DOCSLIB.ORG

NEW V-CLASS GUITARS the Project

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NEW V-CLASS GUITARS the Project The ProjectEBONY A bold plan to preserve ebony’s future takes root in Cameroon NEW V-CLASS GUITARS 500 – 800 DLX Series V-CLASS REVIEWS Jade Bird & TEST-DRIVING TIPS Cary Morin 2 www.taylorguitars.com Letters social Drop us a line. circles Email us: [email protected] coil to humbucker sounds, and aug- and the people that built it for doing so. mented by the depth of the sound, I was Thanks also to Bob and Kurt for provid- Join the Taylor community hooked. I started playing it more regu- ing them an atmosphere in which they Facebook: @taylorguitars larly than my other guitars. I noticed that could be that creative. Taylor guitars, but one of my favorites the T3 is available with a Bigsby vibrato David Jellema Instagram: @taylorguitars is the Holden Village GS Mini. Just to tailpiece, and consulted the crew at The Montgomery, NY Twitter: @taylorguitars own such a gorgeous, great-sounding Repair Zone (also in San Diego). Fred, Youtube: taylorguitars instrument with another unique story is the owner, said that the Bigsby unit well worth the investment. Thank you all could be installed with some internal That Rosewood Sparkle Google+: taylorguitars for your continued work not only in the bracing. Now I have a T5z with a Bigsby I am so impressed with my new Music Aficionado: taylorguitars creation of new instruments, but in actu- that provides me with endless hours of 414ce-R. Spruce/rosewood has always ally caring and sharing ways that help us enjoyable playing! been my favorite wood combination, and to understand how we can help make Ken Westbrook this guitar embodies everything I love these limited resources last for future about the pairing of these two woods. generations. To describe the sound I hear and feel, I David G The “It” Factor would have to say the notes just sparkle I’ve been playing guitar for close to when I am fingerpicking. The overtones 40 years, primarily electric, and because are truly unbelievable. I feel so lucky and Guitar Therapy of that I have settled for budget-level fortunate to have found this guitar. About seven years ago, I got to the acoustics for my unplugged needs. Arnold Vasquez A Class All Its Own point in my career whereby I could buy Lately I’ve been getting more interested I’m not long on fan letters, but I got a my “dream guitar,” a Taylor custom koa in acoustic playing (it must go along chance to play the V-Class Presentation K24. It was love at first sight and love at with getting older) and listed several Heirloom in the Making Series PS14ce and the Builder’s Edition first sound. I’m not good, but I loved to guitars for sale to make room for one In over 50 years of playing the guitar, K14ce at the Chicago Music Exchange play it. Later on, I had to make my way good acoustic guitar. I have never bought one without trying it last night. I arrived as a skeptic and left through recovery from a skydiving acci- I didn’t even go into Alto Music in first. However, when I read the philoso- convinced that this design is a major dent that resulted in my arm being torn Middletown, New York, that day to buy phy behind the new Academy [Series], step forward in guitar design and per- apart and torn off. Twenty-six surgeries a guitar, but I found myself wandering I was struck by how well it fit with my formance. I would encourage anyone later, I kinda have an arm. into the acoustic room, where Garth ideas on fitness for purpose. Back then test-driving a Taylor V-Class guitar to get I look back at my recovery (the past showed me several nice guitars in my (July 2017), only the steel-string models into the practice room, away from ampli- four years) and now understand how intended price range. All of them were were available in the UK. I tested one for fication and extraneous noise, and run a important that guitar was/is in my recov- fine guitars, but they didn’t have “it,” so style, but the model I really wanted was few scales. You will not be disappointed. ery...not just physically, but emotionally he suggested I try a couple Taylors. the 12e-N to allow amplification without I am also very happy about Taylor’s too. I wasn’t ever really good (now I Now, most Taylors are not even my having to strike the strings any harder. plan to distribute this advancement have an excuse), but I am here — remotely in my price range, but I was Based on the reviews, I placed an throughout a greater selection of the I made it to the helicopter, in which I curious, as I had never played one order for one — untested. In October Taylor line. When production hits my died but was brought back — I have an before. Garth gave me a 326ce and a the 12e-N arrived, and I love it. You can budget, I will own one. arm, and I can play, and for that I’ll be 414ce to try. Both were spectacular play music on almost any guitar, but on Thanks to Andy Powers and his eternally grateful. instruments but still did not move me this guitar I can make music. As I forget magic. My love for that Taylor koa sound to consider breaking my budget. Then the tunes of my youth, I can extemporize Tom Honn and the beautiful guitars you guys make he handed me a Spring 2017 Limited and invent new sound patterns on this Chicago played a role in my recovery. There’s Edition 314ce, the one with the spruce guitar, to be forgotten almost immedi- sometimes more to what you guys make top and blackwood sides and back. I ately, but re-invented the next time I pick than meets the ear. strummed a simple E chord to check it up. The sound balance across the Ebony for the Future Andy Wirth the tuning, and suddenly it happened… strings and through the length of the I want to say how impressed I am lights were shining, angels were singing, fingerboard is superb, allowing me to with the Ebony Project [taylorguitars. and lions lay down with lambs. waltz up and down the strings wherever com/ebonyproject] and all that Taylor It is not often that a guitar will speak my fingers take me. Even the “wrong Guitars is doing. I work for a California T5z Mod to someone like that, and I had never notes” sound good as links between utility that has won awards for forest I play guitar about five days a week, experienced it myself until that moment. passages of invention. Paired with a management and have seen how cycling through my electric guitar col- I knew it was way beyond my budget, simple amplifier, the sound is amazing difficult it is to manage a forest and lection. A few years ago, I was looking but I also knew there was no way I was and still true to the original guitar. My programs related to forestry. I have only for a lightweight, thin acoustic guitar to going to walk out without it, and, thanks guitar-playing son has long said that the watched a few Ebony Project videos, practice on, and came across the Taylor to 12 months of interest-free financing, only guitar he wants to inherit is my old but I am already touched by the efforts T5z. Since I live in San Diego, I went to I didn’t have to. Kimbara classical (1969), but I think that all those at Taylor are doing to provide the Taylor factory, played the T5z, and Since then, not a day goes by that he will be after this one now. an impeccable instrument with sustain- then took the tour (which is fascinating). I don’t take that guitar out of its case Chris Willoughby ability in mind. I look forward to reading I bought a T5z Pro and started practic- and experience that same glorious Eye, Suffolk, UK the details and watching all the videos ing on it unplugged. It has an impressive feeling of being 100 percent connected and learning more about just one of resonance for a thin acoustic guitar. But to an instrument. I don’t know if Andy the important hardwoods that are used one day I plugged it into my amp and Powers was aware that he created an for musical instruments. Your efforts was blown away by the distinct tones instrument that could have that effect make me a proud owner of several of the pickups! From acoustic to single on a player, but he did, and I thank him Contents WOOD&STEEL | VOLUME 91 | SUMMER 2018 Features Columns 6 From Skeptic to Believer 4 Kurt’s Corner Shawn Persinger already loves his Taylors, so he doubted Marching to the beat of our own drum – our V-Class bracing would move the needle. Here’s what or strum – is key to our ongoing evolution he discovered. as a guitar company. 8 How to Hit the Road 5 BobSpeak Well-traveled Canadian troubadour Melanie Dekker shares If your truck breaks down in Cameroon, tips on planning a tour as an independent artist. Taylor’s ace fabricator, Wayne Brinkley, is definitely the guy to call, as Bob 12 A Class of Their Own details in a photo essay. Our V-Class guitars have made a fantastic first impression.
Load more

Recommended publications
  • Rns Over the Long Term and Critical to Enabling This Is Continued Investment in Our Technology and People, a Capital Allocation Priority
    19 May 2021 FUTURE plc 2021 HALF YEAR RESULTS Strategic momentum continues: record HY results, materially ahead of market expectations, with strong organic growth and margin progression Future plc (LSE: FUTR, “Future”, “the Group”), the global platform for specialist media, today publishes its results for the six months ended 31 March 2021. Highlights Financial results for the six months ended 31 March 2021 Adjusted results HY 2021 HY 2020 Var Revenue (£m) 272.6 144.3 +89% Adjusted operating profit (£m)1 89.2 39.9 +124% Adjusted operating profit margin (%) 33% 28% +5ppt Adjusted diluted EPS (p) 65.4 32.9 +99% Statutory results HY 2021 HY 2020 Var Revenue (£m) 272.6 144.3 +89% Operating profit (£m) 59.7 24.7 +142% Profit before tax (£m) 56.9 27.1 +110% Cash generated from operations (£m) 85.9 35.7 +141% Diluted EPS (p) 40.7 21.8 +87% Financial highlights Robust first-half performance extending our track record of growth in revenue, operating profit and cash flow: An exceptionally strong first half, with revenue up 89% to £272.6m (HY 2020: £144.3m). Revenue ahead of last year by 21% on an organic2 basis, driven by the Media division’s organic2 growth of 30% and in particular digital advertising on-platform organic2 growth of 30% and eCommerce affiliates’ organic2 growth of 56%. US achieved revenue growth of 31% on an organic2 basis and UK revenues grew by 5% organically (UK has a higher mix of events and magazines revenues which were impacted more materially by the pandemic).
    [Show full text]
  • How to Get Away with Copyright Infringement: Music Sampling As Fair Use
    THIS VERSION MAY CONTAIN INACCURATE OR INCOMPLETE PAGE NUMBERS. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR THE PROPER CITATION INFORMATION. NOTE HOW TO GET AWAY WITH COPYRIGHT INFRINGEMENT: MUSIC SAMPLING AS FAIR USE SAM CLAFLIN1 CONTENTS I. INTRODUCTION ............................................................................................ 102 II. BACKGROUND ............................................................................................ 104 A. History ............................................................................................ 104 i. Foundations of Copyright Law with Respect to Music ............ 104 ii. Music Sampling and Copyright ............................................... 105 B. The Fair Use Doctrine .................................................................... 107 i. Fair Use and Appropriation Art ................................................ 110 III. A CONTEMPORARY PERSPECTIVE ON MUSIC SAMPLING AND FAIR USE: ESTATE OF SMITH V. CASH MONEY RECORDS, INC. ................................ 113 A. Background ..................................................................................... 113 B. Analysis – An In-Depth Look at the Court’s Fair Use Approach in Estate of Smith ........................................................ 114 i. Factor One .............................................................................. 115 ii. Factor Two ............................................................................. 118 iii. Factor Three ..........................................................................
    [Show full text]
  • City Will Turn Health-Insurance Savings Into Spending
    DEALS OF THE $DAY$ PG. 3 TUESDAY, JULY 30, 2019 DEALS City will turn health-insurance savings into spendingOF THE $DAY$ By Thor Jourgensen amended to refl ect the additional aid and it will be the end of the summer before A key element of thePG .restructured 3 ITEM STAFF the negotiated savings. offi cial state aid numbers are calculat- health insurance agreement is a boost “We’ve been waiting on the numbers,” ed into the city budget. But he said in- in city employee contributions to health LYNN — With the state budget now be- said Mayor Thomas M. McGee. creased state aid and health insurance insurance from 19 percent to 23 percent. ing reviewed by Gov. Baker, city offi cials The Legislature gave Lynn a $19 mil- savings position city offi cials to set aside Beginning July 1, the contribution in- are ready to factor negotiated health in- lion increase in state aid to schools bring- a city budget spending reserve. creased to 25 percent. surance savings and extra state aid into ing total aid to the city to $185.8 million. Lynn has been subject to a state fi nan- “A lot of time wentDEALS into this through city spending calculations. McGee and city unions ratifi ed changes cial oversight plan for two years that in- meeting after meeting.OF There TH willE be sav- Final action by the Legislature on the to the city’s self-insured health plan that, cludes recommendations for the city to ings — these are the fi rst real substantial state budget clears the way for the $368 McGee said, generate $4.3 million in sav- build a spending reserve.
    [Show full text]
  • Popmusik Musikgruppe & Musisk Kunstner Listen
    Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums
    [Show full text]
  • Free Concerts Online April 3Rd – April 12Th 2020
    Free Concerts Online April 3rd – April 12th 2020 April 3 CLASSICAL The Sempre Sisters String Duo (A From The Top Daily Joy feature) Time: 6 p.m. ET Link: Facebook Silkroad Home Sessions: Wu Man Time: 3 p.m. ET Link: Facebook Pianist Lara Downes: Spirituals and Freedom Songs (Benefit for Feeding America) Time: 8 p.m. ET Link: Facebook The Violin Channel Presents (all times ET) 12 p.m. Violinist Augusta McKay Lodge 2 p.m. Cellist Amit Peled 4 p.m. Violinist William Hagen 6 p.m. Violinists Jeffrey Myers (Calidore Qt.) and Siwoo Kim Link: The Violin Channel The Metropolitan Opera: Les Pêcheurs de Perles Time: 7:30 p.m. ET Link: Metropolitan Opera Lincoln Center at Home: Joshua Bell Time: 5:30 p.m. ET Link: Lincoln Center Metropolitan Museum of Art: Virgil Thomson's The Mother of Us All Time: 7:00 p.m. Link: YouTube; Facebook Free Concerts Online April 3rd – April 12th 2020 New World Symphony Fellows Time: 7 p.m. Link: Facebook MULTI-GENRE Light in the Attic & Friends Live: Jarvis Cocker, Marcos Valle, Sandy Dedrick (The Free Design), Azar Lawrence, Barbara Lynn, Gruff Rhys, more Time: 7 p.m. ET Link: Twitch / YouTube Sister Polygon's Stay-At-Home Variety Show: Rosali, Sir E.U, Seth Bogart, plus painting and smoothies Time: 3-5:30 p.m. ET Link: Instagram UnCancelled Music Festival: Katie Pruitt, Sammy Brue, Channing Wilson and more Time: 11 a.m. - 11 p.m. ET Link: UnCancelled Music Festival For a full lineup, check the schedule on the festival's website CALM Lock In: Arlo Parks, Declan McKenna, Oh Wonder and more Time: 12 - 7 p.m.
    [Show full text]
  • MUSICRADAR.COM (12/6) Epic-Guitar-Performances-568156
    MUSICRADAR.COM (12/6) http://www.musicradar.com/news/guitars/rival-sons-scott-holiday-talks-jimmy-page-riff-writing-and- epic-guitar-performances-568156 Rival Sons' Scott Holiday talks Jimmy Page, riff writing and epic guitar performances If Head Down were Rival Sons' debut album and not their third release, we'd be heralding the unexpected arrival of a bright new talent, and possibly even an important one, a group that manages to take their cues from firmly established blues-rock paradigms while proving there's still rich, untapped pockets to be mined. Oh, hell, let's dispense with the formalities and give it up for this California four-piece (singer Jay Buchanan, guitarist Scott Holiday, bassist Robin Everhart and drummer Mike Miley), who attack well- worn forms – there's also splashes of soul, funk and head-spinning psychedelia, for good measure – with a zeal that borders on audacity. The grooves are deep and the vocals are of the chest-beating variety, but the real star of the show is guitarist Holiday. On the album's 13 exhilarating cuts, he hits with with tectonic force, creating rich tapestries of sound that burst wide open with style, imagination and an infectious, warped charm. We caught up with Holiday the other day to chat about his spunky approach to guitar playing, his many axes and sonic toys, and to find out how he felt rubbing shoulders with a new fan, another six- string slinger who goes by the name Jimmy Page. So Jimmy Page likes your band. That's got to feel good.
    [Show full text]
  • Blierung Von Künstlern in Der Rock- Und Popmusik
    BACHELORARBEIT Herr Marc Philipp Neubauer Untersuchungen zur Bedeutung von Coverversion bei der Eta- blierung von Künstlern in der Rock- und Popmusik 2018 Fakultät Medien BACHELORARBEIT Untersuchungen zur Bedeu- tung von Coverversionen bei der Etablierung von Künstlern in der Rock- und Pomusik Autor: Herr Marc Philipp Neubauer Studiengang: Musikmanagement / -produktion Seminargruppe: AM15sU1-B Erstprüfer: Prof. Dr.-Ing. Michael Hösel Zweitprüfer: Jörg Schmidt M. A., MBA Einreichung: Mittweida, 07.06.2018 Faculty of Media BACHELOR THESIS Investigations on the importan- ce of coversongs in the esta- blishment of artists in rock and pop music author: Mr. Marc Philipp Neubauer course of studies: Music management / production seminar group: AM15sU1-B first examiner: Prof. Dr.-Ing. Michael Hösel second examiner: Jörg Schmidt M. A., MBA submission: Mittweida, 07.06.2018 IV Bibliografische Angaben: Neubauer, Marc Philipp: Untersuchungen zur Bedeutung von Coverversionen bei der Etablierung von Künstlern in der Rock- und Popmusik Investigations on the importance of cover versions in the establishment of artists in rock and pop music 2018 - 95 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Abstract Diese Arbeit beschäftigt sich mit der Bedeutung von Coverversionen bei der Etablie- rung von Künstlern in der Rock- und Popmusik. Dazu wird das Prinzip „Coverversion“ auf musikrechtliche, musikhistorische, psychologische und ökonomische Aspekte hin untersucht. Da in den meisten Musikunternehmen das A&R-Management für das Fin- den und Entwickeln neuer Talente zuständig ist, wird zudem untersucht, welchen Nut- zen Coverversionen für diese Geschäftsabteilung haben. Im Verlauf der Arbeit stellt sich heraus, das Coverversionen einem Newcomer den Ein- stieg in die Musikbranche erleichtern können und das Musikunternehmen hinsichtlich der Entwicklung eigener Talente ebenfalls von Coverversionen profitieren.
    [Show full text]
  • Mumford & Sons
    FREE MUMFORD & SONS - SIGH NO MORE PDF Mumford and Sons | 88 pages | 01 Jul 2011 | Hal Leonard Corporation | 9781617741081 | English | Milwaukee, United States Sigh No More - Mumford & Sons | Songs, Reviews, Credits | AllMusic Connect your Spotify account to your Last. Connect to Spotify. A new version of Last. Don't want to see ads? Upgrade Now. Scrobbling is when Last. Learn more. Javascript is required to view shouts on this page. Go directly to shout page. View full Mumford & Sons - Sigh No More profile. View all similar artists. View all trending tracks. Loading player…. Scrobble from Spotify? Connect to Spotify Dismiss. Search Search. Add artwork View all artwork. Length 12 tracks, Mumford & Sons - Sigh No More Date 1 January It was released on 5th October View wiki. Related Tags folk favourite albums best of indie Add tags View all tags. Tracklist Sorted by: Running order Running order Most popular. Buy Loading. More Love this track. Play album Buy Loading. Scrobble Stats? What is scrobbling? Artist images more. The band consists of Marcus Mumford lead vocals, electric guitar, acoustic guitar, drumsBen Lovett vocals, keyboard, piano, synthesizerWinston Marshall vocals, electric guitar, banjo and Ted Dwane vocals, bass guitar, double bass. The band consists of Marcus Mumford lead vocals, electric guitar, acoustic guitar, drumsBen Lovett vocals, keyb… read more. The band consists of Marcus Mumford lead vocals, electric guitar, acoustic guitar, drumsBen Lovett vocals, keyboard, piano, synthesizerWinston Marshall v… read more. Similar Artists Play all. Trending Tracks 1. Features Exploring the local sounds and scenes at Noise Pop Fest. Albums of the latest and loved, and the ones to look out for discover By okspud1 14 Feb pm.
    [Show full text]
  • Music Tech Lesson Plan
    Music Tech Lesson Plan Better than the original? Cover version showdown Listening and responding Grade level 5-10 Objective Students will analyse two versions of the same song and use musical terminology to describe to identify the musical differences and similarities. USA Music ● 6. Listening to, analyzing, and describing music. Education Standards Australian Music ● 6.3 Rehearse and perform music, including music they Curriculum have composed, by improvising, sourcing and arranging Standards ideas and making decisions to engage an audience ● 8.6 Analyse composers’ use of the elements of music and stylistic features when listening to and interpreting music ● 10.6 Evaluate a range of music and compositions to inform and refine their own compositions and performances Materials/Equipment ● Youtube video/s or audio recordings of an original song and a cover version of that song (some suggestions below, but you can use songs of your choice) ● Computer or other device connected to the internet, plus data projector and speakers if watching/listening as a class ● Student devices connected to the internet if students will be watching/listening individually or in small groups ● Attached worksheet - printed copies for students to fill out, or digital copies that can be completed on their tablet devices Duration 1 lesson Skills required Students should have an understanding of the following musical concepts: tempo, rhythm, melody, pitch, mood/feel and style Procedure Select songs - original and cover version ● This lesson is adaptable so you can use
    [Show full text]
  • 22 Essential Arranging Tips | Musicradar Page 1 of 5
    22 essential arranging tips | MusicRadar Page 1 of 5 THE NO.1 WEBSITE FOR MUSICIANS MORE Gear reviews Tuition Best audio interfaces 2018 Best electric guitars 2018 Free samples Learn Ableton Live Tuition > Tech > 22 essential arranging tips 22 essential arranging tips By The MusicRadar team February 11, 2008 Tech Turn your musical ideas into fully-formed tunes The arrange page in your DAW could soon be as busy as this one. Arranging can broadly be defined as the process of transforming a collection of musical ideas into a complete track. It can involve everything from writing harmonies, re-arranging parts, adding parts, removing parts, planning the structure of a song or even adding effects from time to time. If there's one absolute truth about arranging, though, it's that it's the stage where you have to stop making excuses and start making firm decisions, whether these be about which parts to leave in or out, where to put them, or whether you need to add a whole new part altogether. Consequently, for many, arranging is also where music making stops being fun and creative and starts feeling a bit too much like pressure and hard work. This needn't be the case, though - with all the power and versatility that modern technology gives us, the possibilities are endless and the process can be relatively painless. Here are our 22 top arranging tips: 1. Listen, listen, listen. There's absolutely no substitute for experience, so be sure to analyse the arrangements of all your favourite tracks. Listen to what other producers have done and try to figure out why it works (or why it doesn't work, as the case may be...).
    [Show full text]
  • Univerza V Ljubljani Fakulteta Za Družbene Vede
    UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman Mentor: izr. prof. dr. Peter Stanković YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 Najprej se zahvaljujem svojemu mentorju izr. prof. dr. Petru Stankoviću. Hvala mami, očetu, sestri in fantu za podporo. Hvala tudi mami in atu, ki sta mi stala ob strani. Hvala, ker ste verjeli vame in me spodbujali. YouTube kot promocijsko orodje za amaterske glasbene izvajalce YouTube predstavlja tehnologijo, ki poleg nalaganja video vsebin omogoča interakcijo med njegovimi uporabniki in pripadanje skupnosti. Na tej platformi je prisotnih mnogo amaterjev, predvsem glasbenih izvajalcev. Ti so začeli nalagati video vsebine na YouTube zaradi želje po osvojitvi nove tehnologije, nekateri pa so v tem odkrili posel. Obstajajo dejavniki, ki so omogočili, da so nekateri uporabniki YouTube-a izstopili iz množice in postali prepoznani. Z analizo najbolj gledanih kanalov amaterskih glasbenih izvajalcev sem prišla do dejavnikov, ki so tem glasbenikom omogočili prepoznavnost. Ugotovila sem, da poleg nalaganja video vsebin, kjer ti uporabniki pojejo neavtorske skladbe, pomaga pri prepoznavnosti čim večja interakcija z drugimi uporabniki, sodelovanje z drugimi amaterskimi glasbenimi izvajalci ter objavljanje bolj osebnih video vsebin, kjer se amaterski glasbeni izvajalec približa občinstvu. Ni več pomembno, da si lastnik televizijskega kanala ali kateregakoli drugega medija, ampak je poudarek na ustvarjanju vsebin navadnega človeka, ki ima dostop do kamere oz. naprave, ki omogoča snemanje, ter interneta. Posledično se občinstvo, ki je bilo prej pasivno, spreminja v aktivno in prihaja do novega načina produkcije in distribucije, ki daje amaterju moč, da pove svojo plat zgodbe.
    [Show full text]
  • A Full List of New Indie Albums 2019 Indie Is Not a Genre
    indieisnotagenre.com A full list of new Indie Albums 2019 Indie is not a genre Date Artist Album Label 11 Jan Red Rum Club Matador Mom+Pop 11 Jan Friska Viljor Broken Crying Bob 11 Jan Minor Majority Napkin Poetry self-released 18 Jan De Staat Bubble Gum Caroline 18 Jan Steve Mason About The Light Domino 18 Jan Alice Merton Mint Modern Sky UK 18 Jan The Twilight Sad It Won't Be Like This All The Time Rock Action 18 Jan Sharon Van Etten Remind Me Tomorrow Jagjaguwar 25 Jan Balthazar Fever PIAS 25 Jan Blood Red Shoes Get Tragic Jazz Life 25 Jan Júníus Meyvant Across The Borders Record 25 Jan Keuning Prismism Pretty Faithful 25 Jan Mozes and the Firstborn Dadcore Burger 25 Jan Press Club Late Teens (UK Release) Hassle 25 Jan Sunflower Bean King of the Dudes Mom+Pop 1 indieisnotagenre.com 25 Jan The Yacht Club The Last Words That You Said To Me Beth Shalom Have Kept Me Here And Safe 25 Jan Toy Happy In The Hollow Tough Love 1 Feb Andy Burrows & Matt Reasons To Stay Alive Caroline Haig 1 Feb Calva Louise Rhinoceros Modern Sky UK 1 Feb Girlpool What Chaos Is Imaginary Anti- 1 Feb Highasakite Uranium Heart Propeller 1 Feb Joseph J. Jones Built On Broken Bones Vol. 2 Caroline 1 Feb Jungstötter Love Is PIAS 1 Feb Rustin Man Drift Code Domino 1 Feb Tiny Ruins Olympic Girls Marathon Artists / Milk 1 Feb White Lies Five PIAS 8 Feb Chain Wallet No Ritual Jansen 8 Feb Health Vol.
    [Show full text]