DOCSLIB.ORG

DEC 2015 - MAY 2016 Dec-Dec- Maymay BOX OFFICE: 0117 902 0344 TOBACCOFACTORYTHEATRES.COM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DEC 2015 - MAY 2016 Dec-Dec- Maymay BOX OFFICE: 0117 902 0344 TOBACCOFACTORYTHEATRES.COM DEC 2015 - MAY 2016 dec-dec- maymay BOX OFFICE: 0117 902 0344 TOBACCOFACTORYTHEATRES.COM AllsWell TFTbrochure.indd 1 22/09/2015 23:09 WELCOME Welcome to a new season at Tobacco Factory write The Love I Feel is Red, the latest in our series of Theatres. a Play, a Pie and a Pint in-house productions. In August 2009 we opened our second theatre Back home in Southville the Factory Theatre space, the Brewery Theatre, and since then we season is absolutely brilliant. After the incredibly have filled two theatre spaces year-round with a ambitious The Light Princess we’re thrilled to wonderful range of theatre, comedy, music, dance welcome back Mmm Hmmm, possibly my and more. All good things however, must come to favourite show of 2014, before we host one of the AllsWell TFTbrochure.indd 1 22/09/2015 23:09 a (temporary) end and changes in freehold mean few UK stops for the wonderful A Girl is A Half- that from January 2016 we will no longer be able Formed Thing: a show that blew me away when to use the Brewery Theatre as a performance I saw it in Dublin earlier this year. Following is space. We will say more about our exciting plans our eagerly anticipated annual season of two for a second space in our next season brochure co-productions with Shakespeare at the Tobacco but for now we are taking the opportunity to Factory, which in 2016 includes the unmissable break out and present work all over the city. event of Andrew Hilton, one of England’s great You will therefore see, in the following pages, Shakespearean directors, tackling Hamlet for the amazing work presented from North to South first time. and from East to West of this great city - all part I hope you’re able to join us often either at our of our Beyond season. This work ranges from The home base, or somewhere exciting around the Odyssey, the eagerly anticipated new work from city, in this coming season. the Mark Bruce Company in St Paul’s, to Lemons, Lemons, Lemons, Lemons, Lemons, a powerful political miniature above a pub in Easton and from 1972: The Future of Sex, an Edinburgh award- winning show in Old Market to a big production of Trainspotting in the Loco Klub underneath Temple Meads! Finally, it culminates with our Ali Robertson, Director commissioning the fantastic Sabrina Mahfouz to Theatre Staff Director Ali Robertson / Director of Operations David Dewhurst / Head of Marketing Becky Cresswell / Marketing Officer Hilary Coleman / Head of Development (Maternity Cover) Kate Rowland / Development Director Stephen Last / Development Officer Anne Marie Lo / Fundraising Fellow Heather Holcroft-Pinn / Producer Kerrie Burke-Avery / Assistant Producer Jojo Townsend / Children and Young People Director Bryony Roberts / Technical Manager Matthew Graham / Operations Manager Katy Wilkes / Administrator (Maternity Cover) Becci Snape / Finance Manager Elaine Grünbaum / Finance Administrator Sally Lear / Director in Residence Nel Crouch / Technicians Jen Sherlock, Paul Wyse / Operations and Administration Apprentice Holly-Inez Brownett / Box Office Staff Simon Harvey-Williams, Malaika Kegode, Ed Strong (Supervisor) / Duty Managers Nicci Bailey, Collette Harris, Rachel Isaacs, James Lane, Laurie Lax, Morgan Matthews / Theatre Bar Staff Lucie Bowles, Sean Davison, Lily Eaton, Iris Hable, Debbie Hard, Chloe Kitching, Hannah Lee, Laurie Lax, Carmen Gabriele, Dolapo Umar, Camilla Violo / Trustees Sarah Smith (Chair), Andrew Allan-Jones, David Fairclough, Bertel Martin, Mark Panay, John Retallack, Chris Sims, Anna Southall, Martin Wright STILL TO COME THIS NOVEMBER ABOUT US Wed 18 – Sat 21 November Tue 24 – Sat 28 November 8.15pm Tobacco Factory Theatres produces and presents excellent art in unique Pies from 6.15pm / Play 7.15pm Matinee Thu & Sat Pies from 12.15pm / Play 1.15pm OUTSIDERS and intimate spaces. PILOT THEATRE We present a jam-packed programme of diverse and exciting shows, workshops and events, from HAPPY HOUR Written by Emteaz Hussain international comedy acts to opera, family shows to modern classics and timeless masterpieces, plus PART OF A PLAY, A PIE AND A PINT Directed by Fraser Corfield an extensive programme of events and activities for young people, artists and audiences. ÒRAN MÓR, IN ASSOCIATION WITH The sun was beating down on the beach. Five TOBACCO FACTORY THEATRES AND As well as what appears in this brochure, we also work across the city and country in ways that we don’t shots rang out and a man fell to the ground. SHERMAN CYMRU always shout about. We’re also producing more and more work ourselves. See P40 to find out more. A nameless Arab, dead. Written by Anita Vettesse Directed by Gethin Evans Many years later two women, one French, one Algerian look up at the so blue sky and wonder Awards Anne’s finally got her children together what really happened to their lives that day and DEC 2015 - MAY 2016 again in the family pub to scatter her who they, and each other, are now. 2014 Dancing Times Outstanding husband’s ashes – somewhere... Male Performance for Jonathan Goddard in our On Sale Dates Pilot’s new production, written by the acclaimed writer Emteaz Hussain (Blood), gives voice to the co-production of Dracula Kay wants to hurry it along. Tom’s just jetlagged. Members & Business Club Priority Booking But Anne’s having none of it. She wants to slow forgotten in a compelling re-imagining of Camus’ 2014 Off West End Award-winner and Wed 18 November 12noon things down; say goodbye to Joe properly - then novel, L’Étranger. focus on the real reason they’re here. The money. 2013 Olivier Award-nomination General Booking "Rewarding and provocative new work from a for co-production of Cinderella: A Fairytale Wed 25 November 10am Happy Hour is the latest commission for our a Play a company building a strong reputation for timely 2014 Winner of Sky Arts Award for Dance Pie and a Pint series, which celebrates new writing. ‘re-imaginings’ drawn from classic text" for co-production of Dracula Special Offers And pies! British Theatre Guide 2014 Netmums Best Theatre in the South West Get yourself a bargain! Look out for RUNNING TIME 50mins RUNNING TIME Approx. 1hr 2015 Winner of The Helpmann Award (Australia) tickets on show pages and the calendar. for co-production of The Paper Architect Business Club Member? Look out for on show TICKETS Play only £7 AGE RECOMMENDATION 13+ pages and the calendar to get 2 for 1 tickets. See Pre-show Pie & Pint plus Play £13 Includes a meat or veggie pie and a pint or soft drink. TICKETS P44 for how to claim. Limited availability, book early to avoid missing out. Full £14 / Concession £10 (no concession Fri or Sat eve) Credits Tue All tickets £10 VENUE Design: Fiasco Design Tobacco Factory Arts Trust Registered Company no: 04536120 Pies & Pints Factory Theatre Bar VENUE Brewery Theatre Registered Charity no: 1097542 Print: zenithprintgroup.com Play Brewery Theatre IMAGE: BEN BENTLEY Cover image and above: Farrows Creative Supported by the Idlewild and Thistle Trusts IMAGE: BY LESLIE BLACK OF BRIDGE AT ÒRAN MÓR 04 Box Office 0117 902 0344 tobaccofactorytheatres.com 05 STOKES M32 CROFT EASTON WHITELADIES RD WHITELADIES WHAT’S 8 3 A TH K AT TOBACCO E G AN CIRC DIA OLD REENB OME MARKET FACTORY THEATRES Y A W E KINGSDOWN L AND BEYOND ST P T M ER E P T ON RU A420 LAWRENCE Following the expansion of adjacent businesses, HILL our Brewery Theatre is no longer useable as a D P R A theatre space due to a lack of front of house R S K L S L T facilities. So from January to May this year, the E R E W E T Brewery Theatre is going to be closed while we S ’ B O make plans to refurbish and improve our second C T A J H E theatre space. We’ll tell you more about the plans as E R HOTWELLS W AT they develop but in the meantime, we’re not resting A E TEMPLE WAY RDROBE TH on our laurels! ANCHOR RD THE Whilst our programme in the Factory Theatre GROVE continues on home turf, we have exciting plans to present a whole programme of shows beyond our REDCLIFFE own walls. Tobacco Factory Theatres BEYOND will CUMBE RLAND R RD D E see us presenting work in fascinating venues all OMMERCIAL C RIVER AVON C RD EN over Bristol. We’re thrilled to be working with both AR CL N N RD VO long term and new partners, in both established RONATIO R A CO RIVE T and newer theatre venues, for this exciting season, HE UB D LOCO KL which you’ll see unfold before you in this brochure, YORK R including extra information on the special venues SOUTHVILLE RIVER AVON where we’ll be presenting BEYOND. D R Not only will we be able to continue to bring high O G LA quality, stirring touring work to our audiences, A but we aim to expand our reach, bringing the M T o s Tobacco Factory Theatres spirit to new people and 8 b e 3 championing our own brand of epic theatre in a r A c t TOTTERDOWN unusual spaces. All while we make improvements c a o he at base camp. Factory T You’ll be able to book tickets for all of these shows Please note, this map is not to scale. through our Tobacco Factory Theatres website and at our Box Office. Please see individual show pages for more information. D R DECEMBER 2015 - R E T Finally we’d like to take this opportunity to say a A W E big thank you to Whistl who have supported the G ID R ZION Brewery Theatre for the last two years.
Load more

Recommended publications
  • Table of Contents More Information
    Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Table of Contents More information CONTENTS List of illustrations page x Laura Aydelotte ‘A local habitation and a name’: The Origins of Shakespeare’s Oberon 1 Helen Barr ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream 12 Michael Hattaway ‘Enter Cælia, the Fairy Queen, in her Night Attire’: Shakespeare and the Fairies 26 Jesse M. Lander Thinking with Fairies: A Midsummer Night’s Dream and the Problem of Belief 42 Henry Buchanan ‘India’ and the Golden Age in A Midsummer Night’s Dream 58 Michael Saenger The Limits of Translation in A Midsummer Night’s Dream 69 Sibylle Baumbach Voice, Face and Fascination: The Art of Physiognomy in A Midsummer Night’s Dream 77 Stuart Sillars A Midsummer Night’s Dream in Illustrated Editions, 1838–1918 92 Laura Levine Balanchine and Titania: Love and the Elision of History in A Midsummer Night’s Dream 110 Michael P. Jensen A Midsummer Night’s Dream on Radio: The Oregon Shakespeare Festival’s Radio Series 121 Russ McDonald Benjamin Britten’s Dreams 138 Roger Warren Staging A Midsummer Night’s Dream: Peter Hall’s Productions, 1959–2010 147 Carol Thomas Neely A Midsummer Night’s Dream at the Millennium: Performance and Adaptation 155 Matt Kozusko Shakesqueer, the Movie: Were the World Mine and A Midsummer Night’s Dream 168 Jacquelyn Bessell Letter from the Chalk Face: Directing A Midsummer Night’s Dream at the Staunton Blackfriars 181 Andrew James Hartley A Dream of Campus
    [Show full text]
  • ANNUAL REVIEW 2015 -16 the RSC Acting Companies Are Generously Supported by the GATSBY CHARITABLE FOUNDATION and the KOVNER FOUNDATION
    ANNUAL REVIEW 2015 -16 The RSC Acting Companies are generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION. Hugh Quarshie and Lucian Msamati in Othello. 2015/16 has been a blockbuster year for Shakespeare and for the RSC. 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. Starting its life in Stratford-upon-Avon, Tom Morton-Smith about Oppenheimer, we staged A Midsummer Night’s a revival of Miller’s masterpiece Dream in every nation and region Death of a Salesman, marking his of the UK, with 84 amateurs playing centenary, and the reopening of Bottom and the Mechanicals and The Other Place, our new creative over 580 schoolchildren as Titania’s hub. Our wonderful production of fairy train. This magical production Matilda The Musical continued on has touched the lives of everyone its life-enhancing journey, playing involved and we are hugely grateful on three continents to an audience to our partner theatres, schools and of almost 2 million. the amateur companies for making this incredible journey possible. Our work showcased the fabulous range of diverse talent from across We worked in partnership with the the country, and we are proud of the BBC to bring ‘Shakespeare Live! From increasing diversity of our audiences. the RSC’ to a television audience of 1.6m and to cinema audiences in People sometimes ask if Shakespeare 15 countries. The glittering cast is still relevant. The response from performed in the Royal Shakespeare audiences everywhere has been a Theatre to an audience drawn from resounding ‘yes’.
    [Show full text]
  • Press Fact Sheet – Literary Bristol
    Destination Bristol 53 Queen Square I Bristol I BS1 4LH I www.VisitBristol.co.uk Media Contact: [email protected] I Tel: 0117 946 2203 PRESS FACT SHEET – LITERARY BRISTOL As you wander through the streets of Bristol it is easy to see how writers have been inspired by this beautiful and diverse city. Bristol is well known for being the birthplace of Robert Southey. Southey, a close friend of Wordsworth and Coleridge, whom he met in Bristol, later became a Poet Laureate. Although he only spent his early years living in Bristol, his time here had a lifelong influence on his work. William Wordsworth was also influenced by Bristol, it is said that he wrote the famous poem 'Lines Composed a Few Miles above Tintern Abbey' in Bristol at the house of Joseph Cottle who owned a book shop on the High Street. Samuel Taylor Coleridge launched his magazine, 'The Watchman,' in Bristol in 1795 at The Rummer hotel, in the heart of the Old City. Not all the poetry in Bristol has a happy history. The young Bristolian Thomas Chatterton, now a respected and revered contributor to Britain's literary past, was born and brought up near Redcliffe, where his family had held the office of sexton at St Mary Redcliffe for nearly 200 years. Educated at Colston's School, Chatterton later moved to London to find fame and wealth. After finding that he was not fitting in with his peers and failing to get his poems published, he took his own life at the young age of 17.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Alasdair Buchan Photo: Ben Wulf
    191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Alasdair Buchan Photo: Ben Wulf Currently: Gerald Croft in AN INSPECTOR CALLS on UK Tour 2019/2020. Details: https://www.aninspectorcalls.com Eastern European, Appearance: Greater London, England, United Mediterranean, White Kingdom Other: Equity Location: Nottinghamshire, England, United Eye Colour: Brown Kingdom City of Bristol, England, United Kingdom Hair Colour: Dark Brown Height: 6' (182cm) Hair Length: Mid Length Weight: 12st. 7lb. (79kg) Voice Character: Engaging Playing Age: 26 - 40 years Voice Quality: Strong Stage 2019, Stage, Gerald Croft, AN INSPECTOR CALLS - TOUR, National Theatre, Stephen Daldry 2018, Stage, Henry Turner, SEANCE, The Other Palace, Philip Wilson 2017, Stage, Sherlock Holmes, SHERLOCK HOLMES & THE CRIMSON COBBLES, Salisbury Playhouse, Chipping Norton & UK Tour, Kirstie Davis 2016, Stage, Hubert Laurie, NIGHT MUST FALL, Salisbury Playhouse/Original Theatre Company, Luke Sheppard 2015, Stage, Ernst Gombrich, A LITTLE HISTORY OF THE WORLD, Watermill Theatre/Reading Rep, Paul Stacey 2015, Stage, Mr. McQueen, URINETOWN: THE MUSICAL, JSA/Araca Group, Apollo Theatre, Jamie Lloyd 2014, Stage, Messenger (U/s and played Buckingham & Clarence), RICHARD III, ATG/Jamie Lloyd Productions, Trafalgar Studios, Jamie Lloyd 2014, Stage, Onstage Swing (1st Cover Lockstock), URINETOWN: THE MUSICAL, JSA/Araca Group, St. James' Theatre, Jamie Lloyd 2013, Stage, Cover all Male Roles (played over 20 shows), THE PRIDE,
    [Show full text]
  • Bristol Visual Arts Review
    Bristol Visual Arts Review Arts Council England 27 March 2018 BRISTOL VISUAL ARTS REVIEW • 27 March 2018 2 Contents Introduction 3 The Bristol Visual Arts Review Brief 4–5 Bristol Visual Arts Review Report & Recommendations 6-12 Arts Council England’s Response to Report & Recommendations 13-15 Appendices 16 BRISTOL VISUAL ARTS REVIEW • 27 March 2018 3 Introduction Bristol is home to a vibrant visual arts sector, on the City Campus, including a shared delivering cultural experiences that bring commitment to developing Bristol’s creative substantial audiences to the South West and economy, supporting the arts and creative achieve national and international acclaim. industries, championing talent development, and working together to establish Bristol as The city is known for high profile artists – a national centre for Arts Technology. Richard Long, Daphne Wright and Martin Parr; sector leadership in creative media – However, despite recent positive Aardman Animations and Watershed; and developments there are concerns that excellence in live art – In Between Time Bristol’s visual arts sector is not as strong in Bristol International Festival. There are year some quarters as it should be. round programmes of high quality gallery- based exhibitions and events at Spike Island, In the 2018-22 National Portfolio investment Arnolfini, Royal West of England Academy round relatively few applications supporting and Bristol Museums, and a rich ecology of the visual arts in Bristol were successful, projects from smaller organisations focusing and Arts Council England has a clear on artist-led activity, that include BEEF, understanding of the strategic need to Champ, and East Bristol Contemporary, and achieve a sustainable, long-term step community engagement, notably Knowle change in the visual arts in the city.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • HR Recruitment About BOVTS and City of Bristol October 2018
    HR Recruitment About BOVTS and city of Bristol October 2018 1. Background information The Bristol Old Vic Theatre School is establishing a new Marketing and Recruitment Department with responsibility for all aspects of student recruitment marketing alongside marketing of the School’s theatre productions and events. With extensive changes within the higher education sector, the need to focus on the competitive student recruitment market is a key driver in the creation of this new Department. The School has recently joined the Universities and Colleges Admissions Service (UCAS) and operates under the auspices of the newly formed Office for Students (OfS). 1.1 Bristol Old Vic Theatre School Founded by Lawrence Olivier in 1946, the Bristol Old Vic Theatre School is recognised as one of the country’s leading Conservatoire Drama Schools, training students in a professional environment for careers in the arts and entertainment industry. Operating on three specialist teaching sites and performing in the major producing theatre venues in Bristol, Bristol Old Vic Theatre School students are trained to the highest standards for direct entry into work in theatre, film and radio drama. The School has a long history of producing nationally and globally recognised actors and production arts graduates. With strong links with all aspects of the arts and entertainment industry across the UK and beyond, Bristol Old Vic Theatre School graduates have an outstanding graduate employment record and the School has a strong reputation as a centre of excellence. 1.2 City of Bristol The city of Bristol has a reputation as one of the most culturally diverse and vibrant cities in the UK.
    [Show full text]
  • Pints West 122, Summer 2019
    No. 122 Summer 2019 INTS WES P Multi-award-winning magazine of the Bristol & District T and Bath & Borders branches of CAMRA, the Campaign for Real Ale Contents The opening of the Lyons Den Page 8 BAD Ladies he spread of micropubs in East Bristol continues! Following Page 40 BADRAG (rare ales group) Snuffy Jack’s in Fishponds and the Wooden Walls in Staple Hill, Page 30 Bath pub and brewery news TKingswood now has the Lyons Den, which opened around the Page 11 Bristol & District pub of the year beginning of May. Page 10 Bristol Beer Festival (cover photo) Named after the owner Sam Powell’s grandfather, whose surname was Page 36 Bristol Pubs Group Lyons, the Lyons Den is – like many a micropub – a conversion from a Page 23 Butcher’s Hook pub design award former shop (in this case a charity shop). TS W Page 51 CAMRA diaries & contacts IN ES The Lyons Den offers a wide and changing selection of real ales, Page 39 Cider: Ganley & Naish mostly from local breweries. On my recent visits there have been cask P T Page 18 Cider Saunter around the harbour The multi-award-winning magazine of the Bristol & District beers from breweries such as Good Chemistry, Croft Ales, Moor Beer, Page 44 Good Beer Guide selection Cocksure, New Bristol Brewery and Bristol Beer Factory, as well as a branch of CAMRA, the Campaign for Real Ale, plus the Bath Page 22 Inn and around Portishead couple of keg beer lines. Cider is also available, including the locally & Borders branch Page 19 Micropubs by no.
    [Show full text]
  • Britgrad 2016 Programme
    BritGrad 2016 Committee Chair Ella Hawkins The Eighteenth Annual Secretary Anna Hegland British Graduate Shakespeare Conference Registrars Helen Clifford Katie Knowles 2 - 4 June 2016 Treasurer Kelsey Ridge Party Planning Megg Ward Mary Way IT Jennifer Moss-Waghorn PuBlicity Elaine Goodfellow Anna Hegland Catering ReBecca Fredrickson Building and Facilities ReBecca White, Juliet Creese, David Gould, Stephen Sharp The Shakespeare Institute, The Shakespeare Institute Stratford-upon-Avon Church Street, Stratford-upon-Avon WARKS, CV37 6HP Tel. 0121 414 9500 beyond BritGrad 2016: \ind us on Twitter, Facebook, and our WordPress blog Welcome! (links Below). Please also feel free to Browse the Book stands in the Lounge at any point during the conference. Hello, and a very warm welcome to the Shakespeare Institute for the Eighteenth Annual British Graduate Shakespeare Conference! The Committee No BritGrad experience would Be complete without a carefully curated and I are delighted to welcome new and returning delegates to the programme of social events. This year’s line-up includes a trip to Hamlet at conference; we hope you enjoy attending the event as much as we’ve enjoyed the RSC (directed By Simon Godwin and starring Paapa Essiedu), and a planning it. suitaBly fantastic party at the RSC’s newly opened The Other Place. Our closing reception will take place at the same venue on Saturday evening. Every summer, the Shakespeare Institute in Stratford-upon-Avon opens its doors to guests from around the world for the British Graduate Shakespeare My huge thanks are due to the 2016 BritGrad Committee for their hard work Conference. First convened in 1999, BritGrad was initiated By Peter Holland during the past eight months.
    [Show full text]
  • Situation of Polling Stations
    SITUATION OF POLLING STATIONS Election of the Mayor for West of England Combined Authority Hours of Poll:- 7:00 am to 10:00 pm Notice is hereby given that: The situation of Polling Stations and the description of persons entitled to vote thereat are as follows: Ranges of electoral register Station Situation of Polling Station numbers of persons entitled Number to vote thereat St Bartholomew's Church - Upper Hall, Sommerville 1-WEST ASHA-1 to ASHA-1610 Road, Bristol Sefton Park Infant & Junior School, St Bartholomew's 2-WEST ASHB-1 to ASHB-1195 Road, Bristol St Bartholomew's Church - Upper Hall, Sommerville 3-WEST ASHC-1 to ASHC-1256 Road, Bristol Salvation Army Citadel, 6 Ashley Road, Bristol 4-WEST ASHD-1 to ASHD-1182/1 Ivy Pentecostal Church, Assemblies of God, Ashley 5-WEST ASHE-1 to ASHE-1216 Hill, Montpelier Ivy Pentecostal Church, Assemblies of God, Ashley 6-WEST ASHF-2 to ASHF-1440 Hill, Montpelier St Werburgh's Community Centre, Horley Road, St 7-WEST ASHG-1 to ASHG-1562 Werburghs Salvation Army Citadel, 6 Ashley Road, Bristol 8-WEST ASHH-1 to ASHH-1467 Malcolm X Community Centre, 141 City Road, St 9-WEST ASHJ-1 to ASHJ-1663 Pauls St Paul`s Community Sports Academy, Newfoundland 10- ASHK-1 to ASHK-966 Road, Bristol WEST St Paul`s Community Sports Academy, Newfoundland 11- ASHL-1 to ASHL-1067 Road, Bristol WEST Avonmouth Community Centre, Avonmouth Road, 12-NW AVLA-3 to AVLA-1688 Bristol Nova Primary School, Barracks Lane, Shirehampton 13-NW AVLB-1 to AVLB-1839 Hope Cafe and Church, 117 - 119 Long Cross, 14-NW AVLC-1 to AVLC-1673
    [Show full text]
  • Shakespeare Survey 65
    Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information SHAKESPEARE SURVEY 65 A Midsummer Night’s Dream © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen E. McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries
    [Show full text]