P R E L U D E Volume XLVI, No
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Cellist Zuill Bailey with Helen Kim and the KSU Symphony Orchestra
SCHOOL of MUSIC where PASSION is Zuill Bailey,heard Cello featuring Helen Kim, Violin Robert Henry, Piano KSU Symphony Orchestra Nathaniel F. Parker, Music Director and Conductor Wednesday, October 9, 2019 | 8:00 PM Dr. Bobbie Bailey & Family Performance Center, Morgan Hall musicKSU.com 1 heard Program LUKAS FOSS (1922-2009) CAPRICCIO MAX BRUCH (1838-1920) KOL NIDREI, OPUS 47 PYOTR ILYICH TCHAIKOVSKY (1840-1893) VARIATIONS ON A ROCOCO THEME, OPUS 33 Zuill Bailey, Cello Robert Henry, Piano –INTERMISSION– JOHANNES BRAHMS (1833-1897) CONCERTO FOR VIOLIN, CELLO, AND ORCHESTRA IN A MINOR, OPUS 102 I. ALLEGRO II. ANDANTE III. VIVACE NON TROPPO Zuill Bailey, Cello Helen Kim, Violin Kennesaw State University Symphony Orchestra Nathaniel F. Parker, Conductor We welcome all guests with special needs and offer the following services: easy access, companion seating locations, accessible restrooms, and assisted listening devices. Please contact a patron services representative at 470-578-6650 to request services. 2 Kennesaw State University School of Music KSU Symphony Orchestra Personnel Nathaniel F. Parker, Music Director & Conductor Personnel listed alphabetically to emphasize the importance of each part. Rotational seating is used in all woodwind, brass, and percussion sections. Flute Violin Cello Don Cofrancesco Melissa Ake^, Garrett Clay Lorin Green concertmaster Laci Divine Jayna Burton Colin Gregoire^, principal Oboe Abigail Carpenter Jair Griffin Emily Gunby Robert Cox^ Joseph Grunkmeyer, Robert Simon Mary Catherine Davis associate principal -
Jazz @ Lincoln Center (ROSE) 10/5/17 9:58 AM Page 1
10-15 Orchestra Now_Jazz @ Lincoln Center (ROSE) 10/5/17 9:58 AM Page 1 Sunday Afternoon, October 15, 2017, at 3:00 Neemi Järvi , Conductor Performance #68: Season 3, Concert 5 JEAN SIBELIUS (1865–1957) Andante Festivo (1922; Rev. 1938) ANTON RUBINSTEIN (1829–94) Piano Concerto No. 4 in D minor, Op. 70 (1864; Rev. 1872) Moderato assai Andante Allegro ANNA SHELEST, Piano ANTON RUBINSTEIN Caprice Russe, Op. 102 (1878) ANNA SHELEST, Piano Intermission MICHAEL DAUGHERTY (b. 1954) Tales of Hemingway for cello and orchestra (2015) Big Two-Hearted River For Whom the Bell Tolls The Old Man and the Sea The Sun Also Rises ZUILL BAILEY, Cello Today’s concert will run approximately two hours and five minutes including one 20-minute intermission. Jazz at Lincoln Center’s Please make certain your cellular phone, Rose Theater pager, or watch alarm is switched off. Frederick P. Rose Hall jazz.org 10-15 Orchestra Now_Jazz @ Lincoln Center (ROSE) 10/5/17 9:58 AM Page 2 Jazz at Lincoln Center Notes on the Music - TON’s Diego Gabete First Piano Concerto bears a striking on Sibelius’ Andante resemblance to this piece, which has Festivo indeed inspired many composers. R E D A M Sibelius was commis - Caprice Russe, Op. 102 N U A sioned to write this ANTON RUBINSTEIN H S piece to celebrate the 25th anniversary of the Säynätsalo sawmills The first of several pieces Rubinstein com - in Finland. Sibelius was known as Finland’s posed in a Russian style, the Caprice Russe composer, and is credited with developing is one of many underperformed works by Finland’s national identity through his the composer. -
Program Notes by ASO Education Consultant, Susan Wingrove-Reed
Anchorage Symphony Orchestra Opening Night September 22, 2018 program notes by ASO Education Consultant, Susan Wingrove-Reed George Gershwin Born: 1898 Died: 1937 Cuban Overture George Gershwin dropped out of high school at the age of fifteen to play the piano to help sell sheet music in Tin Pan Alley music stores. Annotator Thomas May marveled, “By the time he was in his twenties he was an established composer with several wildly successful hit tunes and a number of Broadway shows to his credit.” The overture that opens Maestro Randall Craig Fleischer’s 20th season with the ASO was inspired by Gershwin’s 1932 vacation trip to Havana; Of Thee I Sing had just earned its composer the first Pulitzer Prize ever awarded for a musical comedy. The Cuban vacation was pretty wild and included lavish parties hosted by celebrities like millionaire Howard Hughes. Gershwin fondly recalled there were “two hysterical weeks in Havana, where no sleep was to be had, but the quality and quantity of fun made up for that.” He eagerly soaked up the music – dance rhythms, exotic harmonies and lots of traditional percussion instruments, notably the maraca, bongos, gourds and claves. Recharged and inspired when he returned home, he quickly wrote Rumba, a brilliant showpiece to add to an all-Gershwin concert by the New York Philharmonic at Lewisohn Stadium (1932). Attended by over 17,000 people, this was the first time the renowned orchestra presented an entire evening of music by a living composer; Gershwin called it “the most exciting night I have ever had.” Always seeking affirmation as a serious composer, he renamed the scintillating work Cuban Overture for its second performance (at the Metropolitan Opera) – saying the new title gave “a more just idea of the character and intent of the music.” The Cuban Overture has three main parts. -
Edition 2 | 2019-2020
WHAT’S INSIDE Welcome | 3 2020 Season Calendar | 4 Chopin and The Growth Of Genius | 6 Black Classical Music Pioneers | 10 Mozart’s Last Melodies | 15 Music + Prose | 25 Missa Solemnis | 30 National Philharmonic Orchestra | 40 National Philharmonic Chorale | 41 Board of Directors | 42 Supporters | 42 Heritage Society | 47 National Philharmonic Staff | 47 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The National Philharmonic program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The National Philharmonic program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. 2 NATIONAL PHILHARMONIC Welcome elcome to National Philharmonic’s Wwinter and spring concerts of 2020! Pianist Brian Ganz appears in February in his tenth National Philharmonic piano recital on his quest to perform the complete works of Fryderyk Chopin. February is also Black History Month. Grammy Award-winning violinist Melissa White, most recently featured on the soundtrack of Jordan Peele’s film, Us, joins the National Philharmonic for a concert of Black Classical Music Pioneers, featuring works by William Grant Still, Florence Price, Wynton Marsalis and Washington’s own, George Walker, the first African-American to win the Pulitzer Prize for music. National Philharmonic’s March presentation features two of the final three works of Wolfgang Amadeus Mozart: the Concerto for Clarinet and Orchestra with clarinetist Jon Mallin credit Jay Photo Manasse, and the Requiem, prominently featured in the Oscar-winning film Amadeus. -
59Th Press List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST Field 28 - Classical Category 81 Category 82 Best Classical Compendium Best Contemporary Classical Composition Award to the Artist(s) and to the Album Producer(s) and A Composer's Award. (For a contemporary classical composition Engineer(s) of over 51% playing time of the album, if other than composed within the last 25 years, and released for the first time the artist. during the Eligibility Year.) Award to the librettist, if applicable. 1. DAUGHERTY: TALES OF HEMINGWAY; 1. BATES: ANTHOLOGY OF FANTASTIC ZOOLOGY AMERICAN GOTHIC; ONCE UPON A CASTLE Mason Bates, composer (Riccardo Muti & Chicago Giancarlo Guerrero, conductor; Tim Handley, Symphony Orchestra) producer [CSO Resound] [Naxos] 2. DAUGHERTY: TALES OF HEMINGWAY 2. GESUALDO Michael Daugherty, composer (Zuill Bailey, Giancarlo Tõnu Kaljuste, conductor; Manfred Eicher, producer Guerrero & Nashville Symphony) [ECM New Series] Track from: Daugherty: Tales Of Hemingway; American Gothic; Once Upon A Castle 3. VAUGHAN WILLIAMS: DISCOVERIES [Naxos] Martyn Brabbins, conductor; Andrew Walton, producer 3. HIGDON: COLD MOUNTAIN [Albion Records] Jennifer Higdon, composer; Gene Scheer, librettist 4. WOLFGANG: PASSING THROUGH (Miguel Harth-Bedoya, Jay Hunter Morris, Emily Fons, Isabel Leonard, Nathan Gunn & The Santa Fe Opera) Judith Farmer & Gernot Wolfgang, producers; [Pentatone Music] (Various Artists) [Albany Records] 4. THEOFANIDIS: BASSOON CONCERTO 5. ZAPPA: 200 MOTELS - THE SUITES Christopher Theofanidis, composer (Martin Kuuskmann, Barry Jekowsky & Northwest Sinfonia) Esa-Pekka Salonen, conductor; Frank Filipetti & Gail Zappa, producers Track from: Bassoon Concertos - Theofanidis, Hummel, [Universal Music] Mozart [Estonian Record Productions] 5. WINGER: CONVERSATIONS WITH NIJINSKY C. F. Kip Winger, composer (Martin West & San Francisco Ballet Orchestra) Track from: Winger: Conversations With Nijinsky [VBI Classic Recordings] © The Recording Academy 2016 - all rights reserved 52 Not for copy or distribution 59th Finals - Press List. -
MICHAEL DAUGHERTY Tales of Hemingway American Gothic Once Upon a Castle
AMERICAN CLASSICS MICHAEL DAUGHERTY Tales of Hemingway American Gothic Once Upon a Castle Zuill Bailey, Cello Paul Jacobs, Organ Nashville Symphony Giancarlo Guerrero Michael Daugherty (b. 1954) I imagine Jake Barnes, his entourage (and Hemingway) in In 2012, I returned to Cedar Rapids to revisit the Tales of Hemingway • American Gothic • Once Upon a Castle Pamplona at the Fiesta, watching the running of the bulls small towns of Eastern Iowa. I drove along the back roads and reveling in the spectacle of the bullfights. We also and farms where my father grew up, and where Grant Tales of Hemingway (2015) for cello and orchestra was I. Big Two-Hearted River (1925, Seney, Michigan) hear musical illuminations of the novel’s enigmatic Wood found inspiration for the people and places commissioned by the Nashville Symphony and a In this story, Nick Adams is an emotionally scarred and epigraph, “the sun also ariseth, and the sun goeth down, captured in his art. All the while, I was collecting musical consortium consisting of the Asheville Symphony, El Paso disillusioned soldier from World War I who escapes to and hasteth to the place where he arose.” ideas and mental images to create an emotional Symphony Orchestra, Erie Philharmonic, Redwood northern Michigan for a camping/fishing trip to try to framework for my composition. Symphony and Virginia Symphony Orchestra. The world regain control of his life. I have composed serene and American Gothic (2013) for orchestra was commissioned première was given by the Nashville Symphony, passionate music that evokes a leitmotif in Hemingway’s by Orchestra Iowa, Timothy Hankewich, Music Director. -
Dosyayı İndir
1 2 MASUMİYET ZAMANI 1 Aralık 2016 Perşembe 20.00 İstanbul Lütfi Kırdar ICEC 3 MASUMİYET ZAMANI BORUSAN İSTANBUL FİLARMONİ ORKESTRASI GÜRER AYKAL şef ZUILL BAILEY viyolonsel KATE ROYAL soprano PROGRAM MICHAEL DAUGHTERTY [d. 1954] Hemingway Hikâyeleri, viyolonsel ve orkestra için I. İki Kalpli Büyük Nehir II. Çanlar Kimin İçin Çalıyor III. Yaşlı Adam ve Deniz IV. Güneş de Doğar ARA GUSTAV MAHLER [1860–1911] 4. Senfoni, Sol Majör I. Bedächtig, nicht eilen II. In gemächlicher Bewegung, ohne Hast III. Ruhevoll (Poco adagio) IV. Sehr behaglich. “Wir geniessen die Himmlischen Freuden” Ara dahil yaklaşık 105’ sürer. 4 THE TIME OF INNOCENCE BORUSAN ISTANBUL PHILHARMONIC ORCHESTRA GÜRER AYKAL conductor ZUILL BAILEY violoncello KATE ROYAL soprano PROGRAM MICHAEL DAUGHTERTY [b.1954] Tales of Hemingway for cello and orchestra I. Big Two-Hearted River II. For Whom the Bell Tolls III. The Old Man and the Sea IV. The Sun Also Rises INTERVAL GUSTAV MAHLER [1860–1911] Symphony No.4 in G Major I. Bedächtig, nicht eilen II. In gemächlicher Bewegung, ohne Hast III. Ruhevoll (Poco adagio) IV. Sehr behaglich. “Wir geniessen die Himmlischen Freuden” Lasts app. 105’ including interval. 5 BORUSAN İSTANBUL FİLARMONİ ORKESTRASI Türkiye’nin önde gelen senfonik Michel Camilo, Arcadi Volodos, Ayla Erduran, topluluklarından biri olan Borusan İstanbul Hüseyin Sermet, İdil Biret, Fazıl Say ve Juilliard Filarmoni Orkestrası’nın tarihi, Borusan Yaylı Çalgılar Dörtlüsü sayılabilir. BİFO ayrıca Holding’in kültür ve sanat alanındaki Igor Oistrakh, Krzysztof Penderecki, Emil girişimlerinin ilki olan Borusan Oda Tabakov, Pavel Kogan, James Judd, Alain Orkestrası’na dayanıyor. 1999’da Gürer Aykal Paris, Ion Marin, Justus Frantz, Joseph Wolfe, yönetiminde oluşturulan ve 2009’dan bu yana Andreas Schüller, Joseph Caballé-Domenech Avusturyalı sanat yönetmeni ve sürekli şefi yönetiminde de konserler verdi. -
University of Iowa Symphony Orchestra
Ensemble and Faculty Concert: 2019-10-30 -- University of Iowa Symphony Orchestra Audio Playlist Video Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF University of Iowa Symphony Orchestra Professor David E. Becker, Interim Director of Orchestral Studies SCHOOL OF All UISO students rotate part assignments and seating throughout the year VIOLIN 1 CELLO BASSOON MUSIC Allen, Nicole Airhart, Emily Hockett, Keegan (principal) Anderson, Amy Conroy, Eden Morales, Clara (cbsn) Barker, Lou Escalada, Alex Seguin, Shawn (cbsn) Harmon, Sarah Fruhling, Caleb Helmkamp, Amalia Gomez, Adrian HORN Hontilâ, Luciana (co-principal 2nd violin) Hansen, Sarah (principal) Hajek, Delaney Maddaleno, Megan Huang, Bennet Halbert, Katey (co-principal) McCourt, Madeline Kaut, Oskar Olson, Zoe Palazzolo, Joshua (concertmaster) Meikle, Lydia Tang, Yi-Hsun (co-principal) Staub, Ryan Richards, Eva TRUMPET Valencia, Caitlyn Steele, Brooke Wemmie, Sasha Buhr, Matt VIOLIN 2 Wibe, Dean Krist, Ciarra (co-principal) Bean, Bailee McCall, Claire Binosi, Eddie BASS Powell, Bryan (co-principal) Bonder, Anna Hilliard, Garrett (principal) Talukder, Kamal Johnson, Maddie Kundel, Lauren TROMBONE Leahy, Anna Montgomery, Tyler Li, Rachel Vance, Cescily Fjeldheim, Karissa Pinski, Hannah Whitford, Abigail Kelley, Tom (principal) Soemadi, Arielle Williams-Yee, Abigail Truax, Kiersten Thompson, Kendra Yager, Will TUBA Zerpa, Simon (co-principal) FLUTE Mercedes, David VIOLA Bardwell, Greg (co-principal) PERCUSSION Archambeau, Dominique Lampkin, Christian Anderson, Matthew Beaty, Marissa (co-principal piccolo) Cooke, Jilly Han, Donghee Mizzi, Paul Eisenstein, Yoni Hoherz, Anton (co-principal and piccolo) Lapage, Connor Lastra, Fernanda Smith, Trevor timpani Miller, Ruth OBOE Moses, Anna Doremus, Lexi (co-principal) HARP Rybarczyk, Daniela Sehmann, Jenna (co-principal) Pamela Weest-Carrasco Schenck, Jill Wallace, LaBarrin (Eng. -
'Tales of Hemingway' Orchestra Iowa Program Shines Light on Mental Illness, Through Artistry
In 'Tales of Hemingway' Orchestra Iowa program shines light on mental illness, through artistry Serendipity has waved its baton all over Orchestra Iowa’s upcoming “Tales of Hemingway” Masterworks concerts. Written centuries apart, a common thread of themes or artists touched by mental illness weaves through all four pieces being performed Saturday night (2/16) at the Paramount Theatre in Cedar Rapids and Sunday afternoon (2/17) at West High School in Iowa City. Two are contemporary works: Cedar Rapids native Michael Daugherty’s Grammy-winning “Tales of Hemingway” and Canadian composer Jocelyn Morlock’s Juno Award-winning “My Name is Amanda Todd,” written in response to a 15-year-old cyberbullying victim’s suicide in 2012. The program’s other two works are classics: Beethoven’s “Coriolan” Overture and Schumann’s Symphony No. 4. “Here’s where serendipity comes in,” Maestro Timothy Hankewich said. “There is a very powerful idea that unifies all of these composers and compositions. In each of these works, either the composer or subject they’re writing about experienced their own existential crisis. “In the case of Beethoven, he considered suicide while he was coming to grips with his deafness. With Hemingway, he succumbed to his lifelong struggle with bipolar disorder and substance abuse. Both Amanda Todd and Jocelyn Morlock grappled with depression. And Schumann ended his life in a private psychiatric institution.” Hankewich said the orchestra is partnering with Foundation 2 in Cedar Rapids, a nonprofit agency that operates a 24-hour crisis hotline, as well as crisis prevention and intervention services. In addition to having lobby displays during the concert, Executive Director Emily Blomme will join Hankewich onstage to discuss the topic. -
“Spirit of the West” Will Capture the Essence of Wyoming
Tempo Symphony Friends Newsletter 2019-20 Season - October 2019 “Spirit of the West” Will CSO AT-A-GLANCE Capture the Essence of Wyoming CSO on the RADIO The October 12th Cheyenne Symphony The final selection, Transcend by Concert, “Spirit of the West,” promis- Zhou Tian, was inspired by the com- TUNE IN throughout each concert es to be a memorable experience. It pletion of the transcontinental rail- week to listen to Maestro Intriligator includes a return appearance of cellist road 150 years ago, at Promontory talk about the upcoming concert Zuill Bailey performing Tales of Heming- Point, Utah. The driving of the gold AM 650 or www.KGAB.com! way, a concerto based on four books spike has special significance for by Hemingway. Also, two short classic Cheyenne, because our existence is LUNCH & LEARN pieces by Aaron Copland, and a work directly related to the construction of FRI., OCT. 11TH • 12:00 PM • FREE inspired by the 150th anniversary of the Transcontinental Railroad by the Join Intriligator and guest artist Zuill Bailey for a lunch time the completion of the Transcontinental Union Pacific. Railroad will be performed. lecture at the Laramie County Pubic After the concert, please join CSO at Library and learn about the Many communities are honoring the The Metropolitan at 1701 Carey Ave. upcoming concert. 120th anniversary of Ernest Heming- Mingle with the Maestro, musicians, way’s birth. It is very fitting that the and your fellow concert-goers while HEMINGWAY ROUND TABLE CSO celebrates this event because enjoying a selection of food and drink FRI., OCT. -
The Power of Two: Zuill Bailey and Yuliya Gorenman in Edmonton November 25, 2017 by Morgan Luethe Renowned American Cellist
The Power of Two: Zuill Bailey and Yuliya Gorenman in Edmonton November 25, 2017 By Morgan Luethe Renowned American cellist Zuill Bailey and Russian-born American pianist Yuliya Gorenman played to an enthusiastic audience at McDougall United Church, on the evening of November 25th. In a recital of diverse repertoire drawn from a range of international sources and contrasting time periods, these two professionals combined their formidable musical expertise to produce an experience that was both highly enjoyable and informative for listeners. First among the evening’s musical offerings was a work with a complicated history. Boccherini’s second Sonata for Cello and Continuo in C Major (G.6), a work of somewhat muddled authorship, was prefaced by Mr. Bailey for the enrichment of the audience’s understanding. While the piece bares the name of Boccherini as its composer, the version performed by the duo of Bailey and Gorenman was really the work of acclaimed 20th century cellist Gregor Piatigorsky. A reimagined transcript of the original work, this sonata was the cause of some confusion and dismay when it first appeared, suddenly, as a competition piece in the 1970’s. Effectively distilled through the minds of two of the cello’s great proponents Boccherini and Piatigorsky, the resulting work is one of refinement and charm, and of considerable technical demands for the cellist. Zuill Bailey and Yuliya Gorenman brought the piece off with ease and their sensitive interpretation reflected a deep insight and appreciation shared by both performers. While, like much of Boccherini’s output, the C Major sonata is largely unknown outside of specialized circles, hearing it played with such devotion and character made a case for more frequent appearances of it and other works of this composer. -
Baylor University School of Music by Contacting Jillian Gusukuma (Jill [email protected])
April 2017 Newsletter Volume 2, No. 4 From the Dean In the February E-Newsletter, I reported to you that the School of Music was going to screen the film Composed with director and producer John Beder in attendance. I am pleased to report that Composed provided an exceptional platform, for all in attendance, to engage in discussions on many crucial topics that will have a direct impact on quality-of-life issues as time progresses for them. One of the most important components of that evening was the panel discussion that allowed the audience to interact with a diverse group of counseling professionals and faculty that included John Beder, Lesley McAllister, Eric Wilson, Martha Lou Scott, and Elias Barghash (pictured left to right below). Dealing with stress, ability to focus, substance abuse, setting priorities, time management, interpersonal relationships, professional development, and the realistic pursuit of excellence are all issues that we should be thinking about as we seek to provide “life lessons” for our students. It is not about being perfect … rather it is about being an empathetic, well-rounded human being, contributing to the greater good through our collective passion for music. Composed helped those in attendance to think about priorities and allowed us to talk about the right things in the right ways. "Composed" panel discusses the film after the viewing I believe that we need to do more of this in higher education in today’s complex climate. Toward that end, we will be bringing Miranda George to campus to speak at our Fall Convocation on Tuesday, August 29, at 4:00 pm in Roxy Grove Hall.