INTERNATIONAL CATALOG Introduction Table of Contents

The Salvation Army has a rich and unique combined total of over 4,000 brass band Instrumental Music heritage of instrumental and vocal music items and 10,000 vocal works published by that reaches back to its earliest days in The Salvation Army. Beginning Instrumental Victorian England. 1st Book of Hymn Tunes 3 This Music Publications Catalog brings Basic Brass, Winds & Percussion 3 Beginning in the 1880’s, the Army’s together the principal instrumental and Beginnings in Brass 3 Brass Music for Young Bands 3 International Music Editorial Department in vocal music publications from five major Comenzando con los Bronces 3 London has published a full range of music Salvation Army music publishers. This First Things First 3 for a world-wide network of bands and comprehensive and music reference guide QuickStart 3 vocal groups. In more recent years, comple - provides convenient access for Salvation Instrumental Series mentary music publications have been Army bands, songster brigades, youth American Band Journal 8 produced by Salvation Army headquarters bands, and vocal groups, and school and American Festival Series 12 American Instrumental Ensemble Series 4 in the United States, Canada, Australia and church groups to the full range of Salvation Favourite Marches and Hymn Settings 11 Scandinavia. This has resulted in the Army music publications. Festival Series 11 General Series 11 Hallelujah Choruses 19 Marches and Hymn Settings 11 Instrumental Series Difficulty Levels The Judd Street Collection 12 Very Medium Early Upper Early Very The Triumphonic Collection 12 Easy Easy Easy Intermediate Intermediate Intermediate Advanced Advanced Difficult Tradewinds 12 QuickStart Triumph Series 10 Unity Series 10 Basic Brass, Winds & Percussion Instrumental Solos and First Book of Hymn Tunes Small Ensemble Series American Instrumental Ensemble Series (see page 4 for grade level criteria) 4 Trombone Quartets 12 American Instrumental Solo Series 6 First Things First American Soloists Album 7 Brass Music for Young Bands Classic Solos Album 7 Cornet Solos Album 7 Unity Series Eb Instrument Solos Album 7 Hallelujah Choruses New York Brass Sextet Journal 10 Triumph Series Philip Smith Signature Series 7 Salvation Army Classics for Small Ensemble 12 American Band Journal Salvationist Star Search 7 General Series Christmas Music American Festival Series

Festival Series Carolers Favorites 14 Christmas Music 13 Judd Street Collection Christmas Spirit 13 Triumphonic Collection New Christmas Praise 13 Sounds of Christmas 13 Instrumentation Choral Music American Children’s Choral Series Instrumental American American Judd The Band Children’s Praise 15 Ensemble Hallelujah Band Unity Triumph General Festival Festival Street Triumphonic Tune Sing to the Lord—Children’s Voice 15 Series* Choruses* Journal* Series Series Series Series Series Collection Collection Book Singing Company Album 15 Soprano E
I I I I I I I I I Adult Choral Series Crestmont Vocal Series 16 Solo Cornet B
I I I I I Psalms, Hymns and Spiritual Songs 16 Repriano Cornet B
Sing Praise 16 I Sing to the Lord—Mixed Voice 16 1st Cornet B
I I I I I I I I I I I Sing to the Lord—Vocal Solos Album 16 2nd Cornet B
I I I I I I I I I I I Choral Books A Melody In My Heart 17 Flugel Horn B
I I I I I I I Choral Essays 17 Solo Horn E
Contemporary Songbook, Volume 2 17 I I I I I I’m In His Hands 17 1st Horn E
I I I I I I I I I I I My Song... Your Gift 17 Songs of Praise 17 2nd Horn E
I I I I I I I I I I I 1st Baritone B
I I I I I I I I I I I Worship Resources 2nd Baritone B
I I I I I I Band Tune Book 18 1st Trombone B
I I I I I I I I I I Chorus Book 18 Hallelujah Choruses 19 2nd Trombone B
I I I I I I I I Musical Offerings 18 Bass Trombone B.C . Piano/Keyboard Tunebook 18 I I I I I I I I Piano Offerings 18 Euphonium B
I I I I I I I I I I I Piano Tune Book, Simplified Edition 18 Bass E
Prayer Choruses Accompaniments CDs 19 I I I I I I I I I I I Scripture-based Songs 18 Bass B
I I I I I I I I I I I The Salvation Army Songbook 18 The Salvation Army Tune Book 18 Percussion I I I I I I I I I I I I transMission Worship Team Resources 18 Percussion II I I I I I I I Supplemental Resources Keyboard/Cond. Score I I I Full Score I I I I I I I I I I Companion to the Songbook 18 Hymn Tune Accompaniments CDs 18 *Fully adaptable for concert band and orchestra. Instrumental Music Index 12 © 2010 The Salvation Army 2 Beginning Instrumental

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Beginnings in Brass 1st Book of Hymn Tunes Basic Brass, Winds & Comenzando con los This publication provides a wide range of Percussion sacred and holiday music that is playable Bronces (Spanish version) Basic Brass, Winds & Percussion contains by the least experienced instrumentalist. 35 arrangements of sacred hymns and Beginnings In Brass starts at the beginning To this end, 1st Book of Hymn Tunes is choruses by Thomas Scheibner and edited of brass playing and proceeds through intended to supplement any established by James Curnow. Modeled after the 1st carefully graded units of study until the instructional method. Book of Hymn Tunes, this wonderful teach - playing of simple hymn tunes is mastered. Once a rudimentary knowledge of playing ing tool is available in full score, B
treble Theory concepts are introduced with the has been taught and established, clef, E
treble clef, F, C treble and bass clef appropriate playing requirements. The beginning brass groups will be able to and percussion instruments books. Each vocabulary throughout the tutor is basic perform music appropriate to accompany book contains all three parts and is divided enough to serve the younger student as congregational singing (although a few accordingly. For use with congregations well as teachers with minimal brass back - melodies will be pitched somewhat lower and Sunday schools, each score contains ground. This wonderful educational tool is than the accustomed singing keys— a reference guide to 1-3 different sets of completely dedicated to the beginner and such as “Above the Rest,” “Duke Street,” lyrics per tune. This publication is easily offers tips from many of the Army’s fore - “I Am So Glad,” “O Come All Ye Faithful” adaptable for all brass, woodwinds, strings most musical minds. and “Wide as the Ocean”). and percussion instruments, and includes specific instructions on how best to use the As much as possible, these 30 tunes are music with any combination of instruments. Brass Music for Young arranged in progressive order of difficulty Bands with the new concepts for each tune care - fully noted at the bottom of the score page. Quickstart Brass Music for Young Bands contains 15 arrangements of well known hymn tunes in All music in this publication will sound com - Quickstart is designed to give the begin - a progressively graded format. Parts cor - plete with only three players. All parts are ning band a solid start and quick respond to standard vocal music for written with two staves: The top line in all progress, so that they can be ready to mixed voices (SATB format): Part 1 sopra - parts contains the melody while the second play in public after just a few hours of no, Part 2 alto, Part 3 tenor and Part 4 line contains a harmony part. (Part 2 is the instruction. Quickstart covers the same bass. The optional 5th part is intended for alto harmony, Part 3 is the bass harmony.) materials as a standard “Book 1” and is euphonium or instruments of same pitch geared specifically for Salvation Army and range. Each part is written for B
and Instrumentation bands. Hymns with words included are E
treble clef instruments plus optional B
Parts 1-2* —B
Cornet used for practice exercises to reinforce percussion. Bass clef 3rd and 4th parts the importance of both text and music. are also available. E
Parts 1-2 —Horn, Soprano Cornet One component of getting bands off to a
“quick start” is to separate B
and E
B Parts 1-3 —Baritone, Trom
bone, instruments into different classes. When First Things First Euphonium, B Bass this is not possible, an E
options section 16 brand new arrangements for Beginner E
Parts 1-3 —E
Bass is included to allow these groups to play bands. Scored for 5 brass parts, percus - some items together. One binder contains Percussion —Bells (or any other C melody enough materials for an entire class, sion, alternative concert pitched parts, and part), Snare Drum, Bass optional keyboard accompaniment. including a student and teacher book, a Drum, Utility Percussion Quickstart tunebook, quizzes and other *also appropriate for duets for any two like instruments supplemental material, along with a 2-CD set for listening and practice.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 3 American Instrumental Ensemble Series James Curnow, Editor

The American Instrumental Ensemble Series, designed originally for Salvation Army brass ensembles, is an annual, “flex-scored” publi - cation, offering complete versatility in regards to size of the ensemble, instrumentation, and part assignments. With four primary parts, an optional 5th part, two optional percussion parts and a keyboard part for further support, arrangements can be used by groups as small as a quartet or quintet or as large as a full orchestra. With “flex-scored” instrumenta - tion, any combination of brass, woodwind, or string instruments can be used. Editorial sug - gestions for adding color for larger brass ensembles are included, but directors are encouraged to use their discretion to add vari - ety and color to any ensemble. For example, an orchestra director may choose to use brass, string, and woodwind sections sepa - rately or in different combinations thereby adding texture and changing the tonal palette within a piece. With such versatility, a director can perform works multiple times with various groups but with a fresh, new, and exciting sound each time. While this music is primarily intended for wor - ship and evangelistic services, it will also be For music published prior to 2010, these The pitch ranges for Grade I have been appropriate for music festivals and education - parts will be supplied free of charge by limited primarily to an octave (please note al use. Each arrangement includes a well- contacting the Territorial Music and AIES range limitations for each of the four known hymn tune or gospel song melody that Creative Arts Department grade levels on this page). is clearly presented, allowing the import of the ([email protected]). Grade II hymn and song texts to provide an unambigu - A demonstration recording (cassette 1987- ous gospel message. 1994, and CD from 1995) is produced for Grade II provides easy arrangements for For well over 20 years, the American each annual edition of the American developing ensembles with contrasting styles Instrumental Ensemble Series has been pub - Instrumental Ensemble Series. Beginning with and interesting concepts, but still with very lished annually with sixteen titles written at the 2010 edition, PDF files containing score few technical demands. Both Grade I and four specific grade levels, making this series samples have been included on the demo Grade II will be useful for more advanced popular with a wide range of instrumental CD. The demo recording along with the score groups as additional basic repertoire. samples will be useful to bandmasters and groups. The clearly delineated grade levels Rhythms include eighth notes, but dotted make it simple to find appropriate music for music directors in their repertoire planning and rehearsal preparation. eights are avoided. Ranges are extended groups ranging from developing students to and accidentals are more common (avoid - the most advanced ensembles. With four carefully-designed levels of difficulty, ing F
’s and B#’s etc.). Articulation and It will be essential for the conductor to careful - music leaders will have a valuable tool for the dynamic markings remain basic. The maxi - ly assign the parts to ensure maintenance of selection of music best suited to the abilities mum length is also 60 measures. of their ensembles. The compositional param - balance within the ensemble. As soon as the Grade III basic quartet instrumentation in adequately eters for each grade level have been skillfully covered, the optional Part 5 should be added. established so that each arrangement is not Grade III arrangements are written at an only well-crafted and aesthetically pleasing, intermediate level of difficulty and represent A special feature of the American Instrumental but also educationally sound. a considerable step up from Grade II. Ensemble Series is the addition of a key - board/condensed score. This will be helpful to Sixteenth, triplet and dotted rhythms are conductors for their score study and prepara - Grade Level Criteria added with a corresponding increase in tion and could be valuable when a part is Grade I overall rhythmic complexity. missing in the ensemble during rehearsal or Grade I is targeted at beginning ensembles There is a significant expansion of range, performance or to offer support to a smaller or an extension of maximum length, and the less-experienced group. and these very easy settings can be prepared for performance after just a few full gamut of articulation markings and The optional Percussion 1 and 2 parts are not months of regular instruction. Rhythms have dynamics are employed. unimportant and their inclusion will greatly been kept extremely simple (whole, half enhance these arrangements. The Bell parts and quarter notes) and 4/4, 3/4 & 2/4 are Grade IV could serve as a training device for pianists the acceptable time signatures. Articulation Grade IV is appropriate for intermediate/ who are potential percussionists. markings and dynamic changes are advanced groups with a further extension of minimal. Keys are limited to B
, E
and A
Beginning in the 2010 edition, several parts range and general difficulty. Conductors concert (i.e. C, F and B
for B
instruments, have been added to maximize the flexibility of should be judicious when selecting Grade G, C and F for E
instruments etc.). With the series. These include an optional E-flat IV items and sufficient rehearsal time should the short endurance of beginners, the Soprano Part (for E-flat cornet or clarinet), Part be scheduled to permit the thorough prepa - maximum length is 60 measures. 2 C (for violin, flute, or oboe), and Part 3 Viola. ration that will be required.

4 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Instrumentation Each titled set contains the following copies: Optional E
Soprano Part 2 Part 1 B
(Part 1 C printed on reverse) 2 Part 2 B
(Part 2 C printed on reverse) 2 Part 2 E
(Part 2 F printed on reverse) 2 Part 3 E
(Part 3 F printed on reverse) 2 Part 3 B
T.C. (Part 3 B.C. printed on reverse) 2 Part 3 Viola 2 Optional Part 5 B
T.C. 2 (Part 5 B.C. printed on reverse) Part 4 E
2 Part 4 B
T.C. (Part 4 B.C. printed on reverse) 2 Optional Percussion 1 2 Optional Percussion 2 2 Soloist’s Part (When applicable) 2 Keyboard/Condensed Score Part 1 Full Score with Keyboard/Condensed Score 1 For an instrumentation comparison to other music publications refer to the chart on page 2.

Adapting the American Instrumental Ensemble Series for Brass Band, Concert Band, or Orchestra The following chart will be a helpful guide to church and school band directors who are adapting the American Instrumental Ensemble Series for their con - cert band and orchestra ensembles. Piccolo – play Part 1 C - upper octave Flute – play Part 1 C - upper octave or Part 2 C - upper octave Oboe – play Part 1 C - lower octave English Horn – play Part 2 F Bassoon – play Part 3 B.C., Part 5 B.C., or Part 4 B.C. - upper octave E
Soprano Clarinet – play Optional E
Soprano Part B
Clarinet – play Part 1 B
or Part 2 B
E
Alto Clarinet – play Part 3 E
B
Bass Clarinet – play Part 4 B
T.C. - lower octave when divided E
Contra Alto Clarinet – play Part 4 E
B
Contra Bass Clarinet – play Part 4 B
T.C. - upper octave when divided E
Alto Saxophone – play Part 2 E
B
Tenor Saxophone – play Part 3 B
T.C. or Part 5 B
T.C. E
Baritone Saxophone – play Part 4 E
Range Limitations - adjusting octaves where necessary E
Cornet – play Optional E
Soprano Part B
Cornet or Trumpet – play Part 1 B
Grade I Grade II Grade III Grade IV or Part 2 B
E
Horn – play Part 2 E
or Part 3 E

F Horn – play Part 2 F or Part 3 F B Cornet Tenor Trombone, Baritone, or Euphonium (Treble Clef)– play Part 3 B
T.C., Part 5 B
T.C., or Part 4 B
T.C . E
Horn Tenor Trombone, Baritone, or Euphonium (Bass Clef)– play Part 3 B.C., Part 5 B.C., or Part 4 B.C. Bass Trombone – play Part 4 B.C. - Trombone upper octave or Baritone E
Tuba (Treble Clef) – play Part 4 E
B
Tuba (Treble Clef) – play Part 4 B
T.C . (Optional) Tuba (Bass Clef) – play Part 4 B.C. Euphonium Violin – play Part 1 C or Part 2 C or Baritone Viola – play Part 3 Viola Cello – play Part 3 B.C., Part 5 B.C., or Part 4 B.C. - upper octave E
Tuba Double Bass – play Part 4 B.C. - upper octave Electric Bass – play Part 4 B.C. - upper octave B
Tuba Keyboard, Piano or Organ – play from Keyboard/Condensed Score Published annually.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 5 American Instrumental Solo Series James Curnow, Editor G R A D E II He Hideth M Solo y Sou for BbT.C., B.C. o l MUABE0952 r C Instrument JAMES CURNOW

Band directors who have added the American Instrumental Ensemble Series to their repertoire will not want to neglect the American Instrumental Solo Series . This is a companion publica - tion which includes the instrumental solos featured in the ensem - ble series but with each arranger’s piano setting of the accompa - niment. For B
solos, treble clef, bass clef, and C soloist parts are included. For E
solos, F, and E
soloist parts are included. The American Instrumental Solo Series is published annually , Editor alongside the American Instrumental Ensemble Series with one James Curnow title for each of the four graded levels. American Instrumental Solo Series are sold by title. Please refer to the Price List Order Form for your nearest distributor. Includes: Piano accompaniment and soloist parts.

Published annually.

The 1987 & 1988 issues of the American Brass Solo Series are available in one book, the American Instrumental Solo Series Collection . The book contains eight solos in four American Instrumental Ensemble Series levels: four for E
& F instruments, and four for B
Instruments with B
treble clef, bass clef and C instrument parts. A CD is also included demonstrating a variety of solo instruments (brass, wood - wind and strings), and providing accom - paniment tracks for each solo.

With B
solos, bass clef parts are printed on reverse with a separate C part. With E
solos, F parts are printed on reverse.

6 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Instrumental Solo Music

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Cornet Solos Album Philip Smith Signature Fourteen cornet B
solos with piano accompaniment to suit a range of Series performing abilities. (Please refer to the The Philip Smith Signature Series with Piano Price List Order Form for a list of titles.) Accompaniment includ
es an accompaniment The cornet solo repertoire is always CD. These solos for B cornet or trumpet are expanding and this album contains both also available with brass band accompani - new and established B
cornet solos with ment parts. Contact publisher for details. The piano accompaniment. Some of the most series features music performed by Philip experienced Salvation Army composers with the New York Staff Band on the critically are featured in this compendium of 14 acclaimed recording My Song of Songs. Classic Solos solos which vary in length and difficulty. “Trumpet Call,” “Sing Hosanna” and B
cornet, E
horn, B
trombone (treble Salvationist Star Search “Calabar” were especially composed for clef), and B
euphonium (treble clef) solos

this album. “Wonderful Day” and “All I 16 Graded Instrumental Solos for B and E originally published 1929-1973 are reprint - Have Is Thine” were originally composed Soloists with Piano Accompaniment ed with piano accompaniment to suit a with piano accompaniment; the remainder range of performing abilities. Sold by title. This collection was designed to facilitate the are available with brass band accompani - (Please refer to the Price List Order Form brass portion of The Salvation Army USA ment. The relevant band journal number is for a list of titles.) Eastern Territory's long-running Territorial Star supplied where appropriate. Search Talent Display. With four solos in four distinctly graded levels, this book will be a companion for up and coming instrumental - Eb Instrument Solos ists. Also included is an accompaniment CD Album for rehearsal purposes or for performance when a live accompaniment is not available Fourteen solos with piano accompaniment and a demonstration CD. represent a broad range of style and diffi - culty. (Please refer to the Price List Order American Soloists Form for a list of titles.) Album Solos have been composed especially for this album by experienced Salvationist Through the years, the American composers and arrangers include new Soloists Album has provided instru - solos “Glory to His Name,” “Only One mental soloists with tone and variation Intention” and “Teach Me.” Also included repertoire based on well-known is horn duet “Jesus Loves Me” with hymns. It was conceived to benefit optional flugel horn part. the gamut of brass instrumentalists, from the aspiring young musician to Using electronic keyboards it is a sim - the mature virtuoso. The contents are ple process to transpose any of the playable and equally attractive to keyboard parts to accommodate a Bb any level of performance. Initially cornet, trumpet, trombone, baritone or produced for B
treble clef instru - euphonium, or any concert-pitched instru - ments, albums with C treble and ment. Likewise, previously published solo bass clef parts have recently been B
albums can be easily “re-pitched” using produced. The majority of the the transpose function on the keyboard to music is accessible to all levels of accommodate an E
pitched instrument. instrumentalists.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 7 American Band Journal

Since its inception in 1948, the American Band Journal has been providing practical sacred music for church services and concerts. Each issue contains generally four or five s y Gate titles per package. The American Band Doroth ited by Journal encompasses grades 3 through 7 Ed in today’s musical curriculum and is a valu - n Bulla able medium through which school and Stephe Edition 50th s n rn Bras oughto church music directors can obtain quality sic Northe Bill Br d Mu March— Ban lism 219. lo— vange orn So for E lugel H intermediate and advanced arrangements. bone/F s s . Trom of Jesu y Gate ore 220 eauty Doroth Full Sc et the B ent L as epartm t Thom usic D ad eathe n Scot Originally conceived for the traditional The M ck Ro 9 n—Br Marty est Nya 94-173 ditatio 440 W NY 109 21. Me Nyack, 2 s West Dream British brass band (all parts in treble clef), Island arch— F, C treble and bass clef parts later 222. M appeared and are now available to accom - modate a variety of instrumental combina - tions. (Please see Adapting the American USA) rritory, tern Te y (Eas on Arm Salvati Band Journal for Concert Band or 03 The t 20 opyrigh Orchestra.) © C Nine musicians may adequately present this music: two first cornets (because of frequent use of divisi), one second cornet, two horns, two trombones, one euphonium and one tuba complete the minimum group. Although the instrumentation appears to be limited, there is much con - trast in scoring, making full use of the available colors or timbres in the brass idiom. While performance is possible with as few as nine, this music is equally con - vincing when played by a full complement, as demonstrated in recordings by many world-renowned bands. The optional parts, E
soprano, B
flugel horn, B
baritone, bass trombone and per - cussion are included in the score. The music is complete without these parts, however, their use will enhance the performance as long as the basic parts are covered. Each item in the American Band Journal is well suited for educational purposes and concert repertoire, but the primary aim for much of this music is church worship serv - ices. Each selection embraces a well- known hymn or patriotic song, however, composers often have titled their works programmatically or commemora - tively, thus resulting in the fact that titles Instrumentation may not include the name of the hymn. Each package contains the following: The American Band Journal is produced
biannually. The spring issue offers differing Full Score 1 B Trombone 2 2 styles of music for year-round concerts Soloist’s Part 1 Bass Trombone * 1 and programs, but the fall issue focuses E
Soprano Cornet * 1 B
Euphonium 2 solely on Christmas repertoire and has B
Cornet 1 6 E
Bass 2 been extremely helpful in providing fresh, B
Cornet 2 3 B
Bass 2 quality repertoire for the host of concerts given by schools, churches and communi - B
Flugel Horn * 1 Percussion 1* 2 ties during the Christmas season. E
Horn 1 2 Percussion 2* 1 E
Horn 2 2 * indicates part is optional B
Baritone * 2 Transposed parts in F and C (treble clef and bass clef) are available at no cost from the publisher for B
Trombone 1 2 ABJ 36 on. For an instrumentation comparison to other music publications refer to the chart on page 2.

8 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Range Limitations

Adapting the American Band Journal for Concert Band or Orchestra

The following instrument/part correlation chart will be a helpful guide to those directors who are using the American Band Journal with concert band or orchestra: Flute - play C Instrument 1 upper octave Oboe - play C Instrument 1 lower octave English Horn - play F Horn 1 or 2 Bassoon - play Baritone B.C., Euphonium B.C. or Tuba B.C. E
Soprano Clarinet - play E
Soprano Cornet 1st B
Clarinet - play B
Cornet 1 2nd & 3rd Clarinet - play B
Cornet 2 E
Alto Clarinet - play E
Horn 2 B
Bass Clarinet - play B
Tuba T.C. E
Contra Alto Clarinet - play E
Tuba B
Contra Bass Clarinet - B
Tuba 1st E
Alto Saxophone - play E
Horn 1 2nd E
Alto Saxophone - play E
Horn 2 B
Tenor Saxophone - play B
Baritone T.C. E
Baritone Saxophone - play E
Tuba Violin - play C Instrument 1, divisi Viola - no part provided Cello - play Baritone B.C. or Euphonium B.C. String Bass - play Tuba B.C. Piano - no part provided Organ - no part provided Keyboard Synthesizer - play C Instrument 1 part in octaves

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 9 Instrumental Series

MY ION AR ALVAT AL THE S JOURN BAND BRASS S SERIE IUMPH TR E SCOR FULL

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LTD. PLIES D SUP ING AN BLISH TS PU TIONIS SALVA

Unity Series Triumph Series This series is specifically designed for small The Triumph Series is the principal ensemble playing and can be played by Salvation Army band publication for small - groups of four or more players. Re-styled in er bands. More than 1,000 published titles 1996, it continues to supply small bands comprise this band journal ranging from with a range of music suited to all occa - marches to hymn tune settings, and a wide sions. (See Instrumental Music Difficulty choice of devotional and praise and wor - Levels.) Scored for nine parts, an additional ship music. (See Instrumental Music Index percussion part is available which includes for a list of titles). Published as 14 parts, New York Brass Sextet timps, glockenspiel, etc. The inclusion of a this series is best suited to bands of 10 or Journal piano part, which doubles as a condensed more players. (See Instrumental Music score, enables missing instrumentation to Difficulty Levels). Parts are printed 180 1 1 Over the past several years, brass be filled. A demonstration CD recording mm x 134 mm (7 ⁄8" x 5 ⁄4") and are sup - ensembles such as the Canadian Brass accompanies each complete set of full plied as complete sets, together with a full 1 and Empire Brass have reached new score and 8 ⁄2" x 11" size parts. Over 200 score. Scored all in treble clef except bass heights of success and popularity. titles published in this series. (See trombone: four titles per issue. Instrumental Music Index for a list of titles). In response, the New York Brass Sextet E
Soprano (1) 2nd Trombone (2) Journal endeavors to produce useful 1st Cornet (1) Euphonium (1) 1st Cornet (6) Bass Trombone (1) and challenging sacred music. This 2nd Cornet (1) E
Bass (1) 2nd Cornet (3) Euphonium (2) should not imply that all selections 1st Horn (1) B
Bass (1) 1st Horn (2) E
Bass (2) are technically difficult, rather that 2nd Horn (1) Percussion (2) 2nd Horn (2) B
Bass (2) grading limitations are not placed on Baritone/Trombone (1) 1st Baritone (2) Percussion (2) its composers. 2nd Baritone (2) Full Score (1) Keyboard/Condensed Score (1) As in the case of the American Band 1st Trombone (2) Soloist’s part Journal, this publication encompasses Full Score (1) Soloist’s part Grades 5, 6 and 7 in today’s musical cur - Published three times yearly Published three times yearly riculum and is well-suited for educational use and concert repertoire. Generally five or six items comprise each issue. Beginning with volume 5, each package includes: B
Cornet/Trumpet 1 B
Cornet/Trumpet 2 E
Horn F Horn B
Trombone T.C. Trombone B.C. B
Euphonium Euphonium B.C. E
Tuba B
Tuba Tuba B.C. Full Score

10 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide net - THE SALVA TION ARMY SOL O CORNET Bb

MARCHES AND HYMN S MY ETTINGS ION AR ALVAT AL RMY G HE S OURN ION A ENERAL SER T AND J ALVAT AL IES ASS B THE S JOURN BR BAND S BRASS SERIE ERAL ERIES GEN IVAL S ORE FEST b SC T B LL RE ORNE FU SCO 1st C ULL © F SALVATI ONIST PUBL 117/121 MY ISHING AND ARJUDD STRE SUPPLIES, TION ET, LONDON LTD., ALVA , WC1H 9NN THE S S TTING MN SE ND HY HES A MARC NN C1H 9 DON, W T, LON 9NN TREE WC1H RIES UDD S DON, SE J T, LON MPH STREE RIU JUDD T . ES LTD UPPLI AND S . HING ES LTD UBLIS UPPLI ISTS P AND S THE SAL ATION SHING VATION SALV PUBLI ARMY NISTS LVATIO 1 SA st CORNET Bb

, LTD., PLIES MAR D SUP ING ACN HES9NN LISH , WC1H AND H © ST PUB NDON YMN S TIONI T, LO ETTIN ALVA STREE GS S JUDD 117/121 U General Series Festival Series NITY SERIES The General Series was the first band jour - This advanced band journal has been published on a regular basis since 1923 nal published within The Salvation Army. © S ALVATIONIS T PUBLISHI 117/121 JUDD NG AND SUP Since 1884, over 1,900 compositions have and has over 500 titles. The number of STREET, LO PLIES, LTD., NDON, WC1 been published. A full gamut of Salvation compositions in each issue varies from H 9NN Army band music is included in the two to four items, depending on length.* General Series ranging from marches to Last published September, 2005. hymn tune settings.* See Judd Street Collection for current titles. Marches and Hymn Published three times yearly. Settings *Back order items may be researched in the Instrumental Music Index. Under this general title three compilation albums for brass band are available, Parts distribution for General/Festival Series containing a combination of popular marches and much loved hymn settings and hymn tune arrangements by E
Soprano (1) Solo Horn (2) 1st Trombone (2) B
Bass (2) Salvationist composers. Solo Cornet (5) 1st Horn (2) 2nd Trombone (2) Percussion (2) 1. General Series 1st Cornet (2) 2nd Horn (2) Bass Trombone (1) Timpani (1) Published in 1993, scored as General 2nd Cornet (2) 1st Baritone (2) Euphonium (2) Full Score (1) Series (see Instrumental Music Difficulty Flugel Horn (1) 2nd Baritone (2) E
Bass (3) Soloist’s part Levels and Instrumental Music-General Series) this publication contains 30 marches and 65 half-page hymn settings/ arrange - ments. There are two full scores available; 1: Marches and 2: Hymn Settings. The band parts contain all titles in one book. 2. Triumph Series Published in 1993, scored as Triumph For an instrumentation comparison Series (see Instrumental Music Difficulty of all the above series to other Levels and Instrumental Music-Triumph music publications refer to the Series) this publication contains 24 march - chart on page 2. es and 44 half-page hymn settings/ arrangements. Two full scores are available; 1: Marches and 2: Hymn Settings. The band parts contain all titles in one book. 3. Unity Series This compilation contains 24 marches and 26 hymn settings. One full score contains all the titles in this issue which can be played by as few as five players. (See Instrumental Music Difficulty Levels and Instrumental Music-Unity Series). Favourite Marches and Hymn Settings A compilation of favourite march and hymn settings, some of which have never been featured in such a compilation before. Two full scores are available: 1. Marches and 2. Hymn Settings. The band parts contain all titles in one book.

Please refer to the Price List Order Form for a list of titles contained in each of these compilation albums. 11 Instrumental Series

American Festival The Triumphonic Series Collection edited by William Himes and This series features major works for Brian Bowen brass band sold by title. The works are intended for advanced bands and pres - The American Festival Series is sold ent a rewarding challenge to instrumen - in complete units and is designed to talist and conductor alike. Works from accommodate even the largest of top Salvationists composers such as brass bands.* Kevin Norbury and Peter Graham are Although the instrumentation is identical to sold with standard brass band instru - the Festival Series (S.P.&S., London, mentation comprising each set of music. England), critical E
soprano, flugel, bass Prices vary according to length of work, trombone and divided tuba parts are con - however most titles are offered very rea - sistently cued. Therefore, much of the sonably at $40 per music set. repertoire can be performed with as few as 13-16 players. This is music of the highest The Judd Street creative and editorial quality which will Collection challenge bands of reasonable proficiency. This series, scored as for Festival Series, The American Festival Series* is sold in features hitherto unpublished music from a complete units, with a score and generous wide range of Salvation Army composers. quantity of parts as follows: Major works from such as Peter Graham, Kenneth Downie, Robert Redhead and E
Soprano (1) 1st Trombone (2) Ray Steadman-Allen are featured. Sold as Solo Cornet (5) 2nd Trombone (2) individual titles in band sets. 1st Cornet (2) Bass Trombone (1) 2nd Cornet (2) Euphonium (2) Flugel Horn (1) E
Bass (3) Solo Horn (2) B
Bass (3) 1st Horn (2) Percussion I (2) 2nd Horn (2) Percussion II (1) 1st Baritone (2) Full Score (1) 2nd Baritone (2)

Special Editions Published as individual titles with unique applications in a variety of score formats.

Salvation Army Classics Instrumental Music Index for Small Ensemble of Salvation Army band publications A superb new series of classics from the Since its debut in 1984, the Salvation Army band repertoire now lov - Instrumental Music Index has ingly rescored by Michael Babb and become the reference standard Ray Steadman-Allen for smaller ensem - for Salvation Army instrumental ble (Unity Series five-part scoring). publications throughout the world. It remains the most Tradewinds comprehensive reference of its kind, with over 3,000 titles Salvation Army Music arranged for —a compilation of 29 Salvation Concert [wind] Band. Army band journal sources. 4 Trombone Quartets Six specialized indexes include: Alphabetical by title, type (march, selec - arranged by George McLoughlin tion, etc.), seasonal (harvest, Christmas, It Is Well With My Soul, My Hope Is Easter), solos and ensembles, classical Built, ’Tis So Sweet to Trust in Jesus, transcriptions, and composers. Every list - Trumpet of the Lord ing includes title, classification (march, selection, overture, etc.) difficulty level Contains both Bb T.C. and B.C. parts. (1-9), journal index number, and compos - er/arranger credits. This reference is produced in CD-Rom and notebook format, allowing users to sub - scribe to complete annual updates. *Back order items may be researched in the Instrumental Music Index. 12 For an instrumentation comparison of these series to other music publications refer to the chart on page 2. Christmas Music

New Christmas Praise Choral Edition A selection of 95 exciting, modern carols together with many traditional favorites. The music is scored for SATB with piano accompaniment and guitar chords. Each page is clearly laid out for maximum ease and enjoyment of singing.

Words Only Edition This booklet is for congregational use and contains the words for the 95 carols and songs featured in the Choral Edition, together with Bible narratives telling the Christmas story.

Christmas Music

A compilation album of 37 Christmas selections and marches from General and Triumph Series brought together in New Christmas Praise one book. For an instrumentation listing for these two series, refer to the chart Brass Band Edition on page 2. Bands can now have arrangements for most requests they will receive b RNET B SOLO CO during the Christmas season! This Y ION ARM edition gives band arrangements for E SALVAT TH all the songs and carols in the Choral C and WordsOnly Editions, plus a further AS MUSI CHRISTM 20 popular Christmas tunes. Brass parts are scored for Triumph Series instrumentation (see Instrumentation chart on page 2) except only one baritone B
part.

TD., PPLIES, L G AND SU © BLISHIN 1H 9NN ONIST PU DON, WC Alternative parts available for SALVATI ET, LON DD STRE 117/121 JU (soprano) B
& C treble clef; (alto) B
, E
C & F treble clef; (tenor) B
, E
& F treble clef, alto clef, and bass clef; trombone parts 1 & 2, B
treble clef, Sounds of Christmas and bass clef; euphonium B
treble clef, and bass clef; (bass) B
treble Sounds of Christmas is a brand new col - clef and bass clef. lection of 36 Christmas arrangements and compositions that can be played by groups as small as five players. It

includes a number of re-scored favorite Part 1 Bb brass band works and is sure to add interest to your Christmas carol playing Christmas Spirit and concert repertoire. A demonstration double CD is also available. Christmas Spirit is a collection of six - teen Christmas carol and song arrangements following the four and five part scoring of the American Instrumental Ensemble Series.

or , Edit Seven of these arrangements were rnow s Cu Jame written especially for this collection, and the remaining nine are among the most popular Christmas arrangements from earlier editions of the AIES. These sixteen arrange - ments are published in separate books, by part, that will be useful for ensembles of virtually any combination. Please refer to the Price List Order Form for a complete list of parts available.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 13 Christmas Music

Carolers’ Favorites Carolers’ Favorites has long been a favorite of North American Salvation Army musicians. Every year, at street corner kettles and in shopping malls, hundreds of brass players play these fine arrangements of well-known carols. Initially published in 1953, Carolers’ Favorites currently offers a wide variety of popular carols and songs. An optional fifth part and F, alto clef, C treble, and bass clef parts make this collection fully adaptable for concert band or orchestra (please see Adapting Carolers’ Favorites for Concert Band or Orchestra). 133 carols comprise this publication which includes vocal and instrumental editions. Since these two editions are compatible musically and numerically, they may be combined to feature various combinations of voice, instrument and/or keyboard. Adapting Carolers’ Favorites for Concert Band or Orchestra Piccolo - play Part 1 C Instrumentation Flute - play Part 1 C This edition provides books for the follow - Oboe - play Part 1 C ing instruments: Bassoon - play Part 3, 4 or 5 B.C. Part 1 : B
, E
& C (T.C.) English Horn - play Part 2 F Part 2 : B
, E
, F & C (T.C.) E
Soprano Clarinet - play Part 1 E


1, 2 or 3 Bb Clarinets - Part 3 : B , E , F, B.C. & Alto Clef
Part 4 : B
, E
, & B.C. play Part 1 or 2 B E
Alto Clarinet - play Part 3 E
Part 5 : B
(T.C.) & B.C. B
Bass Clarinet - play Part 4 B
Percussion E
Contra-Alto Clarinet - play Part 4 E
B
Contra-Bass Clarinet - Various Small play Part 4 B
1, 2 or 3 Alto Saxophone - Ensembles play Part 1 or 2 E
This book may also be effectively used by B
Tenor Saxophone - play Part 3 B
small ensemble combinations including E
Baritone Saxophone - play Part 4 E
trios, quintets or sextets. For most effec - tive results, use the following combinations: 1, 2 or 3 Trumpet (cornet) - play Part 1 or 2 B
Trios : Parts 1, 2 & 3 (or 4) F Horn - play Part 2 or 3 F Quartets : Parts 1, 2, 3 & 4 E
Horn - play Part 2 or 3 E
Quintets : Parts 1, 2, 3, 4 & 5 B
Trombone - play Part 3, 4 or 5 B
Sextets : Parts 1, 2, 3, 4, 5 and or B.C. 1 (trombone/baritone) B
Baritone - play Part 3, 4 or 5 B
or B.C. B
Euphonium - play Part 5 (or 3 or 4) B
or B.C. E
Tuba - play Part 4 E
B
Tuba - play Part 4 B
Violin - play Part 1 or 2 C Viola - play Part 3 Alto Clef Cello - play Part 4 or 5 B.C. String/Electric Bass - play Part 4 B.C.

14 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Children’s Choral Series

Children’s Praise An annual collection of unison and two-part arrangements for children’s chorus Children’s Praise , an annual series of chil - dren's songs, is designed for Salvation Army singing companies, other children's choruses and young soloists. Eric Alexander, James Anderson, Sally Sing to the Lord Singing Company Broughton, Stephen Bulla, David Catherwood, Children’s voice series Album James Cheyne, Douglas Court, James Curnow, Nathan Farell, Dorothy Gates, Leisa Hall, A collection of arrangements for Graeme Press, and Christopher Priest have Replacing New Songs For Young People children’s chorus carefully considered the musical characteristics in 1993, this series is a welcome addition of children's voices. Their use of contemporary to all junior choir repertoire. The attractive Singing Company Album 1991 musical styles will appeal to both the children 32 page volume contains songs for all wor - Eight songs by well known composers and their listeners. The words have been ship situations and caters for a range of including Ivor Bosanko, Terry Camsey, chosen for their simplicity and directness in abilities and age groups. Amanda Carr, Barrie Gott, Christopher communicating biblical truth and for their Mallett, and Ralph Pierce. appropriateness for the children's chorus. While An accompaniment/demonstration CD is Singing Company Album 1997 an accompaniment recording is available, lead - also available for volumes 10-13. Twelve songs by well known composers ers are encouraged to use a piano accompa - including Ivor Bosanko, Harold Burgmayer, nist whenever possible. Keyboard accompani - Published annually. Terry Camsey, Christopher Mallett, and ments, which range from easy to moderate lev - Ralph Pierce. els of difficulty, will be enhanced by the occa - sional optional instrumental obligato. A cassette or CD of the Singing Company Album 1997 is available, which includes a A demonstration/accompaniment recording demonstration of each song followed by (Volumes 1-3 on cassette, Volumes 4+ on CD) the accompaniment tracks. demonstrates each song, most recently by chil - dren’s voices. This will be helpful to leaders in Singing Company Album 1999 repertoire selection and rehearsal planning. This is then followed by accompaniment tracks only Singing Company Album 2000 (including the optional instrumental parts) for groups without accompanists, and for use in per - formance where a keyboard is not available. Published annually.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 15 Choral Series

Sing PPPPRRRRAAA IISSEE Vo I l A u S m I e SE 15 E Jame s Curnow, Editor A collection of SAB ar contemporary rangements fo r Adult Chorus

______L_et Us Re ______j_o_i_c__e Sing to the Lord ______M___y___Own Na ______t_i_v_i_t_y ______Mixed Voice Series ______I_n___t_h_e Distan ______c_e______I_ON Le RAT ______t__I_t_S_ hine ONST ______g___ Replacing The Musical Salvationist in EM G nt n ______D DIN ime i ______R_ pan ECO ___cc_o_m____only LoSok R ith a cks ______to Jes s w t tra ______us January 1994, each issue contains 8-12 ocal en ______•V anim ______omp ____E___ cc E ____ A _•______Shine ______D__o__w__n SS songs depending on length—covering ______I_I______God Who Tou ______ched the EaAArth every worship and concert situation. An RR With BEEeauty S5 P IS1 P Ie Am accompaniment/demonstration CD is also uA r Rol Edito RV w, P urno P C es y Jam mporar f conte horus available for volumes 10-13. ection o Adult C A coll nts for angeme SAB arr ______Rejo_ic__e______et U_s______Published three times yearly. L ______ativit_y______wn _N______My__O______stanc__e______the D__i______I_n______Shin_e______Let _I_t______s ______to Je__s_u______Loo_k______n ______e D_o__w______Vocal Solos in __ ty _S__h______Beau ______h With ______e Eart __ ched th ho Tou God W Album Published under the Sing To The Lord ban - ner, this album is a Sing Praise Psalms, Hymns and welcome addition to An annual collection of Spiritual Songs vocal soloists’ reper - contemporary SAB arrangements toire. It contains a Gospel and contemporary vocal for adult chorus wealth of songs writ - settings for voices of all ages ten or arranged by This innovative choral series has been This collection of contemporary 1- and some of The Salvation designed to meet the worldwide demand Army’s most talented composers. Among from leaders of Salvation Army songster 2-part choral settings offers valuable the 14 titles are songs of personal experi - brigades, church choirs and school choruses repertoire for adult chorus, youth chorus, for SAB (soprano, alto and baritone) arrange - men’s or women’s vocal ensembles, and ence, dedication and challenge. An ments with limited voice ranges and easy to children’s chorus. accompaniment cassette is available. moderate difficulty levels. This dynamic series was created to meet Sing Praise includes a variety of styles, using the needs of conductors and vocal ensem - Crestmont original and established gospel lyrics, with a bles that require unison and occasional 2- notable list of writers and arrangers: Eric part arrangements with limited voice Vocal Alexander, James Anderson, Leonard ranges and easy to medium difficulty level Series Ballantine, Stephen Bulla, David Catherwood, piano accompaniments. James Cheyne, Douglas Court, James SATB arrange - Curnow, Paul Curnow, Paul Kellner, Graeme Psalms, Hymns and Spiritual Songs incor - ments for adult Press, Christopher Priest and Gerry Shoults. porates a variety of styles—from devotional chorus songs to songs of praise and adoration. While an accompaniment recording is avail - Composers and arrangers from around the Vocal music writ - able, leaders are encouraged to use a piano world have combined their talents to pres - ten for mixed voic - accompanist both in rehearsal and perform - ent simple yet effective choral settings. es in single octa - ance whenever possible. The keyboard vo form. Some accompaniments, which range from easy to A demonstration/accompaniment CD are reprints of moderate levels of difficulty, will be enhanced recording offers each song performed by songs by Bruce by the occasional instrumental obligato. Salvationist adult musicians which will be Broughton, Stephen Bulla, James A demonstration/accompaniment recording helpful to music leaders in repertoire selec - Curnow and William Himes that can be (Volumes 1-3 on cassette, Volumes 4+ on CD) tion and planning. Also included on the used in many different settings. Songs demonstrates each song recorded by Salvationist recording are accompaniment tracks for by Ivor Bosanko, Terry Camsey, Doris musicians. This will be helpful to leaders in reper - groups without accompanists, and for use Noland and Robert Tobin. Brass parts toire selection and rehearsal planning. This is then when a keyboard is unavailable. are available for Crestmont Vocal Series followed by accompaniment tracks only (including #101 “Build A Better World.” the optional instrumental parts) for groups without accompanists, and for use in performance where a keyboard is not available. Published annually.

16 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Choral and Songbooks

My Song... Your Gift Contemporary 18 solos provide a range of styles suitable Songbook, Volume 2 for a variety of occasions, from devotional An exciting collection of SAB vocal meetings to festivals, and are a stylings valuable addition to any vocal Arranged by Stephen Bulla soloist’s reper - The success of Contemporary Songbook, toire. The sheet Volume 1, featuring songs written or music album arranged by Stephen Bulla, led to the pub - contains the lication of Volume 2. soloist part, piano accompani - The updated Army tradition created in the ments for each previous volume of presenting the gospel song, and message through popular music styles has includes an been maintained. Many of these songs are accompaniment original and a new generation of Salvation CD to aid your Army songwriters and composers is repre - rehearsal and also sented in this collection by David Church, to bring life to your Douglas Court, Leisa Hall, Eddie Hobgood, performances. Willis Howell and of course, Stephen Bulla. A separate CD record - The 12 contemporary arrangements ing is also available including four a cappella arrangements featuring all the pub - which will further enhance the music min - lished songs presented istry of youth choruses, contemporary by some of The music groups, songster brigades and Salvation Army’s most prominent vocal soloists. soloists, many of whom have recorded and The music will encourage the development sung at a professional level. of instrumentalists (guitar, keyboard, bass and drums) as they emulate their parts and while performing the accompaniment live.

I’m in His Hands A CD recording is available featuring each Songs and choruses of the 12 songs with vocals provided by written by Stanley E. Ditmer Salvationist professional musicians. After a brief pause, each accompaniment track is This collection of 50 songs and presented as a practical aid in rehearsal choruses from the pen of Commissioner and performance. Two cassettes are avail - Stanley E. Ditmer was published in 1986. able with vocals & accompaniment or Stanley E. Ditmer is best known as the accompaniment tracks only. composer of the inspiring song, “I’m In His Hands.” This edition will Contents: confirm his gifts as a composer and poet, Higher Ground, Send Your Power, Someone and includes Commissioner Ditmer’s Out There, To Know Him, My Jesus, I Love Thee, Where You Want Me, Hallelujah, On My account of the writing of Way Home, Lover of My Soul, Back To The “I’m In His Hands.” Army, Love Them, Wondrous Cross.

A Melody in My Heart Songs of Praise Songs and choruses written by Sidney E. Cox A collection of 254 congregational songs with words and music featuring a mix of The songs and choruses of Sidney E. 19th & 20th century traditional hymns, Cox are a significant part of the heritage gospel tunes and modern Christian songs. of Salvation Army music. Each song is published with SATB harmo - nization, allowing part singing (if desired) This publication of A Melody In My as well as piano/organ accompaniment. Heart, will create renewed interest in Choral Essays The songbook comes in hardback and is these 86 songs and choruses that have ideal for use with any congregation, been a source of blessing and help for Volumes 1&2 whether in church or camp settings. Band many Christians throughout the world. Companion Songbooks to the CD recorded accompaniment books are available by The King’s Singers SATB arrangements covering the same instrumentation as the re-originated and type set from the original regular Salvation Army Band Tune Book. published songs.

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 17 Worship Resources

Chorus Book The Salvation Army This edition of the chorus section of The Song Book Song Book of The Salvation Army has been The Salvation Army Song Book (words only) A N D F D I

produced with melody and text together O R

O E L

B contains a wealth of well-loved hymns, Y

M T R H A with chord symbols. E N O S A L V A T I gospel songs and choruses. Hymn Tune Accompaniments Piano Tune Book from The Salvation Army Simplified Edition Songbook arranged by William Himes This CD collection of Hymn Tune Accompaniments is an invaluable worship 200 ever-popular hymn tunes and gospel resource as accompaniment to congregation - songs as well as seasonal music al singing where no “live” accompaniment is (Christmas, Easter, harvest) have been available. This series can be used to expand carefully arranged to suit pianists of limited the tune repertoire of worship leaders, ability and training (two years of study rec - and serve as a performance model for ommended). instrumental groups. Band Tune Book Scripture-based Songs The Band Tune Book correlates with the The Series for Brass Band Salvation Army Tune Book. The SATB har - This series contains twelve songs per issue, monizations are found in the primary parts. arranged in a contemporary style to accom - Published in two volumes: Book I - 1-500, pany hymns. (Triumph Series scoring) Book II - 501-871. The American Supplement also includes an additional 30 Scripture-based Songs tunes at the back of Book II. Compilation For an instrumentation comparison to other A new compilation that features 83 titles from music publications refer to the chart on page 2. the first ten years of Scripture-based Songs, now bound in the ‘favourites’ style format. A triple-CD accompaniment recording is also The Salvation Army available. Piano/Keyboard Tune Book This publication correlates with The Song transMission Book of The Salvation Army (words only) and includes 871 hymn tunes and 251 cho - Worship Team Resources ruses. transMission provides a contemporary wor - ship resource for all congregations. Each recording provides a mix of original songs and updates of classic hymns and songs. Companion to Featuring a 2-disc format, every release is the Song Book much more than a just recording. The first disc is the performance by transMission, and of The Salvation Army the second disc contains supplemental Gordon Taylor has provided a detailed study resources. Disc 2 is an accompaniment CD of the origins of the songs and their writers. that can be used for congregational singing, This book is an aid to worship and devotion. and it is also a CD-ROM that includes lead sheets and chord charts in PDF files for live accompaniment. Piano Offerings d eyboar gs for K Offerin 20 on Post by Vern These collections of solo piano pieces are Musical Offerings written for beginning to intermediate piano These collections of piano offertories fea - players. Each of these simple settings are ture solos for a range of technique, struc - appropriate for worship services as a solo or offertory. Demonstration CD included. tured in a progressively graded format. Musical Offerings provides a wealth of key - board repertoire from favorite traditional hymns to present-day praise and worship

y Territor astern / USA E choruses. n Army vatio The Sal

18 Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. Hallelujah Choruses Since 1998 Hallelujah Choruses has proven to be an excellent resource for contemporary praise and worship songs. In recent editions song lyrics have been included at the top of the conductor's score. These arrangements are scored for instrumental quintet, keyboard and percus - sion, as well as bass guitar and electric guitar. All arrangements can be performed with a minimum of five instruments, but it is essential for the conductor to carefully assign the parts to ensure proper balance.

Instrumentation (optional parts indicated in parenthesis): Part I Corne t(B
,E
an dCpar t included ) Part II B
Cornet / E
Horn (F Horn) Part III B
Baritone / Trombone, E
Horn Recordings (F Horn and Bass Clef) Performance/ accompaniment CDs, Part IV E
Tuba, B
Tuba (Bass Clef) featuring the Norridge Citadel Band (IL) and
selected vocalists are available featuring 10 Part V Euphonium ( B and B.C. ) performance tracks and 10 accompaniment tracks per compact disk, making it possible (Optional rhythm section): for worship leaders to thoroughly familiarize Keyboard themselves with each arrangement to be confident with the tempo, style and format Electric Guitar & Electric Bass of each arrangement. Percussion I (bells, timpani, utility) PraisePak Percussion II (drum set) HC PraisePaks are ideal for praise teams Adapting for concert band or orchestra: leading congregational singing. The format The following guide will be helpful to the grow - includes three-part (SAB) vocals and ing number of church and school instrumental keyboard (plus chord symbols); optional directors who are adapting the Hallelujah Choruses series for their band and orchestra three-part brass: trumpet/cornet 1-2 (opt. Eb ensembles: 2) and trombone (treble and bass clef); gui - tar, bass and drum set. While these settings Flute —play C Instrument I - upper octave conform exactly to the form and harmony of Oboe —play C Instrument I - lower octave the full instrumental settings, the PraisePak English Horn —play F Horn II instrumentation is not intended to be per - Bassoon —play Trombone/Baritone B.C. III, formed simultaneously with full band. Euphonium/Baritone B.C. V or Tuba B.C. IV - upper octave Prayer Choruses —Play E
Cornet I Eb Soprano Clarinet The Hallelujah Prayer Choruses accompani -
—play B
Cornet I 1st B Clarinet ment CD contains 20 choruses typically
—play B
Cornet II 2nd & 3rd B Clarinet used in services during times of prayer or
—play E
Horn III E Alto Clarinet invitation. This recording uses piano only. Each B
Bass Clarinet —play B
Tuba T.C. IV - lower octave when divided chorus has been recorded in two formats to
—play E
Tuba T.C. IV give flexibility within the worship setting. E
Contra Alto Clarinet
B Contra Bass Clarinet —play B Tuba T.C. IV- Songbook 1-100 upper octave when divided S O N G B O O K K E Y B O Songbook 101-190 1 - 1 0 0 A R D 1 - 1 0 E
Alto Saxophone —play E
Horn II 0 B
Tenor Saxophone —play Trombone/Baritone (melody, lyrics, chord symbols) T.C. III Available in English and Spanish E
Baritone Saxophone —play E
Tuba T.C. IV adjusting octaves when necessary Vocal Series (151-190) Violin —play C Instrument I - divisi Choir books for vocal groups or praise teams. Viola —no part provided Includes SAB vocals and keyboard. Cello —play Trombone/Baritone B.C. III, Euphonium/Baritone B.C. V or Tuba B.C. IV Keyboard 1-100 - upper octave Keyboard 101-150

Published annually. Video Tapes & DVDs

Please refer to the PRICE LIST ORDER FORM for price and availability from our worldwide network of distributors. 19 For technical information about Salvation Army Please contact any of the following music publications, contact any of the following when placing your order

The Salvation Army, UK Territorial Music Department Salvationist Publishing and Supplies Ltd. 101 Newington Causeway, London, SE1 6BN, England 1 Tiverton Street, London, SE1 6NT, United Kingdom Telephone +44 (0) 20-7367-4500 FAX +44 (0) 20-7367-4728 Telephone +44 (0) 20 7367 6580 (general inquiries) Fax +44 (0) 20-7367-6589 The Salvation Army, USA Central Music Department 10 W. Algonquin Road, Des Plaines, IL 60016 The Salvation Army, Resource Connection Telephone 1-847-294-2133 Fax 1-847-294-2114 (USA Central & USA Western) 10 W. Algonquin Road, Des Plaines, IL 60016 The Salvation Army, USA East Music Department E-mail [email protected] 440 West Nyack Road, West Nyack, NY 10994-1739 Telephone 800-937-8896 Fax 847-227-5015 Telephone 1-845-620-7444 Fax 1-845-620-7777 The Salvation Army, Supplies and Purchasing Department The Salvation Army, USA South Music Department 440 West Nyack Road, West Nyack, NY 10994-1739 1424 Northeast Expressway, Atlanta, GA 30329 E-mail [email protected] Telephone 1-404-728-1300 Fax 1-404-728-1373 Telephone 1-845-620-7411, 7481 Fax 1-845-620-7751

The Salvation Army, USA West Music Department The Salvation Army, Supplies and Purchasing Department 180 Ocean Blvd., Long Beach, CA 90802 1424 Northeast Expressway, Atlanta, GA 30329 Telephone 1-562-491-8363 Fax 1-562-491-8563 Telephone 1-800-STORESA Fax 1-404-728-6740

Purchase online through The Salvation Army website. For a listing of books, music publications and recordings, visit shop.salvationarmy.org .