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Special Libraries, 1965 Special Libraries, 1960s

1-1-1965

Special Libraries, January 1965

Special Libraries Association

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SPECIAL LIBRARIES ASSOCIATION Puttin8 Knowledge to Work OFFICERS DIRECTORS President WILLIAMK. BEATTY WILLIAMS. BUDINGTON Northwestern Universit) illediral The John Crerar Library, Chicago, Illinois School, Chicago, Illinois President-Elect HELENEDECHIEF ALLEENTHOMPSON Canadian National Railwa~s, General Electric Company, Sun lose, Califmnia, Montreal, Quebec Advisory Council Chairman JOAN M. HUTCHINSON(Secretary) LORNAM. DANIELLS Research Center, Diamond Alkali Harvard Business School, Boston, Massachusetts Company, Painesville, Ohio KENNETH METCALF Advisory Council Chairman-Elect N. Henry Ford Museum and Greeu- HERBERTS. WHITE field Village, Dearborn, Michigan NASA Facility, Documentation, Inc., Bethesda, Maryland MRS.ELIZABETH B. ROTH Treasurer Standard Oil Company of Cali- JEANE. FLEGAL fornia, San Francisco, Calilornia Union Carbide Corp., New York, New York MRS. DOROTHYB. SKAU Immediate Past-President Southern Regional Research Lab- MRS.MILDRED H. BRODE oratory, U.S. Department of Agri- David Taylor Model Basin, Washington, D. C. culiure, Areiu Orleans, Lotririana EXECUTIVE DIRECTOR: BILL M. WOODS Special Libraries Association, 31 East 10 Street, New York, New York 10003 MEMBERSHIP Dues: Sustaining-$100; Actilie--$20 (Paid For Life-$250) ; Associate -$f 0; Afiliafe-$15 ; Student-$2 ; Emeritus-$5. For qualifications, prrv~legesand further information, write Special Libraries Association

PUBLICATIONS Aviation subject headings, 1949 ...... National insurance organizations in the A checklist for the organization, opera- United States and Canada, 1957 .... tion and evaluation of a company li- *Picture sources, 2nd ed., 1964 ...... brary, 1960 ...... ->SLAdirectory of members, as of July Contributions toward a special library 15, 1964, 1964 ...... members glossary, 2nd ed., 1950 ...... nonmembers Correlation index document series & PB SLA directory of members, as of Octo- reports, 1953 ...... ber I?. 1962, 196-7 ....members Creation & development of an insur- nonmembers ance library, rev. ed., 1949 ...... Source llst of selected labor statistics, Dictionary of report series codes, 1962 rev. ed., 1953 ...... Directory of business and financial serv- Sources of commodity prices, 1960 ... ices, 1963 ...... Special Libraries Association personnel Directory of special libraries, 1953 .... survey 1959, I960 ...... Guide to metallurgical information (SLA +Special libraries: how to plan and equip Bibliography no. 3), 1961 ...... them (SLA Monograph no. 2), 1963 Guide to Russian reference and lan- Subject headings for aeronautical engi- guage aids (SLA Bibliography no. 4). neering libraries. 1949 ...... I962 ...... Subject headings for financial Iibyaries. Handbook of scientific and technical 1954 ...... awards in the United States and Can- *Subject headings in advertising, market- ada, 1900-1952, 1956 ...... ing, and communications media, 1964 "Literature of executive management Translators and translations: services and (SLA Bibliography no. 5), 1963 ... sources, I959 ...... Map collections in the U. S. and Can- U.S. sources of petroleum and natural --ada; a directory, 1954 ...... gas statistic?, 1961 ...... Latest publications SCIENTIFIC MEETINGS-Subscription, $7.00; Foreign, $8.00 SPECIAL LIBRARIES-Subscription, $10.00; Foreign, $11.00; Single copies, $1.50 TECHNICAL BOOK REVIEW INDEX-Subscription, $10.00 ;Foreign, $1 1.00 ;Single copies, $1.50 UNLISTED DRUGS-Subscription, $20; Single Copies, $2.00 SLA serves as he U.S. sales agent for selected Aslib publications

SPECIAL LIBRARIES is published by Special Lihraries Association, monthly September to April, bimonthly May to August, at 73 Main Street, Brattleboro, Vermont 05302. Editorial Offices: 31 East 10th Street, New York. New York 10003. Second clnss postape paid at Brattleboro. Vermont. ------POSTMASTER: Send Form 3519 to Special Libraries Association, 31 East 10 St., New York, H. Y. 10003 SPRINGER-VERLAG NEW YORK INC. Announces A New International Journal metrologia

ETROLOGIA is primarily published for the ARTICLES FROM THE CONTENTS OF M benefit of scientific libraries, testing sta- EARLY ISSUES OF METROLOGIA: J. de Boer: The Ititcr~~ationelTcni- tions, the Bureau of Standards and its divi- l,erature Scale. sions, and similar organizations concerned J. A. Hall, N.P.L.: I<;rrliatiot~ Scale of Temperature frotn 2ililo(' with the science of weights and measures. Ar- to 1(?63"('. H. Moser, PTB: (;;IS 'l'l~crntoinctr?. ticles in English, French, German, Spanish and P. Vigoureux, N.P.L.: Dctcrrniti:~. ti,>!, of the Amltrrc. Russian will appear, covering significant re- W. K. Clothier, N.S.L. Australia: ;\ ('alcul:tlrlr Standard of ('a11:ici- search into fundamental measurement in all tance. N. Ramsey, Harvard: Thr I-lyclri~- areas of physics. Metrologia will record pro- Ken .\laser as a Standard of '1-ime. posals to improve the standards of the Inter- A. H. Cook, N.P.L.: The Al,sr~lutt. Determinatiori of the Acceler:ttio~i national System of Units, or to replace them Oue to (;t-nvit>-. A. P. Baerg, N.R.C. Canada: with standards. It will include articles Standardization of Radio So- clidcs. intended to contribute to the solution of par- J. Terrien: Review of the Kolr :ulrl Activities of the Rurenu Triter- ticularly difficult measurement problems in national (lei T'nids et Measures. W. S. Stiles: Colorimetry and various fields of scientific inquiry. METRO- Photometr?.. A Report of thr procculiu~sof th~ LOGlA will be published four times a year; 12th Intel-national ('ottferet~cr of \Veizlit\ :~nd~TCX-LII-~S. the annual subscription price is $8.50. You are I I invited to use the subscription form below.

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JANUARY 1965 Selection of books to be reprinted made from Series 11 of Economics Library Selections. quar- New DUOPAGE* book terly bibliography published by Johns Hopkins University, 1954-1962. Dr. Mark Perlman, reprinting program Professor of Economics, University of Pittsburgh, Head of the Project for Economics Library makes a~ailableimpor- Selections, worked with us to make selections for this reprint program. fanf reference books All books offered are out of print and not avail- able through other sources. necessary for basic ec- Write for complete list of boolp aoailable. Ordering onomics col1ecfions. period ends January 3 1 . 1965.

out-ofprint books des-ribed i; Bell & Howell Company I catalog listing DUOPAGE books 1700 SHAW AVENUE available. Write for copy. CLEVELAND, OHIO 44112

Now Available 1964 WESCON Technical Papers

Volume 8 Complete Set-7 Parts-71 Papers $38.50

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SPECIAL LIBRARIES GUIDE TO RUSSIAN REFERENCE BOOKS Volume 11: History, Auxiliary Historical Sciences, Ethnography, and Geography By Karol Mnichcl, edited by J. S. G. Sinzinons. Designed to save the scholar of Russian or Soviet history precious time formerly wasted in the process of identifying and locating wanted docunlentation, it lists and annotates 1560 reference tools relating to Soviet and Russian history in general as \\ell as to the histories of various specific events or geographical areas. It also lists Russian writings on ancient, medieval, Byzantine, and modern world history as well as works on ..\frica, the Americas, Asia, and Europe. Under auxiliary historical sciences, some topics covered are archeology, archives, chronology, genealogy, heraldry, historiography, nu- mismatics, paleology and epigraphy. There are also separate sections devoted to ethnography and geography. Volume I of this set (publislietl in 1962) is devoted to general reference books. Volumes 111-V will deal with political science, humanities, and science and technology, re- spectively, and Volunic VI will be a cutnulative index. Ptrblished by the Hoover Institzction. $12.00

NSDAP HAUPTARCHIV Guide to the Hoover Institution Microfilm Collection Coinpiled hy Grete Heinz and Agnes F. Peterson. The German Nazi Party-known to his- torians as the NSDAP (Nationalsozialistiscl~eDeutsche Arbeiterpartei)-established in 1934 a ccntral archive to prcserve for posterity the records of its own background, history, and organization, as well as to document the activities of its political opponents. The present work is a guide and index to this archive, thc microfilms of which are held at the Hoover Institution in some 240,000 frames. Pzcblislzcd bj the Hoowr Iizstit~ctiotz. $4.50

GERMAN AFRICA A Select Annotated Bibliography By Jon Rridgncan and Daaid E. Clnrke. This bibliography forms part of a projected series which will also include Hoover Institution's lioldings on Bclgian, British, French, and Portu- guesc Africa. About one thousand titles are listed and annotated, covering, besides the general Xvorks, German East Africa. German Southwest Africa, Togo and Cameroon, the British Con- fidential Prints, serials, and newspapers. Published by the Hoover Instittctiolt. $3.00

THE CHINESE COMMUNIST MOVEMENT, 1921 -1937, 1937-1 949 (2 vols.) An Annotated Bibliography By Chun-tu Hst4eh. Listing and annotating in detail 1222 items, these two volumes form an indispensable reference work to Chinese language sources on the history and developn~entof the Chinese Communist Party. Arrangement is by sul~jectand each volume is indexed by author and title. The first volume covers the embryonic period, Kuoniintang and CCP relations, the reorientation period, the Kiangsi Soviet, the Long hiarcli, and the early Yenan period. The second volume lists works pertaining to Mao Tse-tung and the Sino-Japanese War and post- war periods. Published by the Hoover Institzctioit. $2.50, $5.00

Please order from Publications Department, Box 52, Hoover Institution, Stan- ford University, Stanford, California 94305 U.S.A.

JANUARY 1965 +0WLEOQ &Q~': 1964 PUBLICATIONS from 9"- ... P,

SPECIAL LIBRARIES 31 East 10th Street, New York, N. Y. 10003 ASSOCIATION

Picture Sources, Second Edition Celestine G. Frankenberg, Editor Commercial, library, government, industrial, trade association, and other sources of pictures are described in 703 entries giving address, telephone, name of person in charge, size and type of collection, and conditions of use. Includes "Picture- Finding Tools" for each general category, alphabetical, geographical, and subject indexes, and a visible thumb index. 224 p. $6.75 Subject Headings in Advertising, Marketing, and Communications Media Elin B. Christianson and Edward G. Strable, Compilers Principal headings give a detailed analysis of the field for subject cataloging and indexing, while 132 basic file folder headings present broad coverage for vertical files. List of common sub-headings facilitates further breakdown. Instructions are set forth in "Practical Suggestions for the Beginner." Spacious format permits users to add their own notations. 96 p. $5.95

SLA Is United States Sales Representative for Selected Aslib Publications

SCIENCE AND THE RENAISSANCE By William Persehouse Delisle Wightman

VOLUME ONE: An Introduction to the Study of the Emergence of the Sciences in the Sixteenth Century. VOLUME TWO: An Annotated Bibilography of the Sixteenth Century Books Relating to the Sciences in the Library of the University of Aberdeen. A study of the change in attitude towards the philosophy of nature which took place during the fifteenth and sixteenth centuries. SET OF TWO VOLUMES $1 3.00

7 ----- FOUNDED IN NEW YORK 1872 LONDON / PARIS / STUTTGARTI BOGOTA 31 East 10 Street / New York 3, N. Y.

SPECIAL LIBRARIES .. on catalog card reproduction Description of thirteen processes observed in libraries for obtain- ing or reproducing catalog cards. Analysis and evaluation of equipment and procedures. Techniques and tables for de- termining costs and staff time requirements of the various methods of card re- production. 88 pages, 40 il CATALOGCARD REPRODUCTION (available January 26) $8.50 .. on better circulation systems STUDY OF CIRCULATION CONTROL SYSTEMS-A guide to the selection of the most eco- nomical and efficient charging systems for public, college and university, and special librar- ies. Includes selection man- uals for each ....$2.50 Separate selection manuals for public libraries, 75$ ea. ; for college, university libraries, 75$ ea. .on other vital library subjects PROTECTING THE LIBRARY AND ITS RESOURCES $6.00 PHOTOCOPYING FROM BOUND VOLUMES ... $5.00 SUPPLEMENTS 1 and 2 to PHOTOCOPYING FROM BOUND VOLUMES (each) ...... $2.00 SUPPLEMENT No. 3 to PHOTOCOPYING FROM BOUND VOLUMES ...... $5.00 EVALUATION OF RECORD PLAYERS FOR LIBRARIES, SERIES I1 ...... $6.00 ENLARGED PRINTS FROM LIBRARY MICROFORMS $4.00 DEVELOPMENT OF PERFORMANCE STANDARDS FOR LIBRARY BINDING, PHASE I ,..... $1.00

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JANUARY 1965 Back in print . . . in response to popular demand . . . THE BOOK

A HISTORY OF THE MAKING AND SELLING OF BOOKS by Hellmut Lehmann-Haupt in collaboration with Lawrence C, Wroth and RoUo G. Silver

If there is one "must" book for all whose profession is the printed word, it is THE BOOK IN AMERICA, long famous as the best book on the subject. . . and the only com- prehensive history of printing in America. First published in the U. S. in 1939, then com- pletely revised and updated in 1951, this absorbing history deals with problems in publishing - censorship, copyright, the mechanization of the book manufacturing industry, book design and designers, the growth of inexpensive reprints - and is as fascinating as a history as it is informative as a comprehensive reference tool. This is indispensable reading for anyone who means to make books his profession . . . for anyone who wants to know how each facet of the book world relates to the whole . . . and for anyone who wants to know what happened when today's "newtideas were last tried, a few years or generations ago. CONTENTS: Book Production and Distribution from the Beginning to the American Revolution, by Lawrence C. Wroth Printing in the Colonial Period: 1638-1783. The Book Trade Organization in the Colonial Period. Book Production and Distribution from the American Revolution to the War between the States, by Lawrence C. Wroth and Rollo G. Silver. Printing and Bookmaking, 1784-1860. The Book Trade, 1784-1860. Book Production and Distribution from 1860 to the Present Day, by Hellmut Lehmann-Haupt. The Industrialization of Printing. Printer and Book in the Nineteenth Century. Publishing and Bookselling, 1860- 1890. Book Production since 1890. Publishing and Bookselling since 1890. 512 pages; price $12.50. Order your copy from R. R. BOWKER COMPANY 1180 Ave. of the Americas, N. Y., N. Y. 10036 SPECIAL LIBRARIES Now open your eyes. There is such a service available, starting Jan- uary 1965. It's called ASCA. It's custom designed for each individual scientist everywhere in the world and in every dis- cipline. And it costs less than $2.00 per week for your own individual computer printout. Interested?Want details? Write for information. You'll be glad you did.

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SPECIAL LIBRARIES SPECIAL LIBRARIES Official Journal Special Libraries Association

Volume J6, No. 1 CONTENTS January 1965

About The Picture Division HELENFAYE I5 Specialization : Pictures A Dialogue about the Training of MRS. CELESTINEFRANKENBERG Picture Librarians AND ROMANAJAVITZ 16 Copyright of Pictorial Material WALDOH. MOORE 20 May We Use This Picture?-Rights and Permissions HELENFAYE 23 Pictorial Books: A Selected List Experimentation with an Image Library Pictures for Public Relations Pictures in Your Company's Archives The Release of Photographic Reproductions of Art Objects Unit Microfilm-A Contemporary Format Planning the New Library: United Aircraft Corporation Main Library LTP Reports to SLA This Works For Us : Photocopying Cards in List Form Current Concentrates of the Library World: Computers in 1964 National Library Week SPECIAL LIBRARIES ASSOCIATION Cincinnati's H. W. Wilson Company Chapter Award Entry 1964 J6 Come To Philadelphia ANNEL. NICHOLSON37 NEWS Have You Heard 19, 46, 59 Off The Press 63

Editor: MARY L. ALLISON SPECIALLIBRARIES COMMITTEE Assistant Editor: EDYTHEC. PORPA Chairman: ROBERTG. KRUPP Consultants: ALBERTAL. BROWN HOWARDB. BENTLEY DR. I. A. WARHEIT MRS. ELIZABETHR. USHER Papers published in SPECIAL LIBRARIES express the views of the authors and do not rewesent the o~nion or the policy of the editorial staff or the publisher. Manuscripts submitted for publication must be typed double space on only one side of paper and mailed to the editor. a Reprints may be ordered immediately before or after Mblication. Subscriptions: U. S. $10; foreign, $11; single copies, SI.50. @ by Special Libraries hci- ation 1965. INDEXED IN Business Periodicals Index, Public Affairs Information Service, Library Literature-. Management Index and Library Science Abstracts. Take 3 minutes to learn exactly what University Microfilms can do for you.

PERIODICALS. UMI has modern EARLY ENGLISH BOOKS. UMI has American, English, and foreign most of the books listed in the Pol- periodicals on microfilm. In addi- lard & Redgrave and Wing catalogs. tion, special collections include These bookswere published in Great English literary periodicals from Britain between 1475 and 1700. the 17th, 18th, and 19th centuries. And early American periodicals EARLY AMERICAN BOOKS. UMI from 1741 to 1850. has an American Culture series that begins with the Columbus letter and DOCTORAL DISSERTATIONS. UMI includes 6000 selected books pub- has 70,000 doctoral dissertations lished through 1876. from 150 universities covering mathematics, science, social sci- OTHER. UMI also has newspapers, ences, and humanities. Additional government documents, collections dissertations are being abstracted on drama, the theatre, music, paint- in Dissertation Abstracts at a rate ing, and world cultures. of more than 10,000 every year. OUT-OF-PRINT BOOKS. UMI has more than 10,000 out-of-print, mod- Now tell us ern books stored on microfilm and especially prepared f or xerographic what you- need. reproduction. These and most other ,II.IIIIIIII.IIIIIIIIIII.IIIIIIII out-of-print books are available for : I am interested in the following. as little as 3% cents a page. : Please send free brochures and catalogs. : Periodicals Doctoral Dissertations UNDERGRADUATE SHELFLIST. ; Out-of-print Books C] Undergraduate Russian Language Books IJ UMI has a list of the 57,000 books j EEt%ngish Books Early American in the University of Michigan under- Books Other I graduate library. This list is avail- I able on microfilm, file cards and in I NAME bound volumes. UMI also has many I ADDRESS of the out-of-print books on this list. I I I CITY RUSSIAN LANGUAGE BOOKS-UMI I I has over 2000 books in the Slavic : STATE languages. Most of these books are I UNIVERSITY MICROFILMS, INC. now out of print. You can get xero- 3l3 NORTH FLRST STREET.ANN A8BOFLMlCHlGAN I: graphic copies from UMI. I A subsidiary of Xerox Corporation 8 I I I I I I I I I I I About The Picture Division

EVERAL OF THE ARTICLES in this issue stem from workshops held at the 55th S Annual Special Libraries Association Convention in St. Louis, June 1964. They represent a sampling of the continuing problems of picture librarians.

As members of a new profession, picture librarians have found themselves forced into self-training, problem-solving, and invention. This is stimulating and challeng- ing but frustrating as well. As a means of coping with this problem and providing a channel for the exchange of information on pictures, the Picture Division of SLA was formed 12 years ago. The Division now has 156 members whose work ranges from picture research and filing, classifying, and storing pictures, to managing col- lections whose pictorial assets total several million pieces. The problems of the person with a few hundred photos in a company archive are similar in many ways to those of the person who is responsible for a million or more. To both, the Picture Division has something to offer. Through its quarterly newsletter, Picturescope (free to Division members; $2 per year to non-members), members keep in touch with each other and with developments in the field. Reviews of new books, descrip- tions of picture collections and resources, summaries of local picture meetings, and listings of wanted material are included in this highly useful publication.

1964 saw the publication of the second edition of Picture Sources (Celestine Frankenberg, ed. New York: Special Libraries Association, 1964. $6.75), a guide to over 700 picture collections in the United States and abroad; this is a project of great importance to the Division and to the several thousand persons who are currently using the volume.

This issue of Special Librdries is the third to be devoted entirely to the problems of picture libraries. The other two issues were the Picture Division issue, vol. 45, no. 7, September 1954 and the Graphic Arts issue, vol. 47, no. 10, December 1956. These issues included the first bibliography of picture reference tools and a check- list for supplies and equipment for picture files.

The New York Group of the Picture Division holds four meetings during the fall and winter with guest speakers, films, visits to collections, and other useful pro- grams. The Annual Association Conventions have been the source of many exciting and valuable meetings and are the stimulus for much of the activity that goes on during the rest of the year. The Division has presented speakers such as Edward Steichen, Romana Javitz, and others who are eminent people in the world of pictures.

Currently the Division is working on projects concerned with the need for pro- fessional training of picture librarians in library schools, development of a classifica- tion scheme for pictures, and possibly future publication of a manual for picture librarians. HELENFAYE, Chairman SLA Picture Division, 1964-65

JANUARY 1965 Specialization: Pictures A Dialogue about the Training of Picture Librarians

MRS. CELESTINE FRANKENBERG interviewing ROMANA JAVITZ

CF: You have trained so many librarians for picture work-what qualities should one look for in an applicant? RJ: There is such a variety of types of picture collections that requirements in back- ground, training, and temperament vary. CF: Are the differences really great? RJ: I find them so. In picture files made up of historical material comprehensive in subject scope and serving the public, two factors govern the calibre of the staff, and these are not governing elements in other types of work with pictures. The first is that the pictures that make up this type of collection are chosen by the staff-the very shape and content of the collection is entirely formed by the staff. The greatest influence is the need of the users who depend on the collection. The second factor is that the purpose of this type of collection is to serve as a direct source of pictorial information and ideas for a professional, creatively active, and highly sophisticated public as well as students in the fields of the performing and graphic arts and industrial design. In a museum or news agency pictures accumulate almost automatically: in the museum, as a record of its holdings, its exhibitions, and a restricted area of subject emphasis; in a news agency as a live archive of the staff photographers' output. In both of these collec- tions, the main function of the picture librarian is identification, organization, and control of use. The use is usually limited to the staff of the organization and to publication pur- poses. In historical societies the emphasis is on preservation of the pictorial record with selection kept at a minimum. CF: How do these differences affect the training of a picture librarian? If it is a spe- cialization, wouldn't training in work with pictures serve as a background for all types of picture files ? RJ: To a limited extent, and that would be in the techniques of picture handling-the physical aspects of processing, filing, and housing. Taste and knowledge would be needed for a collection a librarian is asked to form. Ideally, for any type of picture work, the first requisite is a keen eye, a seasoned visual sense, a working knowledge of history generally, and of the history of documentary pictures specifically. CF: How do you detect "visual sense" in an applicant? Isn't imagination a more im- portant asset ? RJ: No, ability to visualize is the most important asset. Why limit imagination to work with pictures? Imagination and creativity are inseparable. A good librarian is creative. With pictures there is a wider scope for the application of one's own visual knowledge. Selection of pictures and the organization of pictures test knowledge and draw deeply on powers of observation and past visual experiences. CF: I still would like to know how you detect these abilities? RJ: I look for intellectual curiosity and training in one of the arts or a science. I look for a working familiarity with history and a thorough discipline in a field where observa- tion and attention to detail are essential. The best picture librarian is one who sees the Mrs. Frankenberg, urho is Art Librarian at Young d Rubicam, Znc., New York City, re- ceived her training in handling pictorial materials at the New York Public Library. Here she interviews her former boss, Romana Javitz, Curator of NYPL's Picture Collection, one of the first, largest, and mo it heavily used picture collections in the world. 16 SPECIAL LIBRARIES world, who not only watches it but experiences it visually, who learns to remember the color, shape, and proportions of what he looks at. CF: Do you find that this comes naturally to some and not to others? RJ: Yes, but with guidance one can learn to observe as well as to see. Work with pictures opens the dullest eyes to see the world, just as paintings and photographs, in addi- tion to their power to give aesthetic satisfaction, enlarge visual experience and enhance one's view of the world beyond the art gallery. Television and the picture in print in our own time have immeasurably increased visual knowledge. CF: Do you expect the applicant to have majored in art history? RJ: No, some of the best picture librarians majored in languages, music, science, or English literature. But they have more than a casual knowledge of art history; they are keen observers, know how to dig for information, to identify what they observe, and have more than an average ability to pursue detail without losing sight of the whole. CF: What specialized training should a picture librarian bring to his work, starting with the premise that he is a graduate of a library school? There are no courses specifically devoted to training for work with pictures, although some schools touch lightly on pictures as part of art reference libraries and audio-visual collections. RJ: Because of this lack, librarians hired for work with pictures are unprepared for the special problems this work poses. This is serious, because methods applicable to biblio- graphic work are unsuited to the organization of pictures. CF: As there are a large number of trained picture librarians on the staff of The New York Public Library, how have you overcome this ? RJ: Our first step is constantly exposing new assistants to pictures, with instruction in looking at pictures and seeing the subject content. They receive orientation in subject identification and become familiar with types of printed pictures. This can properly be paralleled with learning a new language, and that is what it is-to learn to think in the terminology of visual images. CF: Is this done along with the day's sched- uled hours of work with the public? RJ: Only partially. Whenever feasible we have an in-service, 60-hour seminar of two-hour weekly sessions. It begins with a review of art history from the point of view of its use as a pictorial record. Stress is placed on graphic representation as the visual documentation of man-his knowl- edge, his habits, fears, ideas-his pictorially re- corded history. This encompasses more than art- it explores the body of documentary illustrations, including botanical, medical, technological, and commercial drawings. CF: Is this for the most part a series of lectures? RJ: Not at all-it is planned as a stimulus for self-education by extensive reading and study be- tween sessions. When we review the historv of pictures in print, each student searches out ex- amples of printmaking techniques, types of pho- tographs, and examples of photo-mechanical re-

The artist's eye and camera's eye make up a picture library. Watching grown-ups are a 16th century Venetian girl and a 1939 mi- grant girl in T.exas. Painting by Carlo Cri- velli, National Gallery, London (detail) and b Farm Security Administration photograph by Russell Lee. Courtesy New York Public Li- brary Picture Collection. This provides practical exercise in recognition, comparison, and judgment of reproduci- bility. The art of the juxtaposition of images is taught to help give depth to subject cov- erage when organizing a picture file. CF : How extensive is the literature on documentary still pictures ? RJ: There are only a few books on the subject. The seminar's required reading is on the history of the pictorial press, photography, and printmaking. Words related to this field must be learned: for example, half-tone, Woodburytype. Of prime importance is the study of picture books-not the "illustrated" books, but those that are documentary in purpose. These are looked at for appraisal of styles in editing, arrangement, and indica- tion of sources. The history of the use of pictures in the illustration of dictionaries and encyclopedias further familiarizes the picture librarian with how pictures clarify meanings. CF: This is all groundwork. Do you add practical instruction in the organization of picture files ? RJ: Instruction in how to arrange pictures by their subject content is the main part of the seminar. It is introduced by a presentation of the theory on which the organization of the Picture Collection of The New York Public Library is based. Selection and estab- lishment of graphic subject headings and consistent sub-divisions are taught. The classifi- cation of fauna and flora and other major subject areas are fully explored. The organiza- tion of pictures for the purposes of different types of collections is studied through field trips nearby with subsequent group discussions. CF : Is training given in picture research ? RJ: Several sessions are devoted to a survey of reference tools for locating pictures and sources of pictorial information. The cataloging of sources, systems for indicating sources, and the copyright aspects of pictorial reproduction are included. CF: Do you consider reference work with pictures specialized? RJ: No, because I do not believe it differs essentially from other reference work, except at the point when a picture is located. Then it is necessary to call on the specialist for judgment of the picture. The requisites for reference work with pictures is the same as for work with books-knowledge of reference tools, reading ability in several lan- guages, broad general information;awareness of trends, dedication to fact-finding, and imagination. To this add a picture sense. CF: At this point I feel you do not consider this work a specialization-does it demand special training ? RJ: Yes, but this is a specialization growing out of the soil of a general basic liberal arts and library training. For those who wish to specialize in picture work, practical familiar- ity with the making of a photograph, with the camera, with paint, brush, and pen is almost a necessity. This is particularly an advantage in collections where the selection is made by the staff and the public is active in the graphic, plastic, fashion, and performing arts. CF: Why are there no courses as yet on working with pictures ? RJ: It is because the development of picture libraries outside the museum-type of print collection and art historv collection is only three decades old. Before the 1930's most picture files other than those in museums were school-service clipping files or ones like that of the Newark Public Library where John Cotton Dana established the first library picture service for artists. Since then the development of television, cheaper methods of picture reproduction, and the proliferation of picture books have led to a rediscovery of the many collections of pictures long accumulating not only in local historical societies, but on an enormous scale in the copyright deposits at the Library of Congress. Most picture collections have grown haphazardly, and few even today are organized. Outstanding are the Armed Forces files at the National Archives, where the needs of war carried the expense of their organization. Because of commercial necessity, the Hollywood 18 SPECIAL LIBRARIES studios have maintained fine pictorial reference libraries staffed by skilled researchers. The service is for the creative staff--designers and directors-and meets their demanding needs. The field is waiting for development, for recognition that pictures are an inseparable part of a library's concern with our inherited knowledge. Establishment of criteria for organization, management, and professional training is overdue.

The real and the make-believe in a picture file: a clown in the fantasy of the film "Lime- light" (United Artists, 1952) and in the realism of a painting by Honore Daumisr (Paris: Hyperion, 1938). Courtesy New York Public Library Picture Collection.

Who Are We?"' The 53 responses to the Picture Division's brarians, almost half of them have studied recent questionnaire requesting information art, photography, graphics, or art history, on members' educational and professional often after graduation from library school. backgrounds, revealed some interesting statis- The work respondents are now doing tics. Three members have Doctorates in so- ranges from cataloging, filing, and serving ciology, fine arts, and art history; all three are the public in large picture collections, to pic- also graduates of library schools. Of the 19 ture editing, curatorial work, or managing with Masters degrees, 12 earned theirs in li- large collections. Someone commented that brary science, two in history, two in art or art the work members do breaks into two levels: history, two in English, and one in archival "files and picture searching on the one hand, administration. All but two have attended for which library training is probably ade- library school. Of the 24 who have college quate; and iconography, which can be had degrees lower than a Masters, only 11 had only through groundwork in school plus in- no library courses. Interestingly, only four service experience." If the word iconography majored in art or art history; nine majored in this case is understood to mean the study in library science, two each in English, home of pictorial material, it would seem that the economics, language, and education. person doing picture filing and picture search- Although few seem to have known that ing is laying the groundwork for future de- they were going to become art or picture li- velopment into the study and use of pictures. Instead of there being two kinds of work * Extracted from Pictuuescope, vol. XII, no. 4, involved, there is an evolution from the first 1964. to the second. JANUARY 1965 Copyright of Pictorial Material

WALDO H. MOORE

NE CONSTITUTION Reproductions of works of art T states that Congress Drawings or sculptural works of a scien- has the power to promote tific or technical character the progress of science Photographs and the useful arts by Prints or pictorial illustrations giving to authors the ex- Prints or labels used for articles of mer- clusive right, for limited chandise times, to their writings.1 Motion ~ictures4 This is the foundation on which ~nzed States copyright statute is based: the writings Second, one must realize that unpublished of authors. In fact since 1790 there has been works that have not been copyrighted under a federal copyright statute of one kind or the statute are ~rotectedbv the common law another. of the various states. Hence there is a dual Some doubt may be expressed as to whether system of protection in this country, and it pictorial materials are "writings," but we dorks somethingu like this. As sdon as a know that the earliest forms of writing were work is created, it is protected by the com- pictures, that in some languages used even mon law, and this protection continues until today (such as Chinese) the symbols are the work is either copyrighted under the pictorial representations of things or ideas, statute as an unpublished work or published. and that our alphabet evolved from picto- When it is ~ublished.either it secures statu- graphs. Moreover the statute of 1790, en- tory copyright or it goes into the public do- acted by the First Congress, which included main in the United States, depending upon a large number of the men who were mem- whether it bears the required statutory copy- bers of the Constitutional Convention, pro- right notice. vided protection for maps, charts, and books ; thus it can be assumed that those who wrote Procedures and Definitions the Constitution must have had a broader no- How does one obtai~zcopyright fo~an un- tion of "writings" than just literary works. published work? This may be done by send- As the years went by, the law was changed ing to the Copyright Office, The Library of to include other kinds of pictorial works, and Congress, Washington, D. C. 20540, a com- in 1865 photographs were added. In 1884 pleted application form, one copy of the the Supreme Court clearly held that a photo- work (or an identifying reproduction), and graph may be the "writing of an author."Z the required fee of $4. Present Situation First, it is important to know that the pres- 1. United States Constitution, Article I, Section 8. ent copyright statute was enacted in 19093 2. Burrow-Giles Lithographic Co. v. Sarony, 111 and that it enumerates the following broad y;i3:17, Uliied I,dieJ span of pictorial categories: 4. While motion pictures are obviouslv pictorial , & Maps works, some of the legal provisions relating to them are different because of their separate nature Works of art and Or designs for and thus not everything said should be considered works of art to apply to them. The agthor is Chief of the Reference Division of the U. S. Copyright Ofice, Washington, D. C. This article, based on a talk given before the Picture Divisio~zat the Special Libraries Associatiotz Annual Convention in St. Louis, June 8, 1964, does ?tot necessavily represent the views of the Copyright Office. 20 SPECIAL LIBRARIES What is pmblinltio~z? Although the statute the author may copyright a work; where a does not define the term, it is ordinarily the work is made for hire, the employer is the earliest date when copies of the work were author under United States law. The mere publicly distributed under the authority of ownership of the physical object, such as a the copyright owner. Also, it is generally drawing for example, does not give one the considered that a work may be published by right to claim copyright. Very often one per- public exhibition, if there is no restriction on son owns the original physical object, and its being copied by the public. another person owns the copyright. Hozu is copyright obtained for a published Hozu lotzg does copyright protection Last? work? One may secure copyright by publish- For unpublished works enjoying common ing a work with the required notice of copy- law protection, the period is unlimited. Un- right. Promptly after publication with notice, der statutory copyright the duration of pro- the claim to copyright should be registered tection is limited. The law provides a first by sending to the Copyright Office an appli- term of 28 years, running from the date of cation, two copies of the work, and the re- deposit for works registered in unpublished quired fee. form or from the date of publication in the What is the effect of publishiu~a work case of works securing copyright by publica- uithout the copyright notice? T~Egeneral tion with notice. The statute also provides publication of a work without the notice by for a renewal period of 28 years, on condi- the person having the right to secure copy- tion that a renewal registration is made in right results in the irretrievable loss of copy- the last (the 28th) year of the first term. right. Note, however, that one cannot always If there is no renewal, in the United States rc?y on the lack of notice as indicating that the work falls into the public domain at the a work is not under protection. For example, expiration of the first term. assume that a work was ~ublishedwithout There is also one additional factor. On notice by a person having no rights in it September 19, 1962, a bill was enacted ex- and assume further that the copyright owner tending until December 31, 1965, renewal was not even aware that this had taken lace; copyrights still in effect. What all this means I - clearly this should not and would not cause is that all works published before September the loss of copyright. 19, 1906, are no longer under copyright in Whnt is the copyright uotice? Essentially the United States in so far as the original it consists of the word "Copyright," the ab- version is concerned. Works copyrighted by breviation "Copr.," or the symbol @I, accom- publication or copyrighted in unpublished panied by the name of the copyright owner form since that date may or may not still be and the year date when statutory copyright under protection, depending on when the was secured. For example: @ John Doe 1964. term began to run and whether renewal was Although the year date is usually not re- made. In this connection it should be men- quired for pictorial items (except motion pic- tioned that one may have a search made of tures) to obtain copyright in the United the Copyright Office records by sending the States, its use as well & the symbol Q) and the Office an inquiry and paying the required name of the copyright owner are needed to search fee; or a person may make his own meet the notice provisions of the Universal search in the records of the Office or the Copyright convention and may thus be im- printed Catalogs of Copyvipht Entries to be portant in obtaining copyright in other coun- found in many of the large libraries. tries. What i.r the scope of copyrighf profectioiz? Where rho~lri the copyright zotice be As the word "copyright" implies, it is essen- placed? On individual pictorial works, the tially the right of the copyright owner to pre- notice should be placed on an accessible part vent others from copying his work. It also of the work and should be permanently includes the right to print, reprint, publish, affixed. and vend the copyrighted work and to make Whomay secuve a copyright? Only the au- new versions of it. Although there is a thor or someone who derives his rights from principle called "fair use," which allows, JANUARY 1965 under certain circumstances, a portion of a of the Panel of Consultants on General Re- copyrighted work to be used without in- vision, who represent the various interested fringement resulting, there are no exact groups. The last of the current series of guides as to the limits of this rule, particu- meetings was held in January of this year, larly in the area of pictorial materials. and it is hoped that there will be a draft bill No current discussion of copyright should for consideration sometime this year. conclude without mentioning the movement EDITOR'SNOTE: Since this talk was delivered, a to revise and modernize our law. Many new bill has been introduced in Congress providing for means and patterns of communication have the general revision of the copyright law. On July emerged since 1909. The present revision 20, 1964, S. 3008 was introduced by Senator Mc- program began in 1955 and has moved Clellan and H.R. 11947 was introduced by Repre- through progressive stages towards the writ- sentative Celler. The introduction of the bill gives ing of a bill. During the past year draft sec- interested parties an opportunity to study the measure as a whole before the next session of tions of the new law have been submitted by Congress, when it will again be introduced with the Copyright Ofice to successive meetings slight modifications.

Some Questions and Answers The following material is based in part on Q: If a picture is published in a copyrighted questions asked of Mr. Moore at the end of book or magazine without the copyright no- his talk. These questions and answers have tice appearing on the same page is it legally been paraphrased by Helen Faye and are not protected ? a transcript of Mr. Moore's remarks nor of A: The law states that the copyright in a the exact questions asked. work extends to all the copyrightable com- ponent parts of the work copyrighted. Hence, Q: What date is safe for determining what the fact that the copyright notice does not works are in the public domain ? appear on the same page as the picture does A: All works published by authority of the not necessarily mean that the picture is not copyright owner before September 19, 1906 are in the public domain in the United States covered by the copyright in the work as a whole. as far as the original version is concerned. Q: Does photocopying infringe a copy- Q: Are pictures that are given out as public- right ? ity handouts in the public domain? A: This is a very difficult and complex A: In general, any work published by the matter. It has numerous ramifications, and public distribution of copies is in the public the fact situations are many and varied. The domain if the publication was made by the best I can do is to remind you that there is copyright owner or by someone acting under the doctrine of "fair use," which may cover his authority and if there was no copyright some of the situations involved in photocopy- notice on the copies. ing but not cover others. Q: Would a private non-profit organiza- Q: Who owns the rights in a photographic tion be liable for publishing a copyrighted portrait of a living person ? photograph in its own publication without A: I think the answer to this is that if a per- permission ? son commissions a photographer to take his A: I do not know whether this answers the picture, the sitter and not the photographer question, but the copyright law provides no owns the copyright, in the absence of an exception for non-profit organizations, as agreement to the contrary. On the other such, if the act in question is an infringement. hand, if a photographer pays a person to sit Q: About how many photographs are copy- as a model, the rights in the work, as far as righted in the United States each year? copyright is concerned, reside in the photog- A: About 1,000 registrations a year are rapher and not in the sitter, in the absence of made for photographs. a specific agreement to the contrary. 22 SPECIAL LIBRARIES May We Use This Picture?- Rights and Permissions

HELEN FAYE

N ADDITION to understanding the prob- rapher and the magazine may state that the I lems of copyright and public domain, the magazine will be the first one allowed to picture librarian and researcher must under- publish the pictures and may also specify a stand the various kinds of ownership rights time limit, so that if the pictures are not pertaining to pictures as well as the prob- published by the magazine within, say, six lems of libel and invasion of privacy in the months, the photographer may sell the pic- use of pictures. tures elsewhere. In addition, the agreement Who can give permission to reproduce a may state that the first rights are for maga- picture? The holder of the copyright, of zine sale only and that the photographer course. This means the library, the museum, may retain the right to sell first rights for the picture agency, or the individual who has book or other use. pictures of which he holds the rights. Second rights is the term used to cover sales after the first rights have been exercised Kinds of Rights by the original party to the agreement. Usu- What kinds of rights or permissions exist ally when a publisher buys first rights, the for giving, licensing, or selling? The most photographer holds the second rights, giving common are one-time rights, which means him the right to sell the pictures elsewhere the seller of the rights allows the purchaser after the first rights have been used. to reproduce a picture in multiple printings Exclusive rights gives the purchaser the of one edition of the publication for which right to reproduce the picture in any publica- it was purchased. The publisher must not re- tion at any time for any purpose. For ex- produce the illustration in a new edition ample, a magazine commissions a photogra- without paying again, and he cannot allow pher to spend a week photographing the anyone else to use the picture. The term Grand Canyon. It pays all his expenses and "one-time rights" is sometimes phrased as gives him a very adequate daily rate of pay- "one-time reproduction," "one-time use," or ment; in return the photographer signs over "one use only." All restrict the user in the to the magazine all rights in his pictures. same way. The magazine can then use the pictures edi- First rights is a term generally used only torially, on the cover, for advertising, and by photographers or photo agencies giving a may even sell or syndicate the pictures to purchaser the right to be the first one to re- others. In buying exclusive rights the pur- produce photographs or artwork. First rights chaser usally pays at least twice the cost of may be limited in time or in the nature of one-time rights, often more since the agree- the publication in which they may be used. ment prohibits further sale of the material. For example, a photographer may be com- A picture may be sold with several other missioned by a magazine to do a picture restrictions or privileges- as to its use. Ad- story. The agreement between the photog- -- Mu. Faye, who is Chief Art Editor at Harcourt, Brace G World, Znc. in New York City, presented this paper before the Picture Divisiou at the Special Lzbraries Association Convention in St. Louis, June 8, 1964. The Editor of the first edition of Picture Sources, she is currently Chairman of the Picture Division and sewed as guest editor for this issue.

Harbrace Photo by Jim T1~ologo.s JANUARY 1965 \~,,,J,/,,,,/ 0,) 1 #, \ / 1')d,,, > I,,, I;<,,,< A photographer may be sued for trespassing on private property but not for invading thi privacy of a house if he publishes a picture such as this. r,ei//i/iig r.ixb/.i gi\c the purch,lxr the right he wishes to buy \+hen he m,lhcs his reclLli\i to reproduce a uwk in 'in .~dvertiscment. to the snpplic-r ot ,I ~IC~LI~C.He sho~1lcI st.~tc- Since advertisements are usually repedted in what uhe is to be mdeof the picture, whethcr several magazines or other media, and since it is for a textbook, tradebook, m'~g,uine,or the expected profit from the use of the pic- advertisement, dnd whether it is to be usecl ture is presumably great, the cost of adver- as a cover illustr~ition, inside the book, or tising rights is much greater than for other whatever. It is then the supplier's responsi- rights. bility to charge accordingly atid to restrict An additional form of rights involves the the use, if necessary. country where the picture is to be published. CT. S. rights means the picture may be pub- Invasion of Privacy lished in a work in the United States and its I will now turn to some of the pitfalls in possessions; it also means that the picture the legal use of pictures, particularly in re- may not be published in a foreign edition of gard to invasion of privacy and libel. My re- the original publication unless additional marks are based on ten years of working with world rights or foreign rights are bought. these problems in the publishing of text- To summarize, a picture bought from an books, of reading on the subject, and dis- agency, a museum, or from a photographer cussing these matters with lawyers. I am not may be bought with any of the rights de- a lawyer nor an expert in law, and any of my scribed above or combinations of any of conclusions and recommendations are open them. The fees for the various rights vary, to a different interpretation by the next judge and the cost increases with the expected num- or jury who tries such a case. ber of uses of the pictures and with the pre- Let us assume that a magazine publisher is sumed profit to be gained by the purchaser. about to reproduce a photo of a crowd scene All this may sound rather formal and per- on Fifth Avenue in New York City. He has haps gives the impression that those who sell the photographer's permission and there is pictures or rights to reproduce pictures have no violation of copyright, but how about the a good grasp of the legal and business aspects people in the picture? The photograph of these transactions. This, however, is not clearly shows many faces in the crowd. If usually the case; the average photographer this picture is used in an informational, edu- often has a confused idea of what rights he cational way, in a magazine article, for ex- is selling. However, the American Society of ample, and fzot for adver.ti.ri)zg. it may be Magazine Photographers has formulated clear published without regard for these people. definitions and recommends certain ethical Since they are appearing in a public place, and legal practices to the profession. Picture going about the ordinary act of walking agencies, through their trade group, the Pic- down the street, the publisher is not invading ture Agency Council of America, have re- their privacy by publishing the picture. How- cently begun to systemize their understanding ever, if this picture is used for advertising, of the rights they sell. But since there is no the purchaser may ha\ e some law suits on his standud code, it is really the responsibility hands, for in many states the right of privacy of the purchaser to make clear what rights is interpreted to protect thc exploitation of a SPECIAL LIBRARIES person's name, likeness, or personality with- pletely true and flattering, may be considered out his consent. An invasion of this person's privacy unless A second example is a photo of a man at one has permission to do exactly this; for work in a control tower at La Guardia Air- example, the detailed coverage given to port. Here again, there is no invasion of many families by women's magazines. An ex- privacy in the publishing of this photo for ception to this is the famous person who has editorial use since the person is at his normal lost his right to privacy by his conspicuous occupation. position in public life. Political figures, ac- Since the term "in~asionof privacy" is tors, or other famous persons can sue for often defined as injury to a person's own libel in some cases but seldom for invasion of feelings, a good test is to put oneself in the privacy. place of the person in the picture. How would Do animals have rights of privacy? No, you feel if your picture were used in this as every pet owner knows, dogs, cats, and way? In particular, try to judge the picture other animals have little privacy in their in terms of the caption to be used with it, the lives; they have no legal protection against text adjacent to it, and the entire context in invasion of privacy. How about one's home? which it will be viewed. Picture researchers If a photographer takes a picture of a house and editors sometimes fail to consider the while standing in the owner's potato field, entire effect of pictures and words as they he can be arrested for trespassing but cannot finally appear in print. The use of a picture be prevented from publishing his picture, for in conjunction with text that may put an un- buildings have no rights of privacy. Lastly, favorable or conspicuous light on the persons persons who are no longer living are not pro- involved is always questionable. Even though tected by invasion of privacy regulations. a publisher may have a model release, which In all the above examples the pictures are has been carefully worded to cover many uses used in editorial publishing, not in advertis- of a picture, it may not be specific enough to ing. For use in advertising it would be neces- allow use in an offensive context. It is neces- sary to obtain releases for the pictures of the sary to state the exad use to which the photo dog, cat, and house, since the owners have a is to be put if there is any chance that the right to profit from the use of their property. use may be objectionable. It is an invasion of privacy to use a cap- tion or adjacent text to impute words or Libel ideas, which may appear to be matters of a Invasion of privacy can be best under- private or personal nature, to the individuals stood as injury to a person's own feelings; pictured. An example of this is the fictional while libel, that spooky word, is injury to a picture story where words and a whole story person's reputation or the holding him up to line are made up to go with a set of pictures. public ridicule. Note that the taking of a It may be literature, but it isn't legal unless picture is not libelous; it is the publishing of one has model releases from the subjects. a picture that makes it so. And what is meant An extensive picture story covering many by publishing? By law, in the case of libel, aspects of a person's life, even though com- publication means not only printing a picture

People appearing in a public place cannot sue for invasion of privacy if their picture is used in an educational publication. or a statement in a book or magazine, it worded to cover the exact use to which the means even communicating the defamation pictures were to be put, and in the captions it to a third person. In matters of libel, there- was pointed out that the teachers had posed fore, displays, exhibitions, or showing a pic- for the pictures. ture to a group or even to your best friend Another publisher used a picture of three could be considered publication. teen-agers to illustrate an article entitled Note also that it is the publisher of the "Gang Boys." The jury found the use of the picture who is sued, not the photographer, picture libelous, even though the boys had or the researcher, or the librarian who gave posed willingly for the picture. They had out the picture (except possibly in cases of not been aware of the exact use to which the pictures where the actual picture content it- picture was to be put. self is libelous). There are two reasons why it is generally the publisher who is sued. News Photos First, the publication or showing of a picture News ~hotos,when current, are not con- is what makes it a public matter, and a pic- sidered libelous or invasions of privacy, un- ture can only damage the person's reputation less the caption is worded in such a way as if it is made public. Second, there is a strong to make it- appear that, for example, a sus- tendency among plaintiffs to sue where the pected criminal has in fact committed a money is, and a corporation would be con- crime. Interestingly, a news photo can con- sidered better game than an individual. tain a time bomb-; if a photo of a person Also, note that most cases of libel occur accused of a traffic violation, or example, is because of the way in which a picture is used, I~ublished several vears after the case was the context in which it is published, or what current, that person may be able to sue for is said about it; less often is the intrinsic invasion of privacy because the case is no content of the picture libelous. Examples of longer newsworthy and he again has a right pictures with intrinsically libelous content are to his privacy. Well known persons have no the candid shots that make the subjects look such rights, however. Once a person has be- ridiculous, cases of unfortunate juxtaposi- come a public figure, it is very difficult for tions within the picture, and cases where op- him to object to the publishing of even un- tical distortions result in an illusion of ugli- flattering material about him, provided it ness or grotesquery. Also, of course, photos passes the test of being truthful or at least that have been retouched or faked in other only fairly critical. ways can make an innocent photo into a li- belous one, as every editor of the sensational Conclusions press knows. I hope I have not given the impression Here are some examples of libelous pic- that a firm body of legislation exists in tures. A photo of a married couple was pur- which these matters are neatly spelled out. chased from a photo agency and used con- Such is not the case; some laws do exist, spicuously to illustrate a magazine article but they vary from state to state and do not entitled "Is Your Marriage Going on the cover all possible cases. The existing body of Rocks?" The couple sued for libel and won, tradition and common law, which changes even though they had previously signed a according to the times, governs these prob- model release. As mentioned before, a signed lems more than actual legislation does. model release does not protect a publisher Perhaps by now it seems that the best who uses a picture in an offensive way unless course is to give out no pictures for publica- the model release is carefully worded to tion, display nothing but old master draw- cover exactly such a use. In illustrating a text- ings, and hide all photos with people in book on elementary school educational prac- them. However, intelligent observation of tices, Harcourt, Brace 8 World obtained the what other people are publishing and dis- cooperation of several teachers to pose for playing, plus your own sensibilities and good pictures showing good and bad teaching taste, should be a fair guide to the proper practices. The model releases were carefully and legal use of pictures. 26 SPECIAL LIBRARIES Pictorial Books: A Selected List

CAROLINE BACKLUND

HE ENORMOUS INCREASE in pictorial books of all kinds that has deluged the market T in recent years complicates the problem of selection for librarians. Subject matter over- laps, quality varies enormously, many books are expensive and go out of print quickly. Others frequently do not circulate in public libraries. But the fact remains that there are more good pictorial books available today than ever before. The following list is highly selective. It represents some of the illustrated books I have found particularly useful as librarian at American Heritage. I have emphasized pictorial histories, especially those with illustrations contemporary with the period depicted. The books were chosen because of their pictorial excellence, their historical interest, or be- cause they represent the kind of material available in a given field. They are not all in print, nor, unfortunately, are they all equally well-documented. In some instances only a general acknowledgement of sources is provided. To be of greatest value to the researcher or historian, each picture should be carefully identified with its subject, artist or pho- tographer, and source. It is hoped that, in time, there will be higher standards on the documentation of pictures appearing in print. I have not included books in the fields of art, description and travel, natural history, or many areas portraying modern life. There is such a wealth of excellent and current material on these subjects, it seemed unnecessary to add them. I have also omitted the books that appeared in Romana Javitz's list, "Books in a Picture Collection" (Special Li- braries, vol. 45, September 1954), and those found in "Picture-Finding Tools," located at the end of each chapter of Picture Sources (Celestine G. Frankenberg, ed. New York: Special Libraries Association, 1964, 2nd ed.) . These bibliographies are invaluable basic sources and should be examined carefully by anyone working with pictures or establish- ing a picture library.

IMU. Backlund is Librarian of the American Heritage Pablishing Co., Znc. in New York City. She was asisted in the preparation of thzs list by Janet Filling, Picture Library, Harcourt, Brace C. WorM, and Susan Griggs, Picture Library, Anzerican Heritage. Advertising GORSLINE,Douglas. What People Wore. Illustrd- HORNUNG,Clarence P. Handbook of Early Amer- tions by the author. New York: Viking, 1952. ican Adrerti.ring Art, 2 VOIS.New York: Dover, LACHOUQUE,Henri. I0 SiPcle de Cortume Mili- 1956. taire. (Tout par 1'Image series). Paris: Hachette, JONES,Edgar R. TheWere the Good Old Dajs. 1963. New York: Simon and Schuster, 1959. American LAVER,James. Co~tume.a History of Dress f~om advertising, 1880-1930. Prinzitire Time.r to the Present. New York: Haw- ROWSOME,Frank, Jr. They Laughed When I Sat thorn, 1963. Doumn, atz Informal History of Adwrtising im W~r.cox,R. Turner. Fife Centuries of Americm Words and Pictures. New York: McGraw-Hill, Cortume. Illustrations by the author. New York: 1959. Scribner, 1961. ZUCKER,Irving. A Source Book of French Adzwr- WILHPLM,Jacques. Histuire de la Mode. (Tout tisiizg Art. New York: Braziller, 1964. par 1'Image series). Paris: Hachette, 1955. WILLETT,C. and CUNNINGTON,Phillis. A Picture Hirtur? of Englirh Costume. New York: Mac- Aeronautics millan, 1960. AMERICANHERITAGE, eds. The American Heritage Hisfo~yof Flight. New York: 1962. Discovery and Exploration CAIDIN,Martin. Golden 1Pingr. New York: Ran- BERIOT,Agnes. Grandr Voilier~Autozr~ dtr Monde, dom, 1960. Pictorial history of US. Naval and lrs Vo)age.r Scienrifigues, 1760-1850. Paris: Font Marine airpower. Royal, 1962. CANBY,Courtlandt. A Hirtory of Flight. (The BETTEX. Albert. Discowry of the 1C'orld. New New Illustrated Library of Science and Invention.) York: Simon and Schuster, 1960. New York: Hawthorn, 1963. DEHENHAM,Frank. Discowry and E.uplora/ion. irrz DAYTONCHAMBER OF COMMERCEAND DAYTON Atlar Hi.rtory uf Man's lt'>zndering.r. New York: ART INSTITUTE.Flight, Fantusy. Faith, Fact. Day- Doubleday, 1960. ton: 1953. A loan exhibition commemorating the LANDSTR~~M,Bjorn. The Quest for India, 3.000 50th anniversary of powered flight, 1903-1953. Years of Explowtion. New York: Doubleday, DOLLFUS,Charles. The Orion Booh of B~lloorlr. 1964. (Orion Book Series.) New York, Orion, 1960. RUGOFF.Milton and the editors of Ho~rzoNMAG- GURNFY,Gene. The War in the Ai,; Picture Hi.r- AZINE. Mrzrco polo'.^ Ad2,enture.r in China. (Ho- tory of TY'orld 1t"ar I1 Air Forcer in Combat. New riron Caravel Book). New York: America Heri- York: Crown, 1962. tage. 1964. TAYLOR,John W. R. Flight: a Pictzrre Hirtorj,. WARNER,Oliver and the editors of HORIZON New York: Pitman. 1959. MAGAZINE.Captaitz Cook and the South Pacific. (Horizon Caravel Book). New York: American Business and Industry Heritage. 1963. GENERAL DYNAMICSCORPORATION. Dynanzic America, a Hi~toryof General Dlnarnicr Corpora- Entertainment tion 'ind Itr Predeces.rnr Companies. New York: ALTMAN.George et al. Theater Pictorial. .r Hi,. Doubleday, 1960. Well-documented social and tory of IY'orld Theater as Recorded in Drrrzi ing.1, economic history of the L!.S., 1870's to present. Puintings. Engravings and Photographs. Berkeley: LEVINSON.Leonard I.. 1f"all Slreet: A Pictorial 1-niversity of California Press, 1953. History. New York: Ziff-Davis. 1961. BLUM.Daniel. Pictorial Histor? of he TLi1k-/c.r. MARTIN,Ralph G. and STONE,Morton D. Mone~. New York: Putnam, 1958. Money. Moilel; 1l"all Street in 1Y'ordr dnd Pic- . A Pictorial Trenrury of Opeu in Amcr- ture.r. New York: Rand McNally. 1960. ic-'I. New York: Greenberg, 1954. WENDT, Lloyd and KOGAN, Herman. Give the BUIUAN.K. V. The Stoq of 1F7orld Ballet. T.on- Lady IY'hat She TY'nnts! The Slor); of Ma~shali don: Wingate, 1963. Field & Company. New York: Rand McNally. CAHN. William. The Laugh Maberr, a Pictori,rl 1952. Hi~turyof Americrrn Comrdiirns. New York: Put- YEARAND NEWSFRONT,eds. The 50 Grea~Pio- nam. 1957. ~eerrof Americun Industr3.. New York: Year. DEMILLE.Agnes. Book uf the Duiice. New York: 1964. Golden, 1963. DURANT,John and Alice. Pictot.iu1 Hirtory I,! thr American Circuc. New York: Barnes, 1957. Costume EVERSON,William K. The Bad Guys. New York: BRAUN-RONSDORF,Margarete. Mirror of Fashion, Citadel, 1964. Illustrated history of the movie a Histor) of European Costume, 1789-1929. New villain. York: McGraw-Hill, 1964. FRANKLIN,Joe. Classics of ihr Silent Screen. New BRUHN. Wolfgang. A Pictorial History of Cor- York: Citadel, 1959. tune. Illustrations by Max Tilke. New York: GRIFFITH,Richard. The Mo~,ie.i. New York: Si- Praeger, 1955. mon and Schuster, 1957. SPECIAL LIBRARIES HALI., Ben M. The Best Renzaining Seats, the FALLS,Cyril, ed. Great Military Battles. New Stars of the Golden Age of ihe Motfie Palace. York: Macmillan, 1964. New York: Bramhall, 1961. FKEIDEL,Frank. Over There, the Story of Ameri- HOPE-WALLACE,Philip. A Pictorid History of rds First Great 0uer.rea.r Crusitde. Boston: Little Opera New York: Macmillan, 1959. Brown, 1964. World War I pictorial hibtory. LANG,Paul H. and BETTMANN,Otto L. Pictoyid1 GERNSHEIM,Helmut and Alison. Roger Fenton. fli.rtory of Music. New York: Norton, 1960. Photographer of the Crtmean Wm.London: Secker MARTIN,John. John Martin's Book of the Dunce. and Warburg, 1954. Kew York: Tudor, 1963. HAILEY, Foster and LANCELOT,Milton. Clear fop MURRAY,Marian. Circus! From Ronze to Ring- Action, 1898-1964. New York: Meredith, 1964. ling. New York: Appleton, 1956. A photographic history of modern and naval com- PINCHERLE,Marc. An Illustrated History of Mu- bat. .sic. New York: Reynal, 1959. MARSHALL,S. L. A. and the editors of AMERICAN VEINSTEIN,Andre et al. Performing Arts Collec- HERITAGE.The American Heritage History of tiort~.JIZ lnternaiiotzal Handbook. Paris: Centre IY'orld TY'ar I. New York: American Heritage, National de la Recherche Scientifique, 1960. De- I 964. scription of over 300 collections of the history of The Picture History of 1Y70rld War 11. New York: theatrical arts. Grosset and Dunlap, 1946. Formerly titled Colliers Illustrated Hi.rtoq of Ir.orld War II. History ROTHRERG,Abraham (text) and FREDERICKS. HERQUE,Jacques. Les Ara6e.s. Paris: Delpire, Pierce G. (pictures). EyeuG1nes.r History of World 1959. IVar 11, 4 vols. New York: Bantam, 1962. DIJNAN, Marcel. ed. Lrrrousse Encyclopedia of TAYLOR,A. J. P. The First TY'orld TY'ar, an 1llu.r- Alodtrn History, 1500 to the Present Day. New trated History. London: Hamilton, 1963. York: Harper, 1964. WEYGAND,General Maxime. Hirtoire de 1'ArmCe NICHOLSON,Harold. Kings, Courts and Monarrhy. F~zmmise.Paris: Flammarion, 1953. New York: Simon and Schuster, 1962. Illustrated history of monarchy. History-Modern WRIGHT,Esmond and STAMPP,Kenneth M., eds. hlcGrau~-Hill's Illustrated World Hisfor~~.New CARMICHAEL,Joel. An Illustrated History of Ru.r- York: 1964. .ria. New York: Reynal, 1960. CHURCHILL,Winston S. The Island R~ce.New History-Ancient York: Dodd, 1964. Pictorial history extracted from Churchill's A History of the English-Speak- Ancient People and Places Series. New York: hg Peoples. Praeger. Includes such titles as The Vikings by GAUTIER,Leon. La Cheuderie. Paris: Arthaud, Holger Arbman, The Celts by T. G. D. Powell, 1959. Pictorial history of knighthood. 2 he ScYthiayl~by Tamara Rice, The Phoe?zician.r GAXOTTE,Pierre. Histoire de Frmce (Tout par by Donald Harden. I'lmage series). Paris: Hachette. 1960. BACON,Edward, ed. Vanished Ciz'ilizations. New HEROLD,J. Christopher and the editors of Ho- York: McGraw-Hill, 1963. Stone Age Africa and RIZON.The Horizon Book of the Age of Napoleon. Europe to Easter Islanders. New York: American Heritage, 1961. CIXAM,C. W. The March of Archaeology. New LAFFONT,Robert, ed. York: Knopf, 1958. A pictorial history. A History of Rome md the Romans, from Ronzulus to John XXIII. New CHAMOUX,Francois. La Civilisation Greque, ii York: Crown, 1962. I'Epoque Arrhaique et Classique. Paris: Arthaud, 1963. . The Illustrated Histo17 of Europe. New EYDOUX,Henri-Paul. La France Antique. Paris: York: Doubleday, 1960. ---. The Illustrated History of Paris ilnd the Plon, 1962. Pictorial record up to the 500's. GRANT,Michael. The Birth of Western Civiliza- Parisians. New York: Doubleday, 1958. tiov. New York: McGraw-Hill, 1964. From the LATOUCHE,Robert. Le Film de l'Hi.rtoire Medie- Greek Bronze Age to the early Middle Ages. zvle en France. 843-1328. Paris: Arthaud, 1959. GRIMAL,Pierre. The Ciz~ilization of Ronze. New LIFE, eds. Life's Picture History of Weslern Man. York: Simon and Schuster, 1963. New York: Time, 1951. L.irozrs.re Enrjclopedia of Ancient md Mediez,al LOPEZ, Robert S. Najssance de PEuvope. Paris: Htrtorp. New York: Harper, 1963. Armand Colin, 1962. Pictorial history of the Mid- PIGGOTT,Stuart, ed. Dawn of Civilization. New dle Ages. York: McGraw-Hill, 1961. Ancient peoples up to MALJROIS, Andre. An 1llu.rtrrited History of Eng- classical times. l~md.London: Bodley Head, 1963. , An Illustrated History of France. London: History-Military Bodley Head, 1963. CHURCHILL,Winston S. and the editors of LIFE. NEUMANN,Robert and KOPPEL,Helga. The Pic- The Second World War, 2 vols. New York: Time, torial History of the Third Reich. New York: 1959. Bantam, 1962. JANUARY 1965 PLUMB,J. H. and the editors of HORIZON.The JONES,Cranston and SCHLEISNER,William. Homes Horizon Book of the Renaissance. New York: of American Presidents. New York: McGraw- American Heritage, 1961. Hill, 1962. QUENNELL,Peter and HODGE,Alan. The Past KETCHUM,Alton. Uncle Sam: the Man and the We Share, an Illustrated History of the British Legend. New York: Hill and Wang, 1959. and American People. New York: Prometheus, LIBRARYOF CONGRESS.Catalogs of exhibitions 1960. commemorating significant anniversaries in the SMITH, Bradley. Japan: A History in Art. New histories of the US. states. Washington, D. C.: York: Simon and Schuster, 1964. Government Printing Office, 1946-. Lists of rare WILHELM,Jacques. Paris au Cours des Siecles books, maps, prints, and photographs. (Tout par 1'Image series). Paris: Hachette, 1961. LIFE, eds. and GRAFF,Henry F. Life's History of Year: 1965. New York: Hammond, 1964. The the United States, 12 vols. New York: Time, encyclopedia news annual. 1963. . Year's Pictorial History of the World. MCCRACKEN,Harold. George Catlin and the Old New York: Hammond, 1964. Frontier. New York: Dial, 1959. MCDERMOTT,John F. Seth Eastman, Pictorial History-United States Historian of the Indian. Norman: University of Oklahoma, 1961. American Heritage Junior Library Series. New MALONE,Dumas (text). The Story of the Decla- York: American Heritage, 1961-. Includes such ration of Independence. New York: Oxford, 1954. titles as by The Pilgrims and Plymouth Colony Pictures by Hirst Milhollen and Milton Kaplan. Feenie Ziner, by Trappers and Mountain Men NEW YORK TIMES. The Kennedy Years. New Evan Jones, Commodore Perry in Japan by Robert York: Viking, 1964. Photographs by Jacques Lowe L. Reynolds, by Don Cowboys and Cattle Country and others. Ward, by Irwin Shapiro. Yankee Whaling QUAIFE,Milo M. et al. The History of the BLAY,John S. After the Civil War, Pictorial Pro- United States Flag. New York: Harper, 1961. ,file of. America. 1865-1900. New York: Crowell, SANN, Paul. The Lawless Decade. New York: 1960. Crown, 1957. The 1920's. BOWDOINCOLLEGE MUSEUM OF ART. The Por- YEAR. Pictorial History of the American Negro. trayal of the Negro in American Painting. Bruns- New York: Hammond. 1964. wick, Maine: 1964. Illustrated exhibition catalog. BRANDON,William and the editors of AMERICAN HERITAGE.The American Heritage Book of In- History-U.S. Military dians. New York: American Heritage, 1961. CATTON, Bruce and AMERICANHERITAGE, eds. BUCHANAN,Lamont. Ballot for Americans, Pic- The American Heritage Picture History of the torial History of American Elections, 1789-1956. Civil War. New York: American Heritage, 1960. New York: Dutton, 1956. FREIDEL,Frank. The Splendid Little War. Boston: . A Pictorial History of the Confederacy. Little, Brown, 1958. Illustrated history of the New York: Crown, 1951. Spanish-American War. COHN, David L. The Fabulous Democrats, His- JOHN CARTERBROWN LIBRARY. The French and to~yof the Democratic Party in Text and Pictures. Indian War, an Album. Providence: 1960. Con- New York: Putnam, 1956. temporary prints and maps. DURANT,John and Alice. Pictorial History of LANCASTER,Bruce and AMERICANHERITAGE, eds. American Presidents, 3rd rev. ed. New York: The American Heritage Book of the Revolution. Barnes, 1959. New York: American Heritage, 1958. FARM SECURIW ADMINISTRATION.The Bitter MEREDITH,Roy. The American Wars, a Pictorial Years, 1935-1941. New York: Museum of Mod- History from Quebec to Ko~ea,1755-1953. New ern Art, 1962. An exhibition catalog prepared by York: World, 1955. NATIONALGALLERY OF ART. The Civil WIY, a Edward Steichen for the Museum of Modern Art. Centennial Exhibition of Eyewitness Drawings. GUNTHER,John and QUINT, Bernard. Days to Washington, D. C.: 1961. Remember, America, 1945-55. New York: Harper, STERN,Philip Van Doren. The Confederate Navy, 1956. a Pictorial History. New York: Doubleday, 1962. HANSBERRY,Lorraine. The Movement. New York: US. LIBRARYOF CONGRESS.The American Civil Simon and Schuster, 1964. Pictorial documentary War, a Centennial Exhibition. Washington, D. C., of the recent struggle for civil rights. Government Printing Office, 1961. Illustrated HORAN,James D. The Desperate Years. New checklist. York: Crown, 1962. Pictorial history of the 1930's. . Civil War Photographs, 1861-1865. Wash- HUGHES,Langston and MELTZER,Milton. A Pic- ington, D. C.: Government Printing Office, 1961. torial History of the Negro in America, rev. ed. A catalog of copy negatives made from originals New York: Crown, 1963. selected from the Matthew B. Brady collection in JENSEN,Amy LaFollette. The White House and the Prints and Photographs Division of the Li- Its Thirty-two Families. New York: McGraw- brary of Congress. Compiled by Hirst Milhollen Hill, 1958. and Donald H. Mugridge. SPECIAL LIBRARIES VANDIVER,Frank E. Fields of Glory. New York: KANE,Harnett T. Gone Are the Days, Illustrated Dutton, 1960. Illustrated narrative of American History-. of the Old South. New York: Dutton, land warfare. 1960. WILEY,Bell Irvin. Embattled Confederates. New KEMBLE.lohn Haskell. San Francisco Bay: a Pic- York: Harper, 1964. An illustrated history of torial time History. Cambridge, Md:; Cornell southerners at war. Illustrations selected by Hirst Maritime Press, 1957. D. Milhollen. KIMMEL,Stanley. Mr. ~incoln'sWashington. New . They Who Fought Here. New York: York: Coward, 1951. Macmillan, 1959. Illustrations selected by Hirst -- , Mr. Davis' Richmond. New York: Cow- D. Milhollen. Armies of the Civil War. ard, 1958. WILLIAMS,Hermann Warner, Jr. The Civil War: KOCHER,A. Lawrence and DEARSTYNE,Howard. The Artists' Record. Boston: Beacon, 1961. Selec- Shadows in Silver, Record of Virginia, 1850-1 900. tions from museums throughout the country. New York: Scribner, 1954. Contemporary photo- graphs by George and Huestis Cook. KOGAN,Herman and WENDT, Lloyd. Chicago: History-U.S. Regional A Pictorial History. New York: Dutton, 1958. ANDREWS,Ralph W. Curtis' Westew Indians. LORANT,Stefan, ed. Pittsburgh, the Story of an Seattle: Superior, 1962. Reflections of a pioneer American City in Pictures and Drawings. New photographer, Edward S. Curtis. York: Doubleday, 1964. , Picture Gallery Pioneers, 1850 to 1875. MAYER,Grace. Once Upon a City: New York, Seattle: Superior, 1964. Selections from the work 1890-1910. New York: Macmillan, 1958. Photo- of early western photographers. graphs by Byron. BEEBE,Lucius and CLEGG,Charles. San Francis- MILLER,Nina Hull. Shutters West. Denver: Sage, co's Golden Era. Berkeley: Howell-North, 1960. 1962. Illustrations by A. C. Hull, pioneer photog- BEIRNE,Francis F. Baltimore: A Picture History. rapher. New York: Hastings, 1957. MILLER,Nyle H. et a]. Kansas, a Pictorial His- BODINE,A. Aubrey. Chesapeake Bay and Tide- tory. Topeka: Kansas Centennial Commission and water (1954); The Face of Maryland (1961) ; the State Historical Society, 1961. The Face of Virginia (1963). Baltimore: Bodine. MURPHY,Bill. A Pictorial History of California. BREWINGTON,M. V. Chesapeake Bay, a Pictorial San Francisco: Fearon, 1958. Maritime History. Cambridge, Md.: Cornell Mari- PATRICK,Rembert W. Florida under Five Flags. time Press, 1956. Gainesville, Fla.: Univ. of Florida Press, 1960. BROWN,Dee and SCHMITT,Martin F. Trail Driv- QUAIFE,Milo M. This Is Detroit, 250 Years in i~gDays. New York: Scribner, 1952. Pictures, l7Ol-l9Jl. Detroit: Wayne University BROWN, Mark H. and FELTON, W. R. Before Press, 1951. Barbed Wire (1956); The Frontier Years (1956). ROBINSON,W. W. Los Angeles from the Days of New York: Halt. Pictures by L. A. Huffman, the Pueblo. San Francisco: California Historical pioneer photographer. Society, 1959. . The Plainsmen of the Yellowstone. New RUTH, Kent. Great Day in the West: Forts, Posts York: Putnam, 1960. and Rendezvous Beyond the Mississippi. Norman: FIRST NATIONALBANK IN ST. LOUIS. St. Louis: University of Oklahoma Press, 1963. First 200 Years, a Pictorial History. St. Louis: SAMUEL,Ray et al. Tales of the Mississippi. New 1964. York: Hastings, 1955. Pictorial history of life on FUNDABURK,Emma Lila and FOREMAN,Mary D. the river. Southeastern Indians, Life Portraits. Luverne, Ala.: SCHMITT,Martin F. and BROWN,Dee. Fighting Fundaburk, 1958. Indians of the West (1948) ; The Settlers West GAMBRELL,Herbert and Virginia. A Pictorial (1955). New York: Scribner. History of Texas. New York: Dutton, 1960. SHELTON,Charles. Photograph Album of Yester- HATCHER,Harland and WALTER,Erich A. Pic- day's Southwest. Palm Desert, Calif.: Desert Mag- torial History of the Great Lakes. New York: azine, 1961. Crown, 1963. STEVENS,Sylvester K. Pennsylvania, Illustrated HEILBRON,Bertha L. The Thirty-second State, a History of the Commonwealth. New York: Ran- Pictorial History of Minnesota. St. Paul: Minne- dom, 1964. sota Historical Society, 1958. SUNSETBOOKS, ed. The California Missions, a HORAN,James D. The Great American West, a Pictorial History. Menlo Park, Calif.: 1964. Pictorial History from Coronado to the Last Fron- TILDEN,Freeman. Following the Frontier with F. tier. New York: Crown, 1959. Jay Haynes, Pioneer Photographer. New York: and SANN, Paul. Pictorial History of the Knopf, 1964. Wild West. New York: Crown, 1954. Outlaws TYLER,David B. Delaware, the Bay and River, a and lawmen of the old west. Pictorial History. Cambridge, Md.: Cornell Mari- HURT, Wesley R. and LASS, William E. Frontier time Press, 1955. Photographer, Stanley J. Morrow's Dakota Years. VAN DUSEN,Albert E. Connecticut. New York: Lincoln: University of Nebraska, 1956. Random, 1961. Pictorial history of the state. JANUARY 1965 WAINWRIGHT,Nicholas B. Philadelphia in the Ro- VILLIERS.Alan. Men, Ships and the Sea. Wash- mantic Age of Lithogrdphy. Philadelphia: His- ington, D. C. : National Geographic Society, 1962. torical Society of Pennsylvania, 1958. Illustrated WARNER,Oliver. Greaf Sea Battles. New York: print list of Philadelphia views. Macmillan, 1961.

Miscellany Personalities AMERICANHERITAGE, eds. The American Herit- BUTTERFIELD,Roger. F. D. R. New York: Har- rlge Cookbook avd Ill~rstrated History of Amer- per, 1963. Pictures by Robert D. Graf and Robert ican <i~g'ind Drinking. New York: 1964. Emmett Ginna. BECKER.Stephen. Comic Art in America. New GERNSHEIM,Helmut and Alison. Vicfori~R. New York: Simon and Schuster, 1959. Social history York: Putnam, 1959. of the funnies, political cartoons, magazine humor, HAMILTON,Charles and OSTENDORF, Lloyd. etc. Lifico!~~in Photographs. Norman: University of BOUDET,Jacques. Man and Beast, a Vi.rua1 His- Oklahoma Press, 1963. torj. New York: Golden, 1964. Illustrated with HARRITY,Richard and MARTIN,Ralph G. H7rnzan old prints and paintings. Side of F. D. R. New York: Duell. 1960. CLIFFORD,Derek. History of Garden Design. New ---. Man of the Century: Churchill ( 1962), York: Praeger, 1963. Excellent contemporary illus- Mrin of Destiny: De Gaulle of France (1961), trations of gardens through the ages. New York: Meredith. CO~RELL,Annette B. Dragons. Boston: Museum HOYER,Walter. Goethe's Life in Pirture.r. kip- of Fine Arts, 1962. Illustrations from the mu- zig: VEB Edition, 1963. seum's collection. LORANT,Stefan. The Life and Timer of Thrndore HERDEG,Walter and GRAPHIS,eds. The Sun in Roose~dt.New York: Doubleday, 1959. Art. Zurich: Anistutz and Herdeg, 1962. MELTZER,Milton. Mark Tuwin Himself, a Pic- Lmou.i.re Ewc~clopediaof Mythology. New York: tu~idBiography. New York: Crowell, 1960. Prometheus, 1960. ~~EREDITH,Roy. Mr. Linco/nls Ge~era/,r. S. LEHNER,Ernst and Johanna. Folklow and Sym- Grant, irn Zlltrstrated Biographj. New York: Dut- bulism of Floufer.r, Plantr and tree^ (1960); ton, 1959. Folklore and 0dyrrrj.r of Food and Medicinal Pictorial Biography Series. New York: Putnam. Phni.r (1962). New York: Tudor. Illustrated Includes such titles as Hemingway by Leo Lania, with old prints. Leo~irirdo by Richard Friedenthal, Chrrrchill by MCKENDRY,John J. Aesup, Fiz~eCenttrrie.r of Il- Alan Moorehead, Oscar IY'ilde by V. Holland. bstrirted Firble.r. New York: Metropolitan Mu- RACKWITZ, Werner and STEFFENS. Helmut. seum of Art, 1964. George Frederir Hatldel, a Biography in Pjci~r~rr. Pleasures and Treasures Series. New York: Put- Leipzig: VEB Edition. 1962. nam, 1961.. Includes such titles as C1ock.r by Si- SELLERS.Charles Coleman. Benjamin F~u~tkli~~in mon Fleet; Grirdei2.r by Miles Hadfield; Firram.r Portrruturr. New Haven: Yale Lrniv. Press. 1962. by Howard Ricketts; Srirw by Richard Came; STERN,Philip Van Doren. Robert E. Lee. New Shel1.r by Roderick Cameron. York: McGraw-Hill. 1963. PRAZ,Mario. An 1llu.itruted Hislory of Fzrr~ish- i~gfrom the Rrnuis.rance to the Turentiefh Cen- Photography tury. New York: Braziller, 1964. ATGET, Eugene (pictures) and PROUST,Marcel (text). A Vision of Paris. New York: Macmillan, Naval History 1963. CANRY,Courtlandt. A Hirtory of Ships and Sea- CAMIXAMAGAZINE, eds. The IY'orld of Cmleta. friring (The New Illustrated Library of Science New York: Doubleday, 1964. and Invention). New York: Hawthorn. 1963. CAI'A. Robert. Imager uf War. New York: Gross- CASSON.Lionel. Illuirr'ited Hi.rtor~ of 5hip.r and man, 1964. Covers the years 1936-1954. Boats. New York: Doubleday, 1964. CARTIER-BRESSON,Henri. The Decisive Momei~t. DURANT,John and Alice. Pictorial Histury of New York: Simon and Schuster, 1952. American 5hip.r. New York: Barnes, 1953. DAIN,Martin J. Faulkner's Country: Yokmp'rtntu- LAING.Alexander. American Sail, a Pictorial Hi- phir. New York: Random, 1964. for?. New York: Dutton, 1961. EVANS,Walker. American Photographs (with an LANDSTROM,Bjorn. The Ship, an Illu.~trated Hir- essay by Lincoln Kirstein). New York: Museum tory. New York: Doubleday, C. 1961. Drawings of Modern Art, 1938. by the author. FRANK, Robert. The Americans. New York: LLOYD,Christopher. Shipr and Seamen. from rhe Grove, 1958. A pictorial social study. Vikings to the Present Day. New York: World, GERNSHEIM,Helmut and Alison. History of Pho- 1761. tography. New York: Oxford, 1955. TUNIS,Edwin. Oar.r, Sirils and Steanz, a Pir:rrre , The Recording Eye: A Hundred Year.r o/ Book of Ships. New York: World, 1952. 1llustr:i- Ez,entr as Seen by the Camera, 1839-1939. New tions by the author. York: Putnam, 1960. SPECIAL LIBRARIES NEWHALL.Beaumont. The cl,rguerreoiype in HOGHEN,Lancelot. hf,c/hem~tic.rin /he 121,ikzr.~. Amefira. New York: Duell, 1961. hTew York: Doubleday, 1960. Pictorial history. STEICHEN,Edward. The Family of Man. New MOORE,Patrick. The Picture History of Artron- York: Simon and Schuster, 1955. Photographic om^. New York: Grosset, 1964. exhibition catalog at the Museum of Modern Art. The New Illustrated Library of Science and In- . A Life it~Photography. New York: DOU- vention Series. New York: Hawthorn, 1961. In- bleday, 1363. cludes such titles as A Histor) of Electricits by Edward Tatnall Canby, A History of Medicine by Religion Jean Starobinski, A History of Phy~icrby Charles- AVI-YONAH,Michael and KKAELING,Emil G. Albert Reichen, A History of Rockets irnd Sp~rce Our Liwing Bible, the Old and New Tertnment 21, by Courtlandt Canby. Pictures. New York: McGraw-Hill, 1962. Orion Book Series. New York: Orion, 1960.. UAINTON,Roland H. and the editors of HoKlzoN. Includes such titles as The Orion Book of the Sun Thr Horizon History of Christianity. Kew York: by Etienne Lalou, The Orion Book of Evolution American Heritage, 1964. by Jean Rostand, The Orion Book of Time by BAMM. PETER. The Kingdoms of Christ. New Fran~ois Le Lionnais, The Orion Book of the York: McGraw-Hill, 1959. Word by Etiemble. COWIE,Leonard W. The March of the Cro.r.r: An RuDAUX. Lucien et al. Lclrou.r.re Enqclopedia of Illustrated Histort of Christianity. New York: A.rtronomg. New York: Prometheus. 1962. McGraw-Hill, 1962. SLOANE.Eric. A Museum of Early Americm DAVIS,Moshe et al. Illustrated History of the Tools. New York: Funk, 1964. 1eur.r. New York: Harper, 1963. THOMAS,Bruno et al. Arms and Amnr of the FERM, Vergilius. Picturial History of Protertant- Western lVorld. New York: McGraw-Hill, 1964. i~m. New York: Philosophical Library, 1957. TUNIS, Edwin. Weapons: A PictoriaI History. HOLLIS,Christopher, ed. The Papact, an Illus- New York: World, 1954. Author illustrations. /?.aied History from St. Peter to Paul VI. New WILSON,Mitchell. American Science and Inven- 'L'ork: Macmillan, 1964. tiou. New York: Bonanza, 1960. KELLER,Werner. The Bible ar History in Pic- YEAR.Pictorial History of Scietzce and Engineer- tures. New York: Morrow, 1964. ing (by the Editors of Year). New York: Ham- LIFE, eds. The W'orld's Great Religionr. New mond, 1964. York: Time, 1957. MCKENNA.Marian. Pictorial History of Cutholi- Social Life and Customs ci.~m.New York: Philosophical Library, 1962. AMORY,Cleveland and BKADLEE,Frederic, eds. MATT, Leonard von and KUHNEK, Hans. The Vanity Fair, a Cavalcade of the 1920's and 30's. Po])e.r, a History in Picture and TY'ord. New York: New York: Viking, 1960. Lrniverse, 1963. AUDIAT,Pierre. 25 Sibcler de Mariage (Tout par R~ONTEIL.Vincent. Le Monde Murulmun. Paris: 1'Image series). Paris: Hachette. 196 1. Horizons de France, 1963. Bilder aus Deutscher Vergangenheit (Pictures RICE. Edward. The Church, a Pictorial Histor?. from the German Past) Series. Munich: Prestel, New York: Farrar, 1961. C. 1956. Includes such titles as Alte Kuchru und SCHAPPES,Morris U. The Jews in /he United Kuchengerate (Kitchen Utensils), E.rsen and Slates, a Pictorial History, 1654 to the Present. Trinke~ (Eating and Drinking), Handel und New York: Citadel, 1958. 1Y'andel mit Aller Welt (Trade with All the WEGENEK,G. S. 6000 Years of the Bible. New World), Richter, Schreiber, Ad2,okatew (Judges, York: Harper, 1963. Clerks. Lawyers), Zu pferde, im W'agen, zu Fuss (On Horses, in Wagons, on Foot). Well docu- Science and Technology mented, illustrated series on social customs in BERTIN,Leon. Larous.re Encyclopedia of the Earth. Germany. New York: Prometheus. 1961. BKOSSE,Jacques. 100,000 Years of Daily Life. BETTMANN,Otto. A Pictorial Hi.rtor~ of Medi- hTewYork: Golden, 1961. ctne. Springfield, Ill.: Charles Thomas, 1956. BURNAND,Robert. La Vie Quotidieme en I830 BRONOWSKI,J. The Doubleday Pictorid Histor). (Tout par I'Image series). Paris: Hachette, 1957. of Technology. New York: Doubleday, 1964. COHN, David L. The Good Old Day, a History DIDEROT,Denis. Pictvrial Encyclopedia of Trades of American Morals and Manners as Seen through ~rnd1ndu.itry. 2 vols. New York: Dover, 1959. /he Seur.r, Roebuck Catalogs, 1905 to the Present. ECO. Iirnberto and ZORZOLI, G. B. A Pictorial New York: Simon and Schuster, 1940. History of Inventions. London: Weidenfeld and DILLIARD,Maud Esther. An Album of New Neth- Nicolson, 1962. rrland. New York: Twayne, 1963. Based on ex- FLAMMARION.Camille. The Flammario~z Book of hibition of articles belonging to the Dutch col- Astronomy. New York: Simon and Schuster, 1964. onists. Includes early prints and paintings. HELD, Robert. The Age of Firearms: ir Pictorial DOLAN, J. R. The Yankee Peddlers of Early History. New York: Harper, 1957. America. New York: Clarkson Potter, 1964. JANUARY 1965 DORSEY,Leslie. Fare Thee Well, a Backward Sports Look at Two Centuries of Historic Hostelries, MAULE,Tex. The Game, Oficial Pictorial History Fashionable Spas and Seaside Resorts. New York: of the National Football League. New York: Ran- Crown, 1964. dom House, 1964. English Life Series. New York: Putnam, 1960-. MORAND,Paul. Bains de Mer, Bains de Rlve. Includes such titles as Life in Medieval England Lausanne: Clairefontaine, 1960. Bathers at the by J. J. Bagley, Life in Elizabethan England by seashore in paintings and photographs. A. H. Dodd, Life in Georgian England by E. N. PRICE,Charles. The World of Golf, a Panorama Williams. of Six Centuries of the Game's History. New EVANS,Joan. Life in Medieval France. London: York: Random, 1962. Phaidon, 1957. SCHAAP,Richard. An Illustrated History of the HALPHEN,Louis and DOUCET,Roger. Histoire de Olympics. New York: Knopf, 1963. la SocidtP Fran~aise. Paris: Nathan, 1953. Social SMITH, Robert. Baseball in America, a Picture history of France, 400's to 1900's. History. New York: Holt, 1961. HARRISON,David. Tudor England. London: Cas- WALLACE,William N. The Marmillan Book of sell, 1959. Boating. New York: Macmillan, 1964. HEIMANN,Robert K. Tobacco and Americans. New York: McGraw-Hill, 1960. Pictorial history Transportation of smoking. KRAUS, Michael and Vera. Family Album for ANDRIST,Ralph K. and the editors of AMERICAN Americans. New York: Grosset, 1961. Everyday HERITAGE.Steamboats on the Mississippi (Amer- life in America from 1789-1914. ican Heritage Junior Library). New York: 1962. LANOUX,Armand. Paris in the Twenties. New . The Erie Canal (American Heritage Jun- York: Arts, c. 1961. ior Library). New York: 1964. LAVER, James. Edwardian Promenade. Boston: BEEBE, Lucius and CLEGG, Charles. Hear the Houghton, Mifflin, 1958. Train Blow, a Pictorial Epic of America in the LIFE, eds. The Life Book of Christmas. 3 vols. Railroad Age. New York: Dutton, 1952. New York: Time, 1963. CANBY,Courtlandt. History of Ships and Seafar- LONGLEY,Marjorie and others. America's Taste, ing. (New Illustrated Library of Science and In- 1851-1939, Cultural Events of a Century Reported vention.) New York: Hawthorn, 1963. in the N. Y. Times. New York: Simon and CLYMER,Floyd. Those Wonderful Old Automo- Schuster, 1960. biles. New York: McGraw-Hill, 1953. MAUROIS,Andre. Le Monde de Marcel Proust EGGENHOFER,Nick. Wagons, Mules and Men. (Tout par 1'Image series). Paris: Hachette, 1960. New York: Hastings, 1961. Transportation West. NICOLL, Allerdyce. The Elizabethans. London: FABRE,Maurice. A History of Land Transporta- Cambridge Press, 1957. tion. (The New Illustrated Library of Science and PARTRIDGE,Bellamy and BEITMANN, Otto. As Invention.) New York: Hawthorn, 1963. We Were, Family Life in America, 1850-1900. HORNUNG,Clarence P. Wheels across America, a New York: McGraw-Hill, 1946. Pictorial Cavalcade Illustrating the Early Develop- QUENNELL,C. H. B. and Marjorie. A History of ment of Vehicular Transportation. New York: Everyday Things in England, 1066-191 4, 4th ed. Barnes, 1959. 4 vols. London: Batsford, 1957. LYON,Jane D. and the editors of AMERICANHER- ROMAN, Jean. Paris Fin de Siicle. New York: ITAGE. Clipper Ships and Captains. (American Arts, 1960. Heritage Junior Library.) New York: 1962. SAMEH, Waley-el-dine. Daily Life in Ancient MIDDLETON,William D. Interurban Era. Mil- Egypt. New York: McGraw-Hill, 1964. waukee: Kalmbach, 1961. Trolley cars and trains. PERRY,John. New York: SLOANE,Eric. Americana Series. New York: Funk, American Ferryboats. 1954.. Includes such titles as American Barns and Funk, 1957. Covered Bridges, American Yesterdry, The Seasons Rouss~~u,Jacques. Historie Mondiale de I'Auto- mobile. Paris: Hachette, 1958. of America Past. ROWSOME,Frank, Jr. Trolley Car Treasury. New STEGNER,Wallace. A Vanishing America. New York: McGraw-Hill, 1956. York: Holt, 1964. Illustrated histories of 12 SEDGWICK,Michael. Early Cars. (Pleasures and small towns. Treasures Series.) New York: Putnam, 1962. TUNIS,Edwin. (l957), Colonial Living Frontier SHUMWAY,George. Conestoga Wagon, 1750- Living (1961 ) . New York: World. Illustrations 1850, Freight Carrier for 100 Years of America's by the author. Westward Expansion. York, Pa.: Shumway, 1964. VOGUE,eds. The World in Vogue. New York: SNELL, J. B. Early Railways. (Pleasures and Viking, 1963. Illustrations selected from 70 years Treasures Series.) New York: Putnam, 1964. of Vogue magazine. TUNIS, Edwin. Wheels, a Pictorial History. New WRIGHT,Lawrence. Home Fires Burning. London: York: World, 1955. Illustrations by the author. Routledge and Kegan Paul, 1964. Illustrated his- WELLS,A. Wade. Hail to the Jeep, a Factual and tory of ways to keep warm. Pictorial History. New York: Harper, 1946. SPECIAL LIBRARIES Experimentation with an Image Library

DR. STANLEY T. LEWIS

HIS ARTICLE is not intended to present bility. With a heavy enrollment in studio T theoretical or final solutions but merely courses and a well-known faculty of artists at to discuss new experimentation with visual home in all media, it seemed unlikely that data initiated during 1964 at the Art Library the library was doing all it could to serve of Queens College. A change of emphasis their educational requirements. was sparked by two factors: first, the needs When considering the teacher-artist's atti- of instructors and students were becoming tude towards the library, one fact was im- more pressing and articulate; and second, the mediately apparent-the book catalog was stimulus received at the SLA New York infrequently used. An artist who entered the Chapter Picture Group meetings last spring library rarely approached it. Normally, he at which Bernard Karpel, Librarian of The would go to one of the art librarians and Museum of Modern Art, gave two lectures talk about the problem his students were on the themes of "Word & Image" and working on, such as the idea of placing one "The Organization of Image." A back- transparent object over another, then asking, ground factor was my teaching of "The "did we have anything on it?" What we Literature of the Fine Arts" course at the were then obliged to do was the old needle- School of Library Service of Columbia Uni- in-the-haystack searching that Mr. Karpel versity for a nudm of years. had indicated as the usual approach to any The needs of the studio art teacher are formal problem, i.e., indiscriminate brows- usually not realized by a librarian because ing through the picture and pamphlet col- they are not often expressed directly. In lections and, of course, picture books. In part, this is the result of the artist-teacher such areas the catalog is a blind device. Only looking upon the art library as primarily if an entire book is written on a subject will organized for the use of art historians. such a traditional technique as "collage" Usually academic libraries are top-heavy in appear. art history, and although much of their con- Instructors who made the most use of li- tents are of vital interest to the studio brary materials in the studio had to go di- teacher, their historical bias limits their prac- rectly to the pamphlet files and wade through them, usually examining the pamphlets with- tical value. While courses in art historvI de- pend on readings from carefully-evolved out bothering to look at the subject headings bibliographies, the studio teacher has no sim- on the folders. In the past, they had found ilar bibliography. His courses are based that the standard subject headings (based on chiefly on workshop methods and studio The Ayt Index) had little bearing on their projects. Besides sending his students to the needs. For example, if they were looking for iibrary occasionally to okain specific techni- a particular geometric pattern, it might be cal data, an instructor may suggest looking found in a pamphlet on Peruvian textiles. at reproductions of work by a particular The fact that the pamphlet was filed under artist. Obviously, this is far from the cen- "Textiles-Peruvian" didn't help them, be- tral role the library could and should assume cause they couldn't know when they entered as a generator of visual ideas in studio the library that an exhibition catalog in this courses. During a library-wide "self-survey" field had exactly what they needed. last year, we began to consider this responsi- Needs and Solutions For the Past nine years the author has been What the artist-teacher needs is a critical Art Librarian of the Paul Klapper Library, collection of viszcal materials. He is not look- Queens College of The City University of ing for "a picture in a book" but rather for New York. an easily-handled package of pictures in JANUARY 1965 sequences. Moreover, locating the visual data and advertising publications, children's liter- itself is not the main consideration. The data ature, and periodicals all provide valuable have to be made accessible for actual studio materials. use. Books are not the ideal medium-find- The exhibjtioa cdtalog is a z~isual collec- ing ten pictures in ten large-sized books does fjon's ~tinjoriwt source. Containing readily not solw the problem for they cannot be available and flexible image data, the ad- carried to the studio conveniently, they can- vantages of the exhibition catalog are many. not be easily passed around or displayed, They are usually compact, so that the bor- and very often they cannot be taken from rower is able to take out a dozen or two in the library because they are needed for art an ordinary circulation envelope. Their com- history courses. paratively low price makes them easy to ac- Invariably, the teacher does not care about quire in multiple copies, either for clipping the actual source of the pictorial data. What or circulation. Most significantly, in subject he wants is the visual statement removed matter they present the most intense concen- from its original package and transformed tration of principles and trends with which into groups and sequences, without the in- instructors deal. There is hardly a demand terference of the author's chain of thoughts. for material on forms or trends that we have Pictures in books do not lend themselves to not been able to meet by assembling a group such uninhibited manipulation. Consequently, of catalogs. books in multiple copies must be acquired Moreover, they are the most important art to be clipped for their pictorial content. publishing development of recent years. The Besides physical rigidity, part of the in- gallery and museum catalog, together with adequacy of a book is the inability of the periodicals, are the prime means of art com- catalog itself to cope with the multitudinous munication today. In them new theories, as approaches to visual form evidenced within well as new art, are first introduced. This is the art book. The catalog-as it now stands important, for the studio teacher who is an -functions best with problems of text. Yet artist himself is usually dealing with current it is frequently true that the studio teacher trends. Often utilizing- the finest graphic- - is either unconcerned with textual content or techniques, they are major tools, not only finds the professional cataloger's treatment through their subject coverage but in their of text irrelevant to his formal problem or frequently experimental design approach. educational bias. Fortunately art catalogs, once difficult to lo- A mose dillenre coliection of images thitn cate, are now readily accessible to a library. thme traditioxall~collected ilz flfze a~tsli- Wittenborn and Company (1018 Madison brrivies ir needed. For example, the sculptor Avenue, New York), long specializing in Kenneth Campbell currently has his students all types of visual literature, publishes oc- begin one problem by preparing large plaster casional long listings of catalogs as well as models of polyhedrons. Instead of starting monthly listings of new publications. The with a crude piece of material, they start by recently established Worldwide Art Cata- having a perfectly-realized geometric struc- logue Centre (250 West 57th Street, New ture to carve from. What his students need York), which distributes ody exhibition cat- are pictures and slides of mineralogical crys- alogs, publishes quarterly an annotated bib- tals and mathematical forms and models. liography of major international catalogs, pre- What have to be collected, then, are not just paled-by scholars. examples of art but all types of visrlal pbe- A freely-der~eloped flexible li~zguirtic is nomenu. Many of these subjects are included neces.r& to locate h visual document without in the large picture collections of public li- the impediments of text-oriented subject ap- braries, where they have always been of great proaches. At Queens College we are con- interest to artists. What the college teacher centrating on adapting to the terminology needs is highly selective groupings of such that fits our curriculum and makes sense to pictures organized in terms of visual form. our instructors, rather than creating a uni- For this purpose scientific books, commercial versally applicable system. As much as pos- SPECIAL LIBRARIES January 1965, No. 1 SPECIALLIBRARIES -- .------ASSOCIATION Published quarterly by Special Libraries Associatio~,31 East loth Street, New York 10003

he National Science Foundation has again recognized the contributions and im- Tportance of the SLA Translations Center to the scientific community by granting $48,930 to Special Libraries Association for partial su port of the Center's operation. The Clearinghouse for Federal Scientific and Technical InP ormation (formerly Office of Tech- nical Services), National Bureau of Standards, U. S. Department of Commerce, and the Association have also concluded a contract by which the SLA Translations Center will pro- vide bibliographical information about unpublished translations to CFSTI for a one-year period in return for an amount not to exceed $27,600. These two sources of financial sup- port will enable the Center to continue its program of collecting unpublished translations from universities, industry, research institutions, and other non-government agencies in the United States and abroad and making them available to scientific and technical personnel.

rs. Elizabeth J. Fabry, Head, Circulation Department Library, University of Wis- M consin, Milwaukee, and Nominee for Director of the Association for a three-year term 1965-68, passed away on November 18, 1964. The Nominating Committee, Alvina Was- senberg, Chairman, presented to the Board of Directors the foIJowing candidate for the Office of Director as a replacement for Mrs. Fabry: MARGARETE. HUGHES,Circulation Librarian, Medical School Library, University of Oregon, Portland 1, Oregon. The full report of the Nominating Committee appears on page S-21 of News and Notes of the November 1964 Special Libraries.

he Advertising Division, by action of its Executive Committee on June 7, 1964 Tand at its Annual Business Meeting, June 9, 1964, voted to request that its name be changed to Advertising and Marketing Division. This request was sent before the Board this fall, and approval has been granted for the name change that will more accurately reflect the interests and membership of the Division.

he Membership Committee, under the chairmanship of Mrs. Sonia Gruen, has T prepared an easy-to-read, one-page flyer explaining the privileges and requirements of membership in the Association. Copies have been sent to Chapter and Division Member- ship Committee Chairmen for distribution to potential members, and anyone may request copies.

embers are reminded that nominations for the 1965 SLA Hall of Fame must M reach the Chairman of the SLA Professional Award and Hall of Fame Committee, Ethel S. Klahre, Librarian, Federal Reserve Bank of Cleveland, P. 0. Box 6387, Cleveland 44101, by January 31, 1965.

he Objectives and Standards for Special Libraries, which were published in the T December 1964 Special Libraries, have been reprinted; copies are available without chatge upon request to Association Headquarters.

he Mid-Winter Meetings of the Advisory Council and Board of Directors will be T held at the Marrot Hotel in Indianapolis, February 11-1 3, 1965. Report of the Treasurer I respectfully submit the financial statements of the Special Libraries Association for the year ended September 30, 1964, including the statement of assets and fund balance and the summary of changes in special fund balances. The report of Price Waterhouse & Co., who examined the financial statements, is included herewith. JEANE. FLEGAI.,Treasurer BOARDOF DIRECTORSOF SPECIALLIBRARIES ASSOCIATION In our opinion, the accompanying statements (Exhibits I through V) present fairly the assets of Special Libraries Association at September 30, 1964, resulting from the cash transactions, and the income collected, expenses disbursed and changes in fund balances for the year, and are presented on a basis consistent with that of the preceding year. Our examination of these statements was made in accordance with generally accepted auditing standards and accordingly included such tests of the accounting records and such other auditing procedures as we considered necessary in the circumstances. The accounts of the Association are maintained on the basis of cash receipts and disbursements, and accordingly include approximately $46,800 collected at September 30, 1964, for dues and periodical subscriptions applicable to subsequent periods; the corresponding amount at September 30, 1963, was approximately $39,400. The accounts at September 30, 1964, do not reflect expenses in- curred but not paid of approximately $15,500; the corresponding amount at September 30, 1963 was approximately $7,200. PRICEWATERIIOUSE R; CO. 60 Broad Street, New YorR, N. Y. 10004 November 19,1964 EXHIBIT 1 SPECIAL LIBRARIES ASSOCIATION STATEMENT OF ASSETS RESULTING FROM CASH TRANSACTIONS SEPTEMBER 30, 1964 Assets General fund: Cash, including savings accounts of $34,363.17 ...... $106,866.57

General Reserve fund: Cash in savings accounts ...... Marketable securities, at cost (approximate market value $36,180) ......

Life Membership fund: Cash in savings account .... Publications fund: Cash, including savings accounts of $17,061.72 Scholarship and Student Loan fund: Cash in savin s accounts ~oansreceivatle ...... :'.":'.:".' :. :'.. 1.. ...1. :.. :'.-'.:...'..'.'.'.;. '.;.'::

Translations Center fund: Cash in checking account . . Equipment Reserve fund: Cash in savings account ...... Translators and Translations, 2nd Edition fund: Cash in checking account ...... Foreign Publications Agency fund: Cash in checking account ...... Special Classifications Center fund: Cash in checking account ...... Mction Picture fund: Cash in savings account ...... Soviet Exchange fund: Cash in checking account ...... EXHIBIT I (continued) Fund Balances General fund (Exhibit 11) ...... Translations Center fund (Exhibit 111) ...... Special Classifications Center fund (Exhibit IV) ...... Special funds (Exhibit V) : General Reserve fund ...... Life Membership fund ...... Publications fund ...... Scholarship and Student Loan fund ...... Equipment Reserve fund ...... Translators and Translations. 2nd Edition fund ...... Foreign Publications Agenq fund ...... Motion Picture fund ...... Soviet Exchange fund ......

EXHIBIT II SPECIAL LIBRARIES ASSOCIATION STATEMENT OF INCOME COLLECTED. EXPENSES DISBURSED AND CHANGES IN GENERAL FUND BALANCE FOR THE YEAR ENDED SEPTEMBER 30. 1964 Actual Budget Income collected: Dues ...... Periodicals: Scientific Meetings ...... Special Libraries ...... Technical Book Review Index ...... Service on Unlisted Drugs ...... Grant for attendance at IFLA meeting ...... Net receipts from convention (after a donation to Scholarship and student loan fund of $2,059.44 and payment of expenses. ex- cluding Headquarters' expenses. totaling $19.289.35) ...... Interest on funds in savings bank accounts ...... Addressing service ...... Miscellaneous Total income ...... Expenses disbursed: Allocation of funds to subunits: Chapters ...... Divisions ...... Committees ......

General operations: Salaries ...... Payroll taxes ...... Rent and occupancy tax ...... Auditing ...... Legal counsel ...... Insurance ...... Supplies and printing ...... Postage and shipping ...... Telephone ...... Equipment ...... Equipment maintenance ...... Building maintenance ...... Porter service ...... Library materials ...... Miscellaneous ......

Carried forward ...... S-3 EXHIBIT II (continued) Actual Budget Expenses disbursed (brought forward) ...... $121,448.26 $127,684.00 Periodicals: News and Notes ...... 1.219.29 1.190.00 Scientific Meetings ...... 7.991.00 7.945.00 Special Libraries ...... 40,157.17 39,868.00 Technical Book Review Index ...... 12,180.26 12,930.00 Service on Unlisted Drugs ...... 1.591.00 1.300.00 . Memberships in other organizations ...... 664.50 625.00 Board of Directors meetings ...... 1.177.28 700.00 President's expenses ...... 1.959.81 2.250.00 President's fund ...... 270.64 400.00 Headquarters' staff expenses ...... 2.143.55 1.500.00 Placement Service ...... 299.72 485.00 Public relations ...... 3.373.92 2.410.00 New York World's Fair scholarship ...... 500.00 500.00 Headquarters' Convention expenses ...... 10.619.80 7.000.00 Services to sustaining members ...... 3.666.00 3.000.00 Retirement program* ...... 7.835.26 7.840.00 Expenses for IFLA meeting ...... 500.00 Reduction for expenses disbursed for account of: Translations Center fund ...... Publications fund ...... Special Classifications Center fund ...... Total expenses disbursed ...... Excess of income collected over expenses disbursed Fund Balance. September 30. 1963 ......

Add: Transfer from General Reserve fund (Exhibit V) ...... 2,30.1.02 Transfer from Life Membership fund (Exhibit V) ...... 148.14 Less: Transfer to Motion Picture fund (Exhibit V) ...... (500.00) Transfer to Equipment Reserve fund (Exhibit V) ...... (1,000.00) Transfer to Life Membership fund (Exhibit V) ...... (1,000.00)

(47.84) Fund balance. September 30. 1964 ...... $106.866.57

* Effective October 1. 1963. the Association entered into a contributory group annuity contract with an insurance company. and paid during the year $3. 921 for current serv- ices and $3. 914 for past services . Unfunded past service costs amounting to $34. 400 as of September 30. 1964. are to be paid by the employer over the years remaining to the employees' normal retirement dates . The employees contributed $1. 316 for the current service costs .

EXHIBIT Ill SPECIAL LIBRARIES ASSOCIATION STATEMENT OF INCOME COLLECTED. EXPENSES DISBURSED AND CHANGES IN TRANSLATIONS CENTER FUND BALANCE FOR THE YEAR ENDED SEPTEMBER 30. 1964 Actual Budget Income collected: National Science Foundation Grant ...... 5 50.113.00 $ 50.113.00 Offices of Technical Services ...... 24.000.00 24.000.00 Other ...... 388.35 Total income ...... 74.501.35 74.113.00 EXHIBIT Ill (continued) Expenses disbursed: Salaries ...... Payroll taxes ...... Supplies ...... Communications ...... Equipment ...... Reference collection ...... Photocopying ...... Reprinting ...... Promotion ...... Field trips ...... Meetings ...... Rent and administrative services ...... Disbursed for account of the fund by SLA General fund ...... Total expenses disbursed ...... Excess of income collected over expenses disbursed .... Fund balance. September 30. 1963 ...... Fund balance. September 30. 1964 (Exhibit I) ...... $ 12.014.34 i EXHIBIT IV SPECIAL LIBRARIES ASSOCIATION STATEMENT OF INCOME COLLECTED. EXPENSES DISBURSED AND CHANGES IN SPECIAL CLASSIFICATIONS CENTER FUND BALANCE FOR THE YEAR ENDED SEPTEMBER 30. 1964 Actual Budget Income collected : National Science Foundation Grant ...... $ 10.080.44 $ 13.838.00 Expenses disbursed: Salaries ...... 3.805.34 6.300.00 Payroll taxes ...... 283.85 500.00 Equipment ...... 601.41 1,200.00 Supplies ...... 104.28 500.00 Communications ...... 354.15 900.00 Printing ...... 638.56 600.00 Library materials ...... 136.63 782.00 Rent and administrative services ...... 1,738.50 2,196.00 Travel ...... 8.00 200.00 Disbursed for account of the fund by SLA general fund ...... 383.53 659.00 Total expenses disbursed ...... 8,054.25 13,837.00 Excess of income collected over expenses disbursed .... 2,026.19 .$ 1.00 Fund balance, September 30, 1964 (Exhibit I) ...... $ 2,026.19 EXHIBIT V SPECIAL LIBRARIES ASSOCIATION SUMMARY OF CHANGES IN SPECIAL FUND BALANCES FOR THE YEAR ENDED SEPTEMBER 30, 1964 General Reserve Fund Interest and dividends received on marketable securities and savings bank accounts $ 3,050.56 Transfer to General fund (Exhibit 11) ...... (2,304.02) Balance, September 30, 1963 ...... 52,304.02 Balance. September 30. 1964 (Exhibit I) * ...... $ 53.050.56 Life Membership Fund Interest on savings bank account ...... $ 166.83 Dues of new members transferred from General fund ...... 1.000.00 Transfer to General fund of interest on savings bank account for prior period (Ex- hibit 11) ...... (148.14) Balance. September 30. 1963 ...... 3.676.15 Balance. September 30. 1964 (Exhibit I) ...... -$ 4.694.84 S-5 EXHIBIT V (continued) Publications Fund Proceeds from sales of publications ...... $ 37.561.67 Interest on savings bank accounts ...... 765.56 Other ...... 57.55

38,384.78 Production and selling expenses ...... (29.603.95)

Excess of income over expenses ...... 8.780.83 Balance. September 30. 1963 ...... 17.714.85 Balance. September 30. 1964 (Exhibit I) ...... $ 26.495.68

Scholarship and Student Loan Fund Gifts including $2.059.44 from 1964 Convention receipts ...... $ 7.728.09 Interest on savings bank accounts and student loans ...... 727.37 8,455.46 Scholarship grants ...... (9.000.00) Balance. September 30. 1963 ...... 19.401.63 Balance. September 30. 1964 (Exhibit I) ...... $ 18.857.09

Equipment Reserve Fund Transfer from General fund (Exhibit 11) ...... $ 1.000.00 Interest on savings bank account ...... 174.44 Balance. September 30. 1963 ...... 3.462.04 Balance. September 30. 1964 (Exhibit I) ...... $ 4.636.48

Translators and Translations. 2nd Edition Fund Balance. September 30. 1963 ...... Production expenses ...... Balance. September 30. 1964 (Exhibit I) ......

Foreign Publications Agency Fund Proceeds from sale of Aslib publications ...... Disbursements to Aslib and expenses ...... Balance. September 30. 1963 ...... Balance. September 30. 1964 ......

Motion Picture Fund Transfer from General fund ...... Gifts ...... Interest on savings account ...... Balance. September 30. 1964 ......

Soviet Exchange Fund National Science Foundation Grant ...... Expenses ...... Balance. September 30. 1964 ......

* At September 30. 1964 the balance of the General Reserve fund was $3,050.56 in excess of the $50. 000 limit placed on this fund by the membership . SLA i4onseriai Pu biications Cumulative Statement on Publications in Print as of September 30. 1964 .. -- - Namber Copies Copies Total Receipts Date Title of Publication Cost Printed Given* Sold to Date 1949 Aviation Subject Headings ...... $ 622. 86 1000 458 465 $ 816.24 1949 Creation and Development of an Insurance Library ...... 570.31 1000 257 648 1.223.20 1949 Subject Headings for Aeronautical Engineering Libraries ...... 1.455.02 1000 333 598 2.295.87 1950 Contributions Toward a Special Library Glossary ...... 494.36 1000 416 538 638.06 1953 Source List of Selected Labor Statistics ...... 1.094.79 1000 40 776 1.249.06 1953 Correldtion Index Document Series C PB Reports ...... 4.295.92 1000 22 811 7.052.50 1953 Directory of Special Libraries ...... 7.905.54 2090 3 3 1944 13.599.89 1954 Map Collections in the U.S . and Canada ...... 1.195.23 1000 35 850 2.253.24 1954 Subject Headings for Financial Libraries ...... 1.482.41 1000 330 553 2.315.55 1956 Handbook of Scientific 6 Technical Awards in the U.S. and Canada. 1900-1952 ...... 8.792.63 2000 706 1100 8.459.03 1957 National Insurance Organizations in the US. 6 Canada ...... 1.286.44' 1009 541 1,539.20 1959 Translators and Translations: Services 6 Sources ...... 5.357.18' 3010 18649 2639 6.587.85 1959 Pictr~reSources: An Introductory List (O.P.) ...... 7.038.17= 3044 155 2880 10.062.10 $ 1960 Sources of Commodity Prices ...... 4.897.13' I500 208 1086 5.419.00 1960 SLA PersonnelSurvey ...... 1.608.12 1830 1396 419 414.50 1960 A Checklist for the Organization. Operation and Evaluation of d Com- pany Library ...... 5.274.25 3952 277 3344 6,604.40 1961 Guide to Metallurgical Information ...... 4.044.84' 2019 197 1393 5.567.60 1961 US. Sources of Petroleum C Ncrtural Gas Statistics ...... 3.379.01' 1279 109 664 3.972.60 1962 Guide to Special Issues C Indexes of Periodicals (O.P.)...... 7.059.48' 2052 211 1854 10.642.08 1962 Guide to Russian Reference & Language Aids ...... 4.092.65 1768 197 1139 4.825.86 1962 Dictionary of Report Series Codes ...... 12.281.33' 1947 154 1459 18.572.87 1962 SLA Directory of Members as of October IS. 1962...... 4.314.37 1386 121 865 3.116.00 1963 Directory of Business & Financial Services. 6th ed ...... 8.482.15U 3100 158 1688 10.935.63 1963 Special Libraries: Hcw to Plan and Equip Them ...... 7.470.14' 3052 171 2047 11.326.93 1963 Literature of Executive Management: Selected Books & Reference Sources for the Internrttional Businessman ...... 3.115.00 5063 1848 1057 4.466.25 1964 Picture Sources. 2nd ed ...... 4.825.2S3 3000 63 1042 6.997.05 1964 Subject Headings in Advertising. Marketing. and Communications Media 1.527.57" 800 50 45 1 2.668.15

* Includes Sustaining. Institutional. review. and discarded copies. $38.88. royalties paid to the Petroleum Section of the Sci-Tech Division . '$5.16. royalties paid to the Insurance Division . ' $219.85. royalties paid to the Advertising Group. New York Chapter . '$31.50. royalties paid to the Georgia Chapter . $564.71. royalties paid to the Rio Grande Chapter . 3757.25. royalties paid to the Picture Division (1st and 2nd editions) $1.157.04. royalties paid to the New York Chapter . ' $22.80. royalties paid to the Business and Finance Division . lo $364.50. royalties paid to the Advertising Division . $70.38. royalties paid to the Metals/Materials Division . $736.04. royalties paid to the Business and Finance Division . SLA Sustaining Members The following organizations are supporting the activities and objectives of the Special Libraries Association by becoming Sustaining Members for 1965. This list includes all applicants processed through December 21, 1964. ABBOTT LABORATORIESLIBRARY, North Chicago, Illinois AMERICANCAN COMPANY,Barrington, Illinois AMERICANCANCER SOCIETY, INCORPORATED,New York, New York AMERICANELECTRIC POWER SERVICE CORPORATION, New York, New York AMERICANIRON AND STEELINSTITUTE, New York, New York AMPEXCORPORATION, Redwood City, California Basrc ECONOMICAPPRAISALS, INCORPORATED, New York, New York BELLAND HOWELLRESEARCH CENTER, Pasadena, California BELLTELEPHONE LABORATORIES, New York, New York BOEINGCOMPANY, Seattle, Washington R. R. BOWKERCOMPANY, New York, New York BRIDGEPORTPUBLIC LIBRARY, Bridgeport, Connecticut CARRIERCORPORATION, Syracuse, New York CIBA PHARMACEUTICALCOMPANY, Summit, New Jersey C~NSOLIDA~~NCOALCOMPANY, Library, Pennsylvania CONTINENTALCARBON COMPANY, Houston, Texas CORNINGGLASS WORKS, Corning, New York DALLASPUBLIC LIBRARY, Dallas, Texas DOW CHEMICALLIBRARY, Midland, Michigan E. I. DU PONTDE NEMOURSAND COMPANY,Lavoisier Library, Wilmington, Delaware E. I. Du PONT DE NEMOURSAND COMPANY,Technical Library, Wilmington, Delaware F. W. FAXONCOMPANY, INCORPORATED, Boston, Massachusetts GENERALELECTRIC COMPANY, Schenectady, New York GENERALFOODS CORPORATION, White Plains, New York GENERALMOTORS CORPORATION, Detroit, Michigan GLICKBOOKBINDING CORPORATION, Long Island City, New York B. F. GOODRICHRESEARCH CENTER, Brecksville, Ohio WALTERJ. JOHNSON,INCORPORATED, New York, New York KAISERALUMINUM AND CHEMICALCORPORATION, Spokane, Washington LOCKHEEDMISSILES AND SPACECOMPANY, Palo Alto, California MCGRAW-HILLPUBLISHING COMPANY, INCORPORATED, New York, New York MARATHONOIL COMPANY,Littleton, Colorado MARQUETTEUNIVERSITY MEMORIAL LIBRARY, Milwaukee, Wisconsin MAXWELLSCIENTIFIC INTERNATIONAL, INCORPORATED, Long Island City, New York NATIONALCASH REGISTERCOMPANY, Dayton, Ohio NATIONALLEAD COMPANY, Niagara Falls, New York NEWYORK TIMES, New York, New York PENNSYLVANIASTATE UNIVERSITY, University Park, Pennsylvania PEOPLESGAS LIGHTAND COKECOMPANY, Chicago, Illinois PITTSBURGHPLATE GLASS COMPANY, New Martinsville, West Virginia PORT OF NEWYORK AUTHORITY, New York, New York PRENTICE-HALL,INCORPORATED, Englewood Cliffs, New Jersey PROCTERAND GAMBLECOMPANY, Cincinnati, Ohio PUBLICSERVICE ELECTRIC AND GAS COMPANY,Newark, New Jersey ROHM& HAASCOMPANY, Philadelphia, Pennsylvania ROYALBANK OF CANADA,Montreal, Canada SHAWINIGANCHEMICALS LTD., Montreal, Canada SHELLDEVELOPMENT COMPANY, Emeryville, California STANDARDOIL COMPANYOF CALIFORNIALIBRARY, San Francisco, California STECHERT-HAFNER,INC., New York, New York STERLING-WINTHROPRESEARCH INSTITUTE, Rensselaer, New York SUFFOLKCOOPERATIVE LIBRARY SYSTEM, Patchogue, New York SYSTEMDEVELOPMENT CORPORATION, Santa Monica, California TEXASGAS TRANSMISSION CORPORATION LIBRARY, Owensboro, Kentucky TIME-.---INCORPORATED.- -~ New York. New York J. WALTERTHOMPSON COMPANY,New York, New York UNION ELECTRICCOMPANY, St. Louis, Missouri UNITEDCOMMUNITY FUNDS & COUNCILSOF AMERICA,INCORPORATED, New York, New York UNITEDSTATES STEEL CORPORATION, New York, New York UNIVERSALOIL PRODUCTSCOMPANY, Des Plaines, Illinois UNlvERslTY OF TEXAS,Dental Branch Library, Houston, Texas ~~N~VERSITYOF WASHINGTONLIBRARY, Seattle, Washington UPJOHN COMPANY,Kalamazoo, Michigan WILLIAMJOHN UPJOHN ASSOCIATES,Kalamazoo, Michigan H. W. WILSONCOMPANY, New York, New York WORCESTERFREE PUBLIC LIBRARY, Worcester, Massachusetts Painter Robert Birmelin utilizes a variety of li- brary visual materials in his studio course in basic design. Here sci- entific and technical photographs, art re- productions, fold-out books, exhibition cat- alogs, and advertise- ments portray organic forms and structures. This type of use is sup- plemented by library displays. sible we prefer a teacher's terms, especially chief limitation, but cannot and should not since the same visual data are often relevant be a~oidedat this stage. Mr. Karpel's image- to the jargon current in his classes. for-image indexing, with each card baring a Visual Materials Collection photograph of the image referred to, would What has emerged is a visual materials be ideal, since there would be no possibility collection. We employ one card index that of misunderstanding terms, but this would controls the following materials: 1) catalogs, require duplication facilities not yet con- pamphlets, posters, and those books that are sidered normal in library procedure. What is more practicably located here than in the important is that in our period of automation regular book collection, 2) mounted pictures, everything is possible. What we are doing .?) mounted pictures arranged in series, 4) is still primitive because it lacks the sophisti- slides, and J) original works of art. For the cation technology can bring to our problems. first three sections-the bulk of the collec- While our collection should be considered tion-there is no classification. Each item is as experimentation on a grass-roots level, it simply given an accession number. Thus the has already shown itself to be of decided index is an elementary coordinate index, educational value. In dealing with visual re- each card bearing spaces for 30 numerical search, any attempt to reorganize on a visual entries referring to 30 individual images. basis forces a library collection to open up Subject headings include names of artists, many fresh and exciting possibilities. Such visual attributes, style labels, materials, sub- redirection does not lessen the art historical jects, institutions, and so on. In other words, value of the collection; in fact it provides any term that would lead a user to a worth- more historical data and stimulates critical while item is included, such as Graphic tech- study by creating new patterns among source niques: metallic effects, or Organization: materials. For the first time library materials force movements, centripetal thrust. are being used creatively in a variety of It is obvious that not every image going studio courses, and some of the heat'rlect L, stu- into the collection can be, or should be, dent users of the visual collection have fully indexed in visual terms. We fully in- turned out to be education students doing dex what are felt to be "overt" examples of student-teaching in the schools. visual qualities, having attributes so clearly Art and art education on all levels have illustrating visual principles that they will been redirected during this century, but a he used frequently as teaching tools. An library approach has not emerged that in any item is never considered finally indexed. way corresponds to the new art environment Additional entries can be made as the need or attempts to meet directly the visual needs for them becomes or is made apparent. The of contemporary artists, teachers, and stu- index's reliance on flexible terminology is its dents. The shortcomings are twofold: there JANUARY 1965 has been a failure to respond in terms of de- many books and pictures in our collections veloping a library semantics and machinery are of value to the modern user of visual and in establishing a collection based on material, they are made virtually inaccessible new needs. The second shortcoming is by the classical card catalog and classification largely an outgrowth of the first-without schemes. We are too easily lulled by habit a new terminological structure, library re- and convenience into believing that these sources have been limited by being fitted systems are grounded on a rational objectiv- into the philosophical definitions of knowl- ity, and are too content to compromise and edge and experience of an earlier age. While work with what we have inherited.

A sample card from the index of visual materials. The heading refers to such works as Jean Tinguely's "Variations on Two Points, No. 2," 1958, here illustrated stationary and in motion (photo: Kaiser Wilhelm Museum, Krefeld). Other headings used to bring the researcher to th.ese images include: Kinetic sculpture, Motorized art, Line: circularity and concentricity, and Time: programmed art. Plain numerals on the card refer to pamphlets and exhibition catalogs, "M to mounted illustrations, "MS'to those in series, "ML" to large ones, and "S" to slides. The card locates groupings of pictures similar in visual attributes, but it is still "blind" in its reliance on symbolic rather than visual nota- tion. Only an illustrated card would lead the user directly to the one or two particular images for which he might be searching. I Light phenomena: kinetic

Art 7-64

38 SPECIAL LIBRARIES Pictures for Public Relations IRENE SIMPSON

ROM THESE unlabeled portraits, Fcan you be sure which one robbed Wells Fargo & Co. 28 times before his capture by the other, Wells Fargo Chief of Detectives?* These are just two of many faces it is essential we identify both as to name and occupa- tion to be certain a picture of a stage- coach robber is not offered instead of a Wells Fargo agent by the same name. This sort of problem is one reason why working with historical objects and a growing collection of pictures can be most exciting. The role of the Wells Fargo Bank History many of those employed by Wells Fargo & Room has many facets-from arranging for Co. and examples of buildings occupied by the use of a fuil size stagecoach as backdrop the firm. for fashion publicity to providing a source No official records were available when the for a quill pen to be used in a W show. collection was started some 35 years ago, and A - Learning how to use pictures (how to store the existence today of so much that has come them and then retrieve the exact one needed) to the collection seems to me incredible- has proven for me the most stimulating aspect and the flow appears unending. Almost every of working in the History Room. week some visitor will tell us about his The collection is very small by most stand- grandfather or uncle or remote relation who ards and verv s~ecialized.We are narrow- was with Wells Fargo. A well-phrased re- , I minded in our collecting habits; we start quest to borrow a portrait to be copied for with "Wells" and end with "Fargo." Pic- our files seldom fails to bring results and tures date from the period of the company's often starts a familv search that unearths let- founding in 1552 and include the 1906 fire ters, company papers, or other pictures which in San Francisco and the northern California are generously presented to us. At present area where the firm now operates its 180- there are around 8,500 pictures in the col- branch-bank-system. Wells Fargo, however, lection. never did operate in a vacuum, and this al- Some years ago a very workable system was lows sufficient breadth to include ~icturesof: evolved that has been the basis for organiz- I) miners and mines from which came the ing this growing collection. Some 15 subjects gold shipped by and deposited with Wells were arbitrarily established within which we Fargo; 2) ships, trains, and stagecoaches on are able to file all our pictures. Each subject which Wells Fargo carried express, mail, and is subdivided as material is accepted, which passengers; 3) portraits of many San Fran- creates a demand for regrouping, but the pic- ciscans and early Californians who probably ture remains in the originally designated sub- were (or should have been) Wells Fargo's ject. These (and I am referring to 8x10 inch customers; 4) San Francisco and northern or smaller photographs or reproductions) are California business firms ; and 3) portraits of physically housed in plastic folders filed in three-ring binders. When a binder becomes Miss Simpson is Director of the History too cumbersome for easy use, its contents is Room at Wells Fargo Bank, San Francisco, California. The photographs are courtesy of *On the right is the infamous Black Bart; on Wells Fargo Bank. the left, Detective James B. Hume. JANUARY 1965 39 divided as seems appropriate, and a new driver who had no need to have a likeness binder is added in the series. For example, taken for his family. the section on "Banking" has now been sub- Since the company sets up a number of divided within its designation of San Fran- small displays in branch banks, the History cisco banks to include binders marked: B 3- Room has been the recipient of some inter- San Francisco Banks A-C; B 3.1-San Fran- esting objects and documents; in the measure cisco Banks D-I:; B 3.2-San Francisco Banks that pictures are used in these exhibits, I an- G-M; B 3.3-San Francisco Banks N-2. This ticipate being given usable pictures to add to series is preceded by "B 2" for photographs the collection. For instance, some branch of banking implements, e.g., scales, and fol- managers had been given photographs of lowed by "B 4," a series of photographs of former locations and didn't know what to do banks outside San Francisco. with until I made our needs known. Thus, much of the indexing is completed Those who use the collection vary from when a decision is first made as to where to local commercial artists who need "scrap," file a photograph. If a photograph is by a e.g., how does a stem-winder watch open or named photographer or of more than one how did the stagedriver hold his reins, to a subject, e.g., a bank interior with identified book editor searching for end papers, cover men posed behind the tellers' cages, these illustration, or text photographs. When a re- names are added to the files. In case a grand- quest is for "any means of transportation, or son of one of them should visit us, we can a Sail Francisco cable car, or even a covered quickly show him a picture of special inter- wagon," and a researcher leaves very pleased est. Charts outlining the content of the bind- to use a Wells Fargo stagecoach, we've had a ers in general terms are used and usually good day! When the editor requests a photo- suffice for a picture researcher or a visitor graph of a Mother Lode town in the 1860's who "just wants to look at some pictures." and the one his picture researcher selects just However, when a researcher has a specific happens to be one with a Wells Fargo office problem, or contrariwise doesn't know what prominently marked, that's fine with us. In he wants, the challenge is greatest. any event, as all who work with pictures well know, the use of a photograph with accurate For a TV show on the San Francisco Fire credit starts a recurring wave of requests, Department, the picture researcher who was and the fun of imaginatively providing suit- using other materials from our collection had able and usable pictures is unending. us stumped with the request for a dalmatian Recently the History Room unveiled a por- dog-one with big spots. There is no subject trait of Henry Wells, whose name the com- headings in the collection for "dogs," so, we pany bears along with William G. Fargo. For resorted to intuition and offered a picture of the past 25 years we have had a handsome the recipient of a large silver award watch pastel by H. Hart of Mr. Fargo, given us by who had posed with his dog at his feet- his grandniece. Many times when asked luckily, it was a satisfactory dalmatian! That "Why don't you have one of Mr. Wells," I picture was, and will continue to be, filed by have replied, "Because no one has gilen us a the name of the man to whom Wells Fargo suitable portrait to match Mr. Fargo." One & Co. presented a watch for bravery. day I so replied to the visiting Director of One of the most frequent requested photo- Admissions at Wells College (Aurora, New graphs is for a "stagecoach in action," but York), who immediately arranged for us to somehow the news photographers of the use one of two portraits of Henry Wells 1860's and 70's just weren't thinking ahead hanging at the college. With pride it was -we're lucky to have a picture posed before framed and hung; no longer must we apol- a very civilized stagestop just before depar- ogize for its lack. Sometimes the pictures ture. Or an editor wants a portrait of Charlie come, as this one, "large-size," but so long Parkhurst, who became famous after death as they come and are well used, I feel the when it was learned that "Charlie" was a pictures in the History Room are serving woman; in life "he" was just another stage- worthwhile purposes. SPECIAL LIBRARIES Pictures in Your Company's Archives

BETTY HALE

AVE YOU ever noticed how much a his- Be sure to request other pictorial material H torical picture can cost or what a job besides photographs: old advertisements, it is to find the right one? That's because so trademarks, trade cards, sketches, letterheads, few people made them, even fewer people posters, labels, patents, and portraits-of-the- saved them, and almost no one realized the founder-as-a-young-man. Make a record by \ralue of classifying and profiting from the subject of the framed company pictures in demand for them. This is equally true of individual offices. company historical pictures. The "age of il- lustrated communication" has caught most Stamp the back of the material with li- of us unprepared. Today every company's brary identification; then make sure it bears history must be told and retold in a hundred the necessary "who, what, where, when and different ways, preferably with illustrations. why" caption. If this is not available, ask It is recounted to new employees, sharehold- some employees who have been associated ers, customers; at the time of anniversaries, with the firm for a long time to supply the ground-bredkings, mergers; in welcome missing information. Once that is done, clas- booklets, house publications, annual reports, sification and filing are not difficult because dividend enclosures, speeches, sales litera- you are dealing with concrete places, objects, ture, and exhibib. and people. Arrange portraits alphabetically, plants and offices geographically, and prod- So the problem becomes how to provide ucts and processes by subject. If you have patrons with a collection of company pictures already classified loose documents by subject, quickly and economically. The starting point you may prefer to incorporate pictures in the ihould certainly be a check of the company same file to save space. Being documentary, history and a listing from that of the most they will help to explain the written material, important people, plants, processes, products, and vice versa. However, if the files are and events. Good pictures of the items on handled much, photos may suffer by not that list should be your primary goal. being filed separately. Don't be afraid to ask for the pictures. If your company has a photo library, make Such a collection is of lasting value to a com- arrangements to receive obsolete shots on a pany. Obtain management's approval to cir- continuing basis but reserve the right to culate a memorandum requesting material weed. One copy of every such picture should and describing briefly what is wanted. Don't be stamped FILE COPY in large letters on re!y on receiving much from it, however. the back and not allowed to leave the library. Face-to-face persuasion is usually necessary, Every photograph for which there is a nega- too. Enlist the help of the company's pho- tive should have its negative number written tographer, the advertising manager, the pub- on the back. If you are given any historical lic relations manager, and, especially, the negatives, ask the company photographer to house publication editor. He should already number and keep them for you, marking have many pictures and will probably know their negative envelopes "Historical" so they where to find others. He might even entrust will not be weeded. you with the care of his whole collection- if you promise to classify it. Should your company not have a photo Ii- brary, start adding current pictures to your Miss Hale is a?r Information Researcher iu archives. Today's pictures are tomorow's his- the Public Relations Department of Socony tory-if someone has the forethought to save Mobil Oil Company, Inc., New York City. them. JANUARY 1965 The Release of Photographic Reproductions of Art Objects MARGARET P. NOLAN

EHIND THE exhibition material sold at the Museum without per- B galleries of The Met- mission for publication. ropolitan Museum of Art Many letters are received daily requesting is a complex machinery photographs, photostats, transparencies, and never seen by the great so forth. During March 1964, 300 such let- majority of people who ters were answered, and over 100 permission visit the Museum. One forms were issued with photographic orders. phase of this unseen op- The Museum collections contain more than eration involves the procedures used for re- 365,000 objects, and although letters often leasing photographi; reproductions of the include a conscientious effort to identify an collections. A great portion of this photo- object, this sometimes cannot be done graphic material must be made available in through words alone or even by means of a time to meet publishers' deadlines, but it is book reference. References to the Museum's of equal impo;tance to the Museum and pub- own publications are very useful, if available. lishers that the reproductions be of the best It is imperative that anyone ordering photo- possible quality. A user of photographic ma- graphic reproductions from any museum in- terial approaches a museum aware of his clude photocopies whenever possible, no needs, and art museums have become in- matter how inadequate the copies may be. creasingly capable of answering these re- quests while explaining the recommended Types of Photographic Releases use of the materials involved. The program the Museum maintains in The primary purpose of an art museum is making photographic reproductions readily the care, safeguarding, and exhibition of the available for publication under specified con- objects in its collections so that they may be ditions is carefully administered so that the enjoyed by the public through the ages. The image of the Museum and its remarkable annual attendance at The Metropolitan Mu- collections is conveyed throughout the world seum of Art rose from 2,300,000 in 1952 to in a way comparable with the quality of the 5,500,000 in 1962, revealing an unprece- original art. This explains the necessity on dented rise in the public's interest in art and the part of museums for emphasizing mu- culture. During these same ten years the seum standards to publishers and others who number of photographic reproductions re- reproduce their material and the prime re- leased by the Museum for publication dou- quirement of fidelity in reproducing the art bled. The total in 1962 exceeded 12,000 objects. items. This figure excludes all individual u BLACK-AND-WHITE PRINTS color prints, postcards, and other printed In its own photographic studio the Mu- This article is based on a talk Mrs. Noh seum houses a vast archive of negatives from presented to the Picture Division at the 55th which prints are made. As a matter of policy Annual Convention of Special Libraries As- objects in the Museum are recorded photo- sociation in St. Louis, June 8, 1964. She is graphically with great care and often in Chief of the Photograph and Slide Library, great detail by Museum photographers. In The Metropolitan Museum of Art, New addition to the central catalog consisting of York City. All accompanying photographs illustrated cards, the photographic sales files are by William F. Pons of The Metropolitan consist of a duplicate set of these cards and Mzrseum of Art's photographic staff. large prints of some well-known objects. SPECIAL LIBRARIES These records provide invaluable aid to the stating" that the ~hotostatis to be used for picture researcher, and, whenever possible, a study purposes only and not for further researcher should come to the Museum and reproduction. This form further states: select his material where the staff can intro- All responsibility for questions of copyright that duce him to the files. The illustrations them- may arise in this copying and in the use made of selves often suggest many variations on a the photocopies must be assumed by the appli- theme. cant. Copyrighted material will not be repro- duced beyond recognized "fair use" without the signed authorization of the copyright owner. In the event of any claim by the copyright owner Photostats reproducing lithographs, etch- based on making the photocopy (photocopies) ings, engravings, and similar material or my use thereof, I agree to defend such claim owned by the Museum are covered by the and to hold The Metropolitan Museum of Art same conditions and permission forms as harmless from any and all liability. photographs of other art owned by the Mu- seum. When the nature of the original prints renders photostats suitable for reproduction, Technical advances in color photography they are issued for this purpose. A complete have provided excellent means of reproduc- photographic record of the vast print collec- ing art objects, but there are many complexi- tions has not been possible. ties in the art field from the initial photogra- Photostats from books in the Art Refer- phy of an object to its final appearance in ence Library are not released with rights print. In the first place direct photography of since the rights do not belong to the Museum an art object presents a problem to any mu- as they do for its original art objects. Fur- seum or collector when it involves moving thermore, a credit to the Museum is not given the object. Since safeguarding the art is the since credit for book illustrations actually be- main consideration, moving of objects is al- longs to the book. Each applicant who receives ways kept to a minimum. In an attempt to this type of photostatic material signs a form solve this problem, The Metropolitan Mu-

Bury St. Edmunds Cross, front view. English, second half of the XI1 century, walrus ivory. The detail (right) of the center medallion clearly records its depth of relief and surface . It measures approximately three inches in width and depicts the Raising of the Brazen Serpent. The Metropolitan Museum of Art, The Cloisters Collection, Purchase, 1963. JANUARY 1965 43 reproduction as possible, especially when the printing may be done thousands of miles away. The language employed in this pro- cedure is a problem, since it is difficult to translate color corrections, many of them quite subtle, into words that can be accurately interpreted. A method is under study for using color samples printed on paper to pro- vide more meaningful instructions. It is ob- vious that a priceless masterpiece will suffer a loss in its color reproduction on film and later on paper, but this fact makes art repro- duction in all its forms so challenging. Excellent collaboration exists in many cases between the Museum and publishers.

Before ordering prints, picture researchers and scholars consult the Photograph and Slide Library's files that provide black-and- white illustrations of the Museum's collections.

seum maintains a file of color transparencies made directly from the objects. Since a nega- tive does not exist as it does in black-and- white photography, these Ektachrome trans- parencies are released only on a rental basis. At the time of color photography by the Museum studio staff three Ektachromes, 8 x 10 inches in size (except for very small objects), are made for the rental files. For protection each piece of film is placed in a transparent sleeve to which a label with cap- Color transparencies in protective sleeves tion and credit is attached. The transparency are stored in folders where they are avail- is then placed in the files in a specially de- able for reproduction purposes on a rental signed folder, and a card describing it is basis only. placed in the card catalog. Each folder also contains a transaction card with details as to Tremendous improvements appear in the current use of any material on loan. Check- corrected color proofs when compared with ing existing transparencies is done through earlier, less accurate versions. When checking the card catalog to minimize the handling of of proof became the Museum rule, it was the film, and the final choice is made on feared that it might be a hardship for the lighted viewing tables. publishers, but it has been welcomed. The Transparencies are issued by the Museum position of the Museum has been more gen- with forms requiring submission of a color erally understood, and publishers' interest proof for correction (by comparison with in the problems and their cooperation in pro- the original art objects) before approval for viding suitable solutions have been very satis- final reproduction is granted. This is par- fying. The release of high quality photo- ticularly valuable for achieving as accurate a graphic material encourages the making of SPECIAL LIBRARIES good plates, which enhance fine publications When permission for publication is re- while providing faithful reproductions of the quested, photographs are accompanied by art in the Museum collections. permission forms appropriate to the use indi- cated, e.g., editorial or advertising. Permis- Slide Library sion for other more unusual uses is granted In additlon to photographic releases, the by letter setting forth the conditions of use. Museum's collection includes 225,000 slides Printed forms are prepared by the Mu- in color and black and white, which are lent seum, rather than by the user, so that positive to the Museum staff and to the public for identification by the Museum object number lecture purposes. These slides reproduce and negative number can be included. It is works important in the history of architec- often not possible to pinpoint an object ture, sculpture, painting, and the decorative through a word description. Permission arts from prehistoric times to the present. forms also specify the credit line required. Even when slides represent the Museum's This credit recognizes the donor without own collections for which rights of reproduc- whom the art object would not be available tion can be granted, slides are not rented for for viewing or probably for reproduction reproduction because they have been shown purposes. This explains the lengthy credit in various projectors and undue heat may lines that sometimes result. Forms are sent have made them unsuitable. Slides made by out in duplicate for completion and signa- the Museum's photographer of objects ture and are submitted to the Museum for owned by the Museum are released, however, approval. A copy countersigned by the Mu- for use on television with official permission. seum is then returned to the publisher for For non-sponsored television a reproduction his records. Sample permission forms, setting fee is not charged, but a fee is in effect for forth all conditions for use, are available sponsored programs. from the Museum for examination by any- one who might find them useful in a similar Permission for Reproduction operation. Each photograph label states Before permission forms are initiated for works of art by living American artists, it is This photograph may not be reproduced in any Museum policy to require a letter of release medium, including television, without specific written permission from the Secretary of the from the artist or his agent permitting a sin- Museum. gle reproduction of his work. This letter is

Viewing tables with

lighted glass tops are used

for the final selection of

transparencies being

chosen for rental.

JANUARY 1955 filed in the Museum Archives with the ap- rics, and furniture are but a sampling. Good proved permission. taste is actually the principal factor in de- termining fitting illustrations. Whether the request is initiated by an advertising agency, As might be expected, more photographic independent designer, or the company man- material is issued for editorial use in art ufacturing the product in question, it is in- books, textbooks, encyclopedias, and peri- teresting to note that each year brings a odicals than for any other single type of re- fuller realization of the ways in which mu- production. Orders from one encyclopedia seum reproductions should be used. publisher can often amount to several hun- Varying reproduction fees are fixed for dred photographs. It is Museum policy that material used other than editorially. In gen- no fee be charged for any editorial use, with eral, fees are arranged on a sliding scale the exception of charges for the photo- depending on the circulation of the news- graphic work itself. paper, calendar, periodical, or mailing piece. In addition to a large number of requests There is a fixed reproduction fee for book from European publishers of art books and jackets or container covers. encyclopedias, photographic orders are now coming in from other parts of the world- AUTHOR'SNOTE: A booklet Reproductions and Reproduction Rights for Museum-Owned Objects Australia, Brazil, Israel, Japan, the Union of prepared by the Committee on Reproductions and South Africa-where interest in ancient, Reproduction Rights, Association of Art Museum Islamic, western European, and American art Directors, is available without charge from the is becoming more widespread. World rights American Federation of Arts, 41 East 65th Street, are not issued with the original permission New York, New York 10021. forms, but permission is extended each time publication in an additional language is re- ported to the Museum. News in the Picture World Orders for large amounts of photographic Stamps of foreign countries often provide material, including photostats, are also being portraits of their nationals not easily found placed by manufacturers, designers, and dec- elsewhere; an example is the recent West orators who are building up reference files German issue of eight portrait stamps of on historic styles of the decorative arts. leaders of the 1944 bomb plot to assassinate Rights of reproduction are not required for Adolf Hitler. These resistance leaders were files used for study purposes. Sophie Scholl, Ludwig Beck, Dietrich Bon- hoeffer, Adolf Delp, Karl Friedrich Goer- deler, Wilhelm Leuschner, Count von Moltke, Forms pertaining to advertising cover the and Count von Stauffenberg. . . . "Art for use of an illustration of a Museum object Justice's Sake" might be the motto of four in display advertising in newspapers and New York City Police Department members magazines, direct mail advertising, and other who specialize-in drawings of wanted crimi- forms of promotional literature, as well as nals based on verbal descriptions of wit- reproduction on a book jacket or a record al- nesses. Last year (1963) 25 identifications bum cover. Before any reproduction in con- and arrests resulted directly from 152 sketches. nection with advertising can be published, il- . . . Graphic Law is the title of an article by lustration, copy, and layout must be approved Charles B. Nutting about the possibility of in writing by the Secretary of the Museum. "enacting a picture," that is enacting a law The procedure that has proved most work- bv, visual rather than verbal means. He ex- able for both parties consists of reviewing plores certain areas of the law in which the plans as early as possible so that a clear pictorial and graphic means would be fea- understanding will exist on the part of the sible (ArneiYcan Bay As~ociationJOUI.PZU~ 50: Museum and the advertiser. Many interesting 780-781, August 1964). uses have evolved-advertisements for auto- mobiles, fashions, oil, paper products, fab- Extracted from Picturescope, vol. XII, no. 3, 1964. SPECIAL LIBRARIES Unit Microfilm- A Contemporary Format

LORETTA J. KIERSKY

ICROFILM IN roll Unit microfilm appears to be an ideal me- M form is the famil- dium for storing and retrieving pictorial ma- iar and useful tool of the terial, since these collections present prob- research worker who lems on just the basis of their great bulk. would not otherwise be The microfiche is a card size, flat, trans- able to consult the origi- parent film sheet that may be 3 x 5, 4 x G or nal. At one time a roll 5 x 8 inches in size. It contains a number of format was considered frames of either l6mm or 35mm microim- suitable only for the storage of inactive or ages. These may be positive or negative de- infrequently requested information. As soon pending upon the type of information that as reader-printers were made available, mi- has been microfilmed. Usually line drawings crofilm became a more acceptable searching and photographs will be wanted as positive tool for active, frequently requested informa- microimages for study purposes. A visible tion. The user now could easily obtain a heading of bibliographic or descriptive in- paper copy of the information shown on the formation can be read across the top of the viewing screen by simply pushing a button. fiche, as it is often called. More recently sophisticated systems have Last April an announcement was made by been developed in which microfilm comes representatives of four government agencies to a user encased in a cartridge, or cassette as (Atomic Energy Commission, National Aer- it is sometimes called. ~hes;systems feature onautics and space Administration, Defense automatic or semi-automatic machines, some Documents Center, and the Office of Techni- of which operate at very high speeds. cal Services*) at the annual meeting of the The flat film format generally referred to National Microfilm Association that the mi- as unit microfilm offers more flexibility in crofiche had been adopted as the standard handling for many more applications than format for supplying scientific and technical roll or cartridge-type microfilm. Any size research reports to their clients. Microfiche unit of microfilm may be selected, and it will be supplied in lieu of paper copies. may be combined with various types of in- During the last 25 years the microfiche dexing to suit the application. Unitized mi- has been accepted in many foreign countries crofilm may be used as card-size sheets called for the exchange of literature and also for microfiche and as strips of film inserted into scientific, technical, and cultural information. channels in any selected card size, plastic One example is the International Documen- film holders called jackets, or in aperture or tation Centre in Tumba, Sweden. It main- "window2'-type cards. In each case biblio- tains a mobile microfilming unit that visits graphic or other descriptive information as various institutes to record important her- well as indexing terms may be incorporated. baria. Specimens that have been recorded on microfiche are exceptionally sharp and clear. A freguent contributor to this journal of This Centre issues a catalog, published in a~ticlesand reports on recent developments about eight subject parts, that lists microfiche in the reprography field, Miss Kiersky is available from its collection. The Microfiche SLA's Representatizle to the National Micro- Foundation in Delft, The Netherlands, pub- film Association. Professionally she is Li- lishes a list of other suppliers of microfiche. bra~ianat Air Reduction Company, Znc., in * Now Clearing House for Federal Scientific and ~Mur~ayHill, New Jersey. Technical Information. JANUARY 1965 47 signed to suit a particular application. Their sizes usually are 3 x 5, 4 x 6 or 5 x 8 inches. Descriptive information may be inserted into a top margin channel for filing purposes. One manufacturer supplies a jacket with a 1y2 inch top margin of 7-point weight card stock, similar to punched card stock. This type of unit film might be used to make comparisons of works of art or struc- tures that are located geographically distant from each other. It might also be used to show the physical condition of art objects or structures before and after cleaning or recon- struction. This format would be a~~ro~riate for presentmg microimages of maps, posters, handbills, cartoons, broadsides, and similar material. Kenneth Davis The aperture or "window" type cards that The microforms shown above are only a few of the many possible forms. Displayed on contain one or more frames of microimages the top left are two microfiches and below may be either punched cards, edge-notched two aperture-type cards. Several types of cards, or any type card that suits the applica- jacketed-microfilm are at the right. tion. Descriptive information or indexing information may be punched, typed, or re- An interesting application of microfiche is produced on the same card. Either a machine storing biographical information in a special searching system or manual methods may field. An index to the portraits of medical be used in retrieving the information. This men in the Library of the Royal College of type format has been used for engineering Physicians, Great Britain, has been repro- specifications and equipment parts and could duced on 75 microfiches. Using this format, be applied to sculpture, architecture, and an application could be developed for the ornamentation. convenient storage and retrieval of photo- graphs of items in exhibits, which are at Potential for Picture Collections present kept together in volumes or binders. The growth of pictorial collections may The photographs could be microfilmed and become a liability rather than an asset, par- made available on either 3 x 5 inch fiches ticularly where space and cost are to be con- having up to 40 microimages or on 4 x 6 sidered. Microform is a logical medium for inch fiches having up to 60 microimages. storing vast quantities of material that can Identifying information could be given in be easily retrieved and housed at reduced the top margin. Paper copies could be ob- cost. It offers the means for designing new tained from reader-printers. This format applications and offering new services. In his could also be used to reproduce pages from keynote address delivered at the 55th Con- art dealers' catalogs, particularly the difficult vention of Special Libraries Association, to obtain catalogs. Such an application would June 8, 1964, Dr. Don R. Swanson discussed be similar to the Thomas' Refister. microfilm "the interpretation of creative catalysis ori- collection of trade catalogs.u ented to the design of new and improved Many applications may be suggested for systems. . . ." With respect to the librarian film strips contained in plastic film jackets. he said in part, "They should continually The strips of film cut from l6mm or 35mm seek short cuts to their goals and not assume roll film are inserted into one or more chan- that either engineers or computers must be nels in the holder or jacket. Many styles of available to conceive and design new 2nd jackets are available or may easily be de- significant information services. . . ." SPECIAL LIBRARIES Planning the New Library: United Aircraft Corporation Main Library East Hartford, Connecticut

H. D. RIX AND IRVING H. NEUFELD

HE UAC Library System provides full Here there was room for the entire collec- TI.lbrary service to the two largest divi- tion and for as many readers as cared to slons of the corporation, P&WA and Ham- travel to this location. ilton Standard, to the more recently formed Shortly after the main library had become Corporate Systems Center and to the Re- established in its temporary home, planning search Laboratories. Auxiliary services are began for a permanent one. To this end, a available to the other corporate divisions, round of visits to other libraries was made. which operate small independent libraries This is a good occasion to express our grati- fur most of their library needs. tude to library and information personnel at the IBM locations in Kingston, Poughkeep- Main Library Location sie, and Yorktown Heights and at Avco Cor- poration, Esso Research & Engineering, At the heart of the system is the main li- A. D. Little Corporation, Monsanto, Oh brary, housed in a newly completed addition Mathieson, Polaroid Corporation, and Re- to the Research Laboratories, with a staff of public Aviation for their courtesy in showing approximately 35. Branch libraries with a us their facilities and discussing library prob- total staff of ten persons have been estab- lems. lished at five divisional locations in the The central aim in the new plan was to greater Hartford area. The main library is separate physically the extensive office-type responsible for all acquisitions, cataloging, operation, which had characterized the li- and indexing, most of the reference work brary for many years, from a well-stocked and much of the circulation for the corpo- and quiet room for library users. Also, sepa- rate groups mentioned above, and maintains rate collections had to be provided for local a large reading room. The branch libraries, readers and for the thousands of technical, with smaller collections, supply the immedi- administrative, and marketing personnel who ate circulation and reference needs of the never visit the library and whose informa- groups they serve and transmit to the main tion needs are supplied via telephone and library requests they cannot fulfill. company mail. A different type of problem Prior to 1962 the main library had been was to achieve an attractive and efficient ar- housed for many years in one of the engi- rangement without acquiring too much addi- neering buildings of P&WA. Owing to tional furniture. A major purchase of new space limitations, the older part of the col- office desks, study carrels, and steel shelving lection was relegated to a storage facility had been made just before the 1962 move. some distance away, and even with cramped This, together with considerable old wooden quarters for library staff, only a handful of shelving and some newer furniture from a readers could find room to work. In January branc-h library to be consolidated with the 1962 the main library moved into a rented main library, was to constitute the lion's building outside the industrial complex. share of the equipment in the new library area. During the rest of 1962, plans were drawn and redrawn by the authors until a suitable organization of space and furniture was real- ized. Then detailed schedules were worked JANUARY 1965 U ACQUISITIONS

Floor plan of main library at United Aircraft Corporation, East Hartford, Connecticut. 50 SPECIAL LIBRARIES The reading room offers plenty of room to work with easy-to-reach card catalog, refer- ence books, and abstracts. The abstract journal reference tables (left background) were especially designed and built for the library. out for transferring the several parts of the torium. The public area of the library is a collection during April 1963 from their smaller rectangle about 55 x 80 flanked on present to their future locations. This prob- two sides by an L-shaped section for the li- lem was complicated by the fact that nearly brary staff. all of the library material had to be trans- As one walks down the corridor from the ferred to different shelving. lobby, he can see the public area of the li- Profiting from experience in the earlier brary through a series of shoulder-high win- move (which also involved packing all the dows in the corridor wall. Entering by the books, periodicals, and documents in boxes, swinging doors and doubling back along the loading these on trucks for removal to an- wall, he encounters the current periodicals other part of the city, then unpacking and stored flat in wooden shelving built to come reshelving), it was decided that the library up just under the windows. In similar shelv- staff should help with the packing and be re- ing beyond these is a reserve book section sponsible for all the reshelving. To avoid the (with overnight circulation) and along the cost of overtime labor, it was also decided to back wall the beginning of the noncirculat- make this a Monday to Friday job even ing bound journals. He will be walking on though this meant a temporary interruption a very thick rug that effectively muffles noise. of some library services. An additional com- On his right are a number of study carrels, plication in the second move was that the and three massive tables (with superstruc- steel shelving, after being unloaded, had to ture) for abstract journals, such as Chemical be dismantled, transported, and then reas- Abstracts. Each of the tables has capacity for sembled (it had been installed ahead of time 48 feet of books and eight to ten readers; before). Nonetheless, with the laudable they were designed and built for the new cooperation of the library staff and the mov- library. er's crew, the affair went off pretty much on The main stack area adjacent to the read- schedule and at minimum cost. er's section is occupied by Remington Rand steel shelving, interspersed with a good deal of wooden shelving. The latter is painted User Area black to match the steel and conceal its more In its new position the library occupies a plebeian character. There are 12 double- rectangular 75 x 110 foot area, which is faced ranges each 21 feet long; between down a corridor from the main lobby and ranges four and five there are two double- adjacent to the cafeteria and a 250-seat audi- faced rows of card catalog furniture holding JANUARY 1965 a total of 1,200 trays. These two catalog library besides a row along the outside wall. rows are separated by a plastic top steel One row was effectively dealt with by hav- worktable which in a previous incarnation ing the partition that separates the staff area did duty as a circulation counter. from the rest of the library built along it. An interesting feature here is that the The columns in the other row were kept monstrous number of trays (for a company from being a menace to life and limb by library) is capable of being greatly reduced butting the ends of stack ranges against in size in the near future. The large size them. The success of this maneuver was results from a library practice in an earlier attested by a visiting librarian who, after era of providing an extensive indexing of a brief tour, exclaimed that this library current periodicals on 3 x 5 cards. At one seemed to hare everything a librarian could time the card catalog was growing at the desire. When it was pointed out that there rate of 60 trays a year. Some 400,000 of were also a few things no librarian would these cards were weeded out in 1961 and a want, namely the columns, he replied, larger number during 1963. (The indexing "What columns?" was stopped before the last move as consti- tuting needless duplication of available in- Staff Area dexes.) Wherl more shelving is required, To reach the staff area, one returns to the some or all of the space now occupied by outside corridor and walks past the double the catalog can be allocated to it, with what doors to a single one farther along the remains of the catalog being suitably dis- same wall. This was the most important posed along one of the library walls. feature determining the library layout, for The major part of the collection used every day through this door come six mail principally by the reference librarians is deliveries, some of them with two or three arranged along the wall beyond the ends large bagfuls. The position of the mail door of the stack ranges. Also along this wall, was fixed by extra-bibliothecal requirements. toward the back of the room, are more Inside, the first staff group encountered is study carrels, including one specially parti- circulation. To the right beyond the tables tioned off for a reader working with classi- and shelving for the mail service is a Xerox fied documents. Along the rear wall are 914 and to the left are desks and separate various microform readers and a diffusion- sign-out files for periodicals, books, and un- type photocopy machine for the use of li- classified reports. Prospective borrowers are brary patrons. served through windows in the wall separat- The layout of the reader-main stack are:l i~lgthe public from the staff area. This area was partly determined by the presence of also holds the collection of technical reports several columns supporting the ceiling. .md meeting preprints. The other staff group There are two rows in the interior of the in this bottom of the L is acquisitions and

View of the reference and cataloging staffs at work. Storage area is behind the wall at the I.eft.

SPECIAL LIBRARIES Behind the information desk (left) the staff area (right) becomes accessible to users through service windows for reports, books, and periodicals. document control. Classified documents are is primarily retrospective searching. The stored on wooden shelving in the vault in cataloging staff, in addition to storing in- the far corner of the wing. Shelf storage in formation for retrieval by reference librar- the vault made it possible to release upwards ians, also supports an extensive current aware- of 60 four-drawer steel files with special ness program. locks; it also saves clerical time. Some automation has been achieved in At the long member of the L are the recent years. Periodical titles are on punched offices of the chief of the library system and cards that yield an annual print-out with of the head librarian, followed by the refer- monthly corrections showing holdings at the ence section and then the cataloging section. several locations in the library system. Key This area contains part of the reference punching of nearly 11,000 book titles has collection, an archives collection, and vari- made possible printed book catalogs ar- ous shelflists. At the extreme end of the ranged separately by author, title, and call L is a convenient storage area. number in the manner developed at various The reference librarians answer a great IBM libraries. The circulation of books is variety of questions sent in by both tech- now controlled by punched cards. The pos- nical and administrative personnel and pre- sibility of further automation is being stud- pare bibliographies on request. Their work ied.

VITAL STATISTICS FOR UNITED AIRCRAFT MAIN LIBRARY Total area in square feet Staff Professional Nonprofessional Branch libraries supplied Employees served at location Employees served elsewhere by company mail and telephone 1 Average daily circulation Items cataloged monthly (excluding duplicates) , Books and bound volumes

I Current periodical subscriptions Technical reports and preprints Special equipment: Xerox 914 copier and Filmac 300

JANUARY 1965 5 3 LTP Reports to SLA

GLADYS T. PlEZ

New Projects New Staff Member Carpet underlays. A grant of $9,450 from William P. Cole is the editor-manager of the Council on Library Resources to LTP Library Technology Reports, LTP's new bi- will finance 50 per cent of the cost of a co- monthly information service (Special Librar- operative project to evaluate carpet under- ies, October 1964, p. 578). Mr. Cole came lays. LTP will administer the project, which to LTP from Washington University in St. the Statler Foundation, American Hotel and Louis where he was Administrative Assistant Motel Association, and the Institutional Re- to the Director of Libraries. search Council will help to finance. Foster D. Snell, Inc., is conducting the study, which New Publications will take 18 months to complete. The results Catalog Card Reproduction, LTP Publica- will be published in a format to be decided. tion Number 9, can now be ordered from Charging systems. LTP is sponsoring the the ALA Publishing Department for $8.50. evaluation of two photographic charging sys- January 26 is the publication date. Based on tems commonly used in Germany. The Frank- a study made by George Fry & Associates, furt, Germany, office of George Fry & As- the book describes 13 basic processes for ob- sociates, the company which completed the taining or reproducing catalog cards. These basic study of circulation control systems for processes probably cover the entire range of LTP in 1961, is making the evaluation. methods that can be used to produce catalog cards in a library economically and efficiently. Containers Being Tested Forty illustrations show equipment used in Some months ago Container Laboratories reproducing cards and the quality obtainable in Chicago designed for LTP a reusable ship- with the different processes. ping container for books. Approximately 400 Two publications announced in the Oc- of these containers. of four different sizes. tober 1964 issue of Special Libraries (p. are being use-tested in four different situa- 579) have now been priced. Euahatio~z of tions, including the library of the National Record Players for Libraries, Series I1 sells Real Estate Boards, a special library of an for $6, and Supplement No. 3 to Photocopy- association that ships books to its members ing from Bound Volumes sells for $5. in many, .parts of the United States. The container is of a telescoping design, University Press Uses constructed much like a film shipping case. It Permanent/Durable Paper is equipped with canvas slings and Velcro An announcement from the University of fasteners to permit use of the same container Oklahoma Press will interest many librarians. for shipping several different sizes of books Because of its sponsorship of the ALA Com- without extra packing around the volume. mittee on Permanent/Durable Paper, the If the results obtained from testing the news was particularly gratifying to LTP. containers in use are as good as those ob- The Director of the Press, Savoie Ottinville, tained from laboratory testing, LTP will con- reported that all the books the Press is proc- tinue its search for a commercial outlet for essing in its own plant are being printed on these containers. papers expected to last 300 years. Each book will carry information on the life expectancy of the paper used in it. The release paid trib- Mrs. Piez Is the General Editor of the Li- ute to W. J. Barrow and his contribution to brary Technology Project, American Library the development of permanent/durable book As rocidtion, Chicago. paper. 54 SPECIAL LIBRARIES Photocopying Cards in List Form wide) on a sheet of paper eight inches wide. The typewriter is still an indispensable The principle of transferring text from tool for libraries, but new developments in cards into lists on sheets of paper can also photography and quick-copying machines are be used when only one or a few copies are making it less necessary to use a typewriter needed, and it is not, therefore, necessary to to copy material already in typed or printed make a plate for the offset press. For exam- form, such as library catalog cards. Copying ple, five copies were needed recently of a machines are particularly useful in convert- bibliography consisting of 204 citations, each ing the text frbm cards to sheets for prepar- on a separate card, since the bibliography ing bibliographies, acquisitions lists, inven- is being added to continually. The cards were tories, directories, membership lists, or laid out to expose the text on each, fastened mailing lists. at the sides with masking tape, and laid face The U.S. Navy Electronics Laboratory Li- down on the exposure plate of the Xerox brary is using photocopy techniques to put 914 Copier to produce the required five cop- a variety of information typed on cards into ies in list form on sheets of paper. list form. For example, thh former method of preparing the weekly acquisitions list, averaging 15 pages, was to cut a stencil and run off copies on an offset press. The infor- mation on the master, or main-entry, catalog card was copied on the typewriter to produce the stencil. Now the master cards themselves are laid out in shingled fashion on a spe- cially made easel, covered with a glass lid, and photographed to produce a plate for running on the offset press. A plate can be made on any photo-plate camera; the Xerox standard camera is presently being used, and the Multilith direct process camera will be used in the future as it will produce better U.S. Navy results for this particular operation. Cards for photocopying are positioned in The cards are placed on the easel as shown the easel. in the illustration. The easel is made of These techniques were developed and the three-quarter inch plywood so that it will be easel designed by Carroll Thompson, Photo- heavy enough to remain in place while the graphic Manager at the Navy Electronic Lab- cards are being inserted and spaced for oratory, after learning of a similar system proper layout. The heavy base also protects devised by Professor George Luckett, Li- the contents during the handling for photo- brarian of the Naval Post-graduate School graphing. Fifteen easels are available so that in Monterey, California. 15 pages can be set up at one time. The cards Transferring the information from cards on each easel are then photographed in turn, to list form on sheets without typing the ma- the cards removed, and the easel used again terial over again is a great time-saver. Photo- if needed. When being photographed, the copy techniques can produce acceptable re- easels are set at a pre-determined distance sults at a fraction of the cost of retyping, from the camera so that each succeeding one saving proofreading time as well. is always in focus. The image is reduced to WILLIAME. JORGENSEN, Librarian about 80 per cent of full size in order to get US. Navy Electronics Laboratory ten inches of text (two cards, each five inches San Diego, California JANUARY 1965 Cincinnati's H. W. Wilson Company Chapter Award Entry 1964

INCINNATI area health professionals- dexes, abstracts, and directories, including C physicians, dentists, nurses, pharmacists, pertinent Special Libraries Association publi- social workers, and others-like all those in cations; and 3) a guide to government pub- special subject fields, have a great need for lications listing more than 30 items and em- specialized information. Many work in or- phasizing local depository libraries. ganizations with special libraries, but many We are making these resources known to more do not and are thus all too often un- local professionals by publishing articles in aware of important local and national health their own channels of communication. The information resources that could help them. articles were reprinted and distributed to A joint committee composed of representa- other Cincinnati health personnel and in- tives of the SLA Cincinnati Chapter and the cluded the directories and guides listed Health Education Planning Division of the above, plus an introduction describing some Public Health Federation went to work. They of the national programs such as MEDLARS, decided on one immediate goal: to help the aims and activities of SLA. and the me- health professionals, whether or not served cia1 character of special librarianship. by special libraries, to make better use of The President of the Cincinnati Chapter resources already available in the Cincinnati presented reports explaining the project at area. meetings of the Public Health Federation Since 1955, a Cincinnati special library, Executive Committee and Health Education the Science and Industry Department of the Planning Division. The Cincinnati Chapter Public Library, in cooperation with the Pub- sponsored a half-hour program in the Public lic Health Federation and its member agen- Health Federation series, "Better Ways to cies has maintained a Health Information Better Health," on Cincinnati's educational Center, which brings reliable health informa- television station. The program featured the tion to the general public. The committee SLA film, "Is Knowledge Power?" plus a acted to make this center more widely known report on the project. The Public Health to professionals by publicizing it in local Federation, in its newsletter, Headlines on medical journals and newsletters. Health, publicized the WCET presentation Questionnaires were sent to 183 Cincinnati and editorialized on the importance of the area health agencies and related organizations project. to learn of their information needs and re- Because of the continuing need, this proj- sources. From the 90 questionnaires re- ect will continue through a close liaison re- lationship between the Cincinnati Chdpter turned, we learned of a valuable new infor- and the Public Health Federation, which in- mation resource: small agency collections of cludes 160 Cincinnati area health groups. specialized books and professional periodi- Furthermore, this is a model project that cals primarily for the use of their own staff could be used with similar local federations and board members. The existence of such in other fields, such as the Chamber of Com- collections was virtually unknown outside the merce and the engineering council. agencies. But the agencies have now agreed Six Chapter members participated. Cost to to have their collections listed in a directory the Chapter was $52: $25 for the television and open them up to use by others. program, $25 to help defray cost of reprint- We also proceeded to work on: I) a di- ing guides and directories, and $2 postage to rectory of 24 health-related Cincinnati area conduct mail survey for directory of libraries. special libraries; 2) a guide to the literature Cost to the Public Health Federation was of the health professions, listing more than about $200 for questionnaires sent to agencies 50 key sources such as literature guides, in- and costs for reprints. 56 SPECIAL LIBRARIES ANNE L. NICHOLSON RICHARD A. DAVIS MRS. JEAN G. HOPPER Convention Chairman Chapter President Program ROBERT GIESECKE Treasurer

Come To Philadelphia

NDER THE BENEVOLENT view of William Penn atop Philadelphia U City Hall, his "greene Country Towne in Pensilvania" and the Special Libraries Council of Philadelphia and Vicinity will host the 56th Annual Convention of the Special Libraries Association, June 6-10, 1965, at the Benjamin Franklin Hotel, a few blocks from FRANCES E. PARSONS some of the earliest landmarks and events of our country's history. Hospitality It is my privilege and honor to extend this invitation to all mem- bers of the Association to join in consideration of one Key to Greater Resources, Library Cooperation. Gordon R. Williams of the Midwest Inter-Library Center will keynote the theme with his ad- dress on "Library Cooperation and Its Future" at the Opening Session on Monday morning, June 7. A General Session on Tuesday will further explore the practical pros and cons of cooperative resource efforts when Bernard L. Foy, Librarian, Tennessee Valley Authority, Richard H. Logsdon, Director I:r~prnej. A nlun~u of Libraries, Columbia University, and Charles A. Nelson, Nelson WILLIAM B. SAUNDERS Associates, management consultants, give us the benefit of their Publicity thoughts and experiences. The technical sessions of the Divisions and Sections are planned to provi,de useful information on current cooperative progra-ms both national and international, and workshops and panels on subject headings, indexing, cooperation between man and machine, gov- ernment information programs, and abstracting services. There will be visits to special libraries, museums, cartographers, insurance societies, advertising agencies, marketing and communications cen- ters, and special tours are also planned. For those who wish to visit libraries in the Wilmington area on Friday, arrangements can be MARGARET W. IMBRIE made. These numerous and varied aspects will be presented in Transportation greater detail in the program all members will receive in February. We urge you to join us in the City of Brotherly Love with its priceless collections and mementos of the past as we explore our theme of "Cooperation" in the land of Penn's Treaty with the In- dians, the Articles of Confederation, and the Constitutional Con- vention.

1965 Convention Chairman ALBERT C. GEROULD Printing

JEAN M. STEEVER BARBARA ANNE BEGG MRS. DOROTHY S. COLLINS SYLVIA HEY1 Information Local Arrangements Registration Meals and Banquet CURRENT CONCENTRATES Of The Library World

Computers in 1984 one's choice, but automatic translation via the ONNECTION to a central location will be telephone will also have gone into use. . . . C very necessary to perform another func- . . . The coordination and scheduling of tion which will, by then, be delegated to the any large endeavour whether it be running a omnipresent computer. I refer to informa- business, operating a factory, constructing a tion retrieval. The entire contents of the large building or running a government, now large central files (or at least that portion takes a fantastic amount of paper work. This which the government elects to make availa- paper work will cease to exist in twenty years. ble) will be readily retrievable by anyone at Instead, direct inputs and outputs to the a moment's notice. One will be able to computer will provide information, initiate browse through the fiction section of the the necessary processes . . . and finally issue central library, enjoy an evening's light en- what few instructions are needed for the tertainment viewing any movie that has ever few people who are still involved. been produced (for a suitable fee, of course, Finally a word regarding solid intellectual since Hollywood will still be commercial) or achievements of computers. The world inquire as to the previous day's production droughts, chess and go champions will, of figures for tin in Bolivia-all for the asking course, have met defeat at the hands of the via one's remote terminal. Libraries for books computer, but strangely enough this will not will have ceased to exist in the more ad- have ended these three games either as intel- vanced countries except for a few which will lectual pastimes or as professional career ac- be preserved at museums, and most of the tivities . . . nearly everyone will know his world's knowledge will be in machine-read- precise rating as a player and he will en- able form. Perhaps it would be more correct deavour to improve his ability by playing to say, all the world's recorded knowledge against his computer. Computers will have will be in this form since the art of pro- largely taken over the task of composing and gramming computers to read printed and arranging music, at least for popular enter- handwritten material will have been fully tainment, and many people will vie with developed. However, the storage problem each other in regard to the quality of mood music which their own personal computer, will make it imperative that a more con- or personal programme can produce. As far densed form of recording be used, a form as literature is concerned, the computer will which will only be machine-readable and still be a neophyte although "who-done-its" which will be translated into human-readable will be turned out by the million. Computers form by one's computer on demand. will not have contributed as much as some The consequences of this compilation and people have predicted, with respect to mak- ready access to the large amounts of stored ing basic contributions to mathematics and information will be truly profound in many science and, somehow or other, all attempts diverse fields, such for example as, agron- to invest them with truly creative abilities omy, jurisprudence and medicine, to name will have failed. but three. But all this is another subject. There will still be a place in the world for Computers will perform yet another major people. function-that of language translation. Not Extracted from "Computers in 1984" by Arthur only will one be able to obtain information Samuel in the New Scientist, no. 380, February from the central files in the language of 27, 1964, London. 5 8 SPECIAL LIBRARIES New Name and Functions for OTS ergy Commission. All Clearinghouse person- A Clearinghouse for Federal Scientific and nel and facilities were established in a new Technical Information to serve as the cen- building in Springfield, Virginia 22 151, near Washington, in October. tral source for government research data in the physical sciences and engineering has CLR Year-end Summary been established in the United States Depart- The Eighth Anntlal Report for the Council ment of Commerce and has taken over the on Library Resources, Inc., for the year end- document distribution program of the Office ing June 30, 1964, summarizes 39 grants of Technical Services. Development of the and contracts totaling $1,037,948. New proj- Clearinghouse was endorsed last February by ects accounted for 28 CLR expenditures, and the Federal Council for Science and Tech- 11 represented extension or renewals of nology, an advisory body to the President. previously supported projects. (Many of The Council specially calls for the Clearing- these projects have been reported in 1963-64 house to serve as the single agency through issues of Special Libraries.) Details of the which unclassified technical reports and grants are broken down by subject: biblio- translations generated by all government graphic apparatus and techniques, physical agencies are uniformly indexed and made access, and library administration; there is available to the public; provide information also a detailed financial statement. on federal research in progress, and operate a referral service to sources of specialized Brain Information Service Established technical expertise in the government. A Brain Information Service has been estab- According to Commerce officials, the Clear- lished by the University of California, Los inghouse has completed its programming and Angeles, Biomedical Library, the Brain Re- expansion of staff and facilities and is now search Institute, and the School of Library carrying out these missions. The agency is Service with financial help from the National using computer and other modern data proc- Institute of Neurological Diseases and Blind- essing and reproduction equipment and tech- ness. The Service plans to provide rapid and niques in order to speed and increase the complete bibliographic support for investi- flow of technical information to scientists and gators in the brain sciences, first on the engineers throughout the country. A major UCLA campus and eventually throughout step in reducing duplication of document the United States. Scientific aspects, includ- reproduction and distribution within govern- ing the preparation of a glossary of terms for ment was a recent agreement between the indexing and retrieval and a study of infor- Department of Commerce and the Depart- mation needs and habits of UCLA scientists, ment of Defense whereby the Clearinghouse are under the direction of Dr. Victor E. assumed the task of processing all unclassi- Hall. Dr. Robert M. Hayes is in charge of fied/unlimited DOD research reports as well automating the retrieval system, and Louise as reproduction and distribution of these Darling and Mrs. Pat Walter are responsible documents to both the public and DOD for library operations. agencies and contractors. The Clearinghouse is a part of the new Retrieval System for Adult Education Institution for Applied Technology in the Syracuse University's Library of Continuing National Bureau of Standards. The Institute Education has recently initiated a three-year is headed by Dr. Donald A. Schon, formerly demonstration project to plan and test a of Arthur D. Little, Inc., Cambridge, Massa- model information retrieval system for the chusetts. The Director of the Clearinghouse field of adult education. Roger DeCrow will is Bernard M. Fry, formerly with the Na- direct the project with the assistance of tional Science Foundation and Atomic En- Diana J. Ironside and a Policy Committee JANUARY 1965 consisting of Alexander N. Charters, Vice- Members in the News President for Continuing Education, Wayne MARYEVALYN CLOUGH, former Technical Yenawine, Director of the University Li- Services Librarian at Republic Aviation Cor- braries and Dean of the Library School, and poration, Long Island, New York, has been Clifford L. Winters, Jr., Dean of University appointed Librarian, Glass Research Labora- College. The study, which is supported by tories, Pittsburgh Plate Glass Company. a contract with the Cooperative Research Branch of the U.S. Office of Education, will JAMESA. DAMICO,former Technical Librar- be carried out in three stages: I) an investi- ian, Thiokol Chemical Corporation, New gation of user needs by means of structured Jersey, is now Manager, Technical Informa- interviews and other methods to determine tion Center, Aerospace Research Center, the present and potential information needs General Precision, Inc., Little Falls, New in various parts of the field; 2) exploitation Jersey. of new techniques for the rapid handling of NELLIEG. LARSONhas recently been pro- information and the development of a classi- moted to Chief of the Special Bibliographies fication scheme and dictionarv of terms for Section in the National Agricultural Library's indexing in depth; and 3) testing and evalu- Reference Division, Washington, D. C. ation of the retrieval system, although it will not be in operation at the end of the project. DR. ANN F. PAINTER,formerly with the The final report will contain recommenda- National Bureau of Standards, has recently tions for making the system operational. been named Technical Services Staff Assist- ant at the National Agricultural Library, New Appointments in Information Field Washington, D. C. DR. HENRY BIRNBAUM,former Deputy RICHARDL. SNYDER,former Associate Di- Head of the Office of Science Information rector of Libraries at Massachusetts Institute Service, is now Deputy Administrative Man- of Technology, has been appointed Director ager of the National Science Foundation. of Libraries at Drexel Institute of Technol- HENRYJ. DUBESTERsucceeds Dr. Birnbaum, ogy, Philadelphia. and EUGENEWALL replaces Mr. Dubester as EDWARDG. STRABLE,former Administrative Head of the Science Information Coordina- Assistant to the Director of Research at J. tion Section of OSIS. DR. WILLIAM S. Walter Thompson Company, Chicago, be- BARKERhas been appointed Head of the gan new duties January 4 as Executive Sec- Studies and Support Section of OSIS, and retary of the Reference Services Division and SEYMOURTAINE transferred from the Na- the American Library Trustee Association of tional Library of Medicine to become Pro- the American Library Association. gram Director for Federal Science Information of OSIS. DR. DELMERJ. TRESTER,ASSO- PAULWASSERMAN, Librarian at the Cornell ciate Program Director for Federal Science University Graduate School of Business and Information, OSIS, will add special responsi- Public Administration, Ithaca, has recently bilities for the Science Information Exchange been appointed Dean of the University of in the Smithsonian Institution and the Na- Maryland School of Library Science, which tional Referral Center to his duties. WILLIAM is scheduled to open in September 1965. Mr. T. KNOX, former Manager for Corporate Wasserman will assume full-time duties in Planning at Esso Research and Engineering the summer; in early 1965 he will serve as a Company, has been appointed Technical As- part-time consultant. sistant to the Director of the White House Office of Science and Technology. He will Medical Librarianship lnt,ernship Program aid in policy formation, review, and evalua- The second Medical Librarianship Internship tion of national programs and review and Program is being offered by the National coordinate federal activities in the communi- Institutes of Health, August 30, 1965, with cation of scientific and engineering informa- a 40-week schedule designed to cover all tion. aspects of the library program in a biomedi- SPECIAL LIBRARIES cal research institution. Lectures, seminars, workshops, and visits to other libraries are part of the program. Applicants, who must file before April 1, 1965, must meet certain Civil Service requirements, be recent holders of an M.L.S. from an accredited school, and Know what you're talking a bout preferably should have a reading knowledge of at least one foreign language. Further de- tails on the Internship Program are available from Mr. Jess A. Martin, Chief, Library Branch, Division of Research Services, NIH, Building 10, Room 5N118, Bethesda, Mary- land 20014. In Memoriam MARYDE J. COX,who retired as Librarian at American Telephone and Telegraph, New National Library Week 1965 York, in 1954 after 40 years service, died in "Know What You're Talking About- November. Miss Cox was a member of the Read" is the main theme of the eighth Na- New York Chapter and the Business and Fi- tional Library Week to be observed April nance Division. 25-May 1, 1965. The relevance of reading and library resources to economic and cul- Letters To The Editor tural opportunity is one area that has been selected for special emphasis and support PLAN NOW FOR LIBRARYOF THE FUTURE this year. Having attended, as we all have, many profes- Career opportunities, another area of sional meetings dealing at great length with the concern, is emphasized by the subsidiary various aspects of optical scanning devices, remote interrogation terminals, and other forms of so- theme, "Open Your Future-Read." phisticated information retrieval devices, it oc- A free brochure describing and giving curs to me that we have all been extremely guilty prices for NLW promotional aids may be of putting the proverbial vehicle before the pro- obtained by writing: Promotion Aids Bro- verbial equine. chure, National Library Week, P.O. Box The basic intent of this letter is to alert mem- 272, Church Street Station, New York bers of our profession to the fact that the fate 10008. Direct orders to the same address of the much glorified library of the future is before April 5. Aids include streamers, post- really in their hands, providing that they are ers, counter cards, pennants, bookmarks, cognizant of it and make every reasonable at- tempt to acquaint themselves individually and mobiles, pocket calendars, boxes of Dewey collectively with the refined tools and techniques Decimal wheels, organization handbooks, that are presently available and shall be in even and three special kits, which include a va- greater abundance tomorrow. riety of the above items. I submit the thought that a good librarian, worthy of the name, must be considered in every respect a virtuoso of an instrumental ensemble consisting of both conventional and non-conven- tional techniques and apparatus. He or she, as always, is the essential ingredient that makes any information system operable, thereby promoting the unhampered flow of facts and knowledge and thereby stimulating ideas. Peak efficiency will pro- mote the providing to the clientele what they wish, in the form they can readily retain it in, befo~ethey ask for it. Perhaps what is essentially required in our pro- fession is a sober re-evaluation and a subsequent revitalization of our philosophy and the various publics' attitude toward us. In short a probing of the very real nature of libraries is urgently JANUARY 1965 needed. For regardless of how refined and so- CORRECTIONSFOR 1964 ALD phisticated our tools and techniques have become, The new (24th, 1964) edition of the American the proper place and function of library systems in Library Directmy contains a regrettable error con- the respective organizational structures of our so- cerning a special library. The Princeton Club of ciety are in essence the critical keystones of the New York Library, listed on page 697, should be dynamic library of the future. The archival store- deleted. The Princeton Library in New York, 15 house and other detrimental images of the past West 43rd Street, New York 10036, should be that have been too readily associated with li- inserted instead. Josephine S. Antonini is the braries must be dispensed with. librarian. The library has 5000 volumes. Its sub- We as librarians, whether we call ourselves in- jects are: Princetoniana, Wilsoniana, and New formation specialists, documentalists, etc., can York City. Will librarians who have the new ALD free ourselves from a great deal of the drudgery please make this correction. and the time consuming repetitive clerical tasks The Princeton Library in New York was that have unnecessarily tapped our intellectual chartered in 1962 as an educational institution and physical strength and reserve. However, before affiliated with the Princeton University Library in this can take place, we must initially attempt to Princeton, New Jersey. In cooperation with the answer many serious introspective questions: Princeton University Library, the new New York 1. What is a librarian? (Is he, as viewed by library serves Princeton alumni, visiting scholars, some, a keeper of the files, a distributor of manu- and members of historical, literary, and other als, not requiring any professional, formal, or in- scholarly organizations, in addition to the mem- formal background but simply labeled "librarian," bers. just as freely as a practitioner of first aid might The Cortland Free Library, Cortland, New erroneously be referred to as a doctor of medi- York, is also misfiled under Buffalo on page 629. cine?) This entry should appear on page 634. 2. Are we doing anything about the previously ELEANORF. STEINER-PRAG mentioned problem, either collectively or individ- Editor, American Library Directory ually? Are we informing or educating the re- spective publics? 3. What is our mission with respect to society, to our clients, and to ourselves? Some remarks are in order with regard to the 4. Are we really doing all we can? deluge of surveys and related questionnaires 5. Can we do much more, qualitatively as well which seem to be directed more at librarians than as quantitatively, to promote professionalism? at any other professionals. Hardly a month goes 6. Where are we in the big picture and why? by that we are not asked to complete some 7. What is and what can be our potential! lengthy questionnaire on library operations or on 8. How can it be realized? another information activity. These surveys are 9. Are we, in essence, managers of uninhibited conducted by anybody who feels compelled to do information flow? so: academic institutions, consultants, government agencies, "specialists," or individuals. Unfor- These and hundreds of other provoking ques- tunately, even members of this profession often tions should come to mind, thought through, and seem to originate such surveys. The most fre- acted upon. quent purpose of these "surveys" is the querents' I respectfully suggest to my colleagues that a desire or necessity to "publish," although the modified symbionic approach should be one of the "information explosion" often is a convenient ex- leading modus operandi of our profession, i.e., cuse for such a survey. Sometimes, the survey is a formula designed by us and for us, of a total or alleged to be used in a thesis. partial system that accomplishes more than either Such surveys would be more tolerable if li- man or machine could individually. Call it if you braries and/or librarians would benefit, even in- wish a pragmatic approach. The devices should directly, by participating. This hardly ever is the not be used as toys, gadgets, or prestige items. case, however. They should be used where necessary as exten- Most libraries are understaffed, so that the sions of our intellectual arms. This is the time to time and work spent on completing such ques- learn, experiment, and think. If we wait any tionnaires usually imposes an additional burden longer or continue some of the unhealthy in-fight- on the goodwill of the library staff. ing, stressing differences rather than similarities, It seems time that some agency, preferably the we are inviting slow evolutionary professional SLA, establish some policy of control over such annihilation. The time is here and the equipment surveys, to keep them to the unavoidable mini- is here. The rest is really up to us. Are we up to mum. At least, a "public education campaign" it ? would seem indicated. RALPH C. SIMON,Associate Professor GERHARDP. SCHUCK-KOLBEN Graduate School of Library Studies, Head, Information Services University of Hawaii Consolidation Coal Company, Library, Pa. SPECIAL LIBRARIES TECHNICALLIBRARIES: USERS AND THEIR DE- The findings of the investigation are sun?- MANDS: A Classification of User Groups and marized in detail, although many readers would User Demands in Technical Libraries. Margaret probably prefer to have the resulting statistics Slater. London: Aslib Research Department, 1964. presented in tabular form while eliminating much 126 p. 26s. (Distributed in U. S. by Special Li- of the textual comment. Nevertheless, the hypotb- braries Association, $3.64) esis is clearly defined, and the methodology scrupulously outlined and implemented. The ex- In the years since the end of World War 11, pansion of this limited survey to a national librarians around the world have been intrigued synoptical analysis of who uses technical libraries by the questions of who uses technical libraries and for what purposes should be undertaken. and for what purposes. In the United States, Saul The enigmas are, after all, despite the previo~ls Herner, Ralph Shaw, and Melvin Voigt have un- studies, still largely unanswered. dertaken studies within the past decade to de- termine "information gathering habits" of scien- HAROLDJ. MASON, Assistant Manager tists. Kraus Reprint Corporation, New York During 1962 and 1963 the Aslib Research De- partment launched an "investigation of the use A JOINT COLLEGE/~NDUSTRYLIBRARY WITH AU- made of technical libraries and information units TOMATA. Prepared for Harvey Mudd College, in industrial firms, government laboratories, aca- Science and Engineering, Claremont, California. demic institutions and learned societies" in and Washington, D. C.: Council on Library Re- around Greater London. This report represents sources, Inc., 1964. the results of the Aslib survey, which is consid- This report, the result of a study undertaken ered a pilot study since a more comprehensive, with the support of the Council on Library Re- nation-wide investigation will be attempted at a sources, describes a system for serving the litera- later date. ture reference needs in the fields of science and Although not acknowledged, the Aslib under- engineering of a group of colleges and industry taking is probably more indebted to a 1959-60 in the same area. It is proposed to identify the study executed by the staff of the Massachusetts contents of articles from 1,170 periodicals by key Institute of Technology Libraries (NICHOLSON, words, to store this information in a computer, Natalie N. and BARTLETT, Eleanor. Who Uses and to retrieve the information upon request, giv- University Libraries? College and Reseavcb Li- ing 24-hour service in furnishing printed bibliog- braries, vol. 23, May 1962, p. 217-22), than any raphies. A "bibliography" would look somewhat other similar effort. The method of investigation, unusual in that it would list only the call num- the elements to be gauged, and even the question- bers of all the documents listed under a given naire employed as the measuring device all closely key word and the associative key words also de- resemble the MIT inquiry. However, the Aslib scribing the same document. The computer can, investigation has more range and depth than any in a subsequent step, list for each call number previously performed analysis of user habits in, selected the name of the periodical, date, au- and demands on, technical libraries. thor's came, title of paper, etc. For one thing, the aims are broader. The pur- This system differs from the more usual ap- poses of the present investigation are threefold: proach in which the choice is narrowed by list- I) to determine user demands, including an ing only those documents that match a combina- analysis of what information or documents scien- tion of key words. Only experience will tell tists seek. why they need them, and how they which type of search is more efficient in ferreting obtain them; 2) to classify user groups, arrang- out the desired information. One feature, however, ing clientele of technical libraries according to that appears to be objectionable is the use of the disciplines, kinds of employers, types, and levels call number as an intermediate step. The type of of jobs; and 3) to measure the demands made periodical, the title, and the author's name are upon libraries, in terms of the expenditure of powerful aids to association, and their absence time of librarians and the utilization of the re- may reduce the proposed "bibliography" to no sources of the library. more than one stop in a treasure hunt which, if For another thing, the sample is more com- unrewarding, would send the searcher back to the prehensive. Whereas previous studies have re- beginning of the process. stricted their analysis to one library or a single The report points out that a number of small- group of users, e.g., organizations, subject fields, scale computers could be used to implement the or industries, the composition of the sample of system. However, the realism, the feasibility, and this survey includes 13 industrial firms. six aca- economics of the proposal are described in terms demic institutions, four learned societies, and two of an IBM 1401, model E4, with two 1311 disk government laboratories. drives and two 7330 tape drives. The mechanics JANUARY 1965 of machine operation are described in some de- Boston Sci-Tech Union List tail. Among the list of equipment one notices the absence of the customary verifier (about $50 per The 5th edition of the Union Li.rt of Serial Hold- month). This device would be good insurance ings in Forty-Three Libraries by the Science-Tech- for running a successful card-punching operation. nology Group of the Boston Chapter of Special Its cost, however, would not affect the financial Libraries Association has now been published. picture materially. Anyone interested in obtaining a copy should The report envisages start-up costs of $164,000. send his order, accompanied by a check made pay- This sum allows for only one year's indexing, able to the Sci-Tech Div. of SLA (Boston Group) even though the need for five years of informa- to: Alice G. Anderson, Raytheon Company, Way- tion is advocated elsewhere in the report. land, Mass. Annual operating costs are estimated at $253,- 000 of which about $59,000 would be borne by NASA Publication Offered on Subscription the college group, the rest by industry. The key The Clearinghouse for Federal Scientific and persons in the operation are clearly the indexers. Technical Information (formerly Office of Tech- The report warns against the frequent lack of nical Services), U. S. Department of Commerce, continuity in the quality of industrial library Springfield, Virginia, has recently begun the sale services. However, with an average estimated of the NASA publication, Reliability Abstract.{ salary of $6,000 for an indexer (only $1,200 md Techniral Reviews, on subscription. The an- above that of equipment operators), the plan nual cost is $15 on a calendar basis and includes would be inviting the very evil it warns against. an annual index. The 1965 abstracts will be iden- The report is hopeful that ultimately authors tified as Volume V and will be distributed or editors will provide key words. To this may monthly. be added the hope that the envisioned service could ultimately be provided on a national basis (say, for instance, by the Engineering Societies New Serial Library) with equipment better suited for the ATOMICENERGY REVIEW is a quarterly journal purpose and with machine and other operating of theoretical and applied studies published by costs spread over a larger number of users. the International Atomic Energy Agency and dis- The report's Section V on Existing Information tributed in the United States by International Storage and Retrieval Systems neatly sums up the Publications, Inc., 317 East 34th Street, New state-of-the-art. Basic to deficiencies in the state- York 10016. Articles are published in the lan- of-the-art is the fact that computers (at least up guage of the author, but the table of contents to the present generation) examine information and summaries are in English, French, Russian, serially. A real break-through in cost and per- and Spanish. Annual subscription price is $10; formance would come with the ability to consult single copy is $3. a large number of items in a store of information simultaneously. Strangely enough, the need for SLA Authors simultaneous parallel operations or information ASHEIM,Lester. As Much to Learn as to Teach. flow exists in the mathematical field as well. As vol. 89, no. 20, November 15, in the past, progress in one field could cause Libraq Journal, 1964, p. 4465-8. favorable developments in the other. With either present or blue-sky equipment, DAILY, Jay. Oil for the Lamps of Knowledge. standardization of procedures in this field, as the Library Journal, vol. 89, no. 20, November 15, report points out, is a pressing need so that 1964, p. 4483-7. scientific workers do not have to learn a new re- DIEHL, Katherine Smith. Putting the House in trieval procedure every time they use a different Order. College and Research Libraries, vol. 25, library any more than they expect to find radical no. 6, November 1964, p. 491-3. differences in conventional library cataloging. HAYES,Robert M. The Development of a Meth- The Council on Library Resources is to be com- odology for System Design and Its Role in Li- mended for providing a grant to explore how a brary Education. The Library Quarterly, vol. 34, machine system for information storage and re- no. 4, October 1964, p. 339-51. trieval can facilitate a library service to industry. HUTCHISON,V. Vern, co-author. To obtain the maximum use of this type of au- A Review of Well Stimulation and Techniques to Prevent tomated service in each state or region, university, Formation in Oil and Gas Production (IC 8235). college, public, and special libraries need to be Washington, D. C.: United States Department of organized into a network so that the resources the Interior, Bureau of Mines, 1964, 84 p. pap. of all collections can be made available for academic-industry use. . Selected List of Bureau of Mines Publira- tions on Petroleum and Natural Gas, 1910-62 MARTINHOCHDORF, Chief (IC 8240). Washington, D. C.: United States Computing Center, Tennessee Valley Authority Department of Interior, Bureau of Mines, 1964, Chattanooga, Tennessee 98 p. pap. SPECIAL LIBRARIES JONES,Robert C. The Compact Book Catalog-by Part 11 gives excerpts from national, regional, and Photographic Process. Library Resources and Tech- state standards. Bibliography and tables. nical Serz'ices, vol. 8, no. 4, Fall 1964, p. 366-9. HINTZ, Carl W. Education for Librarianship in KNAPP, Elizabeth B. How Films Are Used by India (Occasional Papers No. 73). Urbana, Ill.: Canadian Libraries. Canadim Library, vol. 21, no. University of Illinois Graduate School of Library 3. November 1964, p. 149-52. Science, 1964. 32 p. unbound, $1. MCDONOUGH,Roger H., co-author. State Library Fifteen universities in India offer graduate for New Jersey. L-ibrary Journal, vo1. 89, no. 21, courses in librarianship, and this paper discusses December 1, 1964, p. 4709-10. the programs and examination requirements of nine of them. MARTON,Tibor W. Foreign-language and English Dictionaries in the Physical Sciences and Engi- Indian Standard Glossury of Classification Terms neering; a Selected Bibliography, 19>2 to 1963 (IS: 2550-1 963). New Delhi: Indian Standards (National Bureau of Standards Miscellaneous Pub- Institution, Manak Bhavan, 9 Bahadur Shah Zafar lication 258). Washington, D. C.: 1964, 189 p. Marg, 1964. 110 p. Rs. 10. (L. C. 64-60041) The International Federation for Documenta- MATTA,Seoud. Arabic Resources in American Re- tion (FID) has recommended that each school search Libraries and PL 480. College and Research of thought on the theory of classification prepare Libraries, vol. 25, no. 6, November 1964, p. 472-4. its own glossary of terms as a first step towards a single universal system of classification; this is MORELOCK,Molete, co-author. Library Operations India's "finalized" (that word has travelled) con- Research and Systems Engineering Studies. Col- tribution. Terms arranged under broad subject G. vol. 25, no. 6, NO- lege Research Libraries, headings, with alphabetical index at end. vember 1964, p. 501-3. OBOLER,Eli M. The Accuracy of Federal Aca- LADENSON,Alex, ed. American Library Laws, 3rd demic Library Statistics. College and Rt~searchLi- ed. Chicago: American Library Association, 1964. braries, vol. 25, no. 6, November 1964. p. 494-6. vii, 1,559 p. $15. (L. C. 64-25224) Federal and state laws governing the establish- REDMOND,D. A. After-Hours Access to Branch ment, structure, and administrative apparatus of Libraries. University of Kentucky Library Oc- all types of libraries, including recent legislation c.7.rional Contribution (no. 147), 1964. 18 p. relating to state-wide library systems, federal and . Small Technical Libraries: A Brief Guide state aid, interstate library compacts, library build- to Their Organization and Operation. UNESCO ing authorities, and regional library resource Bulletin for Libraries, vol. 18, no. 2, March-April centers. Laws given are those in effect as of De- 1964, p. 49-79. cember 31, 1962, but ALA is planning biennial -- . Some Chemical Problems in the Canon. supplements to keep the publication up to date. Baker Street Journal, vol. 14, no. 3, p. 145-52. Index. MAHAR,Mary Helen and HOLLADAY,Doris C. RECENT REFERENCES Statistics of Public School Libraries, 1960-61- Part I: Basic Tables (OE-15049). Washington, Prepared by JOHN R. SHEPLEY D. C.: U. S. Department of Health, Education, Librarianship and Welfare, 1964. vi, 90 p. pap. 604. (Available from Government Printing Office) COUNCILOF PLANNINGLIBRARIANS. Planning Basic data on school libraries of all public Agrncy Library Aknual. Eugene, Ore.: P. 0. BOX school districts in the United States; also data on 5211, 1964. 27, xii p. pap. $5( !). more specialized aspects of school library service Written primarily for those who do not have a in public school districts enrolling 150 pupils or library degree or who operate a small planning more, for the school year 1960-61. Part I1 is agency library on a part-time basis. Covers li- planned as analysis and interpretation of the data brarian and staff functions, physical layout and provided in these tables. equipment, circulation procedures, classifying and cataloging methods, etc. Suggested lists of plan- MILLS,Jack. The Universal Decimal Classification ning periodicals and books, sources of information (Rutgers Series on Systems for the Intellectual on the book trade and library supplies and equip- Organization of Information, vol. I). New Bruns- ment, directories, indexes to periodicals, and wick, N. J.: Graduate School of Library Service, bibliographies. Rutgers, the State University, 1964. v, 132 p. DARLING,Richard L. Survey of School Library pap. Apply. (Distr. by Rutgers University Press, Standardr (OE 15048, Circular No. 740). Wash- New Brunswick, N. J.) ington, D. C.: U. S. Department of Health, Edu- First in a series of seminar studies supported cation, and Welfare, 1964. x, 181 p. pap. $1.25. by a grant from the National Science Foundation. (Available from Government Printing Office) Each paper will deal with an individual method The first survey on a nation-wide scale since or system for the organization of information and Nora E. Beust's School Library Standards, 19J4. offers a description, discussion, critique, and a Part I discusses the standards and analyzes trends; collection of facts and data. Unjustified margins. JANUARY 1965 POSNER,Ernst. American State Archives. Chicago: INTERNATIONALCOZINCIL ON ARCHIVES.Elsrz'ier's University of Chicago Press, 1964. xiv, 397 p. Lexicon of Archive Terminology. Amsterdam, $7.50. (L. C. 64-23425) London, and New York: Elsevier Publishing Co., A report sponsored by the Society of American 1964. 83 p. $4. (L. C. 64-18513) Archivists with the aid of a grant from the Coun- Multilingual listing of archival terms. Defini- cil on Library Resources. Gives the historical back- tion of each term is given in French, followed by ground of state archival programs, reviews the the English, German, Spanish, Italian, and Dutch current situation state by state, and proposes equivalents. standards for state archival agencies. Bibliography MESSINGER,Heinz and R~~DENBERG,Werner. and index. Langenscheidt's Concise German Dictionary: Ger- Training of Documentalists: Report of the Meeting man-English, English-German, 2nd ed. New York: of FID/TD, Warsaw, 21-23 May 1964. The Barnes & Noble, 1964. 744, 672 p. thumb-in- Hague, Netherlands: International Federation for dexed $8.50; in separate vols. $3.75 each. Documentation, 7 Hofweg, 1964. 46 p. pap. 150,000 entries, with emphasis on the literary mimeo. Apply. and spoken language, but technical terms (sci- Summary report plus four papers: "The Inter- entific, commercial, economic, legal, etc.) are well national Exchange of Information Specialists . . . ," represented. Pronunciation in the English-German "Ausbildung und Berufsbild des Dokumentars," section indicated by international phonetics; not "Symposia on Themes Pertaining to the Training in German-English section. Triple columns. of Information Personnel," and "Further Activa- tion of FID Training Activities." SIMPSON,D. P., comp. Cassell's New Compact Latin Dictionary: Latin-English; English-Latin. Bibliographic Tools New York: Funk & Wagnalls, 1964. 379 p. $2.95. (L. C. 64-11414) BELKNAP,S. Yancey, comp. Guide to the Per- Pocket-sized abridgement of Cassell's New forming Arts, 1963. New York: Scarecrow Press, Latin Dictionary by the same compiler. The num- 1964. 556 p. $11. (L. C. 64-21971) ber of words has not been substantially reduced; Seventh annual index, which began as a supple- the compactness has been achieved by omitting ment to Guide to the Musical Arts, 1953-19S6. examples and unusual meanings. Contains over 17,200 entries covering both do- mestic and foreign periodicals, but does not claim U. S. DEPARTMENTOF THE INTERIOR,BUREAU to be all-inclusive. Separate section for television. OF RECLAMATION.Thesaurus of Descriptors: A Unjustified margins. List of Keywords and Cross-References for In- BENTLEY,Howard B. Building Construction In- dexing and Retrieving the Literature of Water formation Sources (Management Information Resources Development (tentative edition). Den- ver, Colo.: 1963. iii, 140 p. pap. spiral binding. Guide No. 2). Detroit: Gale Research Co., 1964. 181 p. $8.75. (L. C. 64-16502) Apply. Bibliographies, dictionaries, encyclopedias, hand- 3,279 descriptors or keywords covering the in- books, government publications, periodicals, etc., terdisciplinary field of water resources develop- relating to the various aspects of building con- ment, a simplified cross-reference procedure, and hints for indexing and abstracting. struction, including engineering, city planning, urban renewal, materials, sanitation, and so on. Directory of publishers. Author-title index, sub- Miscellaneous ject index. Unjustified margins. AMERICANASSOCIATION FOR THE UNITEDP\;A- COMAN,Edwin T., Jr. Sources of Business In- TIONS. Proceedings: Fourteenth Annual Confer- fornzation, 2nd ed. rev. Berkeley, Calif.: Univer- ence of National Organizations Called by the sity of California Press, 1964. xii, 330 p. $8.50. American Association for the United Nations. (L. C. 64-18639) New York: 345 East 46th St., 1964. Various pag- The first edition of this book in 1949 won for ing, mimeo. Apply. its author the first SLA Professional Award for The Conference was held in Washington in outstanding contributions in the field of special May 1964, with over 100 national organizations librarianship. It is here brought up to date with represented as well as a number of local organiza- additional source material. Index. tions, universities and colleges, and government and UN agencies. Five plenary sessions with Dictionaries speaker, panel discussion, and summing-up; one DEL VECCHIO,Alfred, ed. Concise Dictionary of luncheon session, speaker and symposium. Speak- Atomics. New York: Philosophical Library, 1964. ers included Walter Reuther, Ambassador Jacob ix, 262 p. $6. (L. C. 64-13328) Beam, and Secretary of the Interior Udall. Brief definitions of terms current in the field of AMERICANINSTITUTE OF PLANNERS.A Report of atomic and nuclear energy. Includes capsule bi- the Milwaukee Proceedings: 46th Annual Confer- ographies of important atomic scientists and de- ence, October 27-31, 1963. Washington, D. C.: scriptions of organizations involved in atomic re- 917 15th St. NW, 1964. 246 p. pap. $4. search. Awards, plenary sessions, panels, and workshop SPECIAL LIBRARIES summaries. Panel topics include, among others: lication 1185). Washington, D. C.: 1964. 98 p. "What Hope for the Old Cities?," "The States pap. $2. (L. C. 64-60021) Begin to Plan," "Regional Planning and the Area A report covering the background of the gov- Transportation Study," "Problems of Poverty and ernment's role in basic scientific research, its cur- Race Confront the Planner." Index. rent phases, and prospects for the future. Examines the mutual responsibilities of the government, the COPYRIGHTSOCIETY OF THE U. S. A. Studies on university, and the scientific community, and con- Copyright, Arthur Fisher Memorial Edition, 2 cludes that an emphasis on broad programs must vols. South Hackensack, N. J.: Fred B. Rothman not be made at the expense of the traditional free- & Co. ; Indianapolis-New York: Bobbs-Merrill dom of individual scientific inquiry. Co., 1963. xxvi, viii, 1731 p. $35. Thirty-five studies covering almost all aspects NATIONALSCIENCE FOUNDATION. Federal Funds of American copyright law. History and provi- for Research, Development, and Olher Scientific sions of the present United States Copyright Law, Activities, Fiscal Years 1962, 1963, and 1964, as enacted in 1909 and as amended to date, are vol. XI1 (NSF 64-11). Washington, D. C.: 1964. given along with comparable provisions of foreign viii, 180 p. pap. $1. (Available from Government laws and international conventions. These studies Printing Office) provided the groundwork for the Copyright Office Formerly Federal Funds for Science. A survey of revision report, which used them as a basis for federal financing of three scientific activities: re- its recommendations for revision of the Copyright search and development and R&D plant, dissemi- Law. Index. Pockets on back covers for later sup- nation of scientific and technical information, and plements. collection of general-purpose scientific data on natural and social phenomena. Pages 55-72 and COMMITTEEON UTILIZATIONOF SCIENTIFICAND 95-7 deal with technical information activities. ENGINEERINGMANPOWER. Toward Better Utiliza- Charts, statistical tables. tion of Scientific and Engineering Talent: A Program for Action (Publication No. 1191). NATIONALSCIENCE FOUNDATION. Research and Washington, D. C.: 1964. 153 p. pap. Apply. Development in Industry, 1961 (NSF 64-9). (L. C. 64-60040) (Available from Printing and Washington, D. C.: 1964. xii, 123 p. pap. 656. Publishing Office, National Academy of Sciences, (Available from Government Printing Office) 2101 Constitution Ave., Washington, D. C.) Final report, the seventh in an annual series, Report of a committee appointed at the request on a survey conducted by the Bureau of the Cen- of President Kennedy in 1962 to study the utili- sus. Gives trend data on industrial research and zation of scientific and engineering manpower. development funds and the number of research Part I is the committee's report, which includes a and development scientists and engineers em- selected bibliography; Part I1 is a series of study ployed by 22 separate industry groups. Charts and papers. Charts and tables. statistical tables. GENDELL,Murray and ZETTERBERG,Hans L., eds. NATIONALSCIENCE FOUNDATION. Scientific and A Sociological Almanac for the United States, 2nd Technical Personnel in Industry, 1961 (NSF 63- ed Totowa, N. J.: Bedminster Press, 1163. xvi, 32). Washington, D. C.: 1964. iv, 84 p. pap. 94 p. $4.50. (L. C. 61-14348) 554. (Available from Government Printing Office) A general essay (by Zetterberg) giving a statis- A survey prepared by the Department of La- tical summary of the contemporary United States bor's Bureau of Labor Statistics. Gives estimates is followed by a set of about 100 comparative of the number of scientific and technical per- statistical tables (edited by Gendell). Tables ar- sonnel employed in 49 industries or industry ranged and listed by classifying number. groups. Numerous charts and statistical tables. PERTZOFF,V. A. Translation of Scientific Russian. KENNEDY,John F. Public Papers of tbe Presi- dents of the United States: John F. Kennedy, New York: Exposition-University Books, 147 p. $5. 1963. Washington, D. C.: Government Printing The short-cut approach. This book is "for Office, 1964. xlix, 1007 p. $9. those who do not have the time or the wish to take a formal course in Russian," yet aspire to This third and final Kennedy volume contains translate technical articles. Grammar is kept to most of the public messages and statements re- the minimum that the author considers necessary; leased by the White House between January 1 he takes you through a step-by-step translation of and November 22, 1963, and includes two ad- various scientific excerpts. Short glossary. dresses the President had planned to deliver on the day of his assassination. It closes with Presi- SANKARANARAYANAN,N., ed. Boo& Distribution dent Johnson's proclamation of a day of national and Promotion Problems in South Asia. Madras, mourning and remarks at the presentation of the India: UNESCO and Higginbothams, x, 278 p. Medal of Freedom Awards. Index. pap. Rs. 12. Surveys on book distribution in Ceylon, Burma, NATIONALACADEMY OF SCIENCES-KATIONAL Iran, East and West Pakistan, North and South RESEARCHCOUNCIL. Federal Support of Basic India, and reports on national seminars of print- Research in Institutions of Higher Learning (Pub- ers, publishers, and booksellers. The distribution JANUARY 1965 67 procedures in advanced countries-Holland, the United States Statutes at Lmge (88th Congress, United Kingdom, the United States-are held up 1st Session), vol. 77. Washington, D. C.: General for comparison. Book marketing procedures in Services Administration, National Archives and South Asian countries, training courses on book- Records Service, 1964. $7.50. (Available from selling, and the role of libraries. Government Printing Office) Laws and concurrent resolutions enacted by SIMPSON,James B., comp. Contemporary Quota- Congress during 1963, reorganization plan, and tions. New York: Thomas Y. Crowell Co., 1964. Presidential proclamations. Includes (for the first xi, 500 p. $6.95. (L. C. 64-16534) time) a numerical listing of bills enacted in public A "treasury" of memorable and not so mem- and private law, and a guide to the legislative orable quotes from 1950 to 1964. Statesmen, edu- history of bills enacted into public law. cators, entertainers, clergymen, columnists, the man in the street, etc.-nearly 1,300 persons in all VILLERS,Raymond. Research and Development: -in a collection that (for better or worse) "cele- Planning and Control. New York: Financial Ex- brates our articulate age." Source and subject in- ecutives Research Foundation, 50 West 44th St., dexes. 1964. xiii, 185 p. $10.50. (L. C. 64-20779) Detailed examination and assessment, through SKILLIN,Marjorie E. and GAY, Robert M. Words interviews with selected companies, of manage- into Type, rev. ed. New York: Appleton-Century- ment's role in research and development activities. Crofts, 1964. xxii, 596 p. $7.50. (L. C. 63-21739) Bibliography and index. A new and revised edition of an old and valu- able reference tool. Rules and standards covering WELLS,James M. The Scholar Printers: Two Ex- each step in the preparation of printed material. hibitions at the Newberry Library in Honor of the The text and portions of the index have been up- Association of American University Presses on the dated, and the index expanded for quicker refer- Occasion of Theif, Visit to Chicago on May 31, ence. 1964. I. Printers, Publishers, and Scholars: Books Mainly from the John M. Wing Foundation on SMITH, Roger H., ed. The American Reading the History of Printing. 11. The Ledrned Presses. Public: What it Reads, Why it Reads. New York: Chicago & London: University of Chicago Press, R. R. Bowker Co., 1963. xii, 268 p. $7.95. (L. C. 1964. 59 p. pap. illus. $1.50. 63-22265) Catalog of the two exhibitions, with an intro- The Winter 1963 issue of Daedalus, the jour- ductory essay. 68 items (all annotated, and some nal of the American Academy of Arts and Sci- illustrated), the earliest in the West being Mat- ences, was devoted to a symposium on the thias of Cracow's Dialogus Rationis, printed in American reading public and covered such sub- Mainz, possibly by Gutenberg, in 1460, and the jects as education, commercial publishing, the most recent, The History of The [London] Times, university press, booksellers, the public library, London, 1935. mass media, and book-reviewing. Twelve articles WOELLNER,Elizabeth H. and WOOD,M. Aurilla. are here reprinted, with seven supplementary or Requirements for Certification: Tmchers, Coun- rebuttal articles especially commissioned for this selors, Librarianr, Admistrators, for Elementary volume. Schools, Secondary Schools, Junior Colleges, 29th UNITEDNATIONS. Statistical Yearbook / Annu- ed. Chicago: University of Chicago Press, 1964. air, Statistique, 1963. New York: 1964. 714 p. v, 151 p. pap. Apply. $11.50; pap. $9. Gives the initial certification requirements for In English and French. World figures on pop- the various states and regional associations, and ulation, manpower, agriculture, manufacturing, supplies sources of information regarding teacher transport, communications, etc.-192 tables in all. applications in the United States possessions and Indexes by subject and country. territories.

UNITEDSTATES SENATE, COMMITTEE ON GOV- ERNMENT OPERATIONS,SUBCOMMI~EE ON IN- CLASSIFIED ADVERTISING TERGOVERNMENTAL RELATIONS.Catalog of Fed- Positionr open and wanted-30 cents per line; eral Aids to State and Local Governments. Wash- minimum charge $1.30. Other classifieds-75 cents ington, D. C.: Government Printing Office, 1964. a line; $2.25 minimum. Copy must be received by vi, 154 p. pap. 400'. tenth of month precedin~month of pitblication. Describes the aids that are made available by the federal government to state and local govern- POSITIONS OPEN ments, in the fiscal year 1964 or later, for 115 programs or groups of related programs. Forms CATALOGER-Science background preferred. Le- of federal aid include grants-in-aid, shared rev- high University. Department well organized with enues, loans and advances, and technical assist- adequate clerical assistance. Library has newly es- ance. Appendixes give federal aid authorizations tablished Center for the Information Sciences. Beth- subject to expiration dates, an index by functions, lehem, Pa., 90 miles from New York City. 50 miles from Philadelphia. James D. Mack, Librar- and a subject index with legal citations. Prepare~l Ian. by the Legislative Reference Service of LC. SPECIAL LIBRARIES FOR INDUSTRIALRESEARCH LABORA- ~on~-Excellent opportunity to organize and im- plement a new technical library at our Research DATA PROCESSING and Development Laboratory. Must be able to initiate approved library practices and procedures. IN LIBRARIES Prefer background in chemistry but other sciences acceptable. Immediate opening. Please write or HAVE YOU CONSIDERED USING phone for interview. Mr. G. W. Vinton, Gould DATA PROCESSING FOR ANY OF National Batteries, Incorporated. 2630 University YOUR OPERATIONS? Avenue, S.E., Minneapolis. Minnesota 55414. We are an equal opportunity employer.

~ LET ME TALK TO YOU ABOUT IT. UKIVERSI~YOF MICHIGAN,Ann Arbor-Dentistry Librarian: Serves as head of Dentistry Library of PATRICK J. GLEASON 22,000 volumes; gives reference and bibliographic assistance to faculty and students of School. of 142-20 84th Drive, Jamaica, N. Y. 11435 Dentistry; selects publications for purchase; asslsts in planning new dentistry library expected to be completed in 1967. Graduate library degree; rel- erence or other professional experience in accred- TECHNICAL LIBRARIAN ited medical or dental library. $7,200. Position Major St. Loills I~ased multi-divisio~~food open July 1, 1965 ; earlier appointment possible. matiufacturer has an opening for an cxperi- Chemistry-Pharmacy Librarian: Serves as head of eoced Trchnical 1.ihrarian. Must have an M.L.S. degree with technical l~ackground at Chemistry-Pharmacy Library of 30,000 volumes; the undergraduate level and a n.ininium of performs book selection and collection develop- two years' experience in technical li1,rary ad- ment; provides reference service to students and ministration. Working knowledge of infor- matint, storage and retrieval systems is de- faculty. Graduate library degree; two years of s,ral,le. professional library experience, preferably inclccl- This is n carrer opportunity as part of an ing public service; some knowledge of chemistry aggressive management team. Small town liv~npwithin 50 miles of a major city. Send or pharmacy desirable. $7,200. Higher salaries cmiplrt? resume and salary requirement to: possible for persons with extensive relevant ex- perience or subject background. Apply to Miss PERSONNEL DEPARTMENT Marjorie M. Tompkins, Personnel and Budget Of- PET MILK COMPANY ficer. P.O. Box 392 St. Louis, Missouri 63166 POSITIONS WANTED An Equal Opportunity Employer

MALE-&, MSLS I95 1. Five years Uniterming and vocabulary control for computer-based in- formation retrieval system in aerospace industry; also publication of weekly bulletin, technical TECHNICAL processing. Write Box C 7. PART-TIMELIBRARY POSITION WANTED-New York City or northern New Jersey. Recent MLS. Knowledge of Spanish, French, German. Hebrew, B.S. in Chemistry or allied field, plus Yiddish. Write Box C 6. advanced degree in library science with WANTED TO BUY training and interest in information re- trieval and documentation systems. Must PERIODICALS,duplicates, surplus for cash or ex- be capable of taking over as adminis- change. Write for free Library Buying List. Can- ner's SL, Boston 20, Massachusetts. trative head of present library and in- formation services staff within 3 years. FOR SALE Position located in Northern Ohio with medium size industrial concern. Excel- BACK Issu~s-Eugit~eering and Mininfi Jollr~d. 1940 to present. Some bound. Write Box B 150. lent opportunities for further study at local universities. Competent technical MISCELLANEOUS staff, well equipped library, computer based information retrieval system. SENDYOUR BOOK WANTSto our free book-find srrvice. Join the happy band of special libraries All replies will be held in confidence, who have discovered our astonishingly successful write to Box C 8. results, courteous promptness. and indefatigability. No book wants? Send for free ball-point pen, any- We are an equal opportunity employer. way. Martin Gross, Booksellers, 1 Berkman Street. New York, N. Y. 10038. JANUARY 1965 SENIOR LIBRARIAN

Excellent opportunity in downtown Boston in the No. 1 spot in a small, well-organized, spe- cial library. Expanding collection deals with technical and business aspects of company's interests, fuel production and utilization, notu- ASSISTANT ral gas, inland waterway transportation and ocean shipping, export trade, diversification, research. LIBRARIAN Applicant will have responsible charge of for the special library supplying conventional li- brary services. Library serves Technical Services TECHNICAL LIBRARY Deportment, Research Laboratory, other pro- fessionol staff, and all-level management. Prefer person with I or 2 years baclground in a technical library, physical science train- Requirement: Degree in Librory Science. Ex- ing and a library science degree. Reference perience in company's fields not necessary but and indexing experience helpful. This posi- some training in general special library work tion offers excellent opportunity, liberal is desirable. Experience and troining will, of fringe benefits and a salary commensurate course, receive proper consideration in fixing with ability and background. salary. Many employee benefits. Please send resume to: Please send resume to: Director of Personnel Mr. J. P. O'Brien, Employment Manager UNITED NUCLEAR Eas'ern Gas and Fuel Associates CORPORATION 250 Stuart Street 5 New Street White Plains, New York Boston, Mass. 021 16 An Equal Opportunity Employer

assistant SCIENTIFIC technical LIBRARIANS Ii brarian (Women) Opportunity to join o scientific library staff For Medium size industrial library. This is of 14 within a large pharmaceutical com- principally a research and development li- pany. brary with emphasis in all the physical sci- ences including Physics, Chemistry, Electrical Reference Librarian Engineering, and Mechanical Engineering. Search scientific literoture for information requested by company ~ersonnel.Evaluate Degree in Library Schce preferred. Non- and classify material for several informo- degree applicants should have a minimum of three years direct library experience. tion files. Science background plus elementary train- Cataloger ing in physics and chemis?ry desirable. Catalog and classify scientific materials. Excellent benefit program. Salary commen- Revise scientific subject headings. surate with experience. If you have a fifth-year library science de- All replies confidential. Send complete re- gree and a bachelor's degree or concentra- sume to: tion in chemistry, please send a complete resume ond letter to: FRANK E. WILLIAMSON Personnel Requirements Personnel Department ELI LlLLY AND COMPANY AMP INCORPORATED 223 East McCarty Street Harrisburg, Pennsylvania Indianapolis, Indiana "An Equal Opportunity Employer"

SPECIAL LIBRARIES IMMEDIATE OPENINGS FOR

I I INDEXER-CATALOGER Responsible for the indexing, cataloging, and processing of technical reports and books. Background in the scientific and technical field essential. Automation experience helpful.

TECHNICAL LIBRARIANIENGINEERING INFORMATION ANALYST Responsible for the coordination of Branch Infornlation Cen- ter operation in dealing with the scientific and engineering clientele by performing literature searches, answering reference questions, preparing bibliographies, and selecting information material in research, aeronautics, and related fields. Must be familiar with the acquisition of unpublished literature re- quired in our national defense effort.

FOR BOTH 1~0~1~10~s-I~ibraryScience Degree and several years applicable experience required. A Physical Science or Engi- neering Degree helpful. 'These positions in a dynamic, up-to-date, expanding Informa- tion Department, offer advancement opportunities and a chance to make contributions in the further development of automation. Liberal fringe benefits and salaries conlmensurate with experience. Send resume, in confidence, giving job preference, to: Charles Alunro, Professional Employment Manager, Lockheed-Georgia Company, 834 West Peachtree Street, Atlanta, Georgia 30308, Dept. A-1 12.

LOCKHEED-GEORGIA COMPANY A Division of Lockheed Aircraft Corporation

An equal opportunity employer

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