编号 作者 作品名 作品号 乐谱类型 A3432 Adam,A. Le Farfadet Overture Parts+S A3280 Adams,A.E
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Oklahoma
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of Doctor of Musical Arts By YANG-MING SUN Norman, Oklahoma 2007 UMI Number: 3263429 UMI Microform 3263429 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Edward Gates, chair Dr. Jane Magrath Dr. Eugene Enrico Dr. Sarah Reichardt Dr. Fred Lee © Copyright by YANG-MING SUN 2007 All Rights Reserved. ACKNOWLEDGMENTS This paper is dedicated to my beloved parents and my brother for their endless love and support throughout the years it took me to complete this degree. Without their financial sacrifice and constant encouragement, my desire for further musical education would have been impossible to be fulfilled. I wish also to express gratitude and sincere appreciation to my advisor, Dr. Edward Gates, for his constructive guidance and constant support during the writing of this project. Appreciation is extended to my committee members, Professors Jane Magrath, Eugene Enrico, Sarah Reichardt and Fred Lee, for their time and contributions to this document. Without the participation of the writing consultant, this study would not have been possible. I am grateful to Ms. Anna Holloway for her expertise and gracious assistance. Finally I would like to thank several individuals for their wonderful friendships and hospitalities. -
April 27 - May 3
WEEKLY PLAYLIST: April 27 - May 3 PLAY DATE : Mon, 4/27/2020 6:07 AM Antonio Vivaldi Concerto for Viola d'amore, lute & orch. 6:20 AM Wolfgang Amadeus Mozart Violin Sonata 6:30 AM Johann Rosenmuller Sinfonia No. 1 6:42 AM Johann ChristophFriedrich B Sinfonia No. 1 7:07 AM Heinrich Ignaz Franz Biber Violin Sonata VI (1681) 7:20 AM Ludwig Van Beethoven Romance Cantabile for piano, flute, 7:30 AM Jan Ladislav Dussek Piano Sonata 7:49 AM Tomaso Albinoni Violin Concerto 8:07 AM Franz Joseph Haydn String Quartet 8:24 AM Jean-Marie Leclair Trio Sonata 8:37 AM Edvard Grieg Holberg Suite (aka From Holberg's Time) 9:05 AM Maurice Ravel Mother Goose Ballet (Complete) 9:34 AM Johannes Brahms Violin Sonata No. 2 9:55 AM John Philip Sousa Mother Hubbard March 10:08 AM Wolfgang Amadeus Mozart Piano Sonata 10:22 AM Wolfgang Amadeus Mozart Symphony No. 41 10:53 AM Wolfgang Amadeus Mozart Andante for Flute and Orchestra 11:01 AM Georges Bizet Symphony No. 1 11:34 AM Johann Sebastian Bach Orchestral Suite No. 2 12:01 PM Johannes Brahms Fantasias 12:25 PM William Byrd The Carman's Whistle 12:31 PM John Davison Brass Quintet No. 1 12:47 PM Richard Rodgers THE SOUND OF MUSIC: Entr'acte 1:01 PM Felix Mendelssohn Piano Concerto No. 1 1:24 PM Peter Ilyich Tchaikovsky String Quartet No. 2 2:08 PM Sigismond Thalberg Piano Concerto 2:33 PM Luigi Boccherini Quintet for guitar and strings No. 7 2:53 PM Alessandro Stradella Il Barcheggio Sinfonia 3:05 PM Johannes Brahms Clarinet Quintet 3:45 PM Jose Pons Symphony 3:56 PM Ennio Morricone Cinema Paradiso: Love Theme 4:08 PM Alexander Scriabin Piano Sonata No. -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
Hindemith Viola Project
HINDEMITH VIOLA PROJECT CONCERT II DOCTORAL RECITAL KATHERINE LEWIS, Viola ,,, Wednesday, March 8, 2006 8:00 p.m. Lillian H. Duncan Recital Hall Z975 -2005 Ce l e b ratin g ~1/J Years THE SHEPHERD SCHOOL ~ SIC RICE UNIVERSITY The Hindemith Viola Project brings together fifteen viola students from the combined studios of Karen Ritscher and James Dunham to perform this unique series of concerts featuring music for the viola by the eminent German composer and violist Paul Hindemith. These stud ents have devoted much of the school year to learning and rehearsing this music in preparation for these concerts, and they participated in a series of all-Hindemith studio classes. Hindemith was a prolific com poser in all genres, and his numerous works for the viola occupy a sig nificant portion of the repertoire for the instrument. Hindemith's four Solo Sonatas and three Sonatas for Viola and Piano are presented on Tuesday and Thursday in a complete cycle that will demonstrate the virtuosic and sonorous qualities of the viola. These sonatas, composed between 1919 and 1939, are written in a variety of styles that reflect Hindemith's different influences and compositional phases. In addition, two chamber concertos are performed on Wednesday with orchestra: Kammermusik No. 5 and Trauermusik. All of these works were writ ten for Hindemith's own performance, and due to his intimate know ledge of the viola, they challenge the technique and skill of the violist in new and innovative ways. It is our hope that throughout the week, this project will not only showcase the talents and achievements of the violists at the Shepherd School, but also promote Paul Hindemith, who many consider to be the greatest and most creative violist-composer of all time. -
Early Music Influences in Paul Hindemith's Compositions for the Viola Domenico L
James Madison University JMU Scholarly Commons Dissertations The Graduate School Fall 2014 Early music influences in Paul Hindemith's Compositions for the Viola Domenico L. Trombetta James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Performance Commons Recommended Citation Trombetta, Domenico L., "Early music influences in Paul Hindemith's Compositions for the Viola" (2014). Dissertations. 5. https://commons.lib.jmu.edu/diss201019/5 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Early Music Influences in Paul Hindemith’s Compositions for the Viola Domenico Luca Trombetta A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music December 2014 To my wife Adelaide ii CONTENTS DEDICATION…………………………………………………………………………….ii LIST OF MUSICAL EXAMPLES……………………………………………………….iv LIST OF FIGURES………………………………………………………………………vi ABSTRACT……………………………………………………………………………..vii INTRODUCTION………………………………………………………………………...1 I. The Origins of Hindemith’s Interest in Early Music………………………………….5 II. The Influence of Bach’s D-Minor Chaconne for Solo Violin on Hindemith’s Viola Sonatas op. 11, no.5 and op. 31, no.4………………………………………………..14 III. Viola Concerto Der Schwanendreher………………………………………………..23 IV. Trauermusik for Viola and Strings…………………………………………………..35 CONCLUSION…………………………………………………………………………..42 BIBLIOGRAPHY………………………………………………………………………..45 APPENDICES…………………………………………………………………………...48 A. Musical Examples B. Figures iii Musical Examples 1a Hindemith, Solo Viola Sonata Op. 11, No. 5, movt. IV (In Form und Zeitmass einer Passacaglia), Theme…………………............................................49 1b Bach, Chaconne, Theme………………………………………………………....49 1c Hindemith, Solo Viola Sonata Op. -
Schumann-Masters-Report
Copyright by Scott Charles Schumann 2011 The Report Committee for Scott Charles Schumann Certifies that this is the approved version of the following report: Interpreting the Mourning Process Through Hindemith’s Trauermusik APPROVED BY SUPERVISING COMMITTEE: Supervisor: David Neumeyer James Buhler Interpreting the Mourning Process Through Hindemith’s Trauermusik by Scott Charles Schumann, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2011 Abstract Interpreting the Mourning Process Through Hindemith’s Trauermusik Scott Charles Schumann, M.Music The University of Texas at Austin, 2011 Supervisor: David Neumeyer Paul Hindemith traveled to London in 1936 intending to give the British premiere of his concerto for viola and chamber orchestra titled Der Schwanendreher on 22 January. The premiere – and much else – was put into question a few minutes before midnight on 20 January 1936, however, when King George V passed away. The next day, Hindemith worked from 11:00 A.M. – 5:00 P.M. composing Trauermusik [Music of Mourning] for solo viola and string orchestra as a tribute to the recently deceased King of England. Thus, the circumstances surrounding the compositional origin of this piece invite a discussion of mourning in both a historical and musical context. In this paper, I will touch on issues such as how mourning defines us as humans and how emotions associated with mourning can be represented in music and experienced by the listener. I will illustrate how mourning helps us to understand the meaning of Trauermusik when it was written and first performed in 1936, following the death of iv King George V. -
Season 2020|2021 2021 | Season 2020
65th Concert Season Season 2020|2021 2021 | Season 2020 . A word from the Filharmonie Brno Managing Director Dear music lovers invite you to a social gathering over a glass Paľa. Leoš Svárovský is preparing for C. M. you! I am very happy that we enter the new of wine, from 6pm before the concerts at von Weber’s celebrated Bassoon Concerto season with the support of our exceptional You are holding in your hands our brand Besední dům (Filharmonie at Home series), with the virtuoso Guilhaume Santana and volunteers for the second time now, who new catalogue for the 2020/2021 sea- where you can learn plenty of interesting Roussel’s Le festin de l’araignée – with this help us with concerts and education – son: this time, it is not just the content that is facts about the programme and meet the concert, the former chief conductor of our thank you, everyone! new – the format is, too. We’ve aimed to evening’s artists in person. orchestra will celebrate an important anni- I am writing these words at a time when make the navigation easier, and to high- The new season is the work of the Filhar- versary in his life. Gerrit Prießnitz will focus we are all paralysed by the coronavirus light the unique characteristics of our sub- monie Brno chief conductor and artistic on the emotional topic of Hamlet in the pandemic and are not yet sure what the ul- scription concerts – each of them offers a director Dennis Russell Davies and the pro- works of Tchaikovsky and Walton. -
Reinhold Friedrich Discographie
1 Discographie Reinhold Friedrich – Trompete Capriccio Ausgezeichnet mit dem "ECHO-Preis": B. A. Zimmermann NOBODY KNOWS DE TROUBLE I SEE / LUCI- ANO BERIO Sequenza X, WOLFGANG RIHM Sine nomine I / GIANCINTO SCELSI Vier Stücke für Trompete solo / WILHELM KILLMAYER The broken Farewell Interpret: Reinhold Friedrich, Trompete Orchester: Radio- Sinfonie-Orchester Frankfurt Dirigent: Dimitri Kitajenko Bestellnr.: CAP 10482 AUFNAHMEN ALS MITGLIED DES HR-Brass: Venetian Brass VENEZIANISCHE MEHRCHÖRIGKEIT Werke von Gabrieli, Frescobaldi, Guani, Massaino, Gussago, Lappi, Raveri-Sammlung Interpreten: HR-Brass Dirigent: Edward Tarr Bestellnr.: CAP 5012 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT Werke von Bach, Händel, Purcell, Copland, Carter, Barber Interpreten: HR-Brass, Dirigent: Lutz Köhler Bestellnr.: CAP 10361 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT MODEST MUS- SORGSKY Bilder einer Ausstellung/ SERGEJ PROKOFIEFF Romeo und Julia, Interpreten: HR-Brass, Dirigent: Lutz Köhler, Bestellnr.: CAP 10408 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT GEORGE GERSHWIN Strike up the band, Porgy & Bess, The best of Gershwin / LEONARD BERNSTEIN Westside Story (Arr.: Eric Crees) Interpreten: Tony Fisher (Lead Trompete) / Jiggs Whigham (Solo-Posaune) / HR-Brass Dirigent: Jiggs Whigham Bestellnr.: CAP 10429 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT Sergej Prokofieff: Peter und der Wolf / Camille Saint-Saens: Carneval der Tiere Interpreten: HR-Brass, Konrad Beikircher (Erzähler) Dirigent: Lutz Köhler Bestellnr.: CAP 10836 Reinhold Friedrich spielt ANDRÉ JOLIVET: Concertino für Trompete, Streichorchester und Klavier/ EDISON DE- NISOV: Con Sordino für Trompete und Klavier/ ANDRÉ DENISOV: Konzert für Trompete und Orchester Nr. 2/ JAAN RÄÄTS: Konzert für Trompete, Klavier und Streichorchester op. 92/ DMITRI SHOSTAKOVITCH: Konzert Nr. -
Download Booklet
552139-40bk VBO Dvorak 16/8/06 9:48 PM Page 8 CD1 1 Carnival Overture, Op. 92 . 9:29 2 Humoresques, Op. 101 No. 7 Poco lento e grazioso in G flat major . 2:51 3 String Quartet No. 12 in F major, Op. 96 ‘American’ III. Molto vivace . 4:01 4 Symphony No. 8 in G major, Op. 88 III. Allegretto grazioso – Molto vivace . 5:45 5 7 Gipsy Melodies ‘Zigeunerlieder’ – song collection, Op. 55 No. 4 Songs my mother taught me . 2:47 6 Serenade for Strings in E major, Op.22 I. Moderato . 4:10 7 Slavonic Dances, Op. 46 No. 2 in E minor . 4:40 8 Piano Trio in F minor ‘Dumky’, Op. 90 III. Andante – Vivace non troppo . 5:56 9 Symphony No. 7 in D minor, Op. 70 III. Scherzo: Vivace – Poco meno messo . 7:47 0 Violin Sonatina in G major, Op. 100 II. Larghetto . 4:33 ! Slavonic Dances, Op. 72 No. 2 in E minor . 5:29 @ Rusalka, Op. 114 O, Silver Moon . 5:52 # The Noon Witch . 13:04 Total Timing . 77:10 CD2 1 Slavonic Dances, Op. 46 No. 1 in C major . 3:46 2 Stabat Mater, Op. 58 Fac ut portem Christi mortem . 5:13 3 Serenade for Wind, Op.44 I. Moderato, quasi marcia . 3:51 4 Cello Concerto in B minor, Op. 104 II. Adagio ma non troppo . 12:29 5 Piano Quintet in A major, Op. 81 III. Scherzo (Furiant) – Molto vivace . 4:06 6 Czech Suite, Op. 39 II. Polka . 4:49 7 Legends, Op. -
Part II Repertoire
125 Part II Repertoire The following is a complete listing of repertoire performed by the orchestra and/or chorus, excluding staged opera performances, and chamber works or art songs performed on MCMA concerts. The list also excludes works performed on programs that did not include either the orchestra or chorus (e.g., works performed by guest choruses). In several “Pops” concerts of the 1960s-80s, the guest artist’s featured works were listed only as “selections” and announced from the stage. It has been impossible to reconstruct some of these programs, so a certain amount of that repertoire has been lost. The repertoire list is organized by composer and cued to the dates of performance. Where possible, arrangers are listed, and cross-referenced to the composers of individual works. Most dates listed represent regular subscription or free concerts from the MCMA or MSO season. The following codes are appended to the date when the work appeared on a non-subscription concert: c = choral programs p = pops programs (1960- ) y = youth concerts (including “Young Peoples’ Concerts, “Fall Youth Concerts,” “Symphony Soup,” and other programs aimed at a young audience (1930- ) f = family neighborhood concerts (1970s) and family concerts (1990s) g = annual Concert on the Green (1996- ) r = runout concerts (outside of Madison) bb = “brown bag” concerts (mid 1970s) s = other special programs (hired concerts, festival programs, etc.) Ade Twentiana / 5/1/93(p) Abert orchestration of “Prelude, Chorale, and Fugue” - Ades see Bach arrangement “Symphonic Portrait of Irving Berlin” - see Berlin Accolay Concerto No.1 for Violin and Orchestra / Albeniz 10/17/89(y) Iberia (“Triana”) / 11/2/52 Jota Aragonesa (orch. -
The Magic Flute
The Magic Flute Opera Box Table of Contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .13 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Wolfgang Amadeus Mozart – a biography ......................49 Catalogue of Mozart’s Operas . .51 Background Notes . .53 Emanuel Schikaneder, Mozart and the Masons . .57 World Events in 1791 ....................................63 History of Opera ........................................66 2003 – 2004 SEASON History of Minnesota Opera, Repertoire . .77 The Standard Repertory ...................................81 Elements of Opera .......................................82 Glossary of Opera Terms ..................................86 GIUSEPPE VERDI NOVEMBER 15 – 23, 2003 Glossary of Musical Terms .................................92 Bibliography, Discography, Videography . .95 Word Search, Crossword Puzzle . .98 GAETANO DONIZETTI JANUARY 24 – FEBRUARY 1, 2004 Evaluation . .101 Acknowledgements . .102 STEPHEN SONDHEIM FEBRUARY 28 – MARCH 6, 2004 mnopera.org WOLFGANG AMADEUS MOZART MAY 15 – 23, 2004 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. See the Unit Overview for a detailed explanation. Before returning the box, please fill out the Evaluation Form at the end of the Teacher’s Guide. -
David Alexander Rahbee Repertoire
DAVID ALEXANDER RAHBEE REPERTOIRE WORKS CONDUCTED IN PUBLIC PERFORMANCE Composer Work Ensemble-performance date BACH, CPE Hamburger Sinfonie no. 5 in b minor Kammerphil. Berlin-Brandenburg x7 11/10 BACH Brandenburg concerto no. 3 Goppisberger Musik Wochen 7/03 BACH Cantata BWV 73 Collegium Dorotheum, Wien 3/04 BACH Cantata BWV 83 Ich Habe Genug Collegium Dorotheum, Wien 5/04 BACH Cantata BWV 140 Collegium Dorotheum, Wien 2/04 BACH Cantata BWV 209 Longy School ensemble, 11/00 BACH concerto, Oboe d’Amore BWV 1055 Collegium Dorotheum, Wien 5/04 BACH Motet BWV 227 Collegium Dorotheum, Wien 2/04 BACH Violin concerto no. 1 in a minor Goppisberger Musik Wochen 7/02 BACH Orchestral Suite No. 3 Hingham Sym. Orch., 5/00 New England Cons,. ensemble, 3/98 BALDASARRE Trumpet Concertino Indiana Univ. ensemble, 3/23/96 BARBER Adagio for strings Fidelio Chamber Orch., 2/12/99 BARTOK Concerto for Orchestra (mvts. 2, 5) Savaria Sym. Orch., 7/05 Orchestre Phil. Du Luxembourg 7/07 BARTOK Four Orchestral Pieces, op. 12 Savaria Sym. Orch., 7/06 BARTOK Roumanian Folk Dances Goppisberger Musik Wochen 7-8/03 BEETHOVEN Coriolan overture Monteux Festival Orch., 7/19/98 Hingham Sym. Orch., 1/22-23/00 BEETHOVEN Piano concerto no. 1 in C major Boston University ensemble, 4/00 BEETHOVEN Piano concerto no. 2 in B-flat IP piano school orch. concert 5/11 BEETHOVEN Piano concerto no. 3 in C minor Goppisberger Musik Wochen, 7/02 BEETHOVEN Piano concerto no. 5 in E-flat majorOrchestre de al Francophonie 8/6/11 BEETHOVEN Romance no.