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Ashes to Caches: Is Dust Dust Among the Heterarchichal Maya?
West Chester University Digital Commons @ West Chester University Anthropology & Sociology Faculty Publications Anthropology & Sociology 6-2020 Ashes to Caches: Is Dust Dust Among the Heterarchichal Maya? Marshall Joseph Becker Follow this and additional works at: https://digitalcommons.wcupa.edu/anthrosoc_facpub Part of the Archaeological Anthropology Commons Volume 28, Issue 3 June 2020 Welcome to the “28 – year book” of The Codex. waxak k’atun jun tun hun Now in its 28th year, The Codex continues to publish materials of substance in the world of Pre-Columbian and Mesoamerican studies. We continue that tradition in this issue. This new issue of The Codex is arriving during a pandemic which has shut down all normal services in our state. Rather than let our members and subscribers down, we decided to go digital for this issue. And, by doing so, we NOTE FROM THE EDITOR 1 realized that we could go “large” by publishing Marshall Becker’s important paper on the ANNOUNCEMENTS 2 contents of caches in the Maya world wherein he calls for more investigation into supposedly SITE-SEEING: REPORTS FROM THE “empty” caches at Tikal and at other Maya sites. FIELD: ARCHAEOLOGY IN A GILDED AGE: THE UNIVERSITY OF Hattula Moholy-Nagy takes us back to an earlier PENNSYLVANIA MUSEUM’S TIKAL era in archaeology with her reminiscences of her PROJECT, 1956-1970 days at Tikal in the 1950s and 1960s. Lady by Sharp Tongue got her column in just before the Hattula Moholy-Nagy 3 shut-down happened, and she lets us in on some secrets in Lady K’abal Xook’s past at her GOSSIP COLUMN palace in Yaxchilan. -
MAYA GLYPHS – Book 2
Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS – Book 2 by Mark Pitts Maya Numbers and Maya Calendar by Mark Pitts © Mark Pitts 2009 This book is dedicated to the Maya people living today in Mesoamerica. Title Page: A Maya glyph signifying10 periods of about 20 years each, or about 200 years. From Palenque, Mexico. 2 Book 22:::: Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS Table of Contents 3 Book 2: Maya Numbers and the Maya Calendar CHAPTER 1 – WRITING NUMBERS WITH BARS AND DOTS • The Basics: The Number Zero and Base 20 • Numbers Greater Than 19 • Numbers Greater Than 399 • Numbers Greater Than 7999 CHAPTER 2 - WRITING NUMBERS WITH GLYPHS • Maya Head Glyphs • The Number 20 CHAPTER 3 – THE SACRED AND CIVIL CALENDAR OF THE MAYA • Overview of the Maya Calendar • An Example • The Sacred Calendar and Sacred Year (Tzolk’in) • The Civil Calendar and Civil Year (Haab) • The Calendar Round CHAPTER 4 - COUNTING TIME THROUGH THE AGES • The Long Count • How to Write a Date in Maya Glyphs • Reading Maya Dates • The Lords of the Night • Time and The Moon • Putting It All Together Appendix 1 – Special Days in the Sacred Year Appendix 2 – Maya Dates for 2004 4 Appendix 3 – Haab Patrons for Introductory Glyphs Resources Online Bibliography Sources of Illustrations Endnotes 5 Chapter 111.1. Writing Numbers wwwithwithithith Bars and Dots A Maya glyph from Copán that denotes 15 periods of about 20 years each, or about 300 years. 6 THE BASICS: THE NUMBER ZERO AND BASE 20 The ancient Maya created a civilization that was outstanding in many ways. -
2017 Abstracts
Abstracts for the Annual SECAC Meeting in Columbus, Ohio October 25th-28th, 2017 Conference Chair, Aaron Petten, Columbus College of Art & Design Emma Abercrombie, SCAD Savannah The Millennial and the Millennial Female: Amalia Ulman and ORLAN This paper focuses on Amalia Ulman’s digital performance Excellences and Perfections and places it within the theoretical framework of ORLAN’s surgical performance series The Reincarnation of Saint Orlan. Ulman’s performance occurred over a twenty-one week period on the artist’s Instagram page. She posted a total of 184 photographs over twenty-one weeks. When viewed in their entirety and in relation to one another, the photographs reveal a narrative that can be separated into three distinct episodes in which Ulman performs three different female Instagram archetypes through the use of selfies and common Instagram image tropes. This paper pushes beyond the casual connection that has been suggested, but not explored, by art historians between the two artists and takes the comparison to task. Issues of postmodern identity are explored as they relate to the Internet culture of the 1990s when ORLAN began her surgery series and within the digital landscape of the Web 2.0 age that Ulman works in, where Instagram is the site of her performance and the selfie is a medium of choice. Abercrombie situates Ulman’s “image-body” performance within the critical framework of feminist performance practice, using the postmodern performance of ORLAN as a point of departure. J. Bradley Adams, Berry College Controlled Nature Focused on gardens, Adams’s work takes a range of forms and operates on different scales. -
Niels De Jong
r atin • • 1r1 lit nowledge and Empowerment on the David Icke Discussion Forum Niels de Jong Master thesis for the research master Religion & Culture 1 February 2013 First Advisor: Kocku.von Stuckrad (University of Groningen) Second Advisor: Stef Aupers (Erasmus University Rotterdam) NIELS DE JONG Table of Contents Preface ............................................................................................................................................. 5 1. Introduction ................................................................................................................................. 7 1.1 Research questions ................................................................................................................ 9 1.2 Sociology of knowledge ...................................................................................................... 10 1.3 Preliminary definitions ........................................................................................................ 11 1.4 Davidicke.com/forum .......................................................................................................... 15 1.5 Method ................................................................................................................................ 16 1.5.1 Lurking ......................................................................................................................... 17 1.5.2 Ethics ........................................................................................................................... -
The End Is Now: Augustine on History and Eschatology
Page 1 of 7 Original Research The end is now: Augustine on History and Eschatology Author: This article dealt with the church father Augustine’s view on history and eschatology. After Johannes van Oort1,2 analysing the relevant material (especially his City of God and the correspondence with a certain Hesyschius) it was concluded that, firstly, Augustine was no historian in the usual sense of the Affiliations: 1Radboud University word; secondly, his concept of historia sacra was the heuristic foundation for his idea of history; Nijmegen, The Netherlands thirdly, the present is not to be described in the terms of historia sacra, which implies that he took great care when pointing out any instances of ‘God’s hand in history’; fourthly, the end 2Faculty of Theology, times have already started, with the advent of Jesus Christ; fifthly, because of the uniqueness University of Pretoria, South Africa of Christ’s coming, it runs counter to any cyclical worldview; sixthly, identifying any exact moment of the end of times is humanly impossible and seventhly, there is no room for any Note: ‘chiliastic’ expectation. Prof. Dr Johannes van Oort is Professor Extraordinarius in the Department of Church History and Church Polity of Preamble the Faculty of Theology at the University of Pretoria, Why should the church father Augustine figure in aFestschrift for an Old Testament scholar? I am South Africa. sure Prof. Pieter M. Venter will be aware of the answer, because both in his scientific research and in his outlook as a Reformed theologian, he knows about the church father’s main concerns. -
69-22,173 MARKOWITZ, Allan Henry, 1941- a STUDY of STARS
This dissertation has been microfilmed exactly u received 6 9 -2 2 ,1 7 3 MARKOWITZ, Allan Henry, 1941- A STUDY OF STARS EXHIBITING COM POSITE SPECTRA. The Ohio State University, Ph.D., 1969 A stron om y University Microfilms, Inc., Ann Arbor, Michigan A STUDY OF STARS EXHIBITING COMPOSITE SPECTRA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Allan Henry Markowitz, A.B., M.Sc. ******** The Ohio S ta te U n iv e rsity 1969 Approved by UjiIjl- A dviser Department of Astronomy ACKNOWLEDGMENTS It is a sincere pleasure to thank my adviser, Professor Arne Slettebak, who originally suggested this problem and whose advice and encouragement were indispensable throughout the course of the research. I am also greatly indebted to Professor Philip Keenan for help in classifying certain late-type spectra and to Professor Terry Roark for instructing me in the operation of the Perkins Observatory telescope, I owe a special debt of gratitude to Dr. Carlos Jaschek of the La Plata Observatory for his inspiration, advice, and encourage ment. The Lowell Observatory was generous in providing extra telescope time when the need arose. I wish to particularly thank Dr. John Hall for this and for his interest. I also gratefully acknowledge the assistance of the Perkins Observatory staff. To my wife, Joan, I owe my profound thanks for her devotion and support during the seemingly unending tenure as a student. I am deeply grateful to my mother for her eternal confidence and to my in-laws for their encouragement. -
Earth in Upheaval – Velikovsky
KANSAS CITY, MO PUBLIC LIBRARY MAR 1989 JALS DATE DUE Earth in upheaval. 1 955 . Books by Immarvjel Velikoviky Earth in Upheaval Worlds in Collision Published by POCKET BOOKS Most Pot Ian Books arc available at special quantify discounts for hulk purchases for sales promotions premiums or fund raising SpeciaJ books* or txx)k e\( erj)ts can also tx.' created to ht specific needs FordetaJs write the office of the Vice President of Special Markets, Pocket Books, 12;K) Avenue of the Arm-mas New York New York 10020 EARTH IN UPHEAVAL Smnianue! Velikovsky F'OCKET BOOKS, a division of Simon & Schuster, IMC 1230 Avenue of the Americas, New York, N Y 10020 Copyright 1955 by Immanuel Vehkovskv Published by arrangement with Doubledav tx Compauv, 1m Library of Congiess Catalog Card Number 55-11339 All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever For information address 6r Inc. Doubledav Company, , 245 Park Avenue, New York, N Y' 10017 ISBN 0-fi71-524f>5-tt Fust Pocket Books punting September 1977 10 9 H 7 6 POCKET and colophon ae registered trademarks of Simon & Schuster, luc Printed in the USA ACKNOWLEDGMENTS WORKING ON Earth in Upheaval and on the essay (Address before the Graduate College Forum of Princeton University) added at the end of this volume, I have incurred a debt of gratitude to several scientists. Professor Walter S. Adams, for many years director of Mount Wilson Observatory, gave me all the in- formation and instruction for which I asked concern- ing the atmospheres of the planets, a field in which he is the outstanding authority. -
Leyenda De Los Soles) to Explain Maya Creations
Why we use the Aztec Myth (Leyenda de los Soles) to Explain Maya Creations The surviving accounts of the Maya Creation Myth are fragments, tatters. Much more is missing than is there. The earliest surviving fragments appear on the monuments of Izapa (and neighbors) and the newly‐ discovered Murals of San Bartolo (ca. 100 BCE). As if through a keyhole, we glimpse a rich, intricate cosmology connecting time, space and personalities. It relates the cardinal directions to colors, species of trees and game, the calendar, myths, and who knows what else. Eight centuries later, Classic Maya vase painters illustrate a few other Mythic scenes, some involving the Hero Twins. A few Classic stone inscriptions connect Creation with house‐building. Six centuries later, one of the curiosities Cortez presented to the Emperor, a book we call the Dresden Codex, recounts several arcane events which occurred on 4 Ajaw 8 Kumk’u. Later still, a Quiché Maya scribe in the impoverished and conquered Guatemalan highlands copied out the Popol Vuh, connecting his cacique’s ancestors back to the Creations of the World (ca. 1700). It dwells on the Hero Twins, who prepared the world for its final Creation ‐ our Creation. Though it is clear that the Maya conceived a dizzying, intricately interconnected cosmology, we have difficulty working out its details. This is partly due to the fragmentary nature of our evidence, but it is also increasingly clear that the stories varied substantially from city‐state to city‐state. (Not unlike the conflicting versions of Abraham’s Sacrifice: In the Biblical version, the son is Isaac, who goes on to father the Israelites. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Solution of the Mayan Calendar Enigma Thomas Chanier
Solution of the Mayan Calendar Enigma Thomas Chanier To cite this version: Thomas Chanier. Solution of the Mayan Calendar Enigma. 2016. hal-01254966v6 HAL Id: hal-01254966 https://hal.archives-ouvertes.fr/hal-01254966v6 Preprint submitted on 29 Nov 2016 (v6), last revised 13 Nov 2018 (v7) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. SOLUTION OF THE MAYAN CALENDAR ENIGMA Thomas Chanier∗ Independent researcher, Coralville, Iowa 52241, USA The Mayan arithmetical model of astronomy is described. The astronomical origin of the Mayan Calendar (the 260-day Tzolk'in, the 365-day Haab', the 3276-day Kawil-direction-color cycle and the 1872000-day Long Count Calendar) is demonstrated and the position of the Calendar Round at the mythical date of creation 13(0).0.0.0.0 4 Ahau 8 Cumku is calculated. The results are expressed as a function of the Xultun numbers, four enigmatic Long Count numbers deciphered in the Maya ruins of Xultun, dating from the IX century CE. (Saturno 2012) Evidence shows that this model was used in the Maya Classic period (200 to 900 CE) to determine the Palenque lunar equation. -
Polities and Places: Tracing the Toponyms of the Snake Dynasty
Polities and Places: Tracingthe Toponymsof the Snake Dynasty SIMON MARTIN University of Pennsylvania Museum ERIK VELÁSQUEZ GARCÍA Universidad Nacional Autónoma de México One of the more intriguing and important topics to thonous ones that had at some point transferred their emerge in Maya studies of recent years has been the his- capitals or splintered, each faction laying claim to the tory of the “Snake” dynasty. Research over the past two same title. The landscape of the Classic Maya proves decades has identified mentions of its kings across the to have been a volatile one, not simply in the dynamic length and breadth of the lowlands and produced evi- interactions and imbalances of power between polities, dence that they were potent political players for almost but in the way the polities themselves were shaped by two centuries, spanning the Early Classic to Late Classic historical forces through time. periods.1 Yet this data has implications that go beyond a single case study and can be used to address issues of general relevance to Classic Maya politics. In this brief Placing Calakmul paper we use them to further explore the meaning of The distinctive Snake emblem glyphs and their connection to polities and emblem glyph is ex- places. pressed in full as K’UH- The significance of emblem glyphs—whether they ka-KAAN-la-AJAW or are indicative of cities, deities, domains, polities, or k’uhul kaanul ajaw (Fig- dynasties—has been debated since their discovery ure 1).3 It first came to (Berlin 1958). The recognition of their role as the scholarly notice as one personal epithets of kings based on the title ajaw “lord, of the “four capitals” ruler” (Lounsbury 1973) was the essential first step to listed on Copan Stela A, comprehension (Mathews and Justeson 1984; Mathews a set of cardinally affili- Figure 1. -
The 2012 Phenomenon: Maya Calendar, Astronomy, and Apocalypticism in the Worlds of Scholarship and Global Popular Culture
“Oxford IX” International Symposium on Archaeoastronomy Proceedings IAU Symposium No. 278, 2011 c International Astronomical Union 2011 Clive L. N. Ruggles, ed. doi:10.1017/S1743921311012609 The 2012 phenomenon: Maya calendar, astronomy, and apocalypticism in the worlds of scholarship and global popular culture John B. Carlson1,2 and Mark Van Stone3 1 Center for Archaeoastronomy, P.O. Box X, College Park, MD 20741-3022, USA 2 University Honors College, University of Maryland, College Park, MD 20742, USA email: [email protected] 3 School of Arts & Communication, Southwestern College, 900 Otay Lakes Road, Chula Vista, CA 91910, USA email: [email protected] Abstract. This essay introduces the papers from the specially organized session on the theme ‘The 2012 phenomenon: Maya calendar, astronomy, and apocalypticism in the worlds of schol- arship and popular culture’. The papers that follow address this topical theme in the contexts of Maya and Western cultures as well as academic and popular cultures. Keywords. Maya calendar, Maya astronomy, 2012 phenomenon, apocalypticism, eschatology 1. Introduction The specially organized session on ‘The 2012 phenomenon: Maya calendar, astronomy, and apocaplypticism in the worlds of scholarship and global popular culture’ addresses several aspects of the overall ‘building bridges between cultures’ theme of this sympo- sium. The six presenters and the discussant seek to explore new scholarly connections between archaeoastronomy, ethnoastronomy and Mesoamerican studies; between Maya and ‘Western’ cosmovisions; and between academic research and popular culture. December 21, the winter solstice, 2012 CE will mark the completion of one highly significant 5,125-year cycle in the ancient Maya ‘Long Count’ calendar, the period of 13 Baktuns or 13 × 144,000 days, exactly.