s, and the Art Workers Guild was formed in 1884. In 1885, the Birmingham School of Art, the first Municipal School of Art, became a leading centre for the Arts and Crafts movement. -
Owlpen Manor Gloucestershire
Owlpen Manor Gloucestershire A short history and guide to a romantic Tudor manor house in the Cotswolds Owlpen Press 2006 OWLPEN MANOR, Nr ULEY, GLOUCESTERSHIRE GL11 5BZ Ow lpe n Manor is one mile east of Uley, off the B4066, or approached from the B4058 Nailsworth to Wotton-under-Edge road: OS ref. ST800984. The manor house, garden and grounds are open on Tuesdays, Thursdays and Sundays every week from 1st May to 30th September. Please check the up-to-date opening times (telephone: 01453-860261, or website: www.owlpen.com). There is a licensed restaurant in the fifteenth-century Cyder House, also available for functions, parties, weddings and meetings. There are nine holiday cottages on the Estate, including three listed historic buildings. Sleeping 2 to 10, they are available for short stays throughout the year. Acknowledgements When we acquired the manor and estate in 1974, we little realized what a formidable task it would be—managing, making, conserving, repairing, edifying—absorbing energies forever after. We would like to thank the countless people who have helped or encouraged, those with specialized knowledge and interests as well as those responsible, indefatigably and patiently, for the daily round. We thank especially HRH The Prince of Wales for gracious permission to quote from A Vision of Britain; long-suffering parents, children, and staff; David Mlinaric (interiors); Jacob Pot and Andrew Townsend (conservation architecture); Rory Young and Ursula Falconer (lime repairs); John Sales, Penelope Hobhouse and Simon Verity (gardens); Stephen Davis and Duff Hart-Davis (fire brigades); and Joan Gould and Martin Fairfax-Cholmeley (loans). -
This Tour Begins on Saturday, May 12, 2018 in Oxford Where Morris Met So Many Who Changed His History and the Future He Had Planned
May 12 – 20, 2018 This tour begins on Saturday, May 12, 2018 in Oxford where Morris met so many who changed his history and the future he had planned. It was here he met Edmund Burne-Jones, with whom he decorated the Debating Union which is our first stop. It was also here that he met Jane Burden who became his wife. Dante Gabriel-Rossetti was also one of those he met and worked with on projects for some time. We are so pleased that Peyton Skipwith, who is a past Master of the Art Workers Guild, and has written extensively on the work of many of the artists we will see, and is a charming and knowledgeable traveling companion, has agreed to accompany our tour again. In addition we will be joined by such experts as Peter Cormack, Mary Greensted, Mark Eastment, and Paul Reeves. Our hosts include Malcolm Rogers, Detmar Blow, John Biddulph and Sir Nicholas and Lady Mander. We spend our first two nights at the Old Bank Hotel and our guides will be Peter Cormack and Mark Eastment. Here we’ll visit a number of sites important to Morris and other artists and architects of the Arts and Crafts Movement. Among our visits will be to the Oxford Debating Union where Morris and Burne-Jones met and painted the ceiling, anticipating the beginnings of the Pre-Raphaelites. We will visit several of the colleges that were significant to Morris – Exeter when he went to school, Manchester which has the largest set of Morris & Company windows in Oxford – seen below and St Michael’s where he and Jane were married. -
Gimson and the Barnsleys September 7 – 16, 2019
GIMSON AND THE BARNSLEYS SEPTEMBER 7 – 16, 2019 When Mary Greensted first published her major examination of the work of Ernest Gimson and the brothers Sidney and Ernest Barnsley in 1980, it had been over a decade since Lionel Lambourne’s Gimson exhibition at the Leicester Museum and Art Gallery– which was opened by Gordon Russell - and over 50 years since anyone had seriously published anything about their work. That book, “Gimson and the Barnsleys: Wonderful Furniture of a Commonplace Kind”, was reissued in 1991. And now nearly 30 years later, Mary’s new book with a reassessment of their work and their place within the world of the Arts and Crafts Movement, is to be published. Following several tours to the Cotswolds which looked at the work of C.R.Ashbee, William Morris and his friends, it seems an appropriate time to offer a tour which features the work of these three major architects and designers. This tour, while spending the majority of the time in the Cotswolds, will begin in the north in Greenlaw, Scotland at Marchmont House where the legacy of Ernest Gimson is being carried on by Lawrence Neal. Gimson apprenticed with Philip Clissett and in turn Lawrence’s father Neville followed the tradition. Marchmont House interior staircase and exterior with renovations by Robert Lorimer Our first two nights we will be staying at Marchmont House, an amazing late-eighteenth century mansion on the Scottish borders enlarged a century ago by Robert Lorimer - the Scottish Lutyens. The house has recently been restored and contains, among its many treasures, a significant collection of Arts and Crafts furniture along with an archive of designs by Ernest Gimson and Neville Neale. -
Uncover Cirencester Classy and Chic, Cirencester Is Considered to Be the Capital of the Cotswolds
Uncover cirencester classy and chic, cirencester is considered to be the capital of the cotswolds. in roman times it was known as corinium and was the second largest town in england. today it is a thriving, vibrant community. day 1 where to stay Cirencester is one of those towns that Stay in the heart of Cirencester at are ideal for pottering and exploring, The King’s Head overlooking the full of intriguing little alleyways and iconic market square – an elegant winding streets. The centrepiece is boutique hotel in a historic setting. the striking parish church of St John Or choose The Fleece , a charming, Baptist with its impressive south traditional coaching inn where porch. It stands on one side of the reputedly King Charles II hid from Market Place and on the opposite side Cromwell’s troops. is the alleyway leading to the Corn Hall where antique and crafts markets hidden gems are held. Shopping and eating in New Brewery Arts is an arts and Cirencester are delights – there are so crafts centre, unique in the many individual shops, cafés and Cotswolds. Watch craftspeople and restaurants to choose from. Whichever artists at work and buy a lovingly street you choose, you’re in for a treat! crafted souvenir in the gift shop. Coxwell Street, Gloucester Street and Dollar Street are the most historical parts of Cirencester. top tip To get to know the town properly join a walking tour led by a local guide. Or follow one of the themed Cirencester is a historian’s delight – from Roman ruins to elegant Georgian and trails – choose from Roman or Victorian buildings, its rich past is there to see – if you know where to look! Medieval or the more rural Hare Discover more at the award-winning Corinium Museum which, as well as having Festival Way. -
Dossier A&C.Indd
Dossier de prensa Del 22 de febrero al 21 de mayo de 2018 Organizan y producen: Museu Nacional d’Art de Catalunya y Fundación Juan March Equipo curatorial: Manuel Fontán del Junco y María Zozaya Álvarez (Fundación Juan March), y las comisarias invitadas Joanna Banham, Pat Kikham y Karen Livingstone William Morris para Morris & Co. Fragmento textil Rose [Rosa], 1883. Museo Nacional de Artes Decorativas, Madrid William Morris y el movimiento Arts and Crafts en Gran Bretaña, producida por el Museu Nacional d’Art de Catalunya y la Fundación Juan March, pretende explorar en profundidad las múltiples facetas del diseñador, artesano, empresario, poeta, ensa- yista y agitador social William Morris (1834-1896), así como de las principales figuras del movimiento británico Arts and Crafts. El proyecto trata de mostrar no solo la figura histórica de Morris, sino la vigencia de su obra y sus ideas. Esta exposición se inscribe en la línia de trabajo que lleva a cabo el Museu Nacional para presentar los grandes movimientos europeos en relación a su colección, en este caso el modernismo. 3 William, Jane y Jenny Morris Honeysuckle Philip Speakman Webb. Detalles constructivos de la Red House, 1859. Victoria and [Madreselva], 1876. William Morris Gallery, London Albert Museum, Londres rough of Waltham Forest, Londres William Morris y el movimiento Arts and Crafts en Gran Bretaña está organizada en cuatro seccio- nes cronológicas y temáticas, y reúne 300 importantes piezas de mobiliario, textiles, papeles pintados, joyas, vidrio, cerámica, metalistería, encuadernaciones, pintura, dibujo, grabado y fotografía. Entre las obras expuestas destacan un inmenso tapiz realizado por Morris & Co. -
Late Summer Gardens
Late Summer Gardens Friday, September 4. Departure from your chosen US gateway city to London. Overnight: Plane Saturday, September 5. Morning arrivals at London’s Heathrow Airport will be met by our Discover Europe tour guide and we’ll be- gin our adventures with a guided tour of nearby Savill Garden. After time here for lunch we’ll continue to our hotel in the Cotswolds, where there will be time to unpack, relax and begin exploring the town. Later arrivals will either join the group at Savill Garden or be transferred directly to the first hotel. This evening we’ll gather for an early dinner at the hotel. D( ) Overnight: Cotswolds Sunday, September 6. A leisurely start this morning will introduce the region with a beautiful drive through the Cotswolds’ quintes- sentially English landscape of honey-colored villages and green meadows. After a traditional Sunday lunch in a nearby country pub, we’ll visit the Hidcote Manor garden, England’s foremost 20th-century garden, where a series of horticultural “rooms” have been created, each different in color, character, and intention. Next, we’ll visit the beautiful Kiftsgate Court gardens, home of Heather Muir, a pioneer in the rediscovery of shrub roses (including the celebrated rambling Rosa filipes “Kiftsgate”). The evening is free to dine at the local pub. (B, L) Overnight: Cotswolds Monday, September 7. This morning we will make a private visit (11.15 am)) to the estate of His Royal Highness The Prince of Wales at Highgrove. After lunch, we’ll visit Rodmarton Manor, a fine example of a Cotswold “Arts & Crafts” House and one of the last great country houses to be built in the traditional way. -
Dossier Premsa
Dossier de premsa Del 22 de febrer al 21 de maig de 2018 Organitzen i produeixen: Museu Nacional d’Art de Catalunya i Fundación Juan March Equip curatorial: Manuel Fontán del Junco i María Zozaya (Álvarez (Fundación Juan March), i les comissàries convidades Joanna Banham, Pat Kikham i Karen Livingstone William Morris per a Morris & Co. Fragment tèxtil Rose [Rosa], 1883. Museo Nacional de Artes Decorativas, Madrid William Morris i el moviment Arts and Crafts a Gran Bretanya, produïda pel Mu- seu Nacional d’Art de Catalunya i la Fundación Juan March, es proposa explorar en profunditat les múltiples facetes del dissenyador, artesà, empresari, poeta, assagista i agitador social William Morris (1834-1896), així com de les principals figures del movi- ment britànic Arts and Crafts. El projecte tracta de mostrar no només la figura històrica de Morris, sinó també la vigència de la seva obra i les seves idees. Aquesta exposició s’inscriu en la línia de treball que porta a terme el Museu Nacional per presentar els grans moviments europeus en relació amb la seva col·lecció, en aquest cas el modernisme. 3 William, Jane i Jenny Morris Honeysuckle [Madreselva], Philip Speakman Webb. Detalls constructius de la Red House, 1859. Victoria and Albert 1876. William Morris Gallery, London rough of Waltham Museum, Londres Forest, Londres William Morris i el moviment Arts and Crafts a Gran Bretanya està organitzada en quatre seccions cronològiques i temàtiques, i presenta 300 peces importants de mobiliari, tèxtils, papers pintats, joies, vidre, ceràmica, metal·listeria, enquadernacions, pintura, dibuix, gravat i fotografia. Entre les obres exposades destaquen un immens tapís realitzat per Morris & Co. -
The Subject Index
DAS Index – Subjects AA Journal 20.64 Aalto, Alvar 10.34–6, 19.48, 56, 27.16, 31.75 Abadie, Paul 14.6 Abbey, Edwin Austin 21.60, 24.50, 28.197 Abbey Theatre (Dublin) 9.29 Abbot Hall Museum (Kendal) 31.42 Abdulla Cigarettes 23.62–3 Abels, Gustaf 5.6 Abercrombie, Patrick 26.121, 127 Aberdeen 21.35–44 Argyll Place and Crescent 21.37, 39 Art Gallery 35.125 Ecclesiological Society (later Scottish Ecclesiological Society) 21.35, 41–2, 44 Episcopal Church 21.42 Hamilton Place 21.35, 37, 39 Philosophical Society 21.35 Queens Cross Church 21.37 St Machar’s Cathedral 23.40 Seaton Cottage 23.34 Society of Architects 21.35 Victoria Park fountain 21.35 West Kirk 23.42–3 Aberdeen Directory 21.35 Aberdeen, Ishbel-Maria, Lady 18.63 Abney Hall, Cheshire 25.54–5 Abspoel, Willem F. 7.34 Abu Dhabi 32.145 The Academy 23.93, 98 Academy of Fine Arts (Valenciennes) 21.119 Acatos (Peter) (pottery) 15.25 Accles and Pollock (furniture) 8.54 Ackroyd, Peter 35.77, 79 Acton Burnett Hall (Shrewsbury) 24.13 Acton, Sir Harold 35, 8.31–2, 35.136 Acton, William 8.32 Adam & Small 23.48 Adam, Robert 8.7, 33.62, 67 Adam, Stephen 23.33, 35, 48 Adam style 8.7, 9.45, 46 Adams, John 30.117 Adams, Katharine 28.193 Adams, Maurice B 26.61, 28.116 Adams, Percy 21.122 Adburgham, Alison 33.82, 34.38 Addams, Jane 28.67, 75 Addison, David 24.54 Addison, Ruth 33.14–15 Adelphi (London) 21.127–8 Adeney, Bernard 17.34 Adie Bros 17.61, 62 Adjani, Isabelle 22.87 Adler, Rose 1.38 Adlington, William Sampson 21.95 Admiralty Harbour (Dover) 21.109 Adnet, Jacques 27.18 Adnet, J.J.