Marriage of Figaro", "Don Giovanni")
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Victorian Honour Roll of Women 2005
WWomen W victorian honour roll of women 2005 Contents Scientific research, education and the smell of rain… 1 Foreword 2 Isabel Joy Bear AM 3 Penny Blazey 4 Carolyn Briggs 5 Janice Margaret Dale 6 Anne Davie 7 Rhonda Louise Galbally AO 8 Sandra George 9 Carmel Guerra 10 Ann Jarvis 11 Gertrude Johnson 12 Susan Lockwood 13 Ivy Marks, Josie Mullet & Lorraine Sellings 14 Edith Joyce Morgan OAM 15 Elizabeth O’Brien 16 Anne Robina Sgro 17 Trang Thomas AM 18 Claire Vickery 19 Assoc Prof.Wendy Weeks 20 Messages victorian honour roll of women 2005 W 1 Foreword The Victorian Honour Roll of Women recognises the outstanding contributions made by individual women to our community. I am delighted to present the stories of the women who join the Victorian Honour Roll of Women in 2005. It is fitting that we pay tribute to their many achievements. Their stories reveal the way in which each of these women has used their unique skills, experiences and insights to enrich their world. Whether they have worked behind the scenes in support of local communities or on the international stage, each of these women have created better opportunities for women in Victoria, in Australia and beyond. They have provided leadership, they have touched the lives of those around them, they have helped improve the lives of women and their families and they have helped produce long term change for the better. But these stories will do more than describe achievements. They will remind you, as they remind me, of the strength that resides within women to achieve extraordinary things. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Hilde Zadek (1917-2019) Den Sista Stora Sopranen I Den Österrikiska Efterkrigsgenerationen, Hilde Zadek, Har Gått Ur Tiden, 101 År Gammal
In memoriam: Hilde Zadek (1917-2019) Den sista stora sopranen i den österrikiska efterkrigsgenerationen, Hilde Zadek, har gått ur tiden, 101 år gammal. Zadek föddes i polska Bydgoszcz 1917 och växte upp i Stettin och Wien. 1934 tvingades hon på grund av sin judiska härkomst lämna Tyskland och utvandrade till Palestina där hon arbetade som sjuksköterska på en barnklinik i Jerusalem. Hon studerade för Rose Pauly där och för Ria Ginster i Zürich där hon även deltog i uruppförandet av Max Ettingers ortatorium Die Königin Esther. 1947 gjorde Zadek sensationell debut som Aida på Wiener Staatsoper. Zadek kom att tillhöra ensemblen på Staatsoper i över tjugo år. Gästspel över hela världen gav henne stora framgångar. Hon sjöng på festivalerna i Salzburg och Edinburgh, 1948 som Brangäne i Frank Martins Le Vin herbé och året därpå i sopransolot i Verdis Requiem under Herbert von Karajan. 1950 sjöng hon titelrollen i Ariadne på Naxos och Vitellia i Mozarts La clemenza di Tito. Hon sjöng i uruppförandet av Carl Orffs Antigonae 1949 och gestaltade Magda Sorel i Wien-premiären på Gian Carlo Menottis Konsuln. Hon sjöng Donna Anna och Ariadne i Edinburgh och Glyndebourne, Aida i Florens, Lisa iSpader dam och Tosca på Covent Garden. Zadek sjöng även i bl.a. Buenos Aires, Lissabon, Paris, Bryssel, Amsterdam, Rom, San Francisco och München. Säsongen 1952-53 uppträdde hon på Metropolitan som Donna Anna, Aida, Eva i Mästersångarna, Elsa i Lohengrin och Salome. 1957 gästspelade hon i titelrollen i Glucks Ifigenia på Tauris på Staatsoper i Berlin. Hon hade också stora framgångar på Bolsjoj i Moskva och i Rio de Janeiro. -
Der . Fliegende Hollander
_ Der . Fliegende Hollander. Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 Courtle[glz GOLD BAND FILTER TIPPED ·HAND BLENDED ·LIGHT AND MILD Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 &caPAB ~ '' I I CAPAB OPERA/KHUIK-OPERA Artistic Director/ Artistieke Direkteur PROF. MURRAY DICKIE Der Fliegende Hollander OPERA IN THREE ACTS/OPERA IN DRIE BEDRYWE (Sung in German/Geslng in Duits) Music/Musiek & Libretto RICHARD WAGNER Producer/Regisseur, Set Designs/Dekorontwerpe, Lighting/Beligting GUNTHER SCHNEIDER-SIEMSSEN Conductor/Dirigent CHRISTOPHER DOWDESWELL Costume Designs/ Kostuumontwerpe JENNY DE SWARDT Lighting Director/ Beligtingsdirekteur PIETER DE SWARDT Design Assistants/ DIETMAR SOLT Ontwerpassistente AMELIA MULLER Scenic Painter/T oneeiskilder CHRISTOPHER LORENTZ Assistant Producer/ Assistent-Regisseur CHRISTINE CROUSE Choreography Adviser/ Choreografie-Adviseur PAMELA CHRIMES CAPAB CHORUS/ KRUIK-KOOR Chorus Master/Koormeester RAYMOND HUGHES CAPAB ORCHESTRA/ KRUIK-ORKES Leader/ Konsertmeester THOMAS MOORE Der Fliegende Hollander Der Riegende Hollander was first performed in Dresden is di€ eerste maal op 2 Januarie 1843 on 2nd January, 1843 in Dresden opgevoer. hrst production in the Nico Malan Opera House. Eerste produksie in die Nico Malan-Operahuis. Aprill976 Aprill976 Season: 29th March until 12th April, 1986. Speelvak: 29 Maart tot 12 Aprtll986. Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 THE VISUAL AND DRAMATIC CONCEPTION OF WAGNER'S DER FLIEGENDE HOLlANDER By Professor Giinther Schneider-Siemssen While Wagner's music for Tristan und Isolde belongs to the later period of his work and has an erotic and cosmic nature, Der Fliegende Hollander is an earlier work in which the influence of Verdi is sometimes felt. -
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me. -
Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Cesare Siepi Don Giovanni Mp3, Flac, Wma Related Music Albums To
Cesare Siepi Don Giovanni mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Don Giovanni Country: UK Released: 1957 Style: Classical, Opera MP3 version RAR size: 1162 mb FLAC version RAR size: 1372 mb WMA version RAR size: 1901 mb Rating: 4.6 Votes: 221 Other Formats: AAC MP3 AHX AA AU APE TTA Label: London Records – OSA 1401 Type: 4 x Box Set, Stereo Country: UK Date of released: 1957 Category: Classical Style: Classical, Opera Related Music albums to Don Giovanni by Cesare Siepi Richard Strauss, Lisa Della Casa, Hilde Gueden, Alfred Poell, The Vienna Philharmonic Orchestra, Rudolf Moralt - Duetts From “Arabella“ Mozart, Lisa Della Casa, Hilde Güden, Suzanne Danco, Cesare Siepi, Fernando Corena, Kurt Böhme, Anton Dermota, Walther Berry, Josef Krips, Wiener Philharmoniker, Chor Der Wiener Staatsoper - Don Giovanni Mozart - George London , Walter Berry, Hilde Zadek, Graziella Sciutti, Wiener Symphoniker - Rudolf Moralt - Don Giovanni Mozart - Cesare Siepi ‧ Fernando Corena ‧ Anton Dermota ‧ Suzanne Danco ‧ Lisa Della Casa ‧ Hilde Gueden ‧ Walter Berry ‧ Kurt Boehme ‧ Vienna State Opera Chorus , Dir: Dr. Richard Rossmayer ‧ Vienna Philharmonic Orchestra Conducted By Josef Krips - Don G В. А. Моцарт - Дон Жуан Wolfgang Amadeus Mozart - Don Giovanni Ossia Il Dissoluto Punito (Don Juan Ou Le Libertin Puni) (II) Mozart, Della Casa ∙ Ludwig, Loose ∙ Dermota, Kunz ∙ Schoeffler, Bohm, Vienna Philharmonic Orchestra - Cosi Fan Tutte (Highlights) Wolfgang Amadeus Mozart - Le Nozze Di Figaro (Highlights) Mozart, Vienna Philharmonic Orchestra, Erich Kleiber, Hilde Gueden, Lisa Della Casa, Suzanne Danco, Cesare Siepi, Alfred Poell, Fernando Corena - Le Nozze Di Figaro Mozart, Hilde Gueden, Wilma Lipp, Emmy Loose, Leopold Simoneau, Walter Berry, Kurt Boehme, Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Karl Böhm - Die Zauberflöte (The Magic Flute). -
Victorian Honour Roll of Women
INSPIRATIONAL WOMEN FROM ALL WALKS OF LIFE OF WALKS ALL FROM WOMEN INSPIRATIONAL VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE I VICTORIAN HONOUR To receive this publication in an accessible format phone 03 9096 1838 ROLL OF WOMEN using the National Relay Service 13 36 77 if required, or email Women’s Leadership [email protected] Authorised and published by the Victorian Government, 1 Treasury Place, Melbourne. © State of Victoria, Department of Health and Human Services March, 2018. Except where otherwise indicated, the images in this publication show models and illustrative settings only, and do not necessarily depict actual services, facilities or recipients of services. This publication may contain images of deceased Aboriginal and Torres Strait Islander peoples. Where the term ‘Aboriginal’ is used it refers to both Aboriginal and Torres Strait Islander people. Indigenous/Koori/Koorie is retained when it is part of the title of a report, program or quotation. ISSN 2209-1122 (print) ISSN 2209-1130 (online) PAGE II PAGE Information about the Victorian Honour Roll of Women is available at the Women Victoria website https://www.vic.gov.au/women.html Printed by Waratah Group, Melbourne (1801032) VICTORIAN HONOUR ROLL OF WOMEN 2018 2018 WOMEN OF ROLL HONOUR VICTORIAN VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE 1 VICTORIAN HONOUR ROLL OF WOMEN 2018 PAGE 2 CONTENTS THE 4 THE MINISTER’S FOREWORD 6 THE GOVERNOR’S FOREWORD 9 2O18 VICTORIAN HONOUR ROLL OF WOMEN INDUCTEES 10 HER EXCELLENCY THE HONOURABLE LINDA DESSAU AC 11 DR MARIA DUDYCZ -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet -
Tese Pedro Telles Compilada.Pdf
CONSERVATÓRIO SUPERIOR DE MÚSICA DE GAIA MESTRADO EM ENSINO DA MÚSICA Especialidade em Canto José Pedro da Costa Leite Telles de Freitas A VIDA E A PEDAGOGIA DE HILDE ZADEK Percursos de uma Investigação-Ação Projeto Educativo apresentado para obtenção do Grau de Mestre em Ensino da Música, com a especialidade em Canto Trabalho realizado sob a orientação científica da Professora Doutora Maria do Rosário de Sousa Novembro de 2014 Mestrado em Ensino da Música – Especialidade em Canto – José Pedro da Costa Leite Telles de Freitas I believe in a higher power. I believe in destiny. I believe that something remains even after we die. And I believe in responsability that we bear from birth to death – to the soul of the universe. To something incomprehensible. That we must bring into the universe the most positive contribution we can make. So at the end, whatever is left of us can contribute something positive to this imcomprehensible universe. There´s nothing more I can say. Hilde Zadek 2 Mestrado em Ensino da Música – Especialidade em Canto – José Pedro da Costa Leite Telles de Freitas RESUMO O presente estudo consiste em uma análise da Pedagogia de Canto aplicada a seis Sujeitos (S) do Sexo Feminino, pelo cantor Pedro Telles, baseado na metodologia utilizada por Hilde Zadek. O interesse para estudo parte da premissa de que há muitas abordagens de encarar a técnica vocal, criando metodologias sistematizadas próprias de cada Pedagogo. Este trabalho propõe delinear as vertentes metodológicas de Hilde Zadek no ensino da técnica do Canto Lírico. Desta forma, abordamos a sua metodologia utilizando o Diagrama de Fluxo do Ar e os exercícios vocais aplicados em seis indivíduos do sexo feminino verificando e captando em vídeo o desenvolvimento vocal ao longo de 6 meses de trabalho, tendo como objetivo confirmar a sua eficácia.