Directory of Recording Studios
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Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization
Distinguished Guest Lecture Thursday, April 30 School of Architecture Greene Gallery Department of Architectural Acoustics Architecture and Acoustics of Recording Studios Analysis to Prediction to Realization presented by John Storyk, R.A., AES, Principal Walters-Storyk Design Group The recording studio has changed dramatically in the past 10 years in ways that were almost unpredictable. Both the business models and the studio design/equipment configurations are markedly different, with changes continuing virtually every week. The shift from large ‘all at once’ sessions to a file-based mixing process has ushered in a new era of small, yet extremely powerful and highly flexible audio content creation environments. These ‘next generation’ rooms continue to depend on pristine acoustics, and the aesthetic and comfort factors remain high priorities. Studios will always want to provide the ultimate critical listening conditions and standards. Digital recording and mixing technology have changed, but the skills of recording, mixing and mastering engineers will continue to drive the creative process. These rooms will continue to depend on the architect/acoustician’s ability to create or ‘tune’ the environment to maximize its acoustic potential. Jungle City Studios, New York, NY Diante de trono, Brazil Berklee College of Music opened the doors to its 160 Massachusetts Avenue residence tower in January 2014. The ten-studio Walters-Storyk Design Group designed audio education component represents a pinnacle of contemporary studio planning. Paul Epworth, The Church, London John Storyk, Co Founder and Principal of Walters-Storyk Design Group has been responsible for designing over 3000 media and content creation facilities worldwide. Credits include Jimi Hendrix's Electric Lady Studios (1969); NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music, Boston (2015 TEC winner) and Valencia, Spain; and media rooms for such corporate clients as Hoffman La Roche. -
From the Sound Board to the GRAMMY Board John Poppo, ’84, Chairman of the Recording Academy’S Board of Trustees
THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS SPRING 2016 From the sound board to the GRAMMY board John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees Coming of age Fredonia senior Steve Moses wins ‘Big Brother 17’ on CBS A tandem in tune Singer Nia Drummond and manager Michelle Cope form unique partnership College of Education Launches new Language and Learning master’s program SPRING 2016 COVER STORY From the sound board to the GRAMMY board THE MAGAZINE FOR FREDONIA ALUMNI AND FRIENDS 4 John Poppo, ’84, Chairman of The Recording Academy’s Board of Trustees 20 ADMISSIONS EVENTS Open House Dates 12 Monday, Feb. 15 Presidents Day 10 Saturday, April 9 Accepted Student Reception Saturday Visit Dates Saturday, March 5 Saturday, March 12 Saturday, April 23 Saturday, June 11 Students and families can also visit any day during the academic year. Just contact Admissions to arrange an appointment. To learn more, visit: fredonia.edu/ 14 18 admissions/visit or call 1-800-252-1212. ALUMNI AND CAMPUS EVENTS CALENDAR • Please check alumni.fredonia.edu as details are confirmed. For event registration and Los Angeles, Calif., Brunch Chicago, Ill., Reception SEPTEMBER payment, go to http://alumni. Sunday, March 20 Saturday, May 21, 2–4 p.m. New York State Tour fredonia.edu/Events.aspx, or Getty Museum, 11 a.m.–1 p.m. Midwest Youth Organization Monday – Thursday, Sept. 12–15 contact the Alumni Affairs office 200 Getty Center Drive (Music School) Locations TBA at (716) 673-3553. $25 878 Lyster Road, Highwood, IL Self-paid parking $15* give 30 Hosted by alumnus Allan and OCTOBER FEBRUARY minutes to ride tram to museum. -
SUN STUDIO Inspelningsteknik Och Sound
Högskoleexamen SUN STUDIO Inspelningsteknik och sound Författare: Jacob Montén Handledare: Karin Eriksson Examinator: Karin Larsson Eriksson Termin: HT 2019 Ämne: Musikvetenskap Nivå: Högskoleexamen Kurskod: 1MV706 Abstrakt Detta är en uppsats som handlar om Sun Studio under 1950 talet i USA, hur studion kom till och om dess grundare Sam Phillips och de tekniska tillgångarna och begränsningar som skapade ”soundet” för Elvis Presley, Johnny Cash, Jerry Lee Lewis, Ike Turner och många fler. Sam Phillips producerade många tidlösa inspelningar med ljudkaraktäristiska egenskaper som eftertraktas än idag. Med hjälp av litteratur-, ljud- och bildanalys beskriver jag hur musikern och producenten bakom musiken skapade det så kallade ”Sun Soundet”. Ett uppvaknande i musikvärlden för den afroamerikanska musiken hade skett och ingen skulle få hindra Phillips från att göra den hörd. För att besvara mina frågeställningar har texter, tidigare forskning och videomaterial analyserats. Genom den hermeneutiska metoden har intervjumaterial och dokumentärer varit en viktig källa i denna studie. Nyckelord Sun Records, Sam Phillips, Slapback Echo, Soundet, Sun Studio, Analog Tack Stort tack till min handledare Karin Eriksson för den feedback och stöd jag har fått under arbetets gång. Tack till min familj för er uppmuntran och tålamod. Innehållsförteckning Innehållsförteckning.................................................................................................................1 1.Inledning...............................................................................................................................2 -
Memphis, Tennessee, Is Known As the Home of The
Memphis, Tennessee, is known as the Home of the Blues for a reason: Hundreds of bluesmen honed their craft in the city, playing music in Handy Park and in the alleyways that branch off Beale Street, plying their trade in that street’s raucous nightclubs and in juke joints across the Mississippi River. Mississippians like Ike Turner, B.B. King, and Howlin’ Wolf all passed through the Bluff City, often pausing to cut a record before migrating northward to a better life. Other musicians stayed in Memphis, bristling at the idea of starting over in unfamiliar cities like Chicago, St. Louis, and Los Angeles. Drummer Finas Newborn was one of the latter – as a bandleader and the father of pianist Phineas and guitarist Calvin Newborn, and as the proprietor of his own musical instrument store on Beale Street, he preferred the familiar environs of Memphis. Finas’ sons literally grew up with musical instruments in their hands. While they were still attending elementary school, the two took first prize at the Palace Theater’s “Amateur Night” show, where Calvin brought down the house singing “Your Mama’s On the Bottom, Papa’s On Top, Sister’s In the Kitchen Hollerin’ ‘When They Gon’ Stop.’” Before Calvin followed his brother Phineas to New York to pursue a jazz career, he interacted with all the major players on Memphis’ blues scene. In fact, B.B. King helped Calvin pick out his first guitar. The favor was repaid when the entire Newborn family backed King on his first recording, “Three O’ Clock Blues,” recorded for the Bullet label at Sam Phillips’ Recording Service in downtown Memphis. -
Diploma in Songwriting and Music Production
Diploma in Songwriting and Music Production Qualification Modules and Hours S/N Code Module Name Face-to-Face Self-Learning Contact Hours Hours 1 CS001 Modern Production Essentials 36 18 2 CS002 Melody Writing 36 18 3 CS003 Ear Training 18 9 4 CS004 Lyrics Writing 18 9 5 CS005 Studio Techniques 36 18 6 CS006 Music Industry and Artiste Management 36 18 Essentials 7 CS007 Creative Thinking 36 18 8 PS008 Writing Commercial Music for Moving 36 18 Images 9 PS009 Music Arrangement for Popular Music 36 18 10 PS010 Mixing and Mastering 36 18 11 PS011 Music Production Analysis 36 18 12 PS012 Essential Skills of a Record Producer 36 18 13 PS013 Live Sound Essentials 36 18 14 FYP Final Year Project 240 432 456 Total Learning Hours 888 Module Synopsis CS 001: Modern Production Essentials This module equips students with knowledge and skills essential for songwriters in the 21st century. A range of topics covered include key roles in songwriting, songwriting workflow, music copyrights, basic music theory, synthesis and digital audio workstation (DAW). These foundational knowledge and skills form the basic ingredients that would prepare songwriters to both create up-to-date works at professional level, as well as negotiate effectively, efficiently and professionally in a contextually updated manner when dealing, working and collaborating with others in the music industry today. CS 002: Melody Writing This module deals with knowledge and skills needed for melody writing in the context of songwriting for popular music markets. Students will learn song forms of popular music genres of different markets, primary (motif), secondary (musical form) and tertiary (song structure) components of songs, as well as approaches in creative writing that will culminate in producing what is termed a hit song. -
Stubborn Blood • Sara Bynoe • 108Eatio • Discqrder
STUBBORN BLOOD • SARA BYNOE • 108EATIO • DISCQRDER'% RECORD STORfBAY SPECTACUW • FIVE SIMPLE STEPS TO HAKIMITAS A MUSICIAN • RUA MINX & AJA ROSE BOND Limited edition! Only 100 copies printed! 1 i UCITR it .-• K>1.9PM/C1TR.CA DISCORDERJHN MAGAZINE FROM CiTR, • LIMITED EDITION 15-MONTH CALENDARS ! VISIT DISCORDER.CA TO BUY YOURS CELEBRATES THIRTY YEARS IN PRINT. \ AVAILABLE FOR ONLY $15. ; AND SUPPORT CiTR & DISCORDER! UPCOMING SHOWS tickets oniine: enterthevault.com i . ISQILWQRK tteketweb-ca | J?? 1 Loomis, Blackguard, The Browning, Wretched instoreiScrape j 7PM DAVID NEWBERRY tickets available at door only j doors Proceeds to WISH Drop-In Centre j 6PM | plus guests 254 East Hastings Street • 604.681.8915 FIELDS OFGREENEP RELEASE PARTY $12t cdSS PAGAHFESLWITHEHSIFERUM $30* tickets onftie: tiCketweb.CS Tyr, Heidevolk, Trolffest, Heisott In store: Scrape tickets onfine: fiveatrickshaw.com GODSOFTHEGRMIteeOAIWHORE s2Q northemtJckets.com in store: doors | TYRANTS BLOOD, EROSION, NYLITHIA and more Scrape, Neptoon, Bully's 7PM MAY HIGHLIGHTS MAY1 KILLING JOKE with Czars CASUALTIES $20+S/Cadv, DOORS 6PM Dayglo Abortions m H23 $ MAY 4 SINNED Zukuss, Excruciating Pain, Entity PICKWICK 14: $9+S/Cadv. DOORS 8:30PM $ 0IR15 ROCK CAMP FEAT. BEND SINISTER 12^ in store: Scrape, Neptoon, Bully's doors MAY 5 KVELETRAK BURNING GHATS, plus guests Gastown Tattoo, Red Cat, Zulu 8PM ___ $16.50+S/C adv. DOORS 8PM M Anchoress, Vicious Cycles & Mete Pills i *|§ fm tickets online: irveatrickshaw.com MAY 10 APOLLO GHOSTS FINAL SHOW LA CHINOA (ALBUM RELEASE) *»3S ticketweb.ca In store: doors m NO SINNER, THREE WOLF MOON & KARMA WHITE $J2 door Scrape, Millennium, Neptoon 8PM plus guests $8+S/Cadv. -
Dave Grohl to Host New Exclusive Show on Siriusxm
Dave Grohl to Host New Exclusive Show on SiriusXM Limited-run series to showcase the music recorded at the iconic Sound City Studios in Los Angeles "Dave Grohl Presents Sound City" to launch November 29 NEW YORK, Nov. 27, 2012 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) announced today that Foo Fighters frontman Dave Grohl will host an exclusive, limited-run show which will air on a variety of SiriusXM music channels. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) "Dave Grohl Presents Sound City" will premiere on Thursday, November 29 at 4:00 pm ET on Classic Vinyl, channel 26, in advance of the release of Grohl's feature-length film documentary of the same name. The weekly series will feature Grohl telling stories about the music recorded at the iconic Sound City Studios in Los Angeles. "Dave Grohl Presents Sound City" will showcase the music recorded at Sound City—SiriusXM listeners will hear songs from albums like Neil Young's After the Gold Rush, Fleetwood Mac's Rumours, Metallica's Death Magnetic and Nirvana's Nevermind, which provided Grohl's own introduction to the legendary studio in 1991. Grohl's passion for the studio continued ever since and led him to purchase the main recording console after Sound City closed for commercial use in May 2011. "I'm so proud of the Sound City film and beyond excited for the world to see what I've been working on for the past year," said Dave Grohl. "Even before that, though, I'm grateful to SiriusXM for giving me the opportunity to share all this great music and to let people know what got me excited about Sound City in the first place." "We are always looking for innovative and different ways to celebrate and showcase music," said Scott Greenstein, President and Chief Content Officer, SiriusXM. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
**V************************************ Reproductions Supplied by Edits Are the Best That Can Be Made Froa Tae Original Document
D0006661 RESUME ED 166 926 CS 205 566 AUTdOR Spann, Sylvia, El.; Culp, Mary Beth, Ed. TITLE Thematic Units in leaching English and the dumanities. Second Supplement. INsTirurION National Couacil of Teachers of English, Urbana, PUB DATE 30 NOTE 159p. AVAILABLE FRO3 Sational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 53755, $6.50-member, $7.00 non-member). EDRS PRICE SF01/PCO7 Plus Postage. DESCRIPTORS Advertising; Communication Skills; Curriculum Development; *English Instruction; Futures (of Society); History; *Humanities: Justice: Listening Sicills; Logic; Politics; Popular Culture: Resource Units; Schools; Secondary Education; *Teaching Guides; *Thematic Approach; *Units of Study; Writing Instruction; Writing Skills ABSTRACT Tae seven units in this second supplement to "Thematic Units" focus oa communication skills, offering English teachers conteaporary plans for teaching writing, listening, persuasion, and'reasoning. The units were selected for their humanistic approaches to student language learning, combining English instruction with,topics in the humanities. Each unit contains comments from the teacher who developed the unit, an overview of the unit, general obfectives, evaluation methods, daily lesson plans and activities, study guides, resource materials, and other appropriate suggestions and at:dchments. The topics of the units are the school system, logic, nostaigia (studying the popular culture ofa past decade), futurism as a framework for composition instruction, advertising, politics, and law and justice. (RL) ********************************v************************************ Reproductions supplied by EDitS are the best that can be made froa tae original document. *********************************************************************** U S DEPARTMENT OF nEALTN. EDUCATION A TVILITAIIE NTMNAL INSTITUTE OF EDUCATION TmpSDOC UMENT HAS BEEN REPRO. nur.t.,E.A Fl V AS RECEIVED FROM 111 -Admai-i-ka *HI Pf RsON OR ORCAN QAT tON OSI 'GIN- I. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Adeq Draft Operating Air Permit
ADEQ DRAFT OPERATING AIR PERMIT Pursuant to the Regulations of the Arkansas Operating Air Permit Program, Regulation 26: Permit No. : 0801-AOP-R10 IS ISSUED TO: Blue Cube Operations LLC 3230 Dow Drive Russellville, AR 72802 Pope County AFIN: 58-00011 THIS PERMIT AUTHORIZES THE ABOVE REFERENCED PERMITTEE TO INSTALL, OPERATE, AND MAINTAIN THE EQUIPMENT AND EMISSION UNITS DESCRIBED IN THE PERMIT APPLICATION AND ON THE FOLLOWING PAGES. THIS PERMIT IS VALID BETWEEN: AND THE PERMITTEE IS SUBJECT TO ALL LIMITS AND CONDITIONS CONTAINED HEREIN. Signed: Stuart Spencer Date Associate Director, Office of Air Quality Blue Cube Operations LLC Permit #: 0801-AOP-R10 AFIN: 58-00011 Table of Contents SECTION I: FACILITY INFORMATION .............................................................................. 4 SECTION II: INTRODUCTION ............................................................................................... 5 Summary of Permit Activity .................................................................................................... 5 Process Description ................................................................................................................... 5 Regulations .............................................................................................................................. 12 Emission Summary ................................................................................................................. 13 SECTION III: PERMIT HISTORY ....................................................................................... -
Welton Sentenced to Four Years for Sexually Assaulting Two Girls
New Police Chiefs Hired in Middleton & Cross Plains The City of Middleton hired interim po- The Village of Cross Plains recently wel- lice chief Troy Hellenbrand permanently comed new police chief Tony Ruesga, who after interviewing two other candi- spent most of his career in Darlington. dates. He replaces chief Chuck Foulke. Ruegsa replaces former chief Tom Jans- Read about Hellenbrand on page 3. sen. Read about Ruegsa on page 8. VOL. 128, NO. 5 THURSDAY, JANUARY 30, 2020 MIDDLETONTIMES.COM SINGLE COPY PRICE: $1.25 Welton Sentenced to Committee of the Whole Reviews Community Campus Concept By Cameron Bren She said development pressure in downtown Four Years for Sexually Times-Tribune Middleton began ramping up in 2014 with the MIDDLETON–The Middleton Committee of construction of Middleton Center Apartments fol- the Whole (COW), made up of all members of lowed by the redevelopment of Middleton Center. Assaulting Two Girls the city council and plan commission, reviewed In a survey conducted in 2016, a space needs the initial concepts for downtown community By Kevin Murphy study which recommended nearly tripling the size “I believe he’s been at it campus, a redevelopment of downtown public of the library. Times-Tribune awhile. I don’t believe he took buildings including the library, city hall and se- Attoun said making a plan to redeveloping MADISON–A Middleton an eight-year wait been as- nior center. city buildings could also address deferred and man found guilty of sex assault saults,” Assistant District At- Director of Planning and Community Develop- expected maintenance on city buildings.