DOCSLIB.ORG

Wind2011 Jury.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wind2011 Jury.Pdf 8thinternational competitiondavorin jenko belgrade2011 wind instruments TH 8 INTERNATIONAL JENKO DAVORIN COMPETITION EDJUNARODNO TAKMIčENJE "DAVORIN JENKO" JE U PROTEK- LIH SEDAM GOdiNA PRIVUKLO PAžNJU DOMaćE I STRANE mMUZIčKE JAVNOSTI SVOjiM PROFESIONALNIM, ALI OTVORENIM I FLEKSIBILNIM STAVOM PREMA MUZicI, NASTOJEćI DA POMIRI SUKOBE U TRAdiciONALNOM I MODERNOM PRISTUPU TAKMIčENJU MEDJU UMETNicIMA SVIH UZRASTA, šKOLSKE SPREME I INTERESOVANJA. VišE OD 4500 TAKMIčARA IZ SRBijE I INOSTRANSTVA (SLOVENijE, ITALijE, šVAjcARSKE, MAKEDONijE, BOSNE I HERCEGOVINE, HRVATSKE, AUSTRijE, FRANCUSKE, UKRAjiNE, MAD- JARSKE, CRNE GORE...) KOji SU TOKOM PRETHODNIH GOdiNA UčESTVOVALI NA TAKMIčENJU, STRUčNI žIRI SASTAVLJEN OD VRSNIH PEDAGOGA I IZVODJačA IZ ZEMLJE I INOSTRANSTVA (NEMačKE, ENGLESKE, KiNE, AUSTRijE, UKRAjiNE, SLOVENijE, šPANijE, VELIKE BRITANijE…), GOSTOPRIMLjiVOST DOMaćINA I SPEciFIčAN NačIN NAGRADJIVANJA, GOVORE U PRILOG ORGANIZACIJI I SADRžAJU TAKMIčENJA. KVALITETNI USLOVI KOJE ORGANIZATOR POSEDUJE I PRUžA POSETIOciMA I TAKMIčARIMA GARANTUJU PRijATAN BORAVAK U JED- NOM OD NAJLEPšIH GRADOVA OVOG DELA EVROPE. IDEJA ORGANIZATORA OD SAMOG POčETKA BILA JE DA TAKMIčENJE BUDE NEZABORAVAN I SADRžAJAN UMETNIčKI I DRUšTVENI DOžIVLJAJ. THE LAST SEVEN YEARS, THE INTERNATIONAL COMPETITION ‘DAVORIN JENKO’ HAS ATTRACTED THE ATTENTION OF BOTH in SERBIAN AND FOREIGN MUSicAL POPULATION WITH ITS TRAdiTIONAL, YET OPEN ATTEMPT TO RECONciLE THE CLASHES BETWEEN THE AND FLEXIBLE ATTITUDE TOWARDS MUSic AND ITS TRAdiTIONAL AND MODERN APPROACH WITH THE APPEARANCE OF ARTISTS OF ALL AGES, EDUCATION AND INTERESTS. MORE THAN 4500 COMPETITORS FROM SERBIA AND ABROAD (SLO- VENIA, ITALY, SWITZERLAND, MACEDONIA, BOSNIA, CROATIA, AUSTRIA, FRANCE, UKRAINE, HUNGARY, MONTENEGRO AND OTHER COUNTRIES) THAT TOOK PART IN THE COMPETITION DURING THE LAST FIVE YEARS, THE JURY OF EXPERTS MADE UP OF diSTINGUISHED PEDAGOGUES AND PERFORMERS FROM SERBIA AND ABROAD (GERMANY, ENGLAND, CHINA, AUSTRIA, UKRAINE, SLOVENIA, SPAIN, GREAT BRITAIN…), THE WELCOMING ATTITUDE OF THE HOSTS AND THE SPEciFic MAN- NER OF AWARdiNG SPEAK HIGHLY OF THE ORGANISATION AND CONTENT OF THIS COMPETITION. THE QUALITY OF CONdiTIONS THE ORGANISERS PROVidE FOR THE VISITORS AND COMPETITORS GUARANTEE A PLEASANT STAY IN ONE OF THE MOST BEAUTIFUL ciTIES IN THIS PART OF EUROPE. IT WAS THE ORGANISERS’ INTENTION FROM THE VERY BEGINNING TO MAKE THIS COMPETITION AN UNFORGETTABLE AND COMPREHENSIVE ARTISTic AND SOciAL EXPERIENCE. wind duvacki- instrumenti truba trumpet TIBOR KEREKeš SLOVENIA MARIN ZOKić CROATIA ENDRE TOTH GERMANY MILorad Pejčić SERBIA horna, trombon, tuba horne,trombone, tube JASNA PETROvić SERBIA ENDRE TOTH GERMANY BRANISLAV AKSIN SERBIA VÁGÓ JÁNOS HUNGARY saksofon, oboa, fagot saxophone, oboe, bassoon LEV PUPIS SLOVENIA MIRKO ISAESKI SERBIA GORAN MARINKOvić SERBIA DRAGAN LAZić SERBIA all categories TH 8 INTERNATIONAL WIND C O M kamerni P E T I T ansambli JEN ION DAVORIN chamber ensembles VÁGÓ JÁNOS HUNGARY Nenad Mirić SERBIA K GORAN MARINKOvić SERBIA Ljubiša JOVANOvić SERBIA O IVAN Jelić SERBIA VLADISLAV STajević SERBIA ŽeljKO VLAHO CROATIA BRANISLAV GAGić SERBIA flute c JUnior d a b c e MELANIJa GradečaK CROATIA LJUBIŠA JOVANOVIĆ SERBIA MIOMIR SIMONOvić SERBIA DEJAN GAVRIĆ GERMANY SANJA TRAJKOvić SERBIA BETI STANKOVSKA MACEDONIA ALEKSANDar Đurić SERBIA KAROLJ MAROčiK SERBIA LAURA LEVAI AKSIN SERBIA MIOMIR SIMONOvić SERBIA clarinet klarinet ANTE GRGIN SERBIA SLAVKO KOVAčič SLOVENIA ALEKSANDAR TASić SERBIA Ljubiša JOVANOvić SERBIA TIBOR KEREKeš Rođen je u Subotici. Trubu je počeo svirati sa devet godina. Predavalo mu je više učitelja, a zanimljivo je da niti jedan nije bio trubač: Zilih i Kočmar su bili hornisti, Tokodi trombonista. Uprkos tome, osvajao je prve nagrade na takmičenjima u bivšoj Jugo- slaviji kao učenik muzičke škole Subotica. Godine 1987. se upisao na muzičku akademiju u Ljubljani kod legendarnog profesora Antona Grčara, koji mu je otkrio sve tajne sviranja na trubi. Diplomirao je 1992. , a postidiplomske studije završava u klasi istog profesora 1994. godine. Usavršavao se na seminaru u Greiskirchenu kod Pierre Thibaud-a i u Budimpešti kod Gyergy Geiger-a. Pobednik je Međunarodnog takmičenja mladih umetnika u Zagrebu (1988). Kao student je dobio Prešernovu nagradu. Od 1988. je stalni član Slovenske filharmonije. Aktivan je i na pedagoškom području kao redovni profesor Muzičke akademije u Ljubljani sa svojom klasom studenata trube i kao pedagog kamerne muzike. Nastupa kao solista i u različitim kamernim sastavima. Sudelovao je sa puno priznatih umetnika (Branimir Slokar, Stanko Arnold, Anton Grčar, Philipe Jones, Vinko Globokar, Irena Grafenauer) i dirigentima (Carlos Kleiber, Riccardo Muti, Zubin Mehta, Jurij Simonov). Izdao je dva solo CD-a: "Glasbeni utrinki baroka" i "Koncerti za trubu XX veka". 6 TH 8 INTERNATIONAL WIND C O M P E T I T ION DA VORIN JEN VORIN K O Was born in Subotica. He started playing the trumpet when he was nine. He had a number of teachers, interestingly enough, none of whom was a trumpeter: Zilih and Kočmar were horn play- ers, and Tokodi a trombonist. In spite of this, he won first prizes in competitions in former Yugoslavia as a student of music school in Subotica. In 1987 he went to the Academy of Music in Ljubljana with the legendary professor Anton Grčar, who revealed to him the secrets of trumpet-playing. He graduated in 1992 and finished post-graduate studies in the class of the same Professor in 1994. He perfected his talents in seminars in Greiskirchen with Pierre Thibaud and in Budapest with Gyergy Geiger. He is the winner of the International Competition of Young Artists in Zagreb (1988). As a student he won the Prešern Award. Starting from 1988 he is a full member of the Slovenian Philharmonic Orchestra. He is also active in teaching as a professor of the Academy of Music in Ljubljana with his class of trumpet students and as a pedagogue of chamber music. He also performs as a soloist with numer- ous chamber ensembles. He has collaborated with a number of well-known artists (Branimir Slokar, Stanko Arnold, Anton Grčar, Philipe Jones, Vinko Globokar, Irena Grafenauer) and conductors (Carlos Kleiber, Riccardo Muti, Zubin Mehta, Jurij Simonov). He released two solo CDs: Glasbeni utrinki baroka and 20th Century Trumpet Concertos. 7 TH 8 INTERNATIONAL WIND C ANTE GRGIN O M P E T I T ION DA VORIN JEN VORIN Diplomirao i magistrirao na Muzičkoj akademiji u Beogradu, u klasi klarineta čuvenog profesora Bruna Bruna. K Još kao student postiže zapažene rezultate na uglednim internacionalnim konkursima u Ženevi, Minhenu i O Pragu, kao i na Međunarodnom takmičenju Jeunesses Musicales u Beogradu 1970, gde osvaja drugu nagradu. Gotovo tri i po decenije Ante Grgin deluje u našoj muzičkoj javnosti kao istaknuti koncertant, kamerni muzičar, solista i prvi klarinet Beogradske filharmonije od 1975. godine do danas. Nastupao je sa mnogobrojnim orkestri- ma u zemlji i inostranstvu (Švajcarska, Francuska, Italija, Mađarska, Čehoslovačka, Rusija, Belorusija, Kina) a kao solista i kamerni muzičar svirao na festivalima BEMUS, Mokranjčevi dani, Mermer i zvuci... Član je "Ansambla za novi muziku". Uporedo sa ovim delatnostima, predstavlja se i kao stvaralac, iskazujući se kao kompozitor u de- lima posvećenim klaviru, violini, violi, flauti, klarinetu. oboi, fagotu, trubi, horni... U njegovim delima preovađuje sklonost prema slobodnoj formi, stilskim obrascima simfoniziranog džeza, evergrin harmonijama, folklornoj ritmici balkanskog tla i naglašena melodioznost kao sastavni deo prirode instrumenata kome se u potpunosti posvetio. Među brojnim izvođačima njegogovih kompozicija naleze se i umetnici svetske reputacije, kao što su Irena Grafenauer i Mate Bekavac. Bavi se pedagoškim radom kao redovan profesor klarineta na Fakultetu muzičke umetnosti u Beogradu. Dobitnik je brojnih nagrada i priznanja, među kojima se izdvajaju nagrada Dositej Obradović, Spomen plaketa grada Beograda, Zlatna medalja Beogradske filharmonije povodom 75. godišnjice rada ove institucije, Srebrna medalja Univerziteta umetnosti, kao i nagrada UMUS-a. Completed his undergraduate and graduate studies at the Belgrade Academy of Music, under the tuition of renowned professor Bruno Brun. Even as a student he had remarkable achievements at various prestigious international open competitions in Geneve, Munich and Prague as well as the Second Prize at the Jeunesses Musicales International Competition in Belgrade (1970). For almost three and a half decades Ante Grgin has performed in as a concert-player, chamber musician, soloist and the principal clarinetist of the Belgrade Philharmonic Orchestra from 1975 to this day. He has played with numerous orchestras in the country and abroad (France, Switzerland, Italy, Hungary, Czechoslova- kia, Russia, Belarus, China etc.) and as a soloist took part in various festivals, such as: BEMUS, The Days of Mokranjac, Marble Sounds and others. He is also a member of the New Music Ensemble. Parallel with this work he also proved himself as a composer. He has composed a number of pieces for piano, violin, viola, flute, clarinet, oboe, bassoon, trumpet, horn. His compositions are characterized by tendency towards free forms, style models of jazzed symphony, evergreen harmonies, Balkan folklore rhythms and highly emphasized melodic as a part of instrument nature to which Grgin has dedicated his performing and creative work. Among numerous artists who have performed his composi- tions we can find world-renowned names, such as: Irena Grafenauer and Mate Bekavac. Grgin is a full-time
Load more

Recommended publications
  • Martina Filjak – Biography
    Martina Filjak – biography ”Martina Filjak revealed herself to be a premium class pianist'' Süddeutsche Zeitung “' Brilliant , sensitive and imaginative playing with resourcefulness of technique and naturalness of musicality ...a striking individuality ...a pianist to watch'' The New York Times One of the most exciting artists to emerge in recent years, Martina Filjak is garnering international praise for her poetic passion and technical mastery at the keyboard as well as for her charismatic personality and magnetic stage presence. Martina Filjak came to international attention by winning the Gold Medal, the 1st prize and the Beethoven prize at the Cleveland International Piano Competition in 2009, which brought her numerous engagements in the United States and internationally. Prior to that, she won 1st prizes at the Maria Canals Piano Competition (Barcelona) and the Viotti Piano Competition (Vercelli), and was a laureate at the Busoni Piano Competition. The 18-19 season kicked off with a performance of the 2nd Piano Concerto by Brahms alongside the Staatskapelle Halle at the Music Festival in Chorin, Germany and continues with a series of concerto performances that include collaborations with Orquesta Filarmónica de Bogotá and Diego Naser, the New West Symphony and Fawzi Haimor, the Norddeutsche Philharmonie Rostock and Nicholas Milton, the Colorado Springs Philharmonic and Josep Caballé Domenech, the Filarmònica de Málaga and Guillermo Garcia Calvo, the Capella Aquileia and Paul Goodwin, the Orquesta Filarmónica de Buenos Aires at the Teatro Colon and Manuel Hernández Silva, the Torino Philharmonic and the Zagreb Soloists, various chamber music performances as well as a recital tour in Latin America. Martina Filjak’s latest CD has been released in 2016 on Solo Musica (distributed by Sony Music) with works by Bach, Schumann and Scriabin.
    [Show full text]
  • James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
    James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H.
    [Show full text]
  • R a I R a D I O 5 C L a S S I C a Domenica 05. 03. 2017
    RAI RADIO5 CLASSICA sito web: www.radio5.rai.it e-mail: [email protected] SMS: 347 0142371 televideo pag. 539 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto DOMENICA 05. 03. 2017 00:00 EUROCLASSIC NOTTURNO: mantzaros, nicolaos (1795-1872): sinfonia di genere orientale - [9.28] - orch sinf nazionale della radio greca dir. andreas pylarinos (reg. 11/06/2005) - enescu, george (1881-1955): konzertstück per vla e pf - [8.53] - gyözö máté, vla; balázs szokolay, pf - duruflé, maurice (1902-1986): quatre motets sur des thèmes grégoriens op. 10 - [7.58] - tallinn music high school chamber choir dir. evi eespere - wagenseil, georg christoph (1715-1777): concerto in mi bem mag per trbne e orch - [9.37] - warwick tyrrell, trbne; adelaide symphony orch dir. nicholas braithwaite - scriabin, alexander (1872-1915): preludio e notturno per la mano sinistra op. 9 - [10.17] - martina filjak, pf - ciajkovskij, piotr (1840-1893): marcia slava in si bem min op. 31 - [9.36] - BBC philharmonic orch dir. rumon gamba (reg. hanley, 11/03/1999) - brahms, johannes (1833-1897): trio per pf e archi n. 3 in do min op. 101 - [17.46] - tamas major, vl; peter szabo, vcl; zoltán kocsis, pf - schubert, franz (1797-1828): fantasia in do mag per pf (D 760) "wanderer" - [21.27] - paul lewis, pf (reg. bath, 28/05/1998) - grieg, edvard (1843-1907): dai tempi di holberg, suite op. 40 - [20.02] - bergen philharmonic orch dir. andrew litton 02:00 Il ritornello: riproposti per voi i programmi trasmessi ieri sera dalle ore 20:00 alle ore 24:00 06:00 ALMANACCO IN MUSICA: georg friedrich haendel: concerto in si bem mag per org orch e b.
    [Show full text]
  • 2008 Convention Program Book
    F6 Flute,HighWinds 36th Annual National Flute Association Convention August 7-10,2008 Kansas City, MO 2 nfaonline.org JIM WALKER DEPENDS ON YAMAHA. Congratulations on receiving the National Flute Association Lifetime Achievement Award ©2008 Yamaha Corporation of America. All rights reserved. www.yamaha.com nfaonline.org 3 2 Shaker Road #D107 · Shirley, MA 01464 USA www.burkart.com See us at booths 209 & 211 4 nfaonline.org Welcome to Kansas City, F6 Flute—High Winds!— the 36th annual convention of the National Flute Association our officers, board of directors, CEO Phyllis YPemberton, and her staff welcome you and are delighted that you are here. We look forward to greeting each of you! We are grateful to program chair Jonathan Patti Adams Keeble, who has spent the past two years creating this high-energy whirlwind of events for all of us to enjoy. His imaginative planning, organizational skills, and great humor through it all have been wondrous to behold. We thank him, the local volunteer committee in Kansas City, and all of the NFA’s innumerable and indefatigable volunteer committees who, with their remarkable work throughout the year, have made this convention possible. Have you ever experienced the exhibit hall at our conventions? It is an amazing F6 vortex of sights and sounds, with displays from the world’s finest flute manufacturers, music publishers, and innovators. These exhibitors are showcasing for you the latest technological marvels of our industry, and we are grateful to each of them for their participation. In the exhibit hall, you’ll also find my N’Awlins neighbors, exhibits manager extraordinaire, Jim Magee, and his assistant, Patti McCleney.
    [Show full text]
  • FROM the MUSIC DEPARTMENT of the NIŠ NATIONAL THEATER to the NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš)
    FACTA UNIVERSITATIS Series: Visual Arts and Music Vol. 6, No 1, 2020, pp. 19 - 32 https://doi.org/10.22190/FUVAM2001019C Original scientific paper ORCHESTRAL PRACTICE IN NIŠ AFTER THE SECOND WORLD WAR – FROM THE MUSIC DEPARTMENT OF THE NIŠ NATIONAL THEATER TO THE NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš) Sonja Cvetković University of Niš, Faculty of Arts in Niš, Republic of Serbia Abstract. The paper deals with the founding of a professional orchestral practice in Niš, and its beginnings that are related to the 1950s and 1960s. The research, conducted with the aim of considering the cultural and artistic contribution of the symphony orchestra, as an institution, to the dynamics of the musical life in Niš is based on local press insights and available archival material. Frequent changes in the organizational structure, financial and personnel problems, artistic rises and falls, polemical tones of the cultural public that followed the establishing of the orchestral practice in Niš after the Second World War testify to the dynamic atmosphere during the first decade of existence and artistic work of symphony orchestras that were predecessors of the Niš Symphony Orchestra, which until the mid-1960s was the only symphony orchestra ensemble in Serbia besides the Belgrade Philharmonic Orchestra. Key words: Niš, concert orchestral practice, Music Department of the Niš National Theater, Niš Philharmonic Orchestra, City Symphony Orchestra INTRODUCTION Concert orchestral activity is a very important factor in the structure of the entire musical life of a community. Considering its continuity/discontinuity, professional engagement, and the institutional organization one can point not only to musical but also to many other aspects – ideological, cultural, economic – that have marked a certain historical period.
    [Show full text]
  • Träum Weiter Vom Orchester Der Zukunft
    1 7. DEUTSCHER ORCHESTERTAG 3. UND 4. NOVEMBER 2019 Umweltforum Berlin Auferstehungskirche TRÄUM WEITER VOM ORCHESTER DER ZUKUNFT. Gefördert von: VORWORT WILLKOMMEN BEIM DOT 2019 Wir begrüßen Sie herzlich zum 17. Deutschen Orchestertag 2019! Im vergangenen Jahr haben wir den zweiten Tag unserer Konferenz zum ersten Mal für Orchestermusiker*innen geöffnet, damit der Orchestertag zu einem Forum für Aus­ tausch, Dialog und dem besseren gegenseitigen Verstehen für Management und Musiker wird. Das konstruktive und positive Feedback bestätigt uns darin, diesen Prozess in diesem Jahr fortzuführen. Neben praktischen Aspekten der Digitalisierung wie etwa Apps und Technik, die das Konzerterlebnis bereichern, und den Chancen von digitalem Noten­ material für den gesamten Theater­ oder Orchesterbetrieb legen wir einen deutlichen Schwerpunkt auf die Fragestellung: Was ist das Orchester der Zukunft? Was ist die Zukunft der Orchester? Gemeinsam mit dem Dirigenten Iván Fischer, Mitgliedern der Jungen Deutschen Philharmonie und anderen Impulsgebern möchten wir überlegen, wie ein Orchester aussehen könnte, das (noch) nicht den Zwängen des Arbeitsalltags und unseren verfestigten Vorstellungen von Orchesterleben unterworfen ist. Am Sonntag werden wir uns wie üblich der Fortbildung widmen. Mit unserem bewährten Premiumpartner der Mannheimer Versicherung haben wir für die gleich­ namige Akademie erneut ein Programm zusammengestellt, das wertvolle Impulse für den Orchestermanagement­Alltag zu den Themen New Work und Agiles Management gibt. Wir freuen uns auf
    [Show full text]
  • ISSN 1661-8211 | 112. Jahrgang | 31. August 2012
    2012/16 ISSN 1661-8211 | 112. Jahrgang | 31. August 2012 Redaktion und Herausgeberin: Schweizerische Nationalbibliothek NB, Hallwylstrasse 15, CH-3003 Bern Erscheinungsweise: halbmonatlich, am 15. und 30. jeden Monats ISSN 1661-8211 © Schweizerische Nationalbibliothek NB, CH-3003 Bern. Alle Rechte vorbehalten 782.1 Das Schweizer Buch 2012/16 782.4 Weltliche Vokalformen 782 Vokalmusik Formes de musique profane Forme vocali profane Musique vocale Furmas vocalas profanas Musica vocale Secular vocal forms Musica vocala 12–7 NB 001675399 Vocal music 100 Spielpartituren zum Liederbuch "100 x singen" [Musikdruck] : für alle Arten Instrumente : Streich-, Blas- und Tasteninstrumente, Gitarre, Orff-Instrumente / [Hrsg.:] Hansjörg Brugger. – Zofingen : "Aargauer Spielbuch", H. Brugger, cop. 2005. – 112 S. ; 30 cm Liedtexte in verschiedenen Sprachen 782.1 Dramatische Vokalformen, Opern Formes dramatiques de musique vocale, opéras 12–8 NB 001656607 Forme vocali drammatiche, opere Bächinger, Gabriela. – Chumm i miini Wält [Musikdruck] : 18 Furmas vocalas dramaticas, operas neui Chinderlieder / Gabriela Bächinger. – [Bremgarten AG Dramatic vocal forms, operas (Itenhardstr. 58)] : bmusic, cop. 2011. – 20 S. : Ill. ; 30 cm + 1 Compact Disc (12 cm) 12–1 NB 001654313 Ein- und zweistimmige Lieder mit Bezifferung für Begleitinstrument. – ISBN Furrer, Beat, 1954-. – Fama [Musikdruck] : Hörtheater für grosses 978–303–303–1326 (Liederbuch). ISBN 978–303–303–1319 (CD) Ensemble, acht Stimmen und Schauspielerin : 2004-2005 / Beat Furrer. – Partitur. – Kassel ; Basel [etc.] : Bärenreiter-Verlag, cop. 12–9 NB 001656985 2005. – 1 Partitur (216 S.) ; 42 cm Bächinger, Gabriela. – Sing im Advänt! [Musikdruck] : 19 Kin- derlieder / von Gabriela Bächinger ; Rahmengeschichte von Heinz "Auftragskomposition für die Donaueschinger Musiktage 2005". – "Leihmate- rial". – BA 7770 Bärenreiter-Verlag Lüthi. – [Küsnacht (Krummackerstr.
    [Show full text]
  • Гoсtoвaњa У Инoсtрaнсtву
    GUEST APPEARANCES ABROAD FROM 1937 TO TODAY 1937 (27 Oct) – Bulgaria (Sofia) – 1 concert Conductor: Lovro Matačić Soloist: Božidar Kunc (piano) Programme: K. Baranović – Striženo-košeno, overture V. Vučković – Symphony J. Gotovac – Orači; Symphonic Kolo P. Konjović – Chestnut Wood, from the opera Koštana B. Kunc – Piano concerto in B minor S. Nastasijević – Sabor L. M. Škerjanc – Suite for string quartet and string orchestra 1941 (10 Mar) – Hungary (Budapest) – 1 concert Conductor: Lovro Matačić Soloist: Zlatko Topolski (violin) Programme: B. Bartok – A Portrait W. A. Mozart – Symphony No. 40 in G minor S. Hristić – The Legend of Ohrid, two dances P. Tchaikovsky – Symphony No. 6 in B minor, Pathétique 1952 (25–30 Jul) – Greece (Athens) – 6 concerts Conductors: Živojin Zdravković and Theodore Vavayiannis Programme: H. Berlioz – Roman Carnival, Overture L. van Beethoven – Egmont, Overture Leonore Overture No.3 Symphony No. 4 in B flat major Symphony No. 5 in C minor J. Brahms – Symphony No. 4 in E minor R. Wagner – Tristan and Isolde, Prelude and Isolde's Love Death J. Gotovac – Symphonic Kolo A. Dvorak – Symphony No. 9 in E minor, From the New World P. Konjović – Symphonic Triptych from the opera Koštana B. Smetana – Vltava, from My Homeland S. Hristić – The Legend of Ohrid, suite R. Strauss – Don Juan, symphonic poem F. Schubert – Symphony No. 8 in B minor, Unfinished S. Šulek – Symphony No. 2, Eroica 1955 (29 May – 16 Jun) – Lebanon (Beirut) – 7 concerts Egypt (Cairo, Alexandria) – 7+1 concerts Conductors: Krešimir Baranović and Živojin Zdravković Soloists: Ivo Maček (piano), Branko Pajević and Ljudevit Pap (violin) Programme: ? 1956 (6–15 Oct) – Romania (Bucharest, Brasov, Arad, Sibiu, Timisoara, Iasi, Craiova) – 7 concerts Conductors: Krešimir Baranović and Živojin Zdravković Programme: K.
    [Show full text]
  • Bruno Brun – Rodonačelnik Beogradske Škole Klarineta
    Miloš Brun UDK: 78.071.1:929 Brun B. OŠ „Radojka Lakić“ Prilog biografiji Beograd, Srbija [email protected] Bruno Brun – rodonačelnik beogradske škole klarineta Sažetak Profesor Bruno Brun rodonačelnik je tzv. beogradske škole klarineta, čiji su izdanci najpoznatiji izvođači i nastavnici sa prostora bivših jugoslovenskih republika. Iako iz siromašne rudarske porodice, ovaj rođeni pedagog uspeo je da uz svakodnevno stručno usavršavanje, posvećenost voljenom instrumentu i predanost svojim učenicima dosegne nivo najvišeg društvenog uvažavanja. Kao član mnogobrojnih orkestara pre, tokom i nakon Drugog svetskog rata, ali i kao solista i član manjih muzičkih sastava, svoju umešnost na klarinetu iskazivao je i na koncertnim nastupima širom sveta. Svoj talenat iskazao je i kroz komponovanje, zatim sastavljajući udžbenike za polaznike škola klarineta, ali se naročito istakao i kao borac za bolje uslove života i rada kulturnih radnika Srbije, te je otuda i nagrađen Sedmojulskom nagradom. Ključne reči: Bruno Brun, klarinetista, profesor, kompozitor Bruno Brun je rođen 14. avgusta 1910. godine u Hrastniku (Slo- venija), u porodici kolonista koja je, kao i većina u tom rudarskom mestu, doseljena u prvoj polovini 19. veka iz Tirola. Kao jedno od devetoro dece rudara Hermana i domaćice Eme, Bruno je pod uti- cajem sestre Marije veoma rano zavoleo violinu, a na savet starijeg brata Jožeta, inače fagotiste, krenuo je „trbuhom za kruhom“, ali i za svojim snovima, u daleki Vršac. Još kao nebrijani pubertetlija (tj. sa 13 godina) upisao se u Vojnu muzičku školu i započeo školovanje i na klarinetu. Ubrzo će odlučiti da upravo taj duvački instrument bude njegovo životno opredeljenje (Šotra 1967, 4). Nakon trogodi- šnjeg školovanja, budući da je bio jedan od darovitijih đaka, dobio je 231 SLOVENIKA IV 2018 priliku da radi kao pomoćnik nastavnika klarineta1 i na taj je način stekao i svoja prva iskustva iz oblasti muzičke pedagogije.
    [Show full text]
  • Bitstream 33844.Pdf (1.560Mb)
    Časopis za kulturu, nauku i obrazovanje Časopis za kulturo, znanost in izobraževanje Beograd 2018. Časopis za kulturu, nauku i obrazovanje / Časopis za kulturo, znanost in izobraževanje IV (2018) ISSN: 2466-555X ISSN: 2466-2852 (Online) Izdavač / Založnik Univerzitet u Beogradu, Filološki fakultet / Univerza v Beogradu, Filološka fakulteta i/in Nacionalni savet slovenačke nacionalne manjine u Republici Srbiji / Nacionalni svet slovenske narodne manjšine v Republiki Srbiji Za izdavača / Za založbo Prof. dr Ljiljana Marković Saša Verbič Adresa izdavača / Naslov uredništva Terazije 3/IX, 11000 Beograd tel +381 (0)11 33 40 845 e-mail: [email protected] www.slovenci.rs Lektura i korektura / Lektoriranje in korektura Sofija Miloradović (srpski), Milica Ševkušić (engleski), Tanja Tomazin (slovenački) Dizajn korica i teksture / Oblikovanje naslovnice in teksture Marija Vauda Grafičko oblikovanje / Grafično oblikovanje Jasmina Pucarević Tiraž / Naklada 300 Štampa / Tisk SGC Beograd Štampanje publikacije finansirano je iz sredstava Ministarstva kulture i informisanja Republike Srbije i Nacionalnog saveta slovenačke nacionalne manjine u Republici Srbiji / Tiskanje publikacije je financirano iz sredstev Ministrstva kulture in informiranja Republike Srbije in Nacionalnega sveta slovenske narodne manjšine v Republiki Srbiji. Glavni i odgovorni urednici / Glavni in odgovorni urednici Prof. dr Maja Đukanović (Univerzitet u Beogradu, Filološki fakultet, Srbija) i/in Biljana Milenković-Vuković (Etnografski institut SANU, Beograd, Srbija) Međunarodna redakcija / Mednarodni uredniški odbor Dr. Tatjana Balažic Bulc (Univerza v Ljubljani, Filozofska fakulteta, Slovenija), M.A. Dejan Georgiev (Univerza v Ljubljani, Filozofska fakulteta, Slovenija), dr. Cvetka Hedžet Tóth (Univerza v Ljubljani, Filozofskaf akulteta, Slovenija), prof. dr Borko Kovačević (Univerzitet u Beogradu, Filološki fakultet, Srbija), Silvija Krejaković (Muzej grada Beograda – Zavičajni muzej Zemun, Srbija), prof.
    [Show full text]
  • Instructions for Authors
    Journal of Science and Arts Supplement at No. 2(13), pp. 157-161, 2010 THE CLARINET IN THE CHAMBER MUSIC OF THE 20TH CENTURY FELIX CONSTANTIN GOLDBACH Valahia University of Targoviste, Faculty of Science and Arts, Arts Department, 130024, Targoviste, Romania Abstract. The beginning of the 20th century lay under the sign of the economic crises, caused by the great World Wars. Along with them came state reorganizations and political divisions. The most cruel realism, of the unimaginable disasters, culminating with the nuclear bombs, replaced, to a significant extent, the European romanticism and affected the cultural environment, modifying viewpoints, ideals, spiritual and philosophical values, artistic domains. The art of the sounds developed, being supported as well by the multiple possibilities of recording and world distribution, generated by the inventions of this epoch, an excessively technical one, the most important ones being the cinema, the radio, the television and the recordings – electronic or on tape – of the creations and interpretations. Keywords: chamber music of the 20th century, musical styles, cultural tradition. 1. INTRODUCTION Despite all the vicissitudes, music continued to ennoble the human souls. The study of the instruments’ construction features, of the concert halls, the investigation of the sound and the quality of the recordings supported the formation of a series of high-quality performers and the attainment of high performance levels. The international contests organized on instruments led to a selection of the values of the interpretative art. So, the exceptional professional players are no longer rarities. 2. DISCUSSIONS The economic development of the United States of America after the two World Wars, the cultural continuity in countries with tradition, such as England and France, the fast restoration of the West European states, including Germany, represented conditions that allowed the flourishing of musical education.
    [Show full text]
  • 2006-2007 Dean's Showcase No. 3
    LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM ::_/- I 1 · ~ Dean's Showcase Dr. Jon Robertson, Thursday, December 7, 2006 at 7:30p.m. Dean ~a~· Amamick-Goldstein Concert Hall Welcome to the 2006-2007 season. The talented . Lynn University, Boca Raton musicians and extraordinary performing faculty at Sponsored by Northern Trust Lynn represent the future of the performing arts, and you, the patrons, pave the road to their artistic suc­ cess through your presence and generosity. This com­ munity engagement is in keeping with the Conservatory of Music's mission: to provide high­ Sonata in E Minor for Cello and Piano, op.38 Johannes Brahms quality professional performance education for gifted Allegro non troppo young musicians and set a superior standard for Allegretto quasi Menuetto music performance worldwide. Allegro THE ANNUAL FUND Oksana Rusina, cello A gift to the Annual Fund can be designated for Oliver Salonga, piano scholarships, various studios, special concerts or to the General Conservatory Fund. Richard Strauss ADOPT-A-STUDE NT Hom Concerto no.2 You may select from the conservatory's promising Allegro moderato young musicians and provide for his or her future Andante con moto through the Conservatory Scholarship Fund . You Allegro molto will enjoy the concert even more when your student performs. A gift of $25,000 adopts a student for Brad Tatum, French hom one year. A gift of $100,000 pays for an education. Yang Shen, piano ESTATE GIFT An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift of appreciated stock, real estate or cash.
    [Show full text]