International Art Exhibitions 2018.08
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Liste Der Ausstellungen.Pages
! TRÖKES-ARCHIV Ausstellungen 2010 Ausstellungsbeteiligungen ♦ Heiterer Abend - Heinz Trökes, anklicken Ölbilder und Aquarelle. Essen Galerie Heimeshoff Einzelausstellungen 2009 ♦ Heinz Trökes - Ölbilder und Aquarelle. Bernried/Starnberger See, Galerie 2017 Marschall ♦ Heinz Trökes. Surrealismus in Berlin. 1945-1950, Berlin, Galerie Derdaberlin 2008 (Kat.) ♦ Heinz Trökes - Ölbilder und Aquarelle 1950-1993 Ahlen. Fritz-Winter-Haus 2015 - 2016 ♦ Heinz Trökes - Ölbilder und Aquarelle ♦ Heinz Trökes, frühe Arbeiten. 1950-1993. Gießen, Oberhessisches Zürich, Galerie Orlando (Kat.) Museum, Altes Schloss 2013 2007 ♦ ELDORADO. Heinz Trökes zum ♦ Heinz Trökes - Ein Lebenswerk 100. Geburtstag. Duisburg, Lehmbruck 1913-1997. Berlin-Westend, DRK Museum Kliniken ♦ Heinz Trökes - die frühen Jahre. ♦ Heinz Trökes - Ausgewählte Ölbilder Essen, Galerie Heimeshoff aus den 70er und 80er Jahren. Bremen, ♦ Heinz Trökes zum 100. Aquarelle aus Galerie Rolf Ohse fünf Jahrzehnten. Hamm, Galerie Kley ♦ Möglichkeiten auf Blau - Heinz Trökes 2005 (1913-1997) zum 100. Geburtstag: Die ♦ Heinz Trökes, Bilder, Aquarelle, Aquarelle. Lindenau-Museum Altenburg Zeichnungen. Frankfurt/M., Galerie ♦ Heinz Trökes - Am Mondfenster. Rothe Weimar, Galerie Profil ♦ Heinz Trökes - die frühen Jahre. 2003 - 2004 Weimar, Haus am Horn ♦ Heinz Trökes - Über dem Realen, Malerei Zeichnungen, Druckgraphik und 2011 Dokumente aus fünfzig Jahren. Berlin, ♦ Heinz Trökes - Wandlungen eines Haus am Waldsee Reisenden. Berlin, Galerie J. Maaß ♦ Heinz Trökes 1913-1997, Werke aus seinem Nachlass. Hamm, Galerie Kley © TRÖKES-ARCHIV, c/o Manuel Trökes, Fasanenstr. 61, 10719 Berlin - [email protected] • troekes.com ! TRÖKES-ARCHIV 1991, Wiesbaden, Inselgalerie Rettbergsaue 2003 1995 ♦ Heinz Trökes zum 90. | 1913-1997. ♦ Heinz Trökes. Neue Skizzenbücher Berlin, Kunsthandel Jörg Maaß 1984-1994, Berlin, Kupferstichkabinett ♦ Heinz Trökes - Werke und ♦ Heinz Trökes. Neue Bilder, Weimar, Dokumente. -
Sammlung Haniel
SAMMLUNG HANIEL 11. Dezember 2020 1 SAMMLUNG HANIEL Auktionen Evening Sale / Contemporary Art 11. Dezember 2020 DIE SAMMLUNG HANIEL Ende der 1940er Jahre. Es herrscht Aufbruchstimmung in Europa. Portfolio gestaltet, aber nicht das operative Geschäft im Detail Plötzlich scheint alles möglich. In dieser Atmosphäre stellen Kunst steuert. Dieser Umbruch soll auch am Duisburger Franz-Haniel-Platz und Wirtschaft einmal mehr ihre Gestaltungskraft unter Beweis und deutlich werden, den das Unternehmen komplett umstrukturiert. erfinden sich und die Welt neu: In der Wirtschaft führen die wieder In diesem Zuge hält die Kunst – genauer: das Informel – ab 1984 gewonnene Freiheit und Hoffnung zum Wirtschaftswunder; in der Einzug am ‚Platz’. bildenden Kunst zu einer freien, vom augenblicklichen Gefühl be- stimmten Malweise: dem Informel. Im Rückblick auf diese Epoche Die Sammlung Haniel ist nicht alltäglich, aber Teil des Alltags am fand das Unternehmen Haniel den eigenen Aufschwung bildlich dar- Franz-Haniel-Platz in Duisburg-Ruhrort: Kunst findet sich in Fluren gestellt. Diese Erkenntnis einer Parallelität von Kunst und Wirtschaft und Besprechungsräumen ebenso wie in den Büros der Mitarbeiter. bildete den Ausgangspunkt für die Sammlung Haniel. Die Gemälde, Grafiken und Skulpturen dienen als Inspiration, unge- wöhnliche Lösungen zu suchen. Und sie stärken den Mut, an den Für die Sammlungstätigkeit gelten dieselben Prinzipien wie für die Erfolg des Neuen zu glauben. wirt schaftliche Arbeit: Qualität statt Masse, nachhaltige Wertsteige- rung statt schnellen Gewinns, langfristige Strategie statt kurzlebiger Pläne des Unternehmens heute am Franz-Haniel-Platz für einen Trends. Auf diese Weise ist aus einem Duisburger Familienunterneh- modernen Campus mit dem künftigen Office „New One“, dem his- men eine internationale Unternehmensgruppe entstanden, die unver- torischen Gründerhaus und der ‚Haniel Akademie’ bieten nicht mehr ändert zu einhundert Prozent in Familienbesitz ist. -
Germany in NYC: New York City German Event and Culture Guide
Germany in NYC: New York City German event and culture guide. 04.26.07 Sign up now - we'll keep you in the loop ! Home | About Us | Support | Contact Just Ducky: The literal translation of the popular Entenmann brand of bakery products is 'duck man' 03.15 - 05.12 Richard Oelze @ Ubu Gallery Ubu Gallery 416 East 59th St. New York, NY Phone: 212 753 4444 http://www.ubugallery.com Paintings & Drawings from the 1950s & 1960s, an exhibition of works by a one- time Bauhaus student Richard Oelze whose early contact with the works of Dalí, Ernst and Magritte made him one of the few German artists with direct contacts to and affinities with the Paris Surrealists. Oelze’s works capture his belief that the making of art was an act akin to clairvoyance; that the artist was like a blind man, incapable of seeing reality, but capable of prophesy; and that history would certainly confirm these prophecies, which were invariably of a sinister nature. Oelze evidenced an early artistic talent and, following brief military service in World War I, attended the School of Applied Arts in Magdeburg, Germany, where he had been born into an ascetic, middle-class family in 1900. Between 1921 and 1925, Oelze was a student at the Bauhaus in Weimar, where he studied with Walter Gropius, Johannes Itten, Oskar Schlemmer and, most probably, with Paul Klee. Around 1929, Oelze was exposed to the work being done by the Surrealist group in Paris, particularly that of Dalí, Ernst and Magritte, and this determined a course for his own work from which he did not waver for the remaining 50 years of his life. -
Richard Oelze Paintings & Drawings from the 1950S & 1960S
Richard Oelze Paintings & Drawings from the 1950s & 1960s Richard Oelze (1900–1980) Paintings & Drawings from the 1950s & 1960s UBU GALLERY 416 EAST 59 STReeT NEW YORK NY 10022 T: 212 753 4444 F: 212 753 4470 E: [email protected] WWW.UBUGALLERY.COM OUR PARTneR GALERIE BERINSON AUGUSTSTRASSE 22 D-10117 BeRLIN T: +49-30-28 38 79 90 F: +49-30-28 38 79 99 E: [email protected] WWW.BERINSON.de IN COLLABORATION WITH GALERIE BROCKSTEDT Ubu Gallery is pleased to present Richard Oelze: Paintings & Drawings from the 1950s & 1960s, an exhibition of more than 40 works by a one-time Bauhaus student whose early contact with the works of Dalí, Ernst and Magritte made him one of the few German artists with direct contacts to and affinities with the Paris Surrealists. Oelze’s works capture his belief that the making of art was an act akin to clairvoyance; that the artist was like a blind man, incapable of seeing reality, but capable of prophesy; and that history would certainly confirm these prophecies, which were invariably of a sinister nature. Oelze evidenced an early artistic talent and, following brief military service in World War I, attended the School of Applied Arts in Magdeburg, Germany, where he had been born into an ascetic, middle-class family in 1900. Between 1921 and 1925, Oelze was a student at the Bauhaus in Weimar, where he studied with Walter Gropius, Johannes Itten, Oskar Schlemmer and, most probably, with Paul Klee. Around 1930, Oelze was exposed to the works being made by the Surrealist group in Paris and this determined a course for his own work from which he did not waver for the remaining 50 years of his life. -
Rene Magritte: Famous Paintings Analysis, Complete Works, &
FREE MAGRITTE PDF Taschen,Marcel Paquet | 96 pages | 25 Nov 2015 | Taschen GmbH | 9783836503570 | English | Cologne, Germany Rene Magritte: Famous Paintings Analysis, Complete Works, & Bio One day, she escaped, and was found down a nearby river dead, Magritte drowned Magritte. According to legend, 13 year Magritte Magritte was there when they retrieved the body from the river. As she was pulled from the water, her dress covered her face. He Magritte drawing lessons at age ten, and inwent to study a the Royal Academy of Fine Arts in Brussels, where he found the instruction uninspiring and unsuited to his tastes. He did not begin Magritte actual painting career until after serving in the Belgian Magritte for a short time, and working at a wallpaper company as a draftsman and producing advertising posters. He was able to paint full time due to a short-lived contract with Galerie le Centaure, allowing him to present in his first exhibition, which was poorly received. Magritte made his living Magritte advertising posters in a business he ran with his brother, as well as creating forgeries of Picasso, Magritte and Chirico paintings. His experience with forgeries also Magritte him to create false bank notes during the German occupation of Belgium in World War II, helping him to survive the lean economic times. Through creating common images and placing them in extreme contexts, Magritte sough Magritte have his viewers question the ability of art to truly Magritte an object. In his paintings, Magritte often played with the perception of an image and the fact that the painting of the image could never actually be the object. -
Between Abstract and Figurative Art. Neo Rauch's Pictorial Style Before and After the Peaceful Revolution of 1989: a Question
Between Abstract and Figurative Art. Neo Rauch’s Pictorial Style before and after the Peaceful Revolution of 1989: A Question of Authenticity? Frank Zöllner A phenomenon of contemporary art history that has received scant attention to date is the authentication and de-authentication by an artist of his own early work. The best-known case of the attempt by an artist to define his own oeuvre, and to bracket out works that are immature, of dubious quality or otherwise unwanted, is that of German star painter Gerhard Richter. With a few exceptions, Richter recognizes as authentic only those works that he produced from around 1962 onwards, i.e. the year after his flight from the former German Democratic Republic (GDR) to the Federal Republic of Germany (FRG).1 A similar de-authentication of parts of his early oeuvre can also be observed in the case of Neo Rauch, who may be counted as one of the most successful worldwide among the contemporary artists of his generation. Both this success and its genesis offer intriguing insights into the functioning of the market for contemporary art – while the marketing of older art naturally functions without these mechanisms of de-authentication. The career of the painter Neo Rauch, born in Leipzig in 1960, has unfolded across the most gripping chapters of the history of German art in the late twentieth century. For Rauch’s life and work have been divided between two art systems that could hardly be more different. When Rauch completed his training in the painting class at Leipzig’s Academy of Visual Arts, the Hochschule für Grafik und Buchkunst (HGB), from 1981 to 1990, both Leipzig and the HGB were still part of the German Democratic Republic. -
AUTUMN 2018 ART ARCHITECTURE DESIGN PHOTOGRAPHY Detail from Anna Atkins, Dictyota Dichotoma, in the Young State; and in Fruit, C
AUTUMN 2018 ART ARCHITECTURE DESIGN PHOTOGRAPHY Detail from Anna Atkins, Dictyota dichotoma, in the young state; and in fruit, c. 1849, Cyanotype, 10.5 x 8.25 in. / 26.5 x 21 cm, Spencer Collection, The New York Public Library From Sun Gardens: The Cyanotypes of Anna Atkins ( see page 45) ART FASHION 50 ART MOVEMENTS YOU SHOULD KNOW: FROM IMPRESSIONISM TO PERFORMANCE ART 21 CONTEMPORARY MUSLIM FASHION 36 A YEAR IN IMPRESSIONISM 2-3 EAST MEETS WEST: JEWELS OF THE MAHARAJAS FROM THE AL THANI COLLECTION 37 BEFORE THE FALL: GERMAN AND AUSTRIAN ART IN THE 1930S 23 GIOVANNI BELLINI: THE ART OF CONTEMPLATION 5 FOOD AND DRINK BLIND FAITH: BETWEEN THE VISCERAL AND THE COGNITIVE IN CONTEMPORARY ART 31 FREE THE TIPPLE: KICKASS COCKTAILS INSPIRED BY ICONIC WOMEN 7 COLOR AND LIGHT: THE NEO-IMPRESSIONIST HENRI-EDMOND CROSS 25 WILD: ADVENTURE COOKBOOK 8 WILLIAM CORDOVA: NOW’S THE TIME: NARRATIVES OF SOUTHERN ALCHEMY 49 NORTH WILD KITCHEN: HOME COOKING FROM THE HEART OF NORWAY 9 ENRICO DAVID: GRADATIONS OF SLOW RELEASE 50 WILLIAM FORSYTHE: CHOREOGRAPHIC OBJECTS 48 PHOTOGRAPHY HENRY FUSELI: DRAMA AND THEATRE 27 100 GREAT STREET PHOTOGRAPHS 6 GAUGUIN: A SPIRITUAL JOURNEY 39 CONGO TALES: TOLD BY THE PEOPLE OF MBOMO 29 JEFFREY GIBSON: THIS IS THE DAY 46 FASHION IMAGE REVOLUTION 16 ALEXANDER VON HUMBOLDT: THE COMPLETE DRAWINGS FROM THE AMERICAN TRAVEL DIARIES 4 GREAT ENGLISH INTERIORS 13 I WAS RAISED ON THE INTERNET 51 STEVE KAHN: THE HOLLYWOOD SUITES 44 JITISH KALLAT 28 DOROTHEA LANGE: POLITICS OF SEEING 14-15 ERNST LUDWIG KIRCHNER: IMAGINARY TRAVELS 26 -
Reviews/Reviews/Neo-Rauch-On- Paper
Neo Rauch on paper Matthew James Holman Exhibition Review 10.05.2019 Title Neo Rauch on paper Author(s) Matthew James Holman Article DOI Not applicable Url https://burlingtoncontemporary.org.uk/reviews/reviews/neo-rauch-on- paper ISSN 2631-5661 Cite as Matthew James Holman: 'Neo Rauch on paper', Burlington Contemporary (10th May 2019), https://burlingtoncontemporary.org.uk/reviews/reviews/neo-rauch-on- paper About the author(s) is a writer and critic. He is currently writing a book about the poet Frank O’Hara and curatorial history. Cover image: Fig. 3 Tantentäuscher, by Neo Rauch. 2006. Oil, chalk, and felt-tip pen on paper, 29.85 by 20.96 cm. (Courtesy the artist, Galerie EIGEN + ART, Leipzig and Berlin, and David Zwirner, New York, London and Hong Kong; © Neo Rauch, VG Bild-Kunst, Bonn / Artists Rights Society (ARS), New York). Neo Rauch on paper by Matthew James Holman • 10.05.2019 Somewhere between the detached nightmares of the late de Chirico, the provincial working-man vistas of Breughel, and the lurid cartoon-art of early Pop, Neo Rauch’s unique and instantly recognisable style is enigmatic. It is a style best known in paint, with its disconcerting atemporal landscapes that push and play with the conventions of planar perspective. Rauch draws us into unreal and mysterious theatre scenes that reference his life in East Germany and especially to those parts spent at work, at play or with family that can feel estranged despite, or perhaps because of, familiarity. Rauch’s drawings offer us an insight into both his process and his deviant, childlike imagination. -
DAS KOLLEGIUM Artists' Biographies Hans Aichinger | Mamma Andersson | Tilo Baumgärtel | Michaël Borremans | Sebastian
Grafikstiftung Neo Rauch Wilhelmstr. 21–23 06449 Aschersleben + 49(0)3473-9149344 [email protected] DAS KOLLEGIUM Artists’ Biographies Hans Aichinger | Mamma Andersson | Tilo Baumgärtel | Michaël Borremans | Sebastian Burger | Robert Crumb | Marcel Dzama | Hartwig Ebersbach | Rosa Loy | Kerry James Marshall | Jonathan Meese | Jockum Nordström | Neo Rauch | David Schnell | Kristina Schuldt | Sebastian Speckmann | Michael Triegel | Luc Tuymans | Rose Wylie | Lisa Yuskavage HANS AICHINGER ……………………………………………………………………………………………………… Hans Aichinger was born in Leipzig in 1959 and has lived and worked there ever since. After graduating high school and becoming a skilled construction worker, in 1982 he began studying painting at the Academy of Visual Arts Leipzig (HGB) with Professor Bernhard Heisig. He received his diploma in 1987 and taught at the HGB from 1992 to 1997. A work stay took him to Cuba in 1999; that same year he was also a visiting professor at Emory University in Atlanta, Georgia. Aichinger participated in his first group exhibition in Duisburg in 1987, followed by numerous national and international solo exhibitions in Solothurn, Chemnitz, Madrid, Tokyo, Leipzig, New York, Frankfurt am Main, and Rouen. MAMMA ANDERSSON ……………………………………………………………………………………………………… The Swedish artist Mamma Andersson, born in February 1962, stems from Lulea, where she grew up near the Arctic Circle. She studied at the Konstfack University of Arts, Crafts and Design in Stockholm from 1986 to 1993. The painter became known internationally when she was invited to participate in the Biennale de Venezia in 2003. She has since come to be one of the most important contemporary artists in Scandinavia. The first retrospective of her works took place in Stockholm in 2007; she has had further solo exhibitions in New York, London, Washington, D.C., Stockholm, Copenhagen, et al. -
Smart Museum of Art the University of Chicago
SMARTSMART MUSEUM OF ART THE UNIVERSITY OF CHICAGO BULLETIN 2010–2012 WELCOME The Smart Museum’s 2010-2012 Bulletin to great e!ect through iPads accompanying special exhibitions EXPLORE is an opportunity to reflect on two and videos featuring original and intimate interviews with Our new interactive online Bulletin format allows you to years of exceptional growth in the life artists. In 2011, we also revamped our approach to membership easily view original content of this institution. During this time, and the annual fund by uniting them in the more streamlined on our Vimeo channel, we made significant additions to the Smart Partners program. It is not enough for us to present slideshows on Flickr, and other great resources. collection, collaborated with exciting the most distinctive and engaging visual arts programming Hyperlinks throughout this new partners, and presented inspiring possible: We also want to fully convey the vibrancy of our work document are indicated by exhibitions and programs. Guided by to all of our audiences. bold blue text. You can also skip from section to section a new strategic vision, we embraced a The Bulletin allows us to acknowledge everyone who, in a vari- using the buttons at the more active leadership role on the University of Chicago campus. ety of ways, has helped to encourage, challenge, and sustain the bottom of the page. Enjoy And while our sta! and budget increased judiciously alongside Smart Museum. Indeed, none of the accomplishments found in exploring! our ambitions, we are pleased to report that we have maintained the following pages would have been possible without our gener- CO N N EC T a balanced budget every year since the Museum opened in 1974. -
Press Release
PRESS RELEASE Exploring Saxony on the art trail London, February 2018. World-class museums, galleries, innovative arts spaces and art schools – Saxony has it all. “The Allure of Art – History, Museums, Workplaces”, a new, free brochure, for the first time collects everything worth knowing about the region’s unique art scene in one place. The brochure, published by the Tourism Board of Saxony, is a handy tool for discerning travellers, navigating them through the astounding wealth of museums, galleries and art spaces – including many outside the major cities Dresden and Leipzig – and enabling them to design their very own art trip. From anonymous Gothic masters to the New Leipzig School of contemporary times and including the Cranach family of painters, Canaletto, Caspar David Friedrich, the artists of the “Brücke” group, Otto Dix, Oskar Kokoschka or Georg Baselitz – the history of art in Saxony is not short of big names and internationally renowned artists who’ve lived, worked and left their traces in this region: Dresden’s splendid State Art Collections & beyond Dresden’s art institutions are characterised by the former royal treasures of the Dresden State Art Collections, displayed in altogether 15 museums, including the Old Masters Gallery with paintings by Vermeer, Rembrandt, Rubens or Titian, and New Masters Gallery, dedicated to works from 1800 to the present day. Apart from these visitor favourites, there’s lots more to explore, such as the hidden masterpieces of one of the world’s oldest and most important collections of works of art on paper in the Dresden Collection of Prints, Drawings and Photographs. -
Sun Rise | Sun Set 26.2.21 – 25.7.21
Sun Rise | Sun Set 26.2.21 – 25.7.21 Monira Al Qadiri, Karl Blossfeldt, Dora Budor, Max Ernst, Joan Fontcuberta, Karrabing Film Collective, Max Hooper Schneider, Pierre Huyghe, Emma Kunz, Richard Oelze, Precious Okoyomon, Neri Oxman, Jean Painlevé, Pamela Rosenkranz, Rachel Rose, Henri Rousseau, Torbjørn Rødland, Ryūichi Sakamoto and Anj Smith Curated by Nina Pohl and Agnes Gryczkowska Curatorial assistance by Kerstin Renerig Sun Rise | Sun Set The cross-generational group show Sun Rise | Sun Set brings together contemporary, as well as 19th and 20th century artists to form a multi-layered response to the fast unfolding eco-catastrophe. The exhibition aims to reconfigure our relationship to the Earth and all its inhabitants, by nourishing the ever-changing interconnections between humans, animals, plants, inani- mate objects, technologies and non-beings. The exhibited works guide us through surreal landscapes, bio-technical hybrids, futuristic scenarios and speculative concepts and create an other-worldly experience that counters the current dark season of restriction, uncertainty, and loss. At a moment, in which the planet’s habitability is becoming increasingly compromised due to human activity, the exhibi- tion addresses the collective necessity to redefine our role as part of a whole and to find new ways of living in the world by rethinking the boundaries of our species and welcoming transformation and hybridity in all forms. By highlighting circular system and entangled, multispecies perspectives Sun Rise | Sun Set encourages alternative