The Symbolism of Byzantine Churches in Albania (VII - XV)
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Monumentet Qarku Gjirokaster
LISTA E MONUMENTEVE TË KULTURËS - QARKU GJIROKASTËR ADRESA TË DHËNA TË SHPALLJES NR. EMËRTIMI I MONUMENTIT KATEG. NJ. INSTITUCIONI/ LAGJJA FSHATI BASHKIA QARKU ADMINISTRATIVE NR. VENDIMIT/ DATA 1. Vendim i Institutit i Shkencave (botuar në Gazetën Zyrtare Nr. 95, dt. 16.10.1948); 2.Rektorati i Universitetit Shtetëror të Tiranës/ 1 KALAJA E GJIROKASTRËS I Gjirokastër Gjirokastër Gjirokastër nr. 6/ dt. 15.01.1963 3.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ nr. 6/ dt. 15.01.1963 2 KALAJA E MELANIT I Nepravishtë Qender Libohove Libohovë Gjirokastër 2.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ nr. 6/ dt. 15.01.1963 3 KALAJA E LABOVËS SË KRYQIT I Labovë e Kryqit Qender Libohove Libohove Gjirokastër 2.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ nr. 6/ dt. 15.01.1963 4 KALAJA SELOS I Selo Dropull I Siperm Dropull Gjirokastër 2.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ 5 KALAJA E SHTËPEZËS I Shtëpezë Picar Gjirokastër Gjirokastër nr. 6/ dt. 15.01.1963 2.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ 6 KALAJA E JERMËS I Saraqinisht Antigone Gjirokastër Gjirokastër nr. 6/ dt. 15.01.1963 2.Ministria e Arsimit dhe Kulturës/nr.1886/ dt.10.06.1973 1.Rektorati i Universitetit Shtetëror të Tiranës/ 7 KALAJA E KARDHIQIT I Kardhiq Cepo Gjirokastër Gjirokastër nr. -
Byzantine Art and Architecture
Byzantine Art and Architecture Thesis The development of early Christian religion had a significant impact on western art after the fall of the Roman Empire in the 4th century (AD). Through examining various works of art and architecture, it becomes evident that the period of Byzantium marked a significant transition in aesthetic conventions which had a previous focus on Roman elements. As this research entails, the period of Byzantium acted as a link between the periods of Antiquity and the Middle Ages and thus provides insight on the impact of Christianity and its prevalence in art and architecture during this vast historical period. Sources/Limitations of Study Primary Sources: Adams, Laurie Schneider. Art Across Time. McGrawHill: New York, 2007. Figures: 8.4 Early Christian sarcophagus, Santa Maria Antiqua, Rome, 4th century. Marble. 8.5 Plan of Old Saint Peter’s basilica, Rome, 333390. 8.6 Reconstruction diagram of the nave of Old Saint Peter’s Basilica. 8.12 Exterior of the mausoleum of Galla Placidia, Ravenna, c. 425426. 8.13 Interior of the mausoleum of Galla Placidia showing niche with two apostles (above) and the Saint Lawrence mosaic (below), Ravenna, c. 425426. 8.14 Christ as the Good Shepherd, the mausoleum of Galla Placidia, Ravenna, c. 425 426. Mosaic. 8.28 Hagia Sophia, Constantinople (now Instanbul), illuminated at night, completed 537. 8.29 Plan, section, and axonometric projection of Hagia Sophia. 8.30 View of the interior of Hagia Sophia after its conversion to a mosque. Colour lithograph by Louis Haghe, from an original drawing by Chevalier Caspar Fussati. -
Iconoclasm: a Christian Dilemma
ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY By STEPHEN CHARLES STEACY •• Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1969 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1978 ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY Thesis Approved: '. ~- Dean of the Graduate College 1019541 ii P~F~E This thesis is concerned with Iconoclasm, the religious upheaval which troubled the Byzantine conscience for over a century. There have been numerous theories adduced by his torians to account for this phenomenon. It is the purpose of this study to view the varying interpretations, analyze their shortcomings, and to put forth a different view of the controversy, one that more adequately expresses the deeply rooted religious nature of the movement, a movement not only of the eighth and ninth centuries but an idea which was nurtured in fertile soil of the Old Testament and Apostolic Christianity. The author wishes to express heartfelt appreciation to his thesis adviser, Dr. George Jewsbury, whose unflagging solicitude, support, and inspiration were instrumental in the preparation of this work. A note of thanks is given to Mrs. Karen Hoyer, whose typing expertise, in the final analysis, made the difference between success and failure. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION AND HISTORIOGRAPHICAL ESSAY 1 II. THEOLOGICAL AND PHILOSOPHICAL COURSES OF THE CONTROVERSY. • • . • . • • . • . 13 Genesis of the Cult of Icons .•.• 13 The Scriptures as the Foundation of Iconoclasm. 26 Precursors of ·the Iconoclast Movement . 30 Origen . 31 Eusebius . -
8 Heaven on Earth
Heaven on Earth The Eastern part of the Roman empire from the mid 5 th century to the mid 15 th century is referred to as the Byzantine Empire [62] but that term 8 would not have meant anything to the people living either in the Eastern or the Western parts of the Roman Empire at the time. The residents of the East thought of them- 62 selves as “Romans” as Map of the maximum extent much as the residents of of the Byzantine Empire (edited map: xenohistorian.faithweb.com/ the West did. In fact, Con- europe/eu08.html ) stantine the Great had The Byzantine Empire expanded moved the capital of the and contracted many times from Roman Empire in 330 476, when the last emperor of the from “old” Rome in the Western Roman Empire abdi- West to what he called cated, until its demise in 1453. The “New” Rome ( Nova map gives us some idea of the core of the Byzantine Empire’s Roma ) in the East. There political and cultural influence. was already a city in the new location, Byzantion, and that is where the term Byzantine comes from. The name Constantinople was given to the new capital after the death of Constantine. Constantinople grew in power, cultural, and diplo- matic influence while old Rome was repeatedly plundered by barbarians. By the end of the 5 th century the Western Roman Empire was out of busi- ness. So it was that the citizens in the East saw themselves as simply the continuation of the Roman Empire. We call that remnant of the old em- pire in the east, Byzantium, in recognition of the changed political situa- tion centered on Constantinople between 476 and 1453. -
Bashkia Dropull.Pdf
PLANI OPERACIONAL i Zhvillimit Vendor Bashkia Dropull PB Bashkia Dropull Plani Operacional i Zhvillimit Vendor 1 Mars, 2016 Përgatitur nga: Akademia e Studimeve Politike 2 Bashkia Dropull Plani Operacional i Zhvillimit Vendor 3 Tabela e Përmbajtjes 1. Nevoja për një Plan Operacional për Investime 4 2. Plani operacional afatshkurtër në perspektivën e qeverisjes lokale dhe proceseve planifikuese 6 3. Metodologjia për përgatitjen e POZHL 8 4. Diagnoza 10 4.2 Zhvillimi ekonomik 10 4.3 Mirëqënia ekonomike dhe sociale 13 4.4 Burimet natyrore dhe qëndrueshmëria mjedisore 15 4.5 Konkluzione 15 5.Përcaktimi i problemeve dhe prioriteteve operacionale afat-shkurtra duke përfshirë pemën e problemeve 16 5.1 Pema e problemeve 17 5.2 Plani operacional 20 6. Vizioni strategjik 32 7. Harta dhe foto 33 8. Anekse 35 2 Bashkia Dropull Plani Operacional i Zhvillimit Vendor 3 Nevoja për një Plan Operacional 1. të Investimit Projekti i hartimit të Planit Operacional të Zhvillimit Lokal (POZHL) u iniciua nga Mi- nistri i Shtetit për Çështjet Vendore në bashkëpunim me projektin STAR, të menaxhuar nga UNDP. Projekti STAR ka ardhur si një reagim i menjëhershëm i mbështetjes që donatorë të ndryshëm ofruan për Qeverinë në përpjekjet e ndërmara për zbatimin e reformës admini- strative territoriale. Hartimi i POZHL rezulton si sfidë kryesore dhe nevojë imediate për të patur një plan të integruar të veprimeve dhe masave që bashkia e re duhet të marrë, për të si- guruar kohezionin administrativ dhe territorial të të gjitha njësive administrative të saj, pas reformës territoriale. Sigurimi i kohezionit administrativ dhe territorial kërkon masa dhe veprime që mund të përfshijnë ristrukturimin administrativ, të shërbimeve administrative dhe shërbimeve publike, të infrastrukturës lidhëse të njësive administrative etj. -
Houses, Streets and Shops in Byzantine Constantinople from the fifth to the Twelfth Centuries K.R
Journal of Medieval History 30 (2004) 83–107 www.elsevier.com/locate/jmedhist Houses, streets and shops in Byzantine Constantinople from the fifth to the twelfth centuries K.R. Dark à Research Centre for Late Antique and Byzantine Studies, The University of Reading, Humanities and Social Sciences Building, Whiteknights, Reading RG6 6AA, UK Abstract This paper presents an analysis and reinterpretation of current evidence for houses, streets and shops in fifth- to twelfth-century Byzantine Constantinople, focussing on archaeological evidence. Previously unidentified townhouses and residential blocks are located. These show greater similarities to Roman-period domestic architecture than might be expected. Changes in the architectural style may be related to social change in the seventh century. Berger’s reconstruction of the early Byzantine street plan is shown to be archaeologically untenable. This has implications for the identification of formal planning and the boundaries of urban districts in the Byzantine capital. The limited archaeological evidence for streets and shops is also discussed. # 2004 Elsevier Ltd. All rights reserved. Keywords: Byzantine; Constantinople; Houses; Shops; Streets; Archaeology; Cultural change 1. Introduction This paper aims to ask what archaeology can tell us about the houses, streets and shops of Byzantine Constantinople between the fifth and 12th centuries. Abundant textual sources exist for the political, ecclesiastical and intellectual history of the city, but these provide much less information about the everyday life of its inhabitants. One would suppose that archaeology ought to play a central role in elucidating these aspects of urban history, but this has not been the à E-mail address: [email protected] (K.R. -
Inventory of the Available Materials Religious Monument S Guide
Monuments and places of cults INVENTORY OF THE AVAILABLE MATERIALS RELIGIOUS MONUMENT S GUIDE Introduction Dear visitor, In this brochure we are introducinga selection of some of the many religious monuments that are found in the Albanian territory. These last ones might become part of your scheduled visits during your stay in Albania. Along with their complexity, architectonics, historic, and cultural values those will acknowledge and closely see the faith tradition in Albania and also really feel the religious excellent harmony and coexistence that exists for centuries among Albanians. We invite you to visit these sites during your stay and why not also become part of some of the pilgrimages described in this brochure. We hope your visits in these religious sites enrich your experience in Albania. 1 ORTHODOX RELIGION SITES The most interesting ones: 1-Saint Mary’S Monastery Church in Ardenice. One of the largest monasteries with an ancient history not only in the region of Myzeqe but in the entire country. It is situated along Lushnje-Fier national road near Kolonja village. It dominantly raises on the hills of Ardenica with a altitude of 237 m above sea level where the view of a vast, pleasant and astonoshing field spreads. The values this temple holds make it one of the most touristic and study attraction sites. It is believed that the foundations of this monastery are placed in 1282 with the intiative of emperor Andronik II,a Bizantyne Paleologist who built it after the victory over Angevins in Berat. ‘The crowning wedding ceremony of our national hero Gjergj Katrioti who married Andronika Arianiti took place in Ardenica‘s Monastery Church. -
The Classification of Rural Settlements in Gjirokastra Region
E-ISSN 2281-4612 Academic Journal of Interdisciplinary Studies Vol 5 No 3 S1 ISSN 2281-3993 MCSER Publishing, Rome-Italy December 2016 The Classification of Rural Settlements in Gjirokastra Region Assoc. Prof. Albina Sinani Department of Geography, Faculty of Education and Social Sciences, “Eqrem Çabej” University Gjirokaster 6001, Albania; *[email protected] Doi:10.5901/ajis.2016.v5n3s1p24 Abstract The network of residential areas in the region of Gjirokastra has changed depending of a complex factors. This has affected to the utilization rate of the region's rural territories. Considering the economic orientation of rural settlements by relief factor, we look that in settlements that lie in the landscape field, dominates this main branch of the economy: agriculture, livestock, processing of agricultural and livestock products and trade. In settlements that lie in low relief and high montane prevail livestock and orchards, while in the mountainous terrain of petty farming prevails (in villages of municipalities Picar, Cepo, Pogon and Frashër). To achieve this classification serves the real estate registry, which contains books of plots, with surfaces by categories (arable land, orchard, vineyards, forests, pastures, unproductive land). Until 1990, social-economic factor determining in order to limit the application of the regulatory policies of rural settlements. The old system aimed the limiting of the occupation of agricultural land and increasing population density in the rural area. After 1990 have not been implemented proper policies for the development of rural areas. Gjirokastra region rural areas have outstanding value to the organization as space and landscape, as well as the architecture and internal organization of housing and other buildings, infrastructure etc. -
Byzantine Octagon Domed Churches of the 11Th Century and the Roman Imperial Architecture
Классическое наследие в искусстве византийской ойкумены и за ее пределами 277 УДК 94 (495+47) “843/1204” : 726.7 ББК 85.11 DOI:10.18688/aa155-2-28 Anna Freze Byzantine Octagon Domed Churches of the 11th Century and the Roman Imperial Architecture Octagon domed churches stand apart as a distinguished phenomenon in the Middle Byz- antine architecture, bringing up a number of significant, but still unresolved issues for schol- ars. The dates and development of the two discerned architectural types, those of compact octagon domed church and compound octagon domed church are still being debated. Histo- rians struggle to find out the starting point and the mechanisms of their almost sudden emer- gence and propose lots of options, very tempting but not exhaustive. In this paper I would like to propose yet another important area to investigate, which other scholars had tended to overlook, that is of Imperial Roman architecture. Historiography devoted to the Byzantine octagon domed churches assigned to the 11th cen- tury has focused on searching for suitable prototypes for vaulting construction methods, i.e. the transition between the walls of naos and dome. Admitting that there are no preserved monuments with similar architectural solution in the earlier Byzantine building practice, the scholars began to look outside the Byzantine Empire proper. Thus, Th. Mathews, C. Mango and A. Komech opted for Armenian churches with squinches, from St. Hrip’sime in Vagharshapat in the 7th century to the church of Holy Cross at Aght’amar in the 10th century [3, p. 86–92; 22, p. 222–224; 25]. -
Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences
Athens Journal of History - Volume 2, Issue 1 – Pages 43-58 Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences By Antonella Manzo The main aim of this work is to critically examine Santa Fosca building period through the analysis of the similarities as well as the differences with some churches located in Greece and belonging to the so-called octagonal domed type. In fact, since the second half of the Nineteenth century a historiographical tradition has compared Santa Fosca with these Greek Middle-Byzantine churches, where eight supports, piers or columns, arranged in a regular or irregular octagon, receive the loads from the cupola. The comparison is based on the direct analysis of these buildings: the structural configuration, the constructive materials and techniques as well as the affinities in decoration, occurring both inside and outside, are under investigation. This contribution offers a new perspective, from which it could be possible to study the period of erection of the Venetian church, a topic that is still object of debate among the scientific community. Introduction Torcello is an island belonging to the Northern Venetian Laguna, which lives its golden age during the X-XI century AD: in his Administrando Imperio of 927 Constantine VII Porphyrogenitus defines Torcello as emporion mega, to testify the great importance of its intense trades with the Orient. The church of Santa Fosca is located on the island at the Southern side of the ancient Basilica of Santa Maria Assunta, whose origins date back to the inscription of 639 AD, discovered during the excavations of 1895. -
BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1
IJSHS, 2018; 2 (2): 53-64 53 BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1 ÖZET Bizans mimarisi, yapı, ikon ve mozaik sanatları açısından çok zengindir. Bizans mimarisi başta Avrupa ve Amerika olmak üzere birçok yapıya esin kaynağı olmuştur. Bu yüzden üzerinde daha fazla araştırma yapılması gerekmektedir. Bizans mimarisi ve sanatı yeni bir akım olan Neo-Bizans akımını ortaya çıkarmıştır. Bizans mimarisi 15. Ve 19. Yüzyılda Avrupa mimarisini derinden etkilemiştir. Bizans mimarisinin Doğu ve Batı kültürlerinin gelişmesi ve ilerlemesi üzerinde büyük katkısı olmuştur. Bu çalışmada geçmiş ve bugünün Doğu-Batı mimari etkileşimleri karşılıklı olarak irdelenmiştir. Anahtar Kelimeler: Bizans Mimarisi, Bizans Mozaikleri, Neo Bizans Akımı THE LEGACY OF BYZANTINE ARCHITECTURE AND ART ABSTRACT Byzantine architecture is extraordinarily rich in terms of the buildings, iconography and mosaics that have survived in the course of two millennia. Byzantine architecture and art was overlooked for a long period. Byzantine influence on architecture and art has widespread through Europe and America. Byzantine influence on several professions consisted of architecture, paintings, poetry, decorations and jewelry. Byzantine architecture and art was so spectacular that in the following eras it whether created a revival or became the spring of Neo- Byzantine style. Byzantine architecture had impressions on European Architecture from 15th century to 19th century. Byzantine Empire has served as a bridge of cultural transportation between East and West civilizations -
Structural Analysis of Hagia Sophia: a Historical Perspective
Transactions on the Built Environment vol 3, © 1993 WIT Press, www.witpress.com, ISSN 1743-3509 Structural analysis of Hagia Sophia: a historical perspective R. Mark, A.S. Cakmak, K. Hill, R. Davidson Department of Civil Engineering & Operations Research, Princeton University, Princeton, NJ ABSTRACT An ongoing structural study by a group of American and Turkish engineers is aimed at deriving a better understanding of the structure and determining the current earthquake worthiness of Justinian's Hagia Sophia. This paper discusses possible design antecedents and aspects of the building's structural history as well as the creation of numerical models of its primary structure that account for both short- and long- term, linear and non-linear material behavior. INTRODUCTION Begun in 532 as the principal church of the Byzantine Empire (and converted to a royal mosque after the fall of the Empire in 1453), Hagia Sophia in Istanbul held the record as the world's largest domed building for some 800 years. For the dual role that the building was to assume in both ecclesiastical and imperial liturgies, the architects, Anthemius of Tralles and Isidorus of Miletus, combined a traditional longitudinal basilican plan (a large rectangular hall having a high central space flanked by lower side aisles) with an immense central dome. Given the close correspondence in scale between the original dome of Hagia Sophia and that of the early second-century Roman Pantheon, it is likely that the Pantheon provided the principal structural model for this translation of Roman concrete into Byzantine, largely-brick construction. While archeological evidence for the original dome that collapsed in 558 is unavailable, sixty-century descriptions indicate that the dome interior was likely profiled from the same spherical surface as the pen dent ives (thus creating a "pendentive dome").