DOCSLIB.ORG

Right Arm Resource Update

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 2/1/2017 The Outdoor Type “On My Mind” The first single from the upcoming album Day To Day, going for adds now Early adds at KTBG, KYSL, KRCL and KUWR “If you talk about bands like The War on Drugs as Americana, The Outdoor Type is the epitome of Australiana” - Indie Shuffle “Brings to mind the work of The Church and The Go-Betweens, two of Australia’s finest alt-rock bands”- WXPN Angelica Garcia “Orange Flower” The first single from her debut album Medicine For Birds, out now Early at KCMP, KCSN, WYCE, WYSO, KXCI, WJCU and WHRV On tour now with Lydia Loveless Featured on Bob Boilen’s top 40 songs of 2016 playlist and picked as one of NPR Music’s top 100 songs of 2016 “A raucous blues track with perfectly sarcastic lyrics you won’t be able to get out of your head” - NPR All Songs Considered River Whyless “Life Crisis” The new single from We All The Light, on PlayMPE and going for adds now Added early at KUTX, WFIV, KCLC and KNBA “River Whyless doesn’t play country, folk or roots rock. Think Paul Simon; think imaginative arrangements with accents of music from around the world. The lyrics are deep and the hooks are strong.” - Bob Boilen/NPR New tour kicks off Feb 15 Passenger “Anywhere” The new single from Young As The Morning, Old As The Sea, going for adds now New: WXRV, WNCS, KRVB, WZEW, WAPS, KKAL, KMTN, WVOD, KROK... Early: KINK, WRLT, KCSN, WQKL, WPYA, Music Choice, WDST, WCNR, KTAO, KCLC, WFIV, WOCM, WMWV, KRML, KVNA... US tour dates kick off March 7 Passenger has had over 1 billion streams in the US alone and has sold over 9 million singles worldwide Horse Thief “Evil’s Rising” The first single from their sophomore album Trials & Truths, out now on Bella Union/PIAS First week: WNRN, WCBE, KDBB Added early at KTBG, KVOQ/Open Air and WFIV Single on PlayMPE, full cd on the way to radio Catch them at SXSW in March Past touring supporting Elle King, My Morning Jacket, Midlake, Paper Kites and The Felice Brothers Live shows announcing soon Jonny P “It’s Our Time” The title track from his upcoming EP, due this spring on Big Picnic, on PlayMPE and going for adds now Added early at WFIV Produced and mixed by Tom Elmhirst (Adele, Frank Ocean, Jamie XX, Amy Winehouse, Mark Ronson) and featuring James Gadson (Quincy Jones, Paul McCartney, Herbie Hancock, Beck, BB King, Jamie Lidell) drums on the EP Partnerships include Chanel, J. Crew and Delta The Mavericks “Brand New Day” The first single from Brand New Day, their new studio album, in stores March 31 New at WYEP Already on WXPN, KCSN, WTMD, KTBG, WEXT, WKZE, WCBE, KSUT, WJCU, KDBB, WMWV, WFIV, WDVX, KUWR, WHRV, KDEC and KRVM Rolling Stone premiered the single On tour in April: 4/7 Nashville, 4/21 Albuquerque, 4/22 Scottsdale, 4/29 New Braunfels... Beth Hart “Love Is A Lie” The first single from Fire On The Floor, in stores Friday New: XM Loft, KRSH, WNCW, KRCC, KAXE, WERU Already on: WRLT, WAPS, WDST, KBAC, WCBE, WBJB, WFIV, KVNA, WOCM, WEXT, WYCE, KSLU, KDBB, KVNF, KSMF, KDNK, MSPR, WUTC, KDEC Tour dates kick off 2/11 Mojo: 4 stars, AP: “She’s a sizzle” Confirmed: PBS Front And Center, NPR All Things Considered, Mountain Stage, eTown, Relix, Paste, Baeble... Bastille “Blame” The new single from Wild World, following up the top 5 AAA hit “Good Grief” NEW: WZEW, KHUM Already on: WXRT, WXPK, WPYA, KPND, WAPS, WCOO, WCNR, KROK, KMTN, WOCM, KSKI, KCLC, KKAL, WFIV, KVNA, WVOD, KRML... Already over 7 million streams online! Video over 2 million views US tour: 3/27 Boston, 3/28 Fairfax VA, 3/30 Brooklyn, 3/31 Uncasville CT, 4/3 Chicago, 4/6 Sugarland TX, 4/7 New Orleans... Nikki Lane “Jackpot” The first single from Highway Queen, in stores 2/17 Mediabase 32*, BDS New & Active, FMQB Tracks 38*, Public Debut 35*! New: WVOD, WMNF, KUWR, WKZE, KRCC, WXRY, WERU Already on: WXRV, KINK, WCLZ, KCMP, WRLT, XM Loft, KTHX, KEXP, KUTX, WTMD, WAPS, KRSH, WPYA, WYEP, WZEW, KJAC, KPND, Music Choice, WCNR, WNKU... “As unapologetic as Johnny Cash’s middle finger” - Rolling Stone Tour starts 2/22 Mike Doughty “Wait! You’ll Find A Better Way” The new single from The Heart Watches While The Brain Burns New: WBSD, KRCL Already on KUTX, XM Loft, WFPK, KTBG, KJAC, KVNA, WMWV, WBJB, KHUM, WKZE, WZLO, KROK, WCBE, WYCE, WDST, KRML, KSUT, KDEC, WUKY... Mike’s 48 show full band tour going on now through March 11 “A new Mike Doughty record is an event.” - Roseanne Cash The xx “On Hold” The first single from I See You, in stores now Surpassed 35 million Spotify streams New: KTHX, WMNF, KRCC, KAXE, WERU Mediabase 13*, BDS Monitored 10*, Indicator 16*, FMQB Tracks 9*, Public 3*! ON: WXRT, KGSR, KBCO, KFOG, WMMM, KRVB, KINK, WXRV, WRNR, WPYA, WRLT, WQKL, WNCS, WFUV, WXPN, KCMP, KEXP, KCRW, KUTX, KXT, WYEP, WCLZ, WNKU, WWCT, Music Choice... SUSTO “Waves” The first single from & I’m Fine Today, in stores now New: WPYA, KDEC Already on: KINK, XM Loft, WTMD, WYEP, WCOO, KRSH, WZEW, KPND, WCNR, WNRN, KVNA, KYSL, KKAL, WCBE, WXRY, KVNF, WERU, WUSM, WYSO, KXCI... Headlining dates now, followed by their extensive Feb/Mar run with The Lumineers and Kaleo Nine Artists to Watch For at AmericanaFest—NPR Music Official video online now Jake Clemons “Hold Tight” The debut full length album from the E Street Band saxophonist and nephew of the late Clarence Clemons, in stores and at radio now New: KRCC, KVNF, WYCE Already on WBJB, KHUM, KCLC, KROK, WCBE, WFIV, KVNA, WEXT, WSGE, KUWR, KDBB, WUTC and WHRV “He’s both paying tribute to his uncle’s legacy and keeping it alive” - CBS Great Rolling Stone interview online Johnnyswim “First Try” New: KHUM ON: WXRV, KCSN, WCLZ, KRSH, WCNR, WEHM, WFIV, WVOD, KNBA, WCBE, WMVY, WSGE, WEXT, KCLC, WVMP, KROK... Played on Conan last month “They no longer need to rely on energetic rollicks to write quality pop songs.” - PopMatters Tour dates: 3/1 Omaha, 3/2 Des Moines, 3/3 Madison, 3/4 St. Louis, 3/7 Louisville, 3/8 Indianapolis, 3/9 Cincinnati, 3/10 Columbus... Aaron Lee Tasjan “Little Movies” From his New West debut Silver Tears, out now FMQB Public #51! New: WBSD Already on KCSN, WRLT, KEXP, WXPN, KJAC, KTBG, WPYA, KRSH, WAPS, WVOD, KVNA, WYCE, WNRN, KUWR... Just toured with Lucinda Williams, March tour coming with St. Paul & The Broken Bones Summer festivals: Rythym & Blooms, High Water, Stagecoach, Bonnaroo, Forecastle, FloydFest, Newport and more Rachael Yamagata “Let Me Be Your Girl” Already on WTMD, WDST, KNBA, WFIV, KCLC, KROK, WUTC, WUKY, WYCE, KFLY, KXCI, KVNA, WZLO, KUWR “Yamagata sings with the confidence of someone working without a net.” - AP/WaPo” Official video starring Allison Jan- ney (West Wing, Mom) and directed by Josh Radnor (How I Met Your Mother) is online now Live: 3/6 NYC City Winery Mondo Cozmo “Shine” The first big New Artist story of 2017! Mediabase 1*, BDS Monitored 2*, Indicator 2*, FMQB Tracks #1, Public 11* Mediabase panel 100% closed out! Baeble Artist To Watch in 2017: “If this is the impact he’s made with only a few songs, imagine what this year will look like when he releases even more.” Lots of summer festivals including Shaky Knees, Hangout, Forecastle and more Check out the fantastic music going for adds soon Hitting PlayMPE this Friday: a sampler of track from Amazon’s Love Me and Love Me Not playlists including fantastic covers, originals and alternate versions from Okkervil River, Joyce Manor, Surfer Blood, Starsailor, Beth Hart, Futurebirds, Run River North, SUSTO and more Also coming up... 2/13: Cold War Kids “Love Is Mystical,” Grace VanderWaal “I Don’t Know My Name,” Black Joe Lewis & The Honeybears “Sexual Tension”... 2/20: Alex Lahey “Wes Anderson,” Jamestown Revival “Poor Man’s Gold” Get to know Angelica Garcia with this great New York Times piece “Angelica Garcia’s songs take unexpected swoops. Sometimes it’s the music, which is steeped in country-rock and blues, with flickers of indie-rock desolation; sometimes it’s her voice, which is sure and conspiratorial, bendy and grounded. Most often, though, it’s her words, which come together in surprising patterns, a blend of old-timey formalism and magical storytelling. “A lot of my lyrics are inspired by conversation — they’ll say one thing that sticks out to me, and I get inspired,” Ms. Garcia said, discussing her debut album, “Medi- cine for Birds,” over the phone from her new apartment in Richmond, Va. She uses those moments to enrich her stories about fleeing the nest, shedding expectations and, sometimes, about burning any con- nection between the then and the now. Literally, in the case of “Bridge on Fire”: “Baby, like a moth enamored with the light/watched it beam by beam ignite!/Praying with an exhilarating fright that a gale would double up its size.” On the bracing “Loretta Lynn,” she stews over the ways relationships are prisons: “They told us we were their heiresses/a trick to con- jure submissiveness/so we’d be lame, but great in appearances.” “Medicine for Birds,” due on Sept. 30 from Warner Bros., is a lovely, intense album that’s deliciously unfaithful to the roots and country music that inspired it.
Recommended publications
  • I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context

    I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context

    Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century.
  • WAYNE MCGREGOR ANDOLAFUR ELIASSON ANDJAMIE Xx ANDMANCHESTER INTERNATIONAL FESTIVAL | UK

    WAYNE MCGREGOR ANDOLAFUR ELIASSON ANDJAMIE Xx ANDMANCHESTER INTERNATIONAL FESTIVAL | UK

    tree of codes WAYNE MCGREGOR AND OLAFUR ELIASSON AND JAMIE xx AND MANCHESTER Photo: Stephanie Berger Photo: INTERNATIONAL FESTIVAL | UK TREE OF CODES WAYNE MCGREGOR AND OLAFUR ELIASSON AND JAMIE xx AND MANCHESTER INTERNATIONAL FESTIVAL | UK DARLING HARBOUR THEATRE ABOUT THE DIRECTOR & CHOREOGRAPHER ICC SYDNEY Wayne McGregor CBE is a multi-award-winning British 6–10 JANUARY choreographer and director. Wayne is Artistic Director of 75 MINS Studio Wayne McGregor, the creative engine of a life-long choreographic enquiry into thinking through and with the body. Studio Wayne McGregor encompasses Wayne’s Director & Choreographer extensive creative collaborations across dance, film, Wayne McGregor music, visual art, technology and science; Company Wayne Visual Concept McGregor, the touring company of dancers; and highly Olafur Eliasson specialised learning and research programs. Studio Wayne McGregor opened its own newly created studio spaces at Composer Here East in Queen Elizabeth Olympic Park in March 2017. Jamie xx As Resident Choreographer at The Royal Ballet, Wayne’s Inspired by productions are acclaimed for their daring reconfiguring of by Jonathan Safran Foer Tree of Codes classical language. Wayne is Professor of Choreography at Company Wayne McGregor Trinity Laban Conservatoire of Music and Dance and has an Rebecca Bassett-Graham Honorary Doctor of Science from Plymouth University and Jordan James Bridge an Honorary Doctor of Letters from University of Leeds. In Travis Clausen-Knight 2017 he was awarded an Honorary Fellowship of the British Louis McMiller Science Association. Daniela Neugebauer Jacob O’Connell Wayne is regularly commissioned by and has works in the James Pett repertories of the most important ballet companies around Fukiko Takase the world, including Paris Opera Ballet, New York City Ballet, Po-Lin Tung Bolshoi Ballet, Royal Danish Ballet and San Francisco Jessica Wright Ballet.
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
  • Marc Shapiro

    Marc Shapiro

    ADELE The Biography MARC SHAPIRO ST. MARTIN’S GRIFFIN NEW YORK adele. Copyright © 2012 by Marc Shapiro. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 02516- 6 (trade paperback) ISBN 978- 1- 250- 02547- 0 (hardcover) ISBN 978- 1- 250- 02515- 9 (e-book) First Edition: July 2012 10 9 8 7 6 5 4 3 2 1 10. NO BALLAD, NO CRY dele began writing new material for her follow- up record in April 2009. But not before she agreed to take a fl yer as an actress with a guest shot on the hit tele vi- sion sitcom Ugly Betty. It seemed like a harm- Aless diversion from all the drama and pressure in her life. She reasoned, how hard could it be to play herself? In the episode, Betty is dancing with her husband at their wedding when the couple is suddenly interrupted by Adele. Th ere is some harmless banter and the next thing we know Adele is up on stage singing the song “Right As Rain.” Adele realized that that kind of promotion in America was well worth the eff ort, but would later acknowledge in Vogue that the Ugly Betty experience cured her of any future acting aspirations. “I can’t watch it. I was so uncomfortable. I am the worst actress of all time.” But Adele was thankful for the momentary respite from Marc Shapiro her day job as singer-songwriter on the rise.
  • A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact

    A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact

    CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences.
  • Sparrow Records Discography

    Sparrow Records Discography

    Sparrow Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Sparrow Records Discography Sparrow is a Contemporary Christian label founded in 1976 by Billy Ray Hearn. Hearn was the A&R Director for Word Records’ Myrrh label, founded a few years earlier also as a Contemporary Christian label. Sparrow also released records under their Birdwing subsidiary. Hearn’s Sparrow label was in competition with Hearn’s old boss, Word Records, and was quite successful. Even today, Sparrow is among the top Christian labels. Hearn sold the label to EMI in 1992, and it was placed under the Capitol Christian Music Group. Sparrow signed a distribution agreement with MCA in April, 1981 to release their product in the secular market while the regular Sparrow issues were distributed to Christian stores and Christian radio stations. The arrangement with MCA lasted until October, 1986, when Sparrow switched distribution to Capitol. Sparrow SPR-1001 Main Series: SPR-1001 - Through a Child’s Eyes - Annie Herring [1976] Learn A Curtsey/Where Is The Time/Wild Child/Death After Life/Grinding Stone/Hand On Me//Dance With You/Love Drops/Days Like These/First Love/Some Days/Liberty Bird/Fly Away Burden SPR-1002 - SPR-1003 - John Michael Talbot - John Michael Talbot [1976] He Is Risen/Jerusalem/How Long/Would You Crucify Him//Woman/Greewood Suite/Hallelu SPR-1004 - Firewind - Various Artists [1976] Artists include Anne Herring, Barry McGuire, John Talbot, Keith Green, Matthew Ward, Nelly Ward, and Terry Talbot (In other words, Barry McGuire, The Talbot Brothers, Keith Green, and The 2nd Chapter of Acts).
  • Contemporary Christian Music & The

    Contemporary Christian Music & The

    PLAYING THE MARKET: CONTEMPORARY CHRISTIAN MUSIC & THE THEORY OF RELIGIOUS ECONOMY by Jamie Carrick B.A., The University of Calgary, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Religious Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2012 © Jamie Carrick, 2012 Abstract Contemporary Christian music (CCM) is a fascinating and understudied part of the religious vitality of modern American religion. In this dissertation the theory of religious economy is proposed as a valuable and highly serviceable methodological approach for the scholarly study of CCM. The theory of religious economy, or the marketplace approach, incorporates economic concepts and terminology in order to better explain American religion in its distinctly American context. In this study, I propose three ways in which this method can be applied. Firstly, I propose that CCM artists can be identified as religious firms operating on the “supply-side” of the religio-economic dynamic; it is their music, specifically the diverse brands of Christianity espoused there within, that can allow CCM artists to be interpreted in such a way. Secondly, the diversity within the public religious expressions of CCM artists can be recognized as being comparable to religious pluralism in a free marketplace of religion. Finally, it is suggested that the relationship between supply-side firms is determined, primarily, by the competitive reality of a free market religious economy. ii Table of Contents Abstract . ii Table of Contents . iii List of Figures . iv Acknowledgements . v 1 Introduction . 1 1.1 Introduction . 1 1.2 Religion & Popular Culture .
  • Drake Take Care Free Album Download Mp3

    Drake Take Care Free Album Download Mp3

    Drake take care free album download mp3 Continue Atlanta Infectious Diseases Consultants (AIDC) is a Patient Advisory Infectious Disease Practice serving in the Atlanta and East Point Georgia area. It's the medical practice of Dr. Joyce Drayton who provides in patient, advisory Drake take care of the album tracklist free download, Drake take care of the album download lightning fast, Drake take care of the album download hulkshare.com, in one direction take me home album song songs, Drake take care of the album download livemixtapes, take me home one direction album download mp3, Drake take care of the album download songslover, in one direction take me home album of songs. See our hospital supplies here you are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 euros/month Page 2 You are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 pounds/month November 15, 2011 Take care of the lyrics: I know you've been hurt by someone else / I can tell by the way you wear yourself / If you let me, here's what I'll do / I'll take care of you / I loved and I'm lost / I. Take Care (Deluxe Version) is another 2011 album from Drake. Stream - Download ALBUM: Drake - Take Care (Deluxe Version) Mp3 Download.
  • Pluckin' in the Pines

    Pluckin' in the Pines

    Pluckin’ in the Pines Saturday night is the time for down-home country music at Waretown’s Albert MusicHall By SUSAN BLOOM Photos by ARISTIDE ECONOMOPOULOS Long before the doors open at 6:30 p.m., a line has formed around Albert Hall in Waretown, deep in the Pinelands of South Jersey. Everyone’s getting ready to jockey for a good seat because this is Saturday night and Sat- urday night at Albert Music Hall means one thing: old-time country music. “We’re about a whole lot of warm feeling and fun,” says Elaine Everett of the Pinelands Cultural Society, which manages the music hall. “It reflects the hands-on nature and cooperation of a bunch of people getting together to have a good time, play music and pay homage to the unique heritage of the Pinelands region.” Often called “the Grand Ole Opry of New Jersey,” Albert Music Hall was designed to look “like the porch of a cabin in the woods” and is decorated with musical instruments, farm tools, vintage quilts and other period memorabilia. Tripp Horner of Toms River is picking and grinning at Albert Music Hall. “From bluegrass and country music 34 JANUARY 2013 NJ.COM/INSIDE-JERSEY NJ.COM/INSIDE-JERSEY JANUARY 2013 35 to rockabilly, there’s something for 1 11 the Albert brothers’ cabin,” says PCS everyone here,” says Albert Music president Roy Everett. Hall’s lead sound engineer Tom Rouze, The hall is located on Wells Mills 48. “The bands change every week, but Road in a town so quiet that it only it’s all about the music and it’s good recently received its own exit off the clean fun.
  • Industry Newsletter

    Industry Newsletter

    On The Radio August 5, 2011 August 19, 2011 Lizz Wright, The Holmes Brothers, Raul Midón, The Felice Brothers, Alejandro Escovedo & The Deolinda, The Paper Raincoat, Fruit Bats Sensitive Boys, Adam Haworth Stephens, Lost in The Trees, Mollie O’Brien & Rich Moore August 12, 2011 Hold Steady, Brooke Wagoner, Crooked Still, August 28, 2011 Joe Pug (“Classic” Rebroadcast from 2006) Buckwheat Zydeco, Tina Dico, Lee Rocker of the Stray Cats, Magic Numbers, Jesse Harris Dates shown are when affiliates receive the program. Check your public radio station’s program schedule for broadcast date and time. Deolinda Alejandro Escovedo & The Sensitive Boys Mountain Stage® from NPR is a production of West Virginia Public Broadcasting August 2011 On The Radio Stage Notes August 5, 2011 Lizz Wright -- Embracing the history of jazz, gospel and rhythm & blues, Lizz Wright took the music world by storm in 2003 with breakout performances at Billie Holiday tributes and with her debut album “Salt.” Since then she has re- leased “The Orchard” and “Fellowship” which continue her musical evolution. On “The Orchard,” Wright penned many of the songes. “Fellowship,” which is available now, is a nod to her roots in gospel on the one hand and her gospel of eclecticism on the other. Fruit Bats -- Over the course of more than a decade, Fruit Bats have looked for ways to file down the cynical edges of modern life. Fruit Bats will be unveil- ing album number five this month. “TRIPPER” is a “collection of stories and thoughts on rambling, reinvention, avoidance of the apocalypse, suburban malaise, anti-Babylon back-to-the-landers, chaparral scrub, lopsided relation- ships, Florida beach bums, Stevie Nicks gypsy temptresses who smell like cloves, banishment from a Utopia, the attainment of enlightenment, and going home.” The Holmes Brothers -- With their soulful blend of gospel, country and rhythm & blues, the Holmes Brothers’ music is universal in its appeal and the band has Raul Midón won multiple Blues Music Awards.
  • A Linguistic and Conceptual Study of American Public Discourse

    A Linguistic and Conceptual Study of American Public Discourse

    Beyond the Issues: A Linguistic and Conceptual Study of American Public Discourse by Pamela Sue Morgan B.A. (University of Tulsa) 1974 B.A. (University of Arizona) 1976 M.A. (University of California, Santa Barbara) 1981 M.A. (University of California, Berkeley) 1993 Ph.D. (University of California, Santa Barbara) 1985 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor George Lakoff, Co-Chair Professor Eve Sweetser, Co-Chair Professor Robin Lakoff Professor David Collier Spring 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Beyond the Issues: A Linguistic and Conceptual Study of American Public Discourse © 1998 by Pamela Sue Morgan Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. The dissertation of Pamela Sue Morgan is approved: Date 18 /f?8 Co-Chair Date ^ /h^. Date o =oJ2 ^ ^ ' ? £ s' Date University of California, Berkeley Spring 1998 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Abstract Beyond the Issues: A Linguistic and Conceptual Study of American Public Discourse by Pamela Sue Morgan Doctor of Philosophy in Linguistics University of California, Berkeley Professor George Lakoff, Co-Chair Professor Eve Sweetser, Co-Chair Cultural cognitive models (CCMs) are learned and shared by members of cultural communities and serve as shortcuts to the presentation and understanding of communicative events, including public discourse. They are made up of "frames," here defined as prototypical representations of recurrent cultural experiences or historical references that contain culturally-agreed-upon sets of participants, event scenarios, and evaluations.
  • FINAL Story Paper for Publication

    FINAL Story Paper for Publication

    Ceremony at a Boundary Fire: A Story of Indigenist Knowledge Dawn Hill Adams, Choctaw Nation of Oklahoma Tapestry Institute. [email protected] Shawn Wilson, Opaskwayak Cree Nation University Centre for Rural Health. [email protected] Ryan Heavy Head, Blackfoot Aimmoniisiiksi Institute of Blackfoot Learning. [email protected] Edmund W. Gordon, Professor Emeritus Yale University and Teachers College of Columbia University. [email protected] © 2015 All rights reserved by the authors. No part of this document may be reproduced without permission. Produced in Longmont, Colorado, 2015. To cite this paper: Adams, D. H., Wilson, S., Heavy Head, R., & Gordon, E. W. (2015). Ceremony at a Boundary fire: a story of Indigenist Knowledge. Longmont, CO; http://hdl.handle.net/2123/13689 Keywords: Philosophy of Science, Indigenous Knowledge, Indigenous Values, TIK, Traditional Indigenous Knowledge, Indigenous Science, Indigenous Philosophy, Indigenous Education, Education, Assessment, Evaluation Document layout by Dawn Hill Adams. Cover layout by Dawn Hill Adams using Adobe Photoshop and Wordpress. Campfire image from public domain: "Fire", Licensed under Public Domain via Wikimedia Commons - https://commons.wikimedia.org/wiki/ File:Fire.jpg#/media/File:Fire.jpg 2 We dedicate this paper to Kainai Elder Narcisse Blood to honor his memory and stories for their contribution to our work and thinking. 3 Ceremony at a Boundary Fire: A Story of Indigenist Knowledge by Dawn Hill Adams, Ph.D., Choctaw Nation of Oklahoma Shawn Wilson,