2017 WH Neighborhood Guide V0626 FINAL.Indd
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Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Drowning in a Dry Town
Drowning in a At the teeming The speakeasy The Marlborough Fred and Adele By January 16, 1920, Club Durant was outdoor market Dickerman’s County House, a swanky Astaire could be found 80 percent of the booze one of the rowdiest Paddy’s, home Fair Club had a rustic speakeasy with silver dancing some nights at stored in the cellars of clubs around, with Dry Town winemakers would theme—haystacks, leather banquettes, was a The Trocadero. 35 E. the Union Club had entertainment purchase lugs from picket fences, and favorite of Noël Coward, 53rd St., nr. Park Ave. been transferred to including “a tap dancer California. You could square dances. 54 E. who was known to members’ homes. and monologist,” a make 200 gallons a 9th St., nr. Broadway. enjoy the Muscovite Fifth Ave. at 51st St. “cakewalking singer,” year for your own use, duckling. 15 E. 61st St., and a “musical clown.” Where Prohibition-era although “your own” nr. Madison Ave. 58th St., nr. Broadway. New Yorkers got drunk. was rarely accurate. Ninth Ave., from 35th St. to 42nd St. The Central Park Casino was Mayor There were Jimmy Walker’s 38 speakeasies on favorite playpen. 52nd Street alone. In Central Park, nr. 72nd St. entrance. Making wine at Behind the plaster- Racketeer (and Opened in 1925 home was permitted, board in the upstairs Cotton Club owner) and financed with so every fall, California party room of the Owney Madden’s federal funds, the vineyards loaded now-closed Beatrice $1.5 million “cereal Bridge Whist Club Jack Bleeck’s Artists thousands of tons Inn, a low door leads beverage” brewery was a setup to gather and Writers Club was of lugs, or crates of to an alley off Eighth was repeatedly raided incriminating evidence a popular place for the The Cotton grapes, into boxcars Avenue—likely a by Feds who smelled about bootleggers. -
Directory Carillons
Directory of Carillons 2014 The Guild of Carillonneurs in North America Foreword This compilation, published annually by the Guild of Carillonneurs in North America (GCNA), includes cast-bell instruments in Canada, Mexico, and the United States. The listings are alphabetized by state or province and municipality. Part I is a listing of carillons. Part II lists cast- bell instruments which are activated by a motorized mechanism where the performer uses an ivory keyboard similar to that of a piano or organ. Additional information on carillons and other bell instruments in North America may be found on the GCNA website, http://gcna.org, or the website of Carl Zimmerman, http://towerbells.org. The information and photos in this booklet are courtesy of the respective institutions, carillonneurs, and contact people, or available either in the public domain or under the Creative Commons License. To request printed copies or to submit updates and corrections, please contact Tiffany Ng ([email protected]). Directory entry format: City Name of carillon Name of building Name of place/institution Street/mailing address Date(s) of instrument completion/expansion: founder(s) (# of bells) Player’s name and contact information Contact person (if different from player) Website What is a Carillon? A carillon is a musical instrument consisting of at least two octaves of carillon bells arranged in chromatic series and played from a keyboard permitting control of expression through variation of touch. A carillon bell is a cast bronze cup-shaped bell whose partial tones are in such harmonious relationship to each other as to permit many such bells to be sounded together in varied chords with harmonious and concordant effect. -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
At Riverside 2017 ~ 2018 Season
MUSIC AT RIVERSIDE 2017 ~ 2018 SEASON The Riverside Church in the City of New York - 1 - Welcome to another year of Music at Riverside The tradition of excellence in music at The Riverside Church continues this year with old favorites and new faces. Join us for unique and innovative concerts in Riverside’s grand Nave and intimate performances in Christ Chapel. We are thrilled to present this plentiful and diverse calendar of musical offerings and hope you will attend often. We hope you’ll help us continue this rich musical tradition by becoming a “Friend of Music” at Riverside. Cover: Music Window, Nave, The Riverside Church Choral Events AT RIVERSIDE SUNDAY, MARCH 11 at 3:00 P.M. | NAVE THE RIVERSIDE INSPIRATIONAL CHOIR Changed My Name... My Name Is... The Inspirational Choir celebrates Photo credit: Makea McDonald the voices of women as agents of change in the emancipation and self- affirmation of our nation throughout history. This concert honors five SHEROES: Harriet Tubman and Sojourner Truth, two women who changed their names and helped to change our destiny; and Mary Lou Williams, Hazel Scott and Carline Ray, three women who, with their distinctive music, helped inspire us to stand up and say “My Name Is...” Don’t miss this joyful and inspiring celebration. $20/$15. Tickets available at the door. SUNDAY, APRIL 29 at 3:00 P.M. | NAVE THE RIVERSIDE CHOIR “The Simple Life,” for Choir and Organ A World Premiere by composer Juan Pablo Contreras Commissioned for the 85th Anniversary of The Riverside Church, this spectacular new work by internationally awarded composer (and former Riverside Choir member) Juan Pablo Contreras features the full forces of The Riverside Choir combined with the Nave organ in a multi-movement collage of musical settings of poetry from all over the world. -
Black & White Masquerade Ball
The Anderson School P.S. 334 Black & White Masquerade Ball AUCTION CATALOG 2014 The Anderson School’s 22nd Annual Auction PROCEEDS BENEFIT PARENTS OF P.S. 334, INC. SATURDAY, MARCH 15, 6 PM / RIVERSIDE CHURCH / 490 RIVERSIDE DRIVE AT 120TH STREET PS 334 The Anderson School’s Saturday, March 15, 2014 22nd Annual Spring Auction Black & White Masquerade Ball at Riverside Church Schedule of Events 6:00 pm Registration and Check-In Please register in advance to attend the Auction at www.andersonauction.org Bring your credit card on auction night for Express Check-Out 6:00 – 8:30 pm Bid on Silent Auction Packages * Dine at Chef’s Tasting Stations Drink Sponsors’ wines & a special 22nd Anniversary Signature Cocktail by Master Mixologist Eben Freeman Shop the Boutique and Buy-It-Now Boards Room early! Buy Raffle Tickets, AndersonGrams, Goody Bags and more! ***Printer to drop in 8:00 – 8:40 pm printer full page ad*** Closing of Silent Auctions 1, 2, 3 & 4 8:45 – 9:45 pm Live Auction 9:45 pm Dessert Stations and Dance Party 10:15 pm Check-Out Begins Please remember to bring your catalog to the auction! Schedule of Events 1 Schedule of Events The Majesty of the Yangtze Victoria Lianna Victoria Selina Victoria Grace Victoria Sophia OWNER DEVELOPER MANAGER Victoria Anna Victoria Jenna Victoria Katarina www.picapitalpartners.com 718-779-4395 | [email protected] *Asia's Largest American River Cruise Line 136-18 39th Avenue, 12th Floor *All Outside Cabins with Private Balconies Queens, NY 11354 2 www.victoriacruises.com (800)348-8084 2014 Auction Team Auction 101: So Many Ways to Win! Auction Co-Chairs –Terri Ann Glynn, Joli Golden, Wendy Reimer, Julia Ryan Donations Chair – Kate Cohn Registrars – Janet Manabat & Hilory Wolden Live Auction Goody Bags Auction Guru – Stacey Lender Our Live Auction takes place from 8:45–9:45 (approx). -
Duke Ellington's Sophisticated Ladies
study guide contents The Play Meet the “Duke” Cotton Club Harlem Renaissance Jazz Music The U Street Connection Musical Revue Dancing Brothers Additional Resources the play Duke Ellington’s Sophisticated Ladies is a musical revue set during America’s Big Band Era (1920-1945). Every song tells a story, and together they paint a colorful pic- ture of Duke Ellington’s life and career as a musician, composer and band leader. Duke Ellington’s Act I highlights the Duke’s early days on tour, while Sophisticated Act II offers a glimpse into his private life and his often Ladies troubled relationships with women. Now Playing at the Lincoln Theatre April 9 – May 30, 2010 Concept by Donald McKayle Based on the music of Duke Ellington Musical and dance arrangements by Lloyd Mayers Vocal arrangements by Malcolm Dodds and Lloyd Mayers Original music direction by Mercer Ellington Directed by Charles Randolph-Wright Choreographed by Maurice Hines meet the “Duke” Harlem Renaissance “His music sounds “Drop me off in Harlem — any place in Harlem. like America.” There’s someone waiting there who makes – Wynton Marsalis it seem like heaven up in Harlem.” dward Kennedy rom the mid-1920s until the early 1930s, the African-American community “Duke” Ellington was in Harlem enjoyed a surging period of cultural, creative and artistic growth. born in Washington, Spurred by an emerging African-American middle class and the freedom D.C. on April 29, after slavery, the Harlem Renaissance began as a literary movement. Authors 1899.E He began playing the Fsuch as Langston Hughes and Zora Neale Hurston expressed the spirit of African- piano at age 7, and by 15, Americans and shed light on the black experience. -
The Development of Duke Ellington's Compositional Style: a Comparative Analysis of Three Selected Works
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2001 THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Eric S. Strother University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Strother, Eric S., "THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS" (2001). University of Kentucky Master's Theses. 381. https://uknowledge.uky.edu/gradschool_theses/381 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS Edward Kennedy “Duke” Ellington’s compositions are significant to the study of jazz and American music in general. This study examines his compositional style through a comparative analysis of three works from each of his main stylistic periods. The analyses focus on form, instrumentation, texture and harmony, melody, tonality, and rhythm. Each piece is examined on its own and their significant features are compared. Eric S. Strother May 1, 2001 THE DEVELOPMENT OF DUKE ELLINGTON’S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS By Eric Scott Strother Richard Domek Director of Thesis Kate Covington Director of Graduate Studies May 1, 2001 RULES FOR THE USE OF THESES Unpublished theses submitted for the Master’s degree and deposited in the University of Kentucky Library are as a rule open for inspection, but are to be used only with due regard to the rights of the authors. -
Barnard College Bulletin 2017-18 3
English .................................................................................... 201 TABLE OF CONTENTS Environmental Biology ........................................................... 221 Barnard College ........................................................................................ 2 Environmental Science .......................................................... 226 Message from the President ............................................................ 2 European Studies ................................................................... 234 The College ........................................................................................ 2 Film Studies ........................................................................... 238 Admissions ........................................................................................ 4 First-Year Writing ................................................................... 242 Financial Information ........................................................................ 6 First-Year Seminar ................................................................. 244 Financial Aid ...................................................................................... 6 French ..................................................................................... 253 Academic Policies & Procedures ..................................................... 6 German ................................................................................... 259 Enrollment Confirmation ........................................................... -
41-Story Mixed-Use Academic and Condominium Building in Manhattan, New York in the United States Overview of the 100 Claremont Avenue Project
July 15, 2020 Press Release Keiichi Yoshii, President, CEO and COO Daiwa House Industry Co., Ltd. 3-3-5 Umeda, Kita-ku, Osaka 41-story Mixed-Use Academic and Condominium Building in Manhattan, New York in the United States Overview of the 100 Claremont Avenue Project Daiwa House Industry Co., Ltd. (Head Office: Osaka, President, CEO and COO: Keiichi Yoshii; hereinafter “Daiwa House”) is pleased to announce that we have determined the overview of our 100 Claremont Avenue Project. This is a project for a 41-story mixed-use academic and condominium building that we are working on in Manhattan, New York in the United States of America (hereinafter “the U.S.”) 【 Image of the 100 Claremont Avenue Project (high-rise on right)】 We will carry out this project through our U.S. subsidiary Daiwa House Texas Inc. This is a project that we will work on together with Lendlease Americas Inc. – the U.S. subsidiary of Lendlease Corporation Limited that is headquartered in Sydney in Australia and involved in projects worldwide, and New York City based developer, L+M Development Partners. The 100 Claremont Avenue Project is a project we will develop on the campus of Union Theological Seminary. This is located in a neighborhood lined with educational and cultural facilities in Morningside Heights in Manhattan, New York. The project will become the tallest high-rise building in Morningside Heights. It will be a 41-story high-rise building with a total floor area of 32,888 m2 (354,000sqft) that is comprised of 165 units for sale, and the educational facilities and faculty housing of Union Theological Seminary. -
A Complete Calendar for the Midnight's Children Humanities
C olumbia U niversity RECORD March 7, 2003 7 A Complete Calendar for the Midnight’s Children Humanities Festival March 2 at 1:00 p.m., Casa Italiana Anjali Jay and Assistant Director/Live Music Director A Matter for Us: Post-Colonial Nations and Color March 11 at 7:00 p.m., Riverside Church Aileen Gonsalvez reveal the process of working on a Lines—The multiple international significance of the Teach-In on Thirty Years of Indian and Pakistani History: scene from the play. Co-Sponsored by the King’s Crown color line in formerly colonized nations—its personal Bangladesh—Gowher Rizvi, Tariq Banuri. Shakespeare Troupe. and political meanings—are discussed by Patricia Williams, Gauri Viswanathan and Manning Marable, March 12 at 7:00 p.m., Miller Theatre March 27 at 7:00 p.m., Miller Theatre experts on the politics of race and language and colonial Writers’ Roundtable—Writers Vikram Chandra, Michael High Art and Low Art: The Mix of Language and culture studies. Cunningham, Farzana Moon and Neil Bissoondath read from Class in Literature—Two cultural commentators, a their work and discuss ideas and genres related to Salman Shakespearean, and a scholar on Yiddish language look March 4 at 7:00 p.m., Riverside Church Rushdie’s novels, such as magic realism, non-linear narrative, at the way contemporary and historical writers have The Colonial Context of Midnight’s Children—with and the relationship between film and the novel. Moderated mediated between the high and the low. John Rockwell, Nicholas Dirks. by Jayme Koszyn. Jim Shapiro, Jeremy Dauber, Margo Jefferson.