David Buckley

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DAVID BUCKLEY COMPOSER AWARDS PRIMETIME EMMY AWARD NOMINATION (2017) THE GOOD FIGHT Outstanding Original Main Title Theme Music MOTION PICTURES ARCTIC JUSTICE Aaron Woodley, dir. Open Road Films PAPILLON Michael Noer, dir. Bleecker Street Media WONDER WOMAN (additional music) Patty Jenkins, dir. Warner Bros. THE BOY DOWNSTAIRS Sophie Brooks, dir. FilmRise FIFTY SHADES DARKER (additional music) James Foley, dir. Universal Pictures JASON BOURNE Paul Greengrass, dir. Universal Pictures THE NICE GUYS Shane Black, dir. Warner Bros. THE BROTHERS GRIMSBY Louis Leterrier, dir. Sony Pictures Entertainment FIFTY SHADES OF GREY (additional music) Sam Taylor-Johnson, dir. The Weinstein Company BIG EYES (additional music) Tim Burton, dir. The Weinstein Company BREAKING THE BANK Vadim Jean, dir. Black Hangar Studios 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 DAVID BUCKLEY COMPOSER MOTION PICTURES (cont.) ___________________________________________ AMERICAN HUSTLE (additional music) David O. Russell, dir. Columpia Pictures A BIT OF BAD LUCK John Fuhrman, dir, Meadow Point Motion Pictures PARKER Taylor Hackford, dir. Incentive Filmed Enterainment GONE Heitor Dhalia, dir. Summit TRESPASS Joel Schumacher, dir. Millennium Films ATM David Brooks, dir. Lionsgate THE TOWN (co-composed with Harry Gregson-Williams) Ben Affleck, dir. Warner Bros. FROM PARIS WITH LOVE Pierre Morel, dir. Lionsgate IN THE LAND OF THE FREE Vadim Jean, dir. Gold Circle Films TELL TALE Michael Cuesta, dir. Artina Films BLOOD CREEK Joel Schumacher, dir. Gold Circle Films GONE BABY GONE (additional music) Ben Affleck, dir. Miramax SHREK THE THIRD (additional music) Chris Miller, dir. Paramount THE REVENGE (additional music) Tony Scott, dir. Columbia Pictures THE NUMBER 23 (additional music) Joel Schumacher, dir. New Line Cinema FLUSHED AWAY (additional music) David Bowers, dir. Dreamworks Kraft-Engel Management 818.380.1919 BUCKLEY Page 2 of 3 DAVID BUCKLEY COMPOSER MOTION PICTURES (cont.) ___________________________________________ BOOK OF DRAGONS Steve Hickner, dir. Dreamworks TELEVISION THE GOOD FIGHT Michelle King, creator Scott Free Productions BRAINDEAD Michelle King, Robert King, creator Scott Free Productions MERCY STREET Roxann Dawson, creator Scott Free Productions PROOF Rob Bragin, creator TNT KILLING LINCOLN (TV Movie) Adrian Moat, dir. National Geographic COMA (Miniseries) Ridley Scott, Tony Scott A&E Television Network THE GOOD WIFE Michelle King, Robert King, creators CBS SHREK THE HALLS (additional music) Gary Trousdale, dir. DreamWorks VIDEO GAMES BATMAN Warner Bros Interactive BATMAN: ARKHAM KNIGHT Warner Bros. Interactive Entertainment CALL OF DUTY: GHOSTS Activision SHREK FOREVER AFTER: THE GAME Activision METAL GEAR SOLID 4 (additional music) Kraft-Engel Management 818.380.1919 BUCKLEY Page 3 of 3 .

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Shrek4 Manual.Pdf
Important Health Warning About Playing Video Games Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including ﬂ ashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching video games. These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms— children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well-lit room; and do not play when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. ESRB Game Ratings The Entertainment Software Rating Board (ESRB) ratings are designed to provide consumers, especially parents, with concise, impartial guidance about the age- appropriateness and content of computer and video games. This information can help consumers make informed purchase decisions about which games they deem suitable for their children and families.
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
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Micdi Productions, Inc
MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project.
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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
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TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna
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As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
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Sharyn Gersh for Every Project We Do
"There's a reason we keep going back to Sharyn Gersh for every project we do. SHARYN GERSH She's the best music editor in the business. Her creativity, speed, and I-can-make-this-work attitude have made her invaluable to us. President/CEO We can't imagine working with anyone else." Co-Owner -- Michelle & Robert King, Creator-Exec Producers of The Good Fight & The Good Wife AWARDS 2016 Golden Reel Award Best Sound Editing In Television Long Form Music: “Teen Beach 2” 2012 Golden Reel Award Best Sound Editing In Television Episodic Music: “Raising Hope: Prodigy” 2003 Golden Reel Award [email protected] Best Sound Editing In Television Episodic Music: “American Dreams: Cold Snap” 2001 Emmy Outstanding Sound Editing For A Series: 818-730-6973 “ER: The Crossing” 2001 Golden Reel Award Best Sound Editing In Television Episodic Music: “Ally McBeal: The Musical, Almost” www.createharmonymedia.com 1999 Emmy Outstanding Sound Editing For A Series: “ER: The Storm, Pt 2” (for full list of nominations go to IMDB: Sharyn Gersh, Sharyn Tylk-Gersh) Billing Address: 1837 N Niagara St SELECTED PROJECTS Burbank, CA 91505 Titles Composers “Evil” David Buckley “Dare Me” Jonathan Sanford “The Good Fight” David Buckley Office Address: “Whiskey Cavalier” Harry Gregson-Williams 1119 S. Flower St “American Woman” John Swihart Burbank, CA 91506 “Trial & Error” John Swihart “Life Sentence” Waz & Jamie Jackson “Youth & Consequences” Waz & Jamie Jackson “Braindead” David Buckley “The Good Wife” David Buckley fb.me/CreateHarmonyMedia “Kingdom” Tyler Bates “Betrayal” BT “Harry’s Law” Transcenders “Playboy Club” David Schwartz & Transcenders linkedin.com/in/sharyn-gersh “Raising Hope” Danny Lux & Matt Moriano linkedin.com/company/createharmony “Terriers” Robert Duncan “ER” Marty Davich “My Name Is Earl” Danny Lux “Ally McBeal” Danny Lux “The Practice” Stewart Levin (for full list of credits go to IMDB: Sharyn Gersh, Sharyn Tylk-Gersh) .
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Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer
Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer June 7, 2021 “Infinite” Premieres Exclusively on Paramount+ June 10, Followed by the Debut of “PAW Patrol: The Movie” on August 20, Same Day as Its Theatrical Release The Streaming Service Will Add More Than 1,000 New Movies, including “Rocketman,” “The Hustle,” “Sonic the Hedgehog,” “Mission: Impossible - Ghost Protocol,” “Footloose,” “Skyfall,” “Like a Boss,” “Star Trek Beyond,” “The Rhythm Section” and More Premium Original Series Premiering and Returning This Summer Include iCARLY, EVIL, THE GOOD FIGHT, RuPAUL’S’ DRAG RACE ALL STARS, BEHIND THE MUSIC and More Paramount+ Will Stream Hundreds of Live Soccer Matches, Including Concacaf Men’s World Cup Qualifiers, UEFA Club Competitions, Italy’s Serie A, Campeonato Brasileirão Série A, NWSL, Argentina’s Liga Profesional de Fútbol and More New Ad-Supported Plan Launches Today for $4.99 per Month, Packaging the Best in Entertainment, News and Sports at an Even More Compelling Price Point NEW YORK--(BUSINESS WIRE)--Jun. 7, 2021-- Paramount+ today announced it will significantly expand its content offering this summer, starting with the exclusive premiere of the sci-fi action film “Infinite” and introduction of more than 1,000 premium movies this week. From generation-defining films and award-winning classics to thrilling action-adventure movies and family friendly hits, the world-class movie library will be complemented by a summer slate of highly anticipated originals, plus an unrivaled sports package that includes hundreds of marquee soccer matches. The new summer slate will roll out over the next several weeks, joining Paramount+’s already extensive content portfolio that is now available to subscribers at a new low-cost tier of just $4.99/month starting today.
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Fighting and Winning the Good Fight
ST. JOHN THE BAPTIST GREEK ORTHODOX CHURCH “Behold I send My messenger before Your face, who will prepare Your way before You. The voice of one crying in the wilderness; Prepare the way of the Lord; make His paths straight.” Mark 1:2-3 Mission Statement: St. John the Baptist Greek Orthodox Church is dedicated to spreading the Gospel of Jesus Christ as the one, holy, catholic, and apostolic church. Vision: The church shall seek to fulfill its mission by: 1. Embracing the Spiritual Life of the Orthodox Church through regular prayer, worship, and frequent participation in the sacraments. 2. Supporting the Church through stewardship of time and talent and sacrificial giving. 3. Providing a welcoming, caring, loving environment. 4. Having its members exemplify Orthodox Christian character and morals. 5. Supporting ministries that facilitate the overall mission of the Church. 6. Exemplifying commitment to community service and charitable outreach. 7. Creating an environment which encourages members to grow in their faith. Father Stavros’ Message Fighting and Winning the Good Fight magine if a group of us was sitting in a room having per- anxiety, cancer and an innumerable amount of other things. fect conversation and breathing perfect air. And all of a There is no perfect marriage. There is no perfect child. There sudden, someone entered the room and sprayed a volumi- I is no perfect person. There is no perfect anything. Only God nous amount of aerosol into the air. What would have alone is perfect. Only with God in heaven can we be perfect. changed? There would still be a group of nice people sitting in Only in the Lord can we experience “fleeting moments” of per- a room having perfect conversation.
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Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N. Vassilakis Ph.D. http://lms.colum.edu Course # / Section 43-2410 / 01 Credits 3 hours Class time / place Thursday 12:30 – 3:20 p.m. 33 E. Congress Ave., Room LL18 (Lower Level – Control Room C) Course Site On MOODLE http://lms.colum.edu Instructor Pantelis N. Vassilakis, Ph.D. Phone Office: 312-369-8821 – Cell: 773-750-4874 e-mail / web [email protected] / http://www.acousticslab.org Office hours By appointment; Preferred mode of Communication: email Pre-requisites 52-1152 “Writing and Rhetoric II” (C or better) AND 43-2420 “Audio for Visual Media I” OR 24-2101 “Post Production Audio I” OR 43-2310 “Psychoacoustics” INTRODUCTION During the filming of Lifeboat, composer David Raksin was told that Hitchcock had decided against using any music. Since the action took place in a boat on the open sea, where would the music come from? Raksin reportedly responded by asking Hitchcock where the cameras came from. This course examines film sound practices, focusing on cross-modal perception and cognition: on ways in which sounds influence what we “see” and images influence what we “hear.” Classes are conducted in a lecture format and involve multimedia demonstrations. We will be tackling the following questions: • How and why does music and sound effects work in films? • How did they come to be paired with the motion picture? • How did film sound conventions develop and what are their theoretical, socio-cultural, and cognitive bases? • How does non-speech sound contribute to a film’s narrative and how can such contribution be creatively explored? Aesthetics of the Motion Picture Soundtrack – Spring 2014 – Section 01 Page 1 of 12 COURSE DESCRIPTION & OBJECTIVES Course examines Classical Hollywood as well as more recent film soundtrack practices, focusing on the interpretation of film sound relative to ‘expectancy’ theories of meaning and emotion.
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Call for Papers "Voice in Theater and Film Translation"
The Journal of Specialised Translation Issue 17 – January 2012 The translation of linguistic stereotypes in animated films: a case study of DreamWorks’ Shrek and Shark Tale Pilar González Vera, University of Zaragoza ABSTRACT As a source for the socialisation of the child, animated films have attracted the attention of sociolinguistics which has traditionally been interested in the interaction between language and society. The role of language in the process of socialisation and in the creation and perpetuation of stereotypes is the focus of attention of this research. This study concentrates on the portrayal and translation of stereotypes on the basis of gender through the manipulation of the discourse in the DreamWorks‘ films Shrek and SharkTale. With this aim, the research is divided into three sections. The first one provides a brief introduction to the concept of stereotypes, the second is devotedto the study of the role of translation inthe representation of gender stereotypes in the cases of two female characters, Fiona and Lola, and two male characters, Donkey and Lenny; and the third one presents the conclusions drawn from the previous analysis. KEYWORDS Stereotypes, gender, dubbing, animated films, sociolinguistic. 1. The concept of stereotypes Films are part of cross-cultural communication and a way of reflecting other identities and cultures. Animated films have been, in principle, characterised by their simple plots and their classification of characters into two groups: the heroes and the villains. This simplification of reality is known as stereotyping, a concept introduced by Lippmann in 1922 (1922). Cultural studies have demonstrated that stereotyping is a fundamental mechanism of perception and categorisation, without which orientationand survival in a complex society such as ours would be virtually impossible (Rieger 2006: 279).
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Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.
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