1 Sartre, Intersubjectivity, and German Idealism Sebastian Gardner This
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Review of Being and Nothingness
Being and Nothingness: An Essay in Phenomenological Ontology by Jean-Paul Sartre, translated by Sarah Richmond. Abingdon: Routledge, 2018. Jonathan Webber Review published in Mind 2019 Author’s post-print. Please cite only published version. Legend has it that when Jean-Paul Sartre’s first epic tome L’Être et le néant appeared in 1943 the publishers were rather surprised by how well it sold. Who were all these people in the midst of war yet eager to read a 722-page philosophical analysis of the structures of human existence? They discovered that the book, which weighed exactly one kilo, was mostly selling to greengrocers, who were using it to replace the kilo weights that had been confiscated by the Nazis to be melted down for munitions. Sarah Richmond’s superb new translation weighs in at nearly a kilo and a half. The text itself is supplemented by a wealth of explanatory and analytical material. Richmond has taken full advantage of the extensive scholarly and critical analyses of Sartre’s book published over the past three-quarters of a century. The book has been translated into English only once before, by Hazel Barnes over sixty years ago. Richmond’s strategy has not been to edit that version, but to translate the text anew, informed by its reception in both its original form and its Barnes translation. Richmond traces the main contours of this reception in her introduction to the book, which relates the text to the main currents of anglophone and European thought since the war and, in so doing, indicates the influences on her own reading of the text. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Intersubjectivity Before Language: Three Windows on Preverbal Sharing
JB[v.20020404] Prn:13/02/2007; 14:08 F: AICR6809.tex / p.1 (48-124) Meltzoff, A. N., & Brooks, R. (2007). Intersubjectivity before language: Three windows on preverbal sharing. In S. Bråten (Ed.), On being moved: From mirror neurons to empathy (pp. 149-174). Philadelphia, PA: John Benjamins. chapter Intersubjectivity before language Three windows on preverbal sharing Andrew N. Meltzoff and Rechele Brooks University of Washington There has been a revolution in our understanding of intersubjectivity. This rev- olution has many roots. Three findings of special interest are represented in the present volume: (a) the landmark work on preverbal intersubjectivity by Trevarthen (1979), Trevarthen and Hubley (1978), Stern (1985), and Bråten (1998a, 2003); (b) the findings of neonatal imitation, which demonstrates a social connected- ness that is literally present at birth (e.g., Heimann 2002; Kugiumutzakis 1998; Meltzoff 2006; Meltzoff & Moore 1983, 1997); and (c) advances in neuroscience, particularly the report of a mirror neuron system (e.g., Gallese 2003, 2005; Ia- coboni, Woods, Brass, Bekkering, Mazziotta, & Rizzolatti 1999; Jackson, Meltzoff, & Decety 2006; Rizzolatti, Fadiga, Fogassi, & Gallese 2002; Rizzolatti 2005). All three suggest a close coupling between self and other with profound implications for shared emotions (e.g., Hobson 2002; Hobson & Meyer 2005; Meltzoff 2007; Rochat & Striano 1999; Tomasello 1999). The revolution did not occur at the dead of night, but was well discussed. For example, there has been (a) a discussion of the -
Schelling: Understanding German Idealism
SCHELLING Understanding German Idealism ◊ by Michael Tsarion Copyright ©2016 Unslaved Media. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any mechanical, photocopying, recording or otherwise, without the publisher's permission. First Kindle Edition, July 2016 DEDICATIONS This book is dedicated to the memory of Friedrich Wilhelm Joseph Schelling, Georg Wilhelm Friedrich Hegel, Eduard von Hartmann, Jacob Bohme, Meister Eckhart, Nicholas Cusanus, George Berkeley, William Blake, Rudolf Steiner, Wilhelm Reich, Gustave Le Bon, Ayn Rand, Alvin Boyd Kuhn and Otto Rank. ACKNOWLEDGEMENTS To Chris for technical support. To Bryan Magee. To Alan for being a good teacher way back then. TABLE OF CONTENTS INTRODUCTION 1. The Problem of Idealism 2. Back to the Mirror 3. The Freedom of Man 4. The Existential Trinity 5. The Fall of Albion 6. Nothing Higher Than Beauty 7. The Absolute Idealism of Hegel About Author INTRODUCTION Great things are done when men and mountains meet – William Blake I first began studying academic philosophy at a community college in Belfast in 1987. Although I did not take the classes to matriculate, my interest in Western philosophy, which had always been sincere, was enhanced considerably. We were fortunate to have a captivating tutor, a very rare thing in Northern Ireland in those days. Unlike ordinary school we were permitted to wear our own clothes rather than uniforms and even allowed to go about the college smoking. It was a barely bearable experience, but mission accomplished I activated my little grey cells and learned many interesting things. -
European Academic Research
EUROPEAN ACADEMIC RESEARCH Vol. II, Issue 9/ December 2014 Impact Factor: 3.1 (UIF) ISSN 2286-4822 DRJI Value: 5.9 (B+) www.euacademic.org Condemned to be Free: Orestes in Sartre’s The Flies MOHSIN HASSAN KHAN Research Scholar Department of English A.M.U., Aligarh, India Abstract: Jean Paul Sartre’s Orestes’ is one of the strong characters as far as literary sketch of any existential character is concerned. Embodiment of Sartrean philosophy, Orestes, in the play The Flies (1943) is a representation of the philosophy of freedom in which Sartre has put his literary thesis with the philosophic. In doing so with the character of Orestes, he comes back again to his lifelong pursuit of freedom and tries to explore it in the most possible and natural sense making freedom as an absolute and a strong value. The idea of freedom has been smoothly sketched in the play and its strident treatment matches the doctrines of freedom by the playwright. In this play, Sartre expresses the idea of condemned freedom and an attempt has been made in this paper to show this particular Sartrean brand of freedom expressed in Orestes. Key words: Existentialism, Existence, Freedom, Condemned, Absolute, No. Enlightenment Jean Paul Sartre, an avowed existentialist and a militant atheist, being at the centre of the modern philosophy is a very important figure in French existentialism. Truly a philosopher in the traditional sense like Heidegger and also a political figure protesting in the student’s revolution of 1968 in which he was almost close to becoming a rebel, he is a fine amalgamation of 20th century thought in which letters and actions go together 11954 Mohsin Hassan Khan- Condemned to be Free: Orestes in Sartre’s The Flies simultaneously. -
Existential Aspect of Being: Interpreting J. P. Sartre's Philosophy
Existential aspect of Being: Interpreting J. P. Sartre’s Philosophy Ivan V. Kuzin, Alexander A. Drikker & Eugene A. Makovetsky Saint Petersburg State University, Russia Abstract The article discusses rationalistic and existential approaches to the problem of existence. The comparison of Sartre's pre-reflective cogito and Descartes' reflective cogito makes it possible to define how Sartre’s thought moves from the thing to consciousness and from consciousness to the thing. At the same time, in Being and Nothingness Sartre does not only define the existence of the thing in its passivity—which in many respects corresponds to Descartes' philosophy, but also as an open orientation towards consciousness, the latter concept not being fully developed by him. This statement may be regarded as a hidden component of Sartre’s key thesis about the role of the Other in the verification of our existence. The most important factor in understanding this is the concept of the look. Detailed analysis of Sartre’s theses in Being and Nothingness enables us to demonstrate that the concept of the look makes it possible to consider the identity of being-in-itself and being-for-itself (consciousness). Keywords: Sartre, rationalism, existentialism, thing, being, the look, existence, nothingness, consciousness, the Other 1. Introduction E. Husserl said that being of the object is such “that it is cognisable in itself” (“daß es in seinem Wesen liegt, erkennbar zu sein”). (Ingarden 1992: 176) This statement is important if we are to accept the fact that the possibility of looking at the object correlates with being of the object itself. -
C:\Users\Lenovo Owner\Documents\Husserls Deconstruction Of
Husserl’s Deconstruction of Merleau-Ponty’s Corporeal Intersubjectivity Abstract: In this paper, I show how Husserl, via the method of the epoche, dissolves Merleau-Ponty’s starting point in the gestalt structuralism of primary corporeal intersubjectivity, revealing a more radically temporal foundation that has nothing of gestalt form in it. Whereas for Merleau-Ponty, the dependency of the parts belonging to a whole is a presupposed unity, for Husserl, a whole instantiates a temporal story unfolding each of its parts out of the others associatively-synthetically as the furthering of a continuous progression or enrichment of sense. As a consequence of the deconstruction of the gestalt, Husserl’s notion of the foreign must be understood in different terms than that of corporeal otherness. He offers an otherness to self that manifests itself as a thematic belonging to self whose self-similarity presupposes and is built from this irreducible foreignness. This is not a privileging of the same over the different , but rather a situating of the binary in a more insubstantial and therefore more intimate space of relationship than that of corporeal embodiment. In recent years, Husserl and Merleau-Ponty have become valuable sources of inspiration for philosophers and psychologists embracing embodied approaches to consciousness. A common tendency within this scholarly community is to judge the success of Husserl’s transcendental phenomenology by how closely it aligns with Merleau-Ponty’s project. Some believe that Merleau-Ponty nudged phenomenology further along in the direction that Husserl was aiming toward in his later years, the implication being that Merleau-Ponty’s project is a more radical one than Husserl’s and that Husserl was not able to overcome a tendency to fall back into transcendental solipsism, subjectivism, Kantian idealism. -
APA NEWSLETTER on Asian and Asian-American Philosophers and Philosophies
NEWSLETTER | The American Philosophical Association Asian and Asian-American Philosophers and Philosophies SPRING 2020 VOLUME 19 | NUMBER 2 FROM THE GUEST EDITOR Ben Hammer The Timeliness of Translating Chinese Philosophy: An Introduction to the APA Newsletter Special Issue on Translating Chinese Philosophy ARTICLES Roger T. Ames Preparing a New Sourcebook in Classical Confucian Philosophy Tian Chenshan The Impossibility of Literal Translation of Chinese Philosophical Texts into English Dimitra Amarantidou, Daniel Sarafinas, and Paul J. D’Ambrosio Translating Today’s Chinese Masters Edward L. Shaughnessy Three Thoughts on Translating Classical Chinese Philosophical Texts Carl Gene Fordham Introducing Premodern Text Translation: A New Field at the Crossroads of Sinology and Translation Studies SUBMISSION GUIDELINES AND INFORMATION VOLUME 19 | NUMBER 2 SPRING 2020 © 2020 BY THE AMERICAN PHILOSOPHICAL ASSOCIATION ISSN 2155-9708 APA NEWSLETTER ON Asian and Asian-American Philosophers and Philosophies BEN HAMMER, GUEST EDITOR VOLUME 19 | NUMBER 2 | SPRING 2020 Since most of us reading this newsletter have at least a FROM THE GUEST EDITOR vague idea of what Western philosophy is, we must understand that to then learn Chinese philosophy is truly The Timeliness of Translating Chinese to reinvent the wheel. It is necessary to start from the most basic notions of what philosophy is to be able to understand Philosophy: An Introduction to the APA what Chinese philosophy is. Newsletter Special Issue on Translating In the West, religion is religion and philosophy is Chinese Philosophy philosophy. In China, this line does not exist. For China and its close East Asian neighbors, Confucianism has guided Ben Hammer the social and spiritual lives of people for thousands of EDITOR, JOURNAL OF CHINESE HUMANITIES years in the same way the Judeo-Christian tradition has [email protected] guided people in the West. -
Hegel and Chinese Marxism
DOI: 10.4312/as.2019.7.1.55-73 55 Hegel and Chinese Marxism Tom ROCKMORE*1 Abstract China is presently embarking on the huge task of realizing what President Xi Jinping recently called the Chinese Dream. China is officially Marxist, and Marx thus inspires this dream in his assigned status as the “official guide” to the ongoing Chinese Revolution. This paper will focus on the crucial relation between Hegel and Chinese Marxism. Marx is a key Hegelian, critical of, but strongly dependent on, Hegel. Since the Chinese Dream is not Hegelian, but rather anti-Hegelian, it is unlikely, as I will be arguing, to be realized in a recognizably Marxian form. Keywords: Hegel, China, Marxism, Marx, Engels Hegel in kitajski marksizem Izvleček Kitajska se podaja na pot uresničitve projekta, ki ga je predsednik Xi Jinping pred kratkim imenoval »kitajske sanje«. Kitajska je uradno marksistična in Marx zaradi statusa »urad- nega vodiča« sedanje kitajske revolucije, ki so mu ga pripisali, navdihuje te sanje. Članek se bo osredotočil na ključno razmerje med Heglom in kitajskim marksizmom. Marx je ključni hegelianec, ki do Hegla ni le kritičen, ampak je tudi odvisen od njega. »Kitajske sanje« pa niso hegelianske, temveč prej antihegelianske, zato je, kot bo razloženo, malo verjetno, da se bodo uresničile v prepoznavno marksistični obliki. Ključne besede: Hegel, Kitajska, Marxism, Marx, Engels * Tom ROCKMORE, Department of Philosophy, Peking University, China. Email address: rockmore[at]duq.edu AS_2019_1_FINAL.indd 55 31.1.2019 10:48:34 56 Tom ROCKMORE: Hegel and Chinese Marxism On the Relation of Marx and Hegel Marx’s followers as well as his critics tend to approach him through Marxism. -
Existentialism in Two Plays of Jean-Paul Sartre
Journal of English and Literature Vol. 3(3), 50-54, March 2012 Available online at http://www.academicjournals.org/IJEL DOI:10.5897/IJEL11.042 ISSN 2141-2626 ©2012 Academic Journals Review Existentialism in two plays of Jean-Paul Sartre Cagri Tugrul Mart Department of Languages, Ishik University, Erbil, Iraq. E-mail: [email protected]. Tel: (964) 7503086122. Accepted 26 January, 2012 Existentialism is the movement in the nineteenth and twentieth century philosophy that addresses fundamental problems of human existence: death, anxiety, political, religious and sexual commitment, freedom and responsibility, the meaning of existence itself (Priest, 2001: 10). This study tries to define what existentialism is and stresses themes of existentialism. This research finally points out these themes of existentialism by studying on two existentialist drama plays written by Jean-Paul Sartre who was a prominent existentialist writer. The plays by Sartre studied in this research are ‘The Flies’ and ‘Dirty Hands’. Key words: Existentialism, freedom, absurdity, anguish, despair, nothingness. INTRODUCTION Existentialism is the philosophy that makes an religious, political, or sexual commitment? How should authentically human life possible in a meaningless and we face death? (Priest, 2001: 29). We can briefly define absurd world (Panza and Gale, 2008: 28). It is essentially existentialism as: ‘existentialism maintains that, in man, the search of the condition of man, the state of being and in man alone, existence precedes essence’. This free, and man's always using his freedom. Existentialism simply means that man first is, and only subsequently is, is to say that something exists, is to say that it is. -
Nausea and the Adventures of the Narrative Self Ben Roth1
How Sartre, Philosopher, Misreads Sartre, Novelist: Nausea and the Adventures of the Narrative Self Ben Roth1 Besides, art is fun and for fun, it has innumerable intentions and charms. Literature interests us on different levels in different fashions. It is full of tricks and magic and deliberate mystification. Literature entertains, it does many things, and philosophy does one thing. Iris Murdoch (1997, p. 4) If there is something comforting—religious, if you want—about paranoia, there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long. Thomas Pynchon, Gravity's Rainbow (p. 434) Both those who write in favor of and against the notion of the narrative self cite Sartre and his novel Nausea as exemplary opponents of it. Alasdair MacIntyre, a central proponent of the narrative self, writes: “Sartre makes Antoine Roquentin argue not just [...] that narrative is very different from life, but that to present human life in the form of a narrative is always to falsify it” (1984, p. 214). Galen Strawson, a critic of narrativity, writes that “Sartre sees the narrative, story-telling impulse as a defect, regrettable. [...] He thinks human Narrativity is essentially a matter of bad faith, of radical (and typically irremediable) inauthenticity” (2004, p. 435). I think that this type of interpretation of Nausea is blindered and bad and relies on an impoverished approach to reading fiction typical of philosophers: of taking one character at one moment as mouthpiece for both a novel as a whole and author behind it. Beginning as it does in description, the novel challenges these conceptual orders rather than taking one side or the other; it thus invites us to rethink the terrain of narrativity. -
Grossberg, Lawrence Intersubjectivity and the Conceptualization of 38P
DOCUMENT RESUME ED 198 572 CS 503 194 AUTHOR Grossberg, Lawrence TITLE Intersubjectivity and the Conceptualization of Communication. PUE DATE May 80 NOTE 38p.: Paper presented at the Annual Meeting of the International Communication Association (30th, Acapulco, Mexico, May 18-23, 1980). EDFS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Communication (Thought Transfer); *Concept Formation: Interaction: Interpersonal Competence: Semiotics: *Speech Communication IDENTIFIERS *Intersubjectivity ABSTRACT Treating views of communication through consideration cf contrasting conceptions of intersubjectivity is possible because the two domains are articulated in different terms and are at the same time closely identified. There are three images of intersubjectivity that reflect the dominant ways in which the dichotomy of the individual and the social has been conceived and reconciled: (1) as absolutely separated, independent terms brought together;(2) as terms existing in interaction with one another: (3) cr as terms in a hierarchical relation of constitution. Each of these images presents three different ways of asking the question of how communication is possible. Two alternative answers to each of the three forms of the question of communication generate six discrete views within which the transcendence of the individuality of meaning in communication is accounted for. (HOD) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ***********************************************************************