PREFACE Government Polytechnic, Aurangabad, One of the Oldest Institutes in Maharashtra Was Established in the Year 1955-56
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE SLOW HANDS LAB the Slow Hands’ Lab
THE SLOW HANDS LAB The Slow Hands’ Lab A Thesis Project by Jiayi Dong Class of 2019 MFA, Design for Social Innovation School of Visual Arts Thesis Advisor Archie Lee Coates IV TABLE OF CONTENT TABLE OF CONTENT INTRODUCTION 3 DESIGN PROCESS 9 INTERVENTION 31 LEARNINGS 45 LOOKING FORWARD 47 ACKNOWLEDGEMENT 49 INTRODUCTION Suzhou embroidery (Su embroidery for short) was originated in Suzhou, China and later on spread to the neighboring areas such as Nantong and Wuxi in Jiangsu province. These areas, locat- THE HISTORY ed in the lower reach of Youngest River, have been famous for their high quality silk produc- OF SU EMBROIDERY ART tions for centuries. The fertile soil, mild tempera- ture, and booming production of silk fabric and thread naturally nourished the burgeoning and flourishing of Suzhou embroidery. According to "Shuo Yuan", written by Liu Xiang during the Western Han Dynasty (206 BC - 24 AD), the country of Wu (current Suzhou area) has started to use embroidery to decorate garments over 2,000 years ago. As described in the book of "Secret Treasures of Qing," the Suzhou embroi- ders in Song Dynasty (960-1279) used "needles that could be as thin as the hair. During the Ming Dynasty (1368-1644), Suzhou has become a thriving center for silk industries and handicrafts. Artists in Wu area, represented by Tang Yin (Bohu) and Shen Zhou, helped the further development of Suzhou embroidery. Embroiders reproduced their paintings using needles. These works were so vivid and elegant as to be called "paintings by needle" or "unmatch- able even by the nature." Since then, Suzhou embroidery evolved a style of its own in needle- work, color plan and pattern. -
Medieval Clothing and Textiles
Medieval Clothing & Textiles 2 Robin Netherton Gale R. Owen-Crocker Medieval Clothing and Textiles Volume 2 Medieval Clothing and Textiles ISSN 1744–5787 General Editors Robin Netherton St. Louis, Missouri, USA Gale R. Owen-Crocker University of Manchester, England Editorial Board Miranda Howard Haddock Western Michigan University, USA John Hines Cardiff University, Wales Kay Lacey Swindon, England John H. Munro University of Toronto, Ontario, Canada M. A. Nordtorp-Madson University of St. Thomas, Minnesota, USA Frances Pritchard Whitworth Art Gallery, Manchester, England Monica L. Wright Middle Tennessee State University, USA Medieval Clothing and Textiles Volume 2 edited by ROBIN NETHERTON GALE R. OWEN-CROCKER THE BOYDELL PRESS © Contributors 2006 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2006 The Boydell Press, Woodbridge ISBN 1 84383 203 8 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library This publication is printed on acid-free paper Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed in Great Britain by Cromwell Press, Trowbridge, Wiltshire Contents Illustrations page vii Tables ix Contributors xi Preface xiii 1 Dress and Accessories in the Early Irish Tale “The Wooing Of 1 Becfhola” Niamh Whitfield 2 The Embroidered Word: Text in the Bayeux Tapestry 35 Gale R. -
Editorial Calendar 2020
PRESERVING THE LEGACY OF NEEDLEWORK Editorial Calendar 2020 There are stories to be told, and PieceWork readers want to read them. Whether it’s a personal account of a master knitter (“Bertha Mae Shipley: A Navajo Knitter”) or a well-researched article on the embroidery that adorned alms purses (“Charitably Chic: The Eighteenth-Century Alms Purse”), PieceWork is the place to share these stories. People who care about handwork and who value its past and present role in the ongoing human story are PieceWork magazine’s core audience. PieceWork explores the personal stories of traditional makers and what they made and investigates how specific objects were crafted and the stories behind them. In-depth how-to techniques and step-by-step projects make the traditions come alive for today’s knitters, embroiderers, lacemakers, and crocheters. Beginning with the magazine’s inception in 1993, we have explored numerous needlework traditions and needleworkers. We’ve covered the prosaic—mending samplers—and the esoteric—the Pearly Kings and Queens of London. The stories have been poignant—the Triangle Shirtwaist Factory fire; inspiring—Safe Return Mittens; and entertaining—Rattlesnake Kate. Beginning with the Fall 2018 issue, PieceWork changed frequency from a bimonthly publication to a quarterly. The biggest bonus with this change was the addition of more editorial pages, allowing us to continue and expand upon PieceWork’s unusual blend of the elements behind a handwork tradition—who did it, how it was done, and why. Future issues will include core sections for techniques, including knitting, lace, embroidery, and crochet. Beyond these sections, there will be a wide variety of other needlework techniques. -
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016 GREEN text indicates an item in one of the Small Books boxes ORANGE text indicates a missing book PURPLE text indicates an oversize book BANNERS and CHURCH EMBROIDERY Aber, Ita THE ART OF JUDIAC NEEDLEWORK Scribners 1979 Banbury & Dewer How to design and make CHURCH KNEELERS ASN Publishing 1987 Beese, Pat EMBROIDERY FOR THE CHURCH Branford 1975 Blair, M & Ryan, Cathleen BANNERS AND FLAGS Harcourt, Brace 1977 Bradfield,Helen; Prigle,Joan & Ridout THE ART OF THE SPIRIT 1992 CEG CHURCH NEEDLEWORK EmbroiderersGuild1975T Christ Church Cathedral IN HIS HOUSE - THE STORY OF THE NEEDLEPOINT Christ Church Cathedral KNEELERS Dean, Beryl EMBROIDERY IN RELIGION AND CEREMONIAL Batsford 1981 Exeter Cathedra THE EXETER RONDELS Penwell Print 1989 Hall, Dorothea CHURCH EMBROIDERY Lyric Books Ltd 1983 Ingram, Elizabeth ed. THREAD OF GOLD (York Minster) Pitken 1987 King, Bucky & Martin, Jude ECCLESSIASTICAL CRAFTS VanNostrand 1978 Liddell, Jill THE PATCHWORK PILGRIMAGE VikingStudioBooks1993 Lugg, Vicky & Willcocks, John HERALDRY FOR EMBROIDERERS Batsford 1990 McNeil, Lucy & Johnson, Margaret CHURCH NEEDLEWORK, SANCTUARY LINENS Roth, Ann NEEDLEPOINT DESIGNS FROM THE MOSAICS OF Scribners 1975 RAVENNA Wolfe, Betty THE BANNER BOOK Moorhouse-Barlow 1974 CANVASWORK and BARGELLO Alford, Jane BEGINNERS GUIDE TO BERLINWORK Awege, Gayna KELIM CANVASWORK Search 1988 T Baker, Muriel: Eyre, Barbara: Wall, Margaret & NEEDLEPOINT: DESIGN YOUR OWN Scribners 1974 Westerfield, Charlotte Bucilla CANVAS EMBROIDERY STITCHES Bucilla T. Fasset, Kaffe GLORIOUS NEEDLEPOINT Century 1987 Feisner,Edith NEEDLEPOINT AND BEYOND Scribners 1980 Felcher, Cecelia THE NEEDLEPOINT WORK BOOK OF TRADITIONAL Prentice-Hall 1979 DESIGNS Field, Peggy & Linsley, June CANVAS EMBROIDERY Midhurst,London 1990 Fischer,P.& Lasker,A. -
Midlands Arts and Culture Magazine Spring-Summer 2017
Midlands andCulture ArtsMagazine A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH SPRING/SUMMER 2017 • ISSUE 27 THE WRITTEN WORD MUSIC & DANCE THEATRE & FILM VISUAL ARTS FREE MidlandsArts andCultureMagazine A Word from the Editor . .Page 2 National Drawing Day in Laois Poems from the School Room . .Page 3 NATIONAL Lighthouse Studios • Edgeworthstown . .Page 4 30 Artists/Anniversary . .Page 5 DRAWING Tullamore Club Sessions Poetry & Prose in Longford • Lars Vincent . .Page 6 DAY IN Yarnbombing Mountmellick . .Page 7 A Word from Offaly: Destination Festival . .Page 8 Longford ETB Film Course LAOIS the Editor Raised Bogs . .Page 9 National Drawing Day is a national Building creative communities is the event celebrating drawing in all its Dominic Reddin • Sean Rooney . .Page 10 ambition of the Creative Ireland forms and media. Laois Arthouse, Programme, a five year initiative which Westmeath Arts Grants . .Page 11 will run from 2017 to 2022. Kubrick by Candlelight . in conjunction with studio resident Longford Photographers . .Page 12 Saidhbhín Gibson, will host a The programme follows in the wake of the very successful Centenary comme- Dolores Keavney . .Page 13 workshop to encourage you to try out drawing. morations which saw a wide range of Kiki Theatre Grows • Fleadh in Ballymahon . .Page 14 arts, culture and heritage initiatives A Glimmer of an Idea . .Page 15 Join us for a fun workshop where you across the country. Alan Meredith • Aimee MacManus . .Page 16 will learn about drawing on Saturday 20 May from 11am to 1pm at Laois In the midlands there was an impressive Expressions • Singfest 2017 . .Page 17 Arthouse, Stradbally, Co Laois. -
Royal School of Needlework Annual Review 2016-2017
Royal School of Needlework Annual Review 2016-2017 Mission The mission of the Royal School of Needlework (RSN) is to teach, practise and promote the art and techniques of hand embroidery. Vision The vision of the RSN is to be known and recognised as the international centre of excellence for hand embroidery offering a common approach everywhere we teach are open to all levels, from beginners to advanced, and students of all ages; to be both the custodian of the history of hand embroidery techniques and active advocates of new developments in hand embroidery. A Laudian altar frontal designed and created by the RSN for the Chapel Royal, Hampton Court Pal- ace and used for the first time when Her Majesty The Queen attended the com- memorative service for the Companions of Honour. Public Benefit men which attracted over 20,000 visitors (below left) and our exhibition celebrating our 30th anniversary of being During the year the RSN met its public benefit obligations based at Hampton Court Palace which attracted 5,000 in a variety of ways. We demonstrated hand stitching for people from around the world (below right). Burberry and The New Craftsmen (front cover) at Mak- End-of-year shows were held for all the main courses: ers’ House a pop up event which highlighted the inspira- Future Tutors, Certificate, Diploma and Degree each of tion and craftsmanship behind the AW 2017 Burberry which was open to all. The RSN was selected by English collection attracting thousands of visitors. Heritage to be one of its London icons and we asked The RSN showed or loaned work from our Collection to a now qualified Future Tutor Kate Barlow to be photo- range of events including an exhibition of cross stitch graphed for the exhibition (centre) which was held at curated by Mr X Stitch. -
Discovery Chest Artifact Description Cards Child’S Rattle Who Would Have Used This? • Children
China Discovery Chest Artifact Description Cards Child’s Rattle Who would have used this? • Children. What is this? • A popular children’s toy. Two small balls attached to the sides beat the hollow drum when it is spun. Its surface is sometimes painted. It is often found at festivals such as the Lunar New Year. What is its significance? • The Chinese hand drum, also called a rattle drum, originated in ancient China around 475-221 BC during the Song Dynasty (960-1276). China 1A, GAMES Tiger Mask Who would have used this? • Children. What is this? • A traditional baby gift that is usually silk with hand stitching and embroidered appliques. The tiger is believed to protect the child from bad spirits and bring good luck. What is its significance? • The tiger hat can be traced as far back as the Qing dynasty. China 2A, GAMES Tangrams Who would have used this? • Children. What is this? • The tangram is a very old puzzle originating in China and is sometimes called the Wisdom Puzzle. The set consists of seven pieces: five triangles, one square, and one rhomboid. When fitted together, these shapes make a design or picture. What is its significance? • The story goes that about four thousand years ago in China, a man named Tan went to show the emperor a fine ceramic tile, but on his way he fell and his tile broke into 7 pieces. Tan spent the rest of his life trying to put the pieces back together, but was unsuccessful. However, he made many different shapes and pictures. -
Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation
Journal of Arts & Humanities Volume 06, Issue 10, 2017, 07-11 Article Received: 29-09-2017 Accepted: 13-10-2017 Available Online: 23-10-2017 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v6i10.1274 Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation Min Li1, Xiaoyan Zhang2 ABSTRACT Tradition and modernity are the eternal topics of art, especially in the age of information. Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry. However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost. From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design techniques combined approach to guide the creative practice. On the basis of studying the theoretical method of combining traditional embroidery technology with modern jewelry, this paper focuses on the application of traditional embroidery techniques in jewelry creation, inspire the potential of traditional craft, to provide reference for modern jewelry design rich Chinese characteristics and attract the attention of Chinese jewelry industry and inherit the traditional arts. Keywords: Application Research, Modern Jewelry Design, Traditional Embroidery Technology. This is an open access article under Creative Commons Attribution 4.0 License. Quote The design of jewelry has a long history. The apes have been decorating their bodies with branches and bones since the primitive times. After thousands of years of precipitation, modern jewelry is constantly innovating to meet people's needs. -
Textile Society of America Symposium Proceedings Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2012 Textile Society of America- Abstracts and Biographies Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf "Textile Society of America- Abstracts and Biographies" (2012). Textile Society of America Symposium Proceedings. 761. https://digitalcommons.unl.edu/tsaconf/761 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Changing Politics of Textiles as Portrayed on Somali Postage Stamps Heather Akou When Somalia became an independent nation in 1960, the change in power was celebrated with new postage stamps. Departing from the royal portraits and vague images of "natives" favored by their colonizers, Somalis chose to circulate detailed images of local plants, animals, artisanal products, and beautiful young women in wrapped fabrics. In the early 1960s, these images were fairly accurate representations of contemporary fashions. Over the next twenty years, with a few notable exceptions, these images became more romanticized focusing on the folk dress worn by nomads in the late nineteenth and early twentieth century. Confronting drought, corruption, and economic interference from the West, dictator Siad Barre (who came to power in a military coup in 1969) longed openly for the "good old days" of nomadic life. As the country became increasingly unstable in the 1980s, leading to the collapse of the national government in 1991, postal depictions of textiles and wrapped clothing became even more divorced from reality: surface patterns unrelated to the drape of the cloth, fabrics that were too thin or wrapped in impossible ways, and styles of dress that were nothing but fantasy. -
28, 2012 1. Peking Chinese
CHARLES A. WHITKAER AUCTION COMPANY April 27-28, 2012 1. PEKING CHINESE MAT, 19th C. BluE on bluE swastika background with cEntEr medallion of dragon surrounded by ten roundels with flowers. 30 x 36. Good. $ 720 2. CHINESE PIECED SILK KESI PANEL, 19th C. DEEp bluE ground, joinEd bEtwEEn two rows of six dragon roundEls bEtwEEn pairs of dragons with flaming pEarls abovE wavE and rainbow bordErs, modErn EmbroidErEd satin bordEr. 46 X 37. (FEw mends and brEaks, soiling) fair. $ 840 3. PAIR of CHINESE EMBROIDERED PANELS, c. 1900. Cinnamon silk satin dEcorated with phoenix birds in satin stitch and couchEd metallic thrEads, backEd in gold silk satin. 90 x 30. (OnE soilEd) vEry good- excellent. $ 720 4. CHINESE EMBROIDERED TABLE COVER, EARLY 20th C. YEllow silk damask with cloud bands EmbroidErEd with cEntral roundEl of pEony, moth and bats surroundEd by floral sprays and vasEs at cornErs. 67 x 56. (1 inch mend and holE at EdgE, could bE hEmmed out) vEry good. $ 480 5. CHINESE SILK EMBROIDERED PANEL, EARLY 20th C. PiEcEd black silk having silk and metallic gold dragons, flaming pEarls, birds and bats abovE a rainbow bordEr of wavEs and rockwork bEnEath thirtEEn roundels with dragons. 17 3/4 x 75. Excellent. CMI. $ 1,200 6. CHINESE EMBROIDERED THRONE COVER, 18th-19th C. Yellow/gold silk tapestry elaborately EmbroidErEd with gold dragon in couchEd metallic thrEads, surroundEd by cloud bands and Buddhist symbols, EnclosEd by a bordEr of chrysanthEmums within couchEd gold thrEad, backEd in silk brocadE. 41 1/2 x 51 1/2. Excellent. $ 33,600 7. -
2019-09 CGNA Author List Author Title Genre Adi-Rubin, Margalit Israeli
2019-09 CGNA author list Author Title Genre Adi-Rubin, Margalit Israeli Yemenite Embroidery embroidery Allan, Christine Christine's Fast and Fun Swedish Weaving (Christmas) weaving-Swedish Allan, Christine Christine's Fast and Fun Swedish Weaving (Spring) weaving-Swedish Altherr, Ilse Hems, Edges and Fancy Borders resource Ambuter, Carolyn The Open Canvas canvas Amor, Shelagh Crewel Embroidery, A Practical Guide crewel Anchor Anchor Book of Crewelwork reference Anchor Canvaswork Embroidery Stitches canvas Anchor Canvaswork Embroidery Stitches canvas Anchor Counted thread embroidery stitches reference Anchor Crewelwork Embroidery Stitches crewel Anchor Crewelwork Embroidery Stitches crewel Anchor Free-Style Embroidery Stitches embroidery Anchor Ribbon Embroidery embroidery-ribbon Anchor Sampler & antique needlework, vol II samplers Anchor The New Anchor book of canvas work, stitches and patterns canvas Anchor The New Anchor Book Of Counted Thread Embroidery compendium-embroidery Anchor The New Anchor book of counted thread embroidery stitches compendium-embroidery Anchor The New Anchor book of Hardanger Hardanger Anchor The New Anchor book of Hardanger Hardanger Anon Elizabethan Embroidery resource Armstrong, Carol Wildflowers applique quilting Baatz, Barbara Encyclopedia of Embroidered Flowers embroidery Baatz, Barbara Ribbon embroidery alphabets embroidery-ribbon Bage, Patricia Beginner's guide to drawn thread embroidery embroidery-drawn thread Bahouth, Candace Flowers, Birds, and Unicorns needlepoint Baker, Muriel The Scribner Book -
Blackwork Journey Newsblog, January 2014
Blackwork Journey Blog - August 2013 August 2013 Creating a Line Drawing out of a Photograph Changing a photograph into a sketch for use in embroidery is a simple process if you have the right software. I use Adobe Photoshop to turn my photographs into ink style drawings, but if Adobe Photoshop is not available, there is a free programme called Gimp. www.gimp.org This can be downloaded and works in a similar manner to Adobe Photoshop. Tutorials for both Gimp and Photoshop are widely available on the internet and by clicking on to www.youtube.com How do you make a start on changing a photograph into a line drawing? Let’s follow the process in simple stages to turn a photograph of a bridge in an industrial area into a line drawing suitable for blackwork embroidery. a. Import the photograph into Photoshop or Gimp 1 Blackwork Journey Blog - August 2013 b. Using the toolbar at the top of the screen go to Layer > Duplicate layer. Work on the duplicate layer to keep the original image intact. c. Next to the Layer button is the Image button. Click on: Image > Adjustments > Desaturate. and the photograph will become black and white. 2 Blackwork Journey Blog - August 2013 d. Next go to Filter > Stylize > Fine edges This will create a “pencil drawing”. e. Now improve the effect by going to: Image > Adjustments. Go to Brightness/Contrast f. The next stage is to adjust the Brightness to 20 and the Contrast to 80+ Filter > Sharpen > Sharpen More Move the slider to create the effect required.