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NEW JERSEY History GUIDE
NEW JERSEY HISTOry GUIDE THE INSIDER'S GUIDE TO NEW JERSEY'S HiSTORIC SitES CONTENTS CONNECT WITH NEW JERSEY Photo: Battle of Trenton Reenactment/Chase Heilman Photography Reenactment/Chase Heilman Trenton Battle of Photo: NEW JERSEY HISTORY CATEGORIES NEW JERSEY, ROOTED IN HISTORY From Colonial reenactments to Victorian architecture, scientific breakthroughs to WWI Museums 2 monuments, New Jersey brings U.S. history to life. It is the “Crossroads of the American Revolution,” Revolutionary War 6 home of the nation’s oldest continuously Military History 10 operating lighthouse and the birthplace of the motion picture. New Jersey even hosted the Industrial Revolution 14 very first collegiate football game! (Final score: Rutgers 6, Princeton 4) Agriculture 19 Discover New Jersey’s fascinating history. This Multicultural Heritage 22 handbook sorts the state’s historically significant people, places and events into eight categories. Historic Homes & Mansions 25 You’ll find that historic landmarks, homes, Lighthouses 29 monuments, lighthouses and other points of interest are listed within the category they best represent. For more information about each attraction, such DISCLAIMER: Any listing in this publication does not constitute an official as hours of operation, please call the telephone endorsement by the State of New Jersey or the Division of Travel and Tourism. numbers provided, or check the listed websites. Cover Photos: (Top) Battle of Monmouth Reenactment at Monmouth Battlefield State Park; (Bottom) Kingston Mill at the Delaware & Raritan Canal State Park 1-800-visitnj • www.visitnj.org 1 HUnterdon Art MUseUM Enjoy the unique mix of 19th-century architecture and 21st- century art. This arts center is housed in handsome stone structure that served as a grist mill for over a hundred years. -
Notes from the Farms
NOTES FROM THE FARMS THE JOURNAL OF THE STICKLEY MUSEUM AT CRAFTSMAN FARMS THE STICKLEY WEEKEND – OCtoBER 13-14, 2018 From the he museum’s annual two-day Director’s Chair TStickley-extravaganza, The —Kristen McCauley Stickley Weekend, will be held Senior Manager of Education and Interpretation over Saturday and Sunday, Octo- ber 13-14. The Craftsman Gala, Senior Manager Kristen McCauley is taking a the weekend’s highlight and a guest turn in the Director’s Chair and sharing her combination formal party and vision of our new Education Center. (see pg. 3) family reunion, is the museum’s “You preserve the past by most important annual fund- raiser. It will be held on Saturday passing it on to present evening at the Mountain Lakes and future generations” Club at 6 p.m. The Gala will begin with a cock- s the Manager of Education and tail hour at sunset overlooking Interpretation, our new Educa- A beautiful Mountain Lake, fol- tion Center is, to put it mildly, a very lowed by a delicious dinner and exciting undertaking. For years, our education programs have been limited lively auctions, both silent and sentation will address the history and in what we can do, not by ideas or live. At the Gala, the museum will be legacy of American craft, using the living imagination, but by space. pleased to honor trailblazing collector history museum Old Sturbridge Village Robert A. Ellison Jr. who, beginning in I’ve always liked to “throw spaghetti as a focal point. Of her presentation, the early 1960s, assembled one of the at the wall and see what sticks.” Often Cathcart writes: most comprehensive, discerning and a lot of good spaghetti goes to waste significant collections of American art By recalling and mimicking pre-industrial this way. -
R2021-073 Craftsman Farms Grant Match
TOWNSHIP OF PARSIPPANY-TROY HILLS MORRIS COUNTY, NEW JERSEY RESOLUTION _____________________________________________________________________________ R2021-073: RESOLUTION OF THE TOWNSHIP COUNCIL OF THE TOWNSHIP OF PARSIPPANY-TROY HILLS AUTHORIZING THE STICKLEY MUSEUM AT CRAFTSMAN FARMS TO SUBMIT AN APPLICATION TO THE NEW JERSEY HISTORIC TRUST FOR A 1:1 MATCHING CAPITAL GRANT FROM THE PRESERVE NEW JERSEY HISTORIC PRESERVATION FUND. WHEREAS, the New Jersey Historic Trust awards capital grants through the Preserve New Jersey Historic Preservation Fund for the restoration and rehabilitation of historic properties. WHEREAS, Craftsman Farms, a National Historic Landmark, owned by the Township of Parsippany-Troy Hills and operated by the Stickley Museum at Craftsman Farms, Inc., is located on certain real property designated as Block 25, Lot 31 on the official tax map of the Township of Parsippany-Troy Hills; and WHEREAS, after damage at Craftsman Farms in August 2020 from Tropical Storm Isaias there exists a need for rehabilitation of the Annex and for restoration of the Log House Kitchen (the “Annex and Kitchen Project”); and WHEREAS, the total cost of the Annex and Kitchen Project is $1,500,000; and WHEREAS, the Stickley Museum at Craftsman Farms (the “Stickley Museum”) is applying for a 1:1 matching grant from the New Jersey Historic Trust to assist with the Annex and Kitchen Project; and WHEREAS, the Stickley Museum intends to submit an application seeking grant funds to assist in the Project in the amount of $750,000; and WHEREAS, the Township Council intends to appropriate $750,000 in order to provide matching funds for the expected projects costs of $1,500,000 for the Annex and Kitchen Project at Craftsman Farms and authorizes the Stickley Museum to apply for a 1:1 matching grant from the New Jersey Historic Trust, in the amount of $750,000 for the Annex and Kitchen Project. -
RECORDS by CO/MUNIC
NJ DEP - Historic Preservation Office Page 1 of 16 New Jersey and National Registers of Historic Places Last Update: 2/25/2004 Morris Canal (ID#2784) Morris County Existing and former bed of the Morris Canal NR: 10/1/1974 (NR Reference #: 74002228) SR: 11/26/1973 Boonton Town (Extends from the Delaware River in Phillibsburg Town, Boonton Historic District (ID#2085) Warren County to the Hudson River in Jersey City, Hudson County.) Main, Church, Birch, Cornelia, and Cedar streets See Main Entry / Filed Location: NR: 9/29/1980 (NR Reference #: 80002509) Warren County, Phillipsburg Town SR: 1/14/1980 Boonton Public Library (ID#2086) Powerville Tavern (ID#9) 619 Main Street 43-48 North Main Street NR: 11/13/1972 (NR Reference #: 72000804) SHPO Opinion: 2/23/2000 SR: 10/26/1972 Rockaway Valley Methodist Church (ID#2092) Boonton Railroad Station (ID#2087) Valley Road, northwest of Washington Avenue (Delaware, Lackawanna and Western Railroad Station), Myrtle Avenue, NR: 11/11/1977 (NR Reference #: 77000891) Main and Division streets SR: 12/13/1976 NR: 7/13/1977 (NR Reference #: 77000889) SR: 10/19/1976 Butler Borough Boonton Main Street Historic District (ID#2089) American Hard Rubber Works Factory (ID#3378) Main Street between Myrtle Avenue and Oak Street Main Street COE: 12/11/1990 SHPO Opinion: 5/29/1996 Jersey City Waterworks Historic District (ID#3915) New York Susquehanna and Western Railroad Station (ID#2093) Washington and Greenbank roads Main Street SHPO Opinion: 5/15/1998 NR: 1/24/2002 (NR Reference #: 01001492) SR: 8/15/2001 Miller-Kingsland House (ID#2088) SHPO Opinion: 5/29/1996 445 Vreeland Avenue COE: 1/10/1990 NR: 7/24/1973 (NR Reference #: 73001120) SR: 6/13/1973 Chatham Borough Morris Canal (ID#2784) David S. -
Design Guidelines for Morristown's Historic Properties
PURPOSE The architecture of Morristown has evolved over nearly three centuries, since settlers first came to this area around the bend of the Whippany River in 1715. These buildings illustrate the development of Morristown from a small hamlet to a town. The wealth of history revealed in Morristown's architecture should be preserved. Familiar buildings, within the traditional commercial district and residential neighborhoods, create a continuity of place for the inhabitants of that town as well as frequent visitors. Morristown's community identity is expressed in its buildings. Preservation of a community's architectural heritage, therefore, is a preservation of its identity. In addition, preservation provides tangible benefits. Rejuvenating downtown areas brings economic viability back to the towns. ·When the commercial centers are made attractive and easy to navigate without vacant buildings or lots, they become more inviting to community members for shopping, eating, and other activities. Preserving the character of residential neighborhoods enhances the overall appeal of a community and makes it more attractive to people investing in real estate. Rehabilitation of existing buildings can often be less expensive than new construction, while creating more jobs in the community. Rehabilitation instead of demolition also has the environmental benefit of the reduction of waste in landfills. The objectives of this handbook are: contribution to the preservation of New Jersey's residential and commercial • To identify and define the historic resources; the purpose of these historic environment that exists model guidelines is to extend that today in Morristown. success to Morristown's most vulnerable • To identify the scope for historic Conservation and Sustainable Development in Morristown. -
Gustav Stickley and the American Arts & Crafts Movement
GSL Reviews NOTE: This exhibit closes January 2, 2011 so go visit it now! Gustav Stickley and the American Arts & Crafts Movement Exhibition: Gustav Stickley and the American Arts & Crafts Movement The Newark Museum 49 Washington Street Newark, NJ 07102 Closes January 2, 2011 Tel.: 973-596-6550 Admission: $10 adults; Children, Seniors & Students with Valid I.D. $6 Parking: +++ Kid-Friendly: + Handicapped Accessible: +++ Exhibit: ++++ Review by Gordon Bond & Stephanie M. Hoagland Can a chair change the world? At first blush, that might seem like a silly question. Yet, for a school of thought that emerged in England between 1880 and 1910, the philosophy behind the design of such everyday things was envisioned as the instrument of social change. Called “The Arts & Crafts Movement,” it was a reaction countering what was seen as an increasing impoverishment of the decorative arts, buried beneath the superfluous ornamentation popular to Book & Exhibit Reviews • GardenStateLegacy.com Issue 10 • December 2010 Victorian Era sensibilities. But American apostle of Arts & EXHIBIT PARKING more than that, the movement Crafts would be Gustav Stickley, RATING SYSTEM was also a social response to the the subject of an exhibition dehumanizing mechanization of organized by the Dallas Museum + Not enough parking. industrial production methods of Art and nationally premiering ++ Not many spaces but that kept the working class in at the Newark Museum. enough for a small dismal poverty. As a style, it Born March 9, 1858, Stickley museum/site. was one of eleven children born +++ Plenty of parking. to Leopold and Barbara Stoeckel who had come to America from EXHIBIT Germany, settling in Osceola, KID-FRIENDLY Wisconsin. -
Objectifying Objects: Omitting Ideology in Gustav Stickley Craftsman Period Rooms
Graduate Journal of Visual and Material Culture Issue 5 I 2012 Objectifying Objects: Omitting Ideology in Gustav Stickley Craftsman Period Rooms Alexandra L. Simpson Abstract: This paper examines the ideological implications of showing craft objects in period rooms and how this display technique functions within museums. In particular, the paper considers how pieces from the ideologically-motivated nineteenth-century Arts and Crafts Movement are shown: do museums emphasize or elide the political underpinnings of the movement? The paper takes into account two installations of recreated Craftsman rooms designed to feature the work of the American Arts and Crafts practitioner, Gustav Stickley. The first room was shown in International Arts and Crafts at the Victoria & Albert Museum in London, 2005; the second room was shown in Gustav Stickley and the American Arts & Crafts Movement in New Jersey, Texas, and California. This paper considers current museum practices while also addressing nineteenth-century perceptions about the functions of display. This comparison is further complicated by the difference in ideological beliefs between British and American practitioners of the Arts and Crafts Movement. Each movement’s varying comfort with commercialism and capitalism affected the production of the objects and their intended use, but opinions about social reform also influenced the approach to the display of works. This paper will consider whether the rooms encourage an illusion of domesticity that allows the visitors to consider the objects -
National Register of Historic Places Continuation Sheet
NPS Fonn 10-900-a OMB Approval No. 1024-0018 (8-86) United States Department of the Interior prop name Mountain Lakes HD National Park Service county Morris, New Jersey National Register of Historic Places Continuation Sheet Section number ___)o!8 ____ Page lof28 Statement of Significance The proposed Mountain Lakes Historic District is distinguished among American residential communities in land use and landscape design. From its founding as a residential park, Mountain Lakes has integrated family living with man-made lakes, natural streams and springs, woodlands and wetlands. Dedicated parkland and undeveloped borough-owned lots contribute to spaciousness in both the proposed Mountain Lakes Historic District and the larger Borough. Throughout Mountain Lakes, forty percent of land is Borough-owned open space.1 At critical junctures in its history the Borough purchased additional undeveloped land to protect Mountain Lakes and the proposed district from intrusive development and to preserve its original design and character as a residential park. Mountain Lakes' ability to regulate its growth and maintain continuity in both landscape design and architecture has been characterized as unique in assessments of recent American city plauning.2 Its original housing stock- much of which remains today--was strongly influenced by the Arts and Crafts Movement in the United States. By their location on natural rather than graded terrain, and, the use oflocal building materials, the Craftsman-influenced homes closely connect to nature and critically -
2020 -2021 Visitors Guide Est
2020 -2021 Visitors Guide Est. 1739 morristourism.org 2 Morris County Tourism Bureau INSIDE Letter from Executive Director 5 Features: Morris County at a Glance 6 Historic Morristown Walking Tour 10 Focus on Historic Speedwell 14 12 Hip & Historic Dining Ideas 16 13 Fun Facts about Morris County 17 6 Offbeat Adventures 18 Annual Events 20 Historic Sites 24 Where to Dine 34 Arts and Culture 44 Recreation: Farms 52 Farmers Markets 56 Parks and Gardens 57 Sports and Experiences 61 Where to Shop 70 Where to Stay 76 Services: Historic and Community 83 Transportation 88 Health and Wellness 91 Business and Commerce 94 Morris County Tourism Bureau 6 Court Street Morristown, New Jersey 07960 973.631.5151 morristourism.org 3 Mayor Tim Dougherty and the Town of Morristown Present Saturday • August 15th Always The ThirdNoon -Saturday 10:00 PM In August! FREE MUSIC ON THE MORRISTOWN GREEN NOON to 10:00 PM • Bring Your Blankets & Lawn Chairs www.morristownjazzandblues.org Photos courtesy of MorristownGreen.com and Jack Grassa. 4 Morris County Tourism Bureau A Letter from the Executive Director Dear fellow traveler, The cover photo is of a statue depicting Thomas Paine located in Morristown’s Burnham Park and has the famous quote written on December 23, 1776 - “These are times that try men’s souls.” – how true those words are today as we fight an unseen enemy. And like the American patriots before us – we shall one day be victorious! In that spirit I invite you to come visit and get a dose of inspiration along with some much-needed rest and relaxation with a trip to hip and historic Morris County*. -
Notes from the Farms
NOTES FROM THE FARMS THE JOURNAL OF THE STICKLEY MUSEUM AT CRAFTSMAN FARMS NEWCOMB POTTERY EXHIBITION OPEN HOUSE From the Director’s Chair DURING THE TICKLEY EEKEND S W Photo by Barbara Weiskittel —Vonda K. Givens e are busy with advance prepara- Wtions for The Stickley Weekend n 2008, when I joined the staff on Saturday and Sunday, October Iof the Stickley Museum at 15-16. Our biggest weekend of the Craftsman Farms, I knew little year includes the Scholars Symposium more of its history than Gustav (see page 3), the Head, Hand & Heart Stickley’s name. In the ensuing Gala (see page 9), and a free Newcomb years, I have endeavored to get Pottery Exhibition Open House. “up-to-speed” on the who, what, when, where and why of the In celebration of the exhibition Early Arts and Crafts movement that Newcomb Pottery from the Barbara and inspired his work. Henry Fuldner Collection, the Open House will be offered for free and will As I began giving tours, I learned be the only Open House scheduled produced to accompany the exhibi- a bit about all aspects of the during the exhibition. It will be held tion Women, Art and Social Change: movement, but early on, I spent during the museum’s regular operating The Newcomb Pottery Enterprise. The most of my time on the “what,” hours from 12 to 4 p.m. Tours will be exhibition, which has been touring the becoming familiar with the suspended for the day, and visitors will United States and was recently hosted objects as I shared them with be invited to explore the Log House and by the nearby Princeton University Art visitors—starting with furniture, the exhibition, located in the dining Museum, was assembled by the Smith- of course!—and progressing to room, at their own pace. -
78042988.Pdf
1 2 MORRIS COUNTY BOARD OF CHOSEN FREEHOLDERS Leanna Brown, Director Peter J. Burkhart Eileen McCoy Rodney P. Frelinghuysen Douglas H. Romaine S. Charles Garafalo Alphonse W. Scerbo MORRIS COUNTY PLANNING BOARD Robert N. Zakarian, Chairman Eugune H. Caille, Vice Chairman William Keitel, Secretary Leanna Brown George E. Burke Dorothy Jurgel William J. Mathews Douglas H. Romaine John Stevens Dudley H. Woodbridge, Planning Director 3 contents Page Illustrations 8 Acknowledgment 9 INTRODUCTION Section I WHY PRESERVE? 13 Philosophy 14 Pragmatism 17 Section II PRESERVATION IN CONTEXT 22 Social Preservation 23 Environmental Preservation 25 Adaptive Preservation 27 Section III WHAT TO PRESERVE 33 Criteria 34 Documentation 37 Section IV PRESERVATION TOOLS 43 Historic District Zoning 44 Landmarks Commissions 45 Supplementary Municipal Power 46 County Action 47 Acquisition Alternatives 47 Tax Relief 49 Section V PAYING FOR PRESERVATION 53 Private Initiative 54 Federal Assistance 58 The State Role 61 County and Municipal Resources 63 4 MORRIS COUNTY PLANNING BOARD STAFF Dudley H. Woodbridge, Planning Director Long Range Planning Section James L. Roberts, Assistant Planning Director Raymond K. Molski, Supervising Principal Planner Raymond Zabihach, Principal Planner Robert P. Guter, Senior Planner William M. Chambers, Senior Planner William A. Fredrick, Jr., Assistant Planner Edward Matey, Assistant Planner James C. Willis, Planning Draftsman Development Review Section Miron C. Meadowcroft, Assistant Planning Director James D. Woodruff, Supervising Principal Planner Arne E. Goytil, Principal Planner Frank A. Marquier, Senior Planning Aide Clerical Staff Rhoda B. Chase Marie C. Gilmartin Rosamond M. McCarthy Evelyn Taylor STAFF FOR THIS ELEMENT Project Director Robert P. Guter Text and Research: Robert P. -
Spring 2013 a Vol
NOTES FROM THE FARMS THE JOURNAL OF THE CRAFTSMAN FARMS FOUNDATION FROM THE DIRECTOR’S CHAIR SAVE THE STONE PIERS! —Heather E. Stivison f you have visited Craftsman Farms and trailing vines and the natural forms Ilately, you will know that we have of the stones harmonized perfectly with made great strides in restoring the build- the surrounding landscape. DREAMING THOSE ings and beautifying the grounds. In the past five years alone we have raised over They have had very little maintenance BIG DREAMS $1 million to protect this unique place since those days. And now, more than a in history. Significant restoration of the hundred years later, they look aban- n the early spring of 2007 I found Log House interior, rehabilitation of the doned and unloved. Recent storms have Imyself considering a position at Annex (now the Education Building) badly damaged the already deteriorating Craftsman Farms. Accepting it would and the North Cottage are just a few of piers and now water makes its way mean leaving a place where I had been the many projects that have taken place between the joints with every rainfall. for a decade, so this was not a decision here in recent years. Time is of the essence to save these I could take lightly. As I considered piers and maintain the authenticity of the offer, my usual yellow legal pad As we begin the next phase of returning Craftsman Farms. with columns listing pros and cons Craftsman Farms to its original beauty, didn't quite work. On paper there we have turned our eyes toward the A detailed restoration plan has been were other opportunities that looked stone piers that once marked a walkway developed to rebuild the piers to their grander and that certainly paid more.