Wrestling Observer Newsletter July 18, 1994
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Ization PAID 16 I
Centralight Non-Profi t Organization U.S. POSTAGE PAID Carlin Alumni House PERMIT NO. 16 Central Michigan University Midland, MI Mount Pleasant, MI 48859 CHANGE SERVICE REQUESTED Executive Editor and Director of Alumni Relations Mary Lu Fleming, ’90 MSA ’92 Editor Barbara Sutherland Chovanec Photographers Robert Barclay Peggy Brisbane VOLUME 72 • NUMBER 3 • FALL 2002 Writers Patricia Housley, ’87 Janell Johnson, ’84 Dan Mazei, ’03 Nikita Murray On the cover Mike Silverthorn, ’79 Fred Stabley Jr. Ray Lawson, ’40, has taught for more than fi ve decades at Rochester High School, and Nicole Graphic Designers O’Karma, ’01, was Michigan’s 2001-2002 Amy Gouin Stacy Simmer Outstanding Student Teacher of the Year. Read their stories on pages 4 and 12. Alumni Board Communications Committee PHOTOS BY ROBERT BARCLAY Daniel Bodene, ’78 Thomas Olver, ’98 Michael Perry, ’84 4 Shirley Posk, ’60 Paknatchanit “Ling” Sirikururat, ’96 Judy Smith, ’65 16 Printer The McKay Press, Midland Features For Advertising Information call Cindy Jacobs, ’93 (800) 358-6903 3 Alumni profi les 9 Learning to teach Vice President of Development and Alumni Relations 16 Alumni support Special Olympics Michael Leto Homecoming 2002 Senior Offi cer 17 for Public Relations and Marketing Departments Rich Morrison 2 Commentary Alumni association president Stay Connected Thomas Lapka Send change of address information to: Alumni relations executive director Mary Lu Fleming Alumni relations Carlin Alumni House 22 Digest Central Michigan University Mount Pleasant, MI 48859 24 Athletics Phone: (800) 358-6903 Fax: (989) 774-7159 26 Discovery E-mail: [email protected] 35 Philanthropy Web: www.cmich.edu/alumni-friends.htm 17 Maroon and gold Centalight is published three times each year by Central 50 Michigan University Offi ce of Development and Alumni Relations and is produced by the Offi ce of Public Alumni in action Relations and Marketing. -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA
November 19, 1987 in Troy, OH Hobart Arena drawing ??? 1. NWA U.S. Tag Champs The Midnight Express (Eaton & Lane) vs. The Rock-n-Roll Express. November 5, 1988 in Dayton, OH UD Arena drawing ??? ($20,000) 1. The Sheepherders vs. ???. 2. Al Perez & Larry Zbyszko vs. Ron Simmons & The Italian Stallion. 3. Rick Steiner vs. Russian Assassin #2. 4. Bam Bam Bigelow & Jimmy Garvin vs. Mike Rotunda & Kevin Sullivan. 5. Ivan Koloff vs. Russian Assassin #1. 6. NWA U.S. Champ Barry Windham vs. Nikita Koloff. 7. The Midnight Express (Eaton & Lane) Vs. The Fantastics (Fulton & Rogers). 8. Lex Luger beat NWA World Champ Ric Flair via DQ. February 22, 1989 in Centerville, OH Centerville High school drawing 600 1. Match results unavailable. April 24, 1989 in Dayton, OH UD Arena drawing ??? 1. Shane Douglas beat Doug Gilbert. 2. The Great Muta beat George South. 3. The Samoan Swat Team beat Bob Emory & Mike Justice. 4. Ranger Ross beat The Iron Sheik. 5. NWA TV Champ Sting beat Mike Rotunda. 6. Ricky Steamboat & Lex Luger beat Ric Flair & Michael Hayes. Great American Bash 1989 July 21, 1989 in Dayton, OH UD Arena drawing ??? 1. Brian Pillman beat Bill Irwin. 2. Sid Vicious & Dan Spivey beat Johnny & Davey Rich. 3. Norman beat Scott Casey. 4. Scott Steiner beat Mike Rotunda via DQ. 5. Steve Williams beat ???. 6. Sid Vicious and Dan Spivey won a “two ring battle royal.” 7. The Midnight Express (Eaton & Lane) beat Rip Morgan & Jack Victory. 8. The Road Warriors beat The Samoan Swat Team. 9. NWA TV Champ Sting beat Norman. -
The Three Pillars of Catch in Japan Pro-Wrestling"
ne go g e in ith v rn ve w ha a a d le o le h ho u itt to t er y w fe ly l c m ft a s d nt is gi e a . M r ry n re e lo y se n st he ve a a er r an 't pa e ot t ts pp th o sn a W d u gh a t - ad g e J e e , b fi n bu ve h in o to th nc n is ka , ro is tl D k n e pa . H ? ed p th es ac i flu a e d n to t r b ch in J er K? e ha -W at d/ to h pp ce - t ro C e n e a n P n in ur nc h de te n pa ra et e vi la o a t r id e cu e J id ev pe nc in d e s e A ttl d flu M li an in M d US to n n k , a i ac an g ch b z lin at it do st C ht ki e n g Ri r i ou d -W ed r le ro in , b st P ra pe re n T ro w ow u , s E an hi p d on Ja te ti ar iza st n ga or ; an ap nt J e to ud h st tc a o so t G al h y ug el , ro lik rs B t e os ch ch d ry m ot a A ve G te m 't of y ro n to at an f e as t d m ng th w o e d ni g n a g oy a ar tin o ur he tr h le si n m n s sz g vi a Ki e de e in d ig s h t f Th d n W s y ; w go t o lu a in on a d e it n nc el it si S lle h P e is i nt P a ki n e ud h . -
Horse Sire Dam Owner 1 a DOUBLE CORONA OPEN ME a CORONA CORONA DASHIN BYE BOBBY BARNETT & DR
2020 LADDIE FUTURITY CORRECTED FINAL LIST # Horse Sire Dam Owner 1 A DOUBLE CORONA OPEN ME A CORONA CORONA DASHIN BYE BOBBY BARNETT & DR. TOMMY HAYS 2 A HOT CANDIDATE APOLLITICAL BLOOD A HOT VALENTINE RYAN & JUDE ROBICHEAUX 3 A POLITICAL TOAST APOLLITICAL BLOOD PRINCESS TOAST GENE COX *** ADORED RUNAWAY PERRY SIR RUNAWAY DASH FIRST TO ADORE PERRY JF RACING & FARM LLC 4 ADOREMYPILOT MR PILOTO ADORED BIGTIME DIAMOND G RANCH 5 AJS DRINKING HABITS AJS FAST DASH JESS ENOUGH HABITS R C STABLES 6 AJS LOUISIANA FAST AJS FAST DASH WANDASLOUISIANAGIRL MANUEL PIZANA 7 ALYSSAS BOY TEE COS ALYSSAS DREAM RAYMOND WILBANKS 8 APOLLITCAL BYE APOLLITICAL BLOOD SWIFTONE MAURICI TOVAR 9 APOLLITICAL CHAIS APOLLITICAL BLOOD DUACHAIS PETE A SCARMARDO 10 APOLLITICAL HIGH APOLLITICAL BLOOD TOASTEM HONI RED SEA RACING STABLES LLC 11 BAR WINGS 5 FIVE BAR CARTEL JESSWING JOSE E GUZMAN 12 BAYLERS COLD SNAP JET BLACK PATRIOT CHINA BEACH BABE JOHN J DURRENCE 13 BIG DADDYS TEE COS TEE COS LYZA BLUE JOSE HERIBERTO RODRIGUEZ 14 BJS DRAGONROC DRAGON WINGS SOME SHOKSOMEROC JEANE FARMS & DIAMOND B RACING LLC *** BJS LONGQUISTADOR OKEY DOKEY FANTASY BJS RAKIN SALLY JEANE FARMS & DIAMOND B RACING LLC 15 BLACK ANGEL SIR RUNAWAY DASH THE WISE PATRIOT DAVID BOTELLO HERNANDEZ 16 BLACK BLOOD APOLLITICAL BLOOD BLACK ROSALITA RAYNE KNIGHT/WIND DANCER RACING 17 BLACK CANDY JESS LOUISIANA BLUE ZUPER CORONA GONZALO MOYA FLORES 18 BLUE AND ABLE JESS LOUISIANA BLUE I AM ABLE RANCHO HERRADURA LLC 19 BOXCAR FREIGHTTRAIN B WOOD BE CHARMING JULIO & MARIO RAMIREZ *** BRACE YASELF BRACE FOR -
Arena Puebla
Octubre 2020 Spanish Reader ARENA PUEBLA Arena Puebla lugar de diversión y tradición. Septiembre es uno de los meses más importantes para los mexicanos, no solo por las fiestas patrias sino también por el “Día Nacional de la Lucha Libre y del Luchador Profesional Mexicano'' que se celebra cada 21 de septiembre. Por esa razón es necesario hablar de la emblemática Arena Puebla, el lugar sagrado para los luchadores, el lugar en donde se desarrollan espectáculos tan emocionantes para los mexicanos. La Arena Puebla se fundó el 18 de julio de 1953, está ubicada en la 13 oriente 402 en el popular barrio El Carmen y tiene un espacio para 3000 aficionados. Fue inaugurada por Salvador Lutteroth González conocido como el padre de la lucha libre mexicana y quien fue el fundador del Consejo Mundial de la Lucha Libre (CMLL). Además, este espacio funciona como escuela de lucha libre, con más de 20 años de experiencia. Este año celebró 67 años de su creación, pero debido a la pandemia los festejos tuvieron que ser postergados. 01 Spanish Institute of Puebla www.sipuebla.com Octubre 2020 En su inauguración, la lucha estelar tuvo a grandes figuras como Black Shadow, Tarzán López, y Enrique Yañez, enfrentando al Verdugo, el Cavernario Galindo y el famosísimo Santo “El Enmascarado de Plata”, quien en aquel momento era el campeón mundial Welter. Diferentes luchadores han engalanado las noches en el cuadrilátero, entre ellos están Blue Demon, El Huracán Ramírez, Arturo Casco “La Fiera”, El Perro Aguayo, Semi- narista, Califa, Danger, El Hércules Poblano, Gorila Osorio, Petronio Limón, El Jabato, Manuel Robles, Furia Chicana, Gardenia Davis, El Faraón, Enrique Vera, Príncipe Rojo, Tarahumara, Chico Madrid, Gavilán, Sombra Poblana, Murciélago, El Santo Poblano, El Perro Aguayo Jr. -
Dur 10/11/2015
MARTES 10 DE NOVIEMBRE DE 2015 3 NACIONAL TRADICIÓN Y VERDAD FUTBOL RACHA DE DOLOR BELLEZA EN EL DEPORTE LO BONITO DE LA JORNADA 16 Máquina La penúltima fecha del Torneo Apertura 2015 de la Liga MX trajo duelos de alto nivel, pero quienes se robaron la atención masculina fueron las hermosas edecanes, quie- sin ritmo nes engalanaron los estadios mexicanos. ■ Los cementeros quedaron sin opciones de ■ Miles de aficionados no recuerdan el último Liguilla al caer ante Toluca. título de Liga que ganaron. AGENCIAS Ciudad de México Trece técnicos, 27 Liguillas y cinco Finales desde el In- vierno 97; ni así, Cruz Azul podrá evitar cumplir la “mayoría de edad” sin un tí- tulo de Liga. El 7 de diciembre marca- rá 18 años desde el último campeonato de la Máquina, cuando vencieron a León con un final dramático que incluyó un gol de Carlos Her- mosillo en tiempos extra. Después de ese momen- to, la directiva encabezada por Guillermo Álvarez ha probado con diversas fór- mulas para repetir la gloria de ese certamen, pero todas ellas sin éxito. CABEZAS JAMMEDIA Por el banquillo celeste han Dolor. El Cruz Azul ha realizado diversas modificacionies, pero la realidad es que este 7 de diciem- desfilado 13 técnicos, entre bre est’ará cumpliendo 20 años sin un título de Liga. ellos Luis Fernando Tena en tres etapas, Enrique Me- no se ha escatimado en di- za en dos y Guillermo neroyalolargodeeste Vázquez, quien se quedó en tiempo han llegado a Cruz 2013 a 20 segundos de ganar Azul 65 jugadores extranje- la Liga. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
Fighting for Fellowship: an Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2018 Fighting For Fellowship: An Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas Brian O'hara Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Sociology Commons Repository Citation O'hara, Brian, "Fighting For Fellowship: An Ethnographic Exploration of Mixed Martial Arts Culture in Las Vegas" (2018). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3374. http://dx.doi.org/10.34917/14139897 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. FIGHTING FOR FELLOWSHIP: AN ETHNOGRAPHIC EXPLORATION OF MIXED MARTIAL ARTS CULTURE IN LAS VEGAS By Brian Scott O’Hara Bachelor of Arts – Speech Communication Colorado State University 2004 Master of Arts – Communication Studies University of Nevada, Las Vegas 2008 A dissertation -
PDF EPUB} Bluegrass Brawlers the Story of Professional Wrestling in Louisville by John Cosper ISBN 13: 9781500147655
Read Ebook {PDF EPUB} Bluegrass Brawlers The Story of Professional Wrestling in Louisville by John Cosper ISBN 13: 9781500147655. Bluegrass Brawlers: The Story of Professional Wrestling in Louisville. Cosper, John ; Bolin, Kenny. This specific ISBN edition is currently not available. As the Attitude Era drew to a close in the early 2000s, the WWE already had an eye to the future. The stars who would succeed the Rock, Stone Cold, and the Undertaker were already well on their way to the big time, and Louisville, Kentucky had a front row seat to the future. They were all here – Cena, Orton, Batista, Lesnar. They were all on display every Wednesday night for free at Ohio Valley Wrestling’s Davis Arena. Alongside established stars like the Big Show and Mark Henry, the Superstars of Tomorrow trained under the watchful eye of Jim Cornette and Danny Davis, waiting for their moment. More would follow in their footsteps. Some were already close by, like the brash young heel lighting it up every week for Southern Indiana’s IWA Mid-South promotion, CM Punk. As stunning as that time in history now appears, it was only one of many golden wrestling eras for Louisville, Kentucky, a city that has always loved its fight sports. “Bluegrass Brawlers: The Story of Professional Wrestling in Louisville” covers them all, from the earliest days when wrestling was king to the vibrant independent scene of today. Beginning in 1880 with tales of circus stars and barn-storming grapplers, “Bluegrass Brawlers” chronicles the evolution of a sport and the city that embraced it. -
Gallery of Luchadores
Gallery of Luchadores Blue Demon Jr, Dos Caras, Huracan Ramirez Jr, Argozan, Trench Fighter, Neutron, El Cardo The following are some luchadores with appeal that extends beyond Mexico because they appeared in or have connections to feature films that have screened internationally such as Mil Mascaras vs. the Aztec Mummy, Academy of Doom, and Aztec Revenge. Mil Mascaras Considered among the greatest and most influential wrestlers of all time. Mil Mascaras is also a respected artist and the star of over 20 films during his 50-year career. In addition to wrestling and films, his character has appeared in hundreds of Spanish-language comic books. Member of the US Wrestling Hall of Fame and the WWE Hall of Fame. Co-starred with El Santo and Blue Demon in iconic films such as Mystery in Bermuda and Mummies of Guanajuato, the latter of which became the world-wide highest grossing Mexican film of the 1970s. Hijo del Santo His late father is the most beloved and respected figure in the history of Lucha Libre, but Hijo del Santo has established his own credentials as one of the most skilled, acrobatic wrestlers of all time. Has starred or co-starred in over a dozen films. His tag-team fight with Mil Mascaras in the film Mil Mascaras vs. the Aztec Mummy is considered by many to be the equal of or superior to his father's best film bouts. La Torcha Intelligent, attractive, and one of the most skilled and athletic fighters - male or female - of all time. Her character has appeared in multiple films, though in some cases portrayed by actresses.