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CTBA Band Scramble at Threadgill's North
Volume 37, No. 7 Copyright © Central Texas Bluegrass Association July 2015 Sunday, July 5: CTBA Band Scramble at Threadgill’s North By Eddie Collins up. It’s that time again. It’s the CTBA’s 19th annual garage sale and band scramble, Sun- Y day, July 5, 2-6 PM at Threadgill’s North, 6416 N. Lamar. The garage sale portion of the event will be where the buffet is usually set up. We’ll have CDs, instructional materials and other music related items, and T-shirts (didn’t make it out to the RayFest? Here’s your second chance to get a RayFest T-shirt at a bargain price). The second part of the event is the band scramble, where up to 40 area (continued on page 3) The weather in Texas is as changeable as a chameleon on a rain gauge. One year it’s a drought, next year it’s monsoon season. But don’t let that stop you from scrambling out to Threadgill’s on July 5. If you miss it, you’ll be green with envy. Photo by K. Brown. Jamming at the 2012 CTBA band scramble; Waterloo Ice House, June 1, 2012. Left to right: Jeff Robertson, Jacob Roberts, Matt Downing. Photo by K. Brown. July birthdays: Jeff Autry, Byron Berline, Ronnie Bowman, Sidney Cox, Dave Evans, Bela Fleck, Jimmy Gaudreau, Bobby Hicks, Jim Hurst, Alison Krauss, Andy Leftwich, Everett Lilly, Larry McPeak, Jesse McReynolds, Charlie Monroe, Scott Nygaard, Molly O’Day, Peter Rowan, Allan Shelton, Valerie Smith, Bobby Thompson, Jake Tullock, Rhonda Vincent, Keith Whitley… oh, and also the United States. -
The Pinecone Bluegrass Show WQDR 94.7 FM, and Streaming on 947Qdr.Com Hosted by Larry Nixon July 27, 2014, 6 – 9 P.M
The PineCone Bluegrass Show WQDR 94.7 FM, and streaming on 947qdr.com Hosted by Larry Nixon July 27, 2014, 6 – 9 p.m. Celebrating our 25 th year on the air! The PineCone Bluegrass Show is a reporting station in Bluegrass Unlimited and Bluegrass Today music polls. Artist Song Title Album Title Record Label Rachel Burge & New Dawning Kentucky Mandolin Rachel Burge & New Dawning Mountain Fever Records Doc Watson Greenville Trestle High Riding the Midnight Train Sugar Hill Blue Highway The Game The Game Rounder Jason Davis Hard Rock Bottom of Your Heart Second Time Around Mountain Fever Records Doyle Lawson and Quicksilver Carolina in the Pines Once and For Always/The News Sugar Hill is Out Lorraine Jordan & Carolina Road That’s Kentucky Lorraine Jordan & Carolina Road Pinecastle Records Rhonda Vincent Busy City Only Me Upper Management Donna Hughes The Way I Am Single release off From the Heart Running Dog Records Blue Highway Talk is Cheap The Game Rounder Nu-Blu Without a Kiss Ten Rural Rhythm Records Kruger Brothers Streamlined Cannonball Remembering Doc Watson Double Time Music The Seldom Scene With Body and Soul The Best of The Seldom Scene Rebel Records Darrell Webb Band Folks Like Us Dream Big Mountain Fever Records Seldom Scene Wait a Minute (feat. John Starling) Long Time… Seldom Scene Smithsonian/Folkwa ys Becky Buller Southern Flavor ’Tween Earth & Sky Dark Shadow Recording Sideline Girl at the Crossroads Bar Session I Mountain Fever Records Dolly Parton Blue Smoke Blue Smoke Sony Masterworks The Gentlemen of Bluegrass Carolina Memories Carolina Memories Pinecastle Records Richard Bennett Wayfaring Stranger (feat. -
2014 Joe Val Bluegrass Festival Preview
2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news. -
Carl Jackson- Musical Dream Maker
Carl Jackson- Musical Dream Maker By Lee Kotick Carl Jackson is a musical architect, bridge builder, and dreamer. He’s a one of a kind man; a humble networker who enriches others’ lives. Jackson’s mantra is, “With each dream that becomes a reality, a new dream lies ahead.” Many of his dreams have come true. He’s not just a gifted musical producer, but a most influential guy who perhaps is singularly responsible for the creation of one of the major bridges between bluegrass and country from the 1960s to the present. His feet are firmly planted in both genres. Jackson’s humility would cause him to disagree with such homage. Make no mistake, bluegrass and country go together other like ham and eggs. Jackson’s body of work in bluegrass and country is unrivaled for its time period. Just as Glen Campbell and Jim and Jesse took a young banjo playing Jackson under their wings, he in turn takes on talented young artists, nurtures them and teaches them to fly on their own. As a good song must have a great title, so must dreams be built on bridges providing artists connections between episodes of their dreams. While he’s fulfilled many of his own dreams, Jackson is called to make others’ dreams come true. Our country’s greatest artists want to be affiliated with Jackson’s projects, and to a person, they clearly love and admire him. This is a man who has reached the epitome of musical production in our genres. The Man Jackson was born in 1953 in a small clinic above the Strand Theatre in Louisville, MS. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
TOP SONGWRITER CHART Sunday, July 7, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, July 7, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 2 Ashley Gorley Catch Brett Young Good Vibes Chris Janson I Don’t Know About You Chris Lane Living Dierks Bentley One Big Country Song LOCASH Ridin’ Roads Dustin Lynch Rumor Lee Brice 2 1 Michael Hardy God’s Country Blake Shelton I Don’t Know About You Chris Lane One Big Country Song LOCASH Rednecker HARDY Talk You Out Of It Florida Georgia Line 3 4 Hillary Lindsey Buy My Own Drinks Runaway June Closer To You Carly Pearce Knockin’ Boots Luke Bryan 4 5 Bobby Pinson Homemade Jake Owen Rearview Town Jason Aldean Some Of It Eric Church 5 6 Ben Burgess Whiskey Glasses Morgan Wallen 6 7 Kevin Kadish Whiskey Glasses Morgan Wallen 7 8 Jordan M. Schmidt God’s Country Blake Shelton Rednecker HARDY 8 9 Blanco Brown The Git Up Blanco Brown 9 14 Jon Nite I Hope Gabby Barrett Knockin’ Boots Luke Bryan Living Dierks Bentley 10 10 Jeffery Hyde Some Of It Eric Church We Were Keith Urban 11 11 Eric Church Some Of It Eric Church We Were Keith Urban 12 3 Luke Combs Beer Never Broke My Heart Luke Combs Even Though I’m Leaving Luke Combs Lovin’ On You Luke Combs Moon Over Mexico Luke Combs Refrigerator Door Luke Combs 13 12 Gordie Sampson Closer To You Carly Pearce Family Tree Caylee Hammack Knockin’ Boots Luke Bryan 14 13 Cary Barlowe Back To Life Rascal Flatts Raised On Country Chris Young 15 15 Maren Morris Girl Maren Morris The Bones Maren Morris 16 19 Jameson Rodgers I Don’t Know About You Chris Lane Talk You Out Of It Florida Georgia -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
Issue 209 Music & Mornings Many Factors Determine the Amount of Music a Country Station Plays in Morning Drive
September 13, 2010 Issue 209 Music & Mornings Many factors determine the amount of music a Country station plays in morning drive. The competitive situation, spot load, caliber of air talent and even a change in morning shows are among them. Most recently, PPM ratings have led a number of programmers to increase the amount of music heard between 6-10am. For purposes of this week’s study, we looked at a variety of market situations to see how many songs were played in morning drive on a Wednesday for the last 12 months (excluding December 2009). As always, all airplay information comes from our friends at Mediabase 24/7. Stand Alone PPM Markets KKGO/Los Angeles has added a couple of songs per hour in the Medal Heads: “Not bad for an old radio guy!” says WGH-FM/AM/Norfolk last three months. It averaged about 12 songs between 6-9am up Dir. of Programming and Operations John Shomby. He and his niece Sara until about three months ago when it bumped to 14-15 songs in that (left) cheese for the camera after running the Virginia Beach Rock & Roll Half Marathon. At right (l-r), WWFG/Salisbury-Ocean City morning host time frame. Its 9am hour has stayed steady at 14 tunes throughout John Trout (5k), MM Jefferson Ward and Clear Channel’s Diane Walsh the last year. (both half-marathon) celebrate completing the local Hidden Treasures WUSN/Chicago has been stable in its morning airplay. It routinely runs. Each earned a podium finish in their age groups. has aired six-seven songs in the first hour of morning drive, seven- eight songs in the second hour, eight-nine songs in the third hour and McGraw’s Super In Dallas 10-11 songs in the final drive-time hour. -
For You to See the Stars (Radney Foster/Jay Clementi/Scott David Laurent)
For You To See The Stars (Radney Foster/Jay Clementi/Scott David Laurent) 1, 2, 3, 4… When Grandpa sold the house because the business failed He said rock bottom is just solid ground to start again And when life ain’t nothing like a fairy tale We just gotta work and hope and pray and say amen It's gotta get dark enough for you to see the stars Shine like diamonds on black velvet Love is just a word until you’ve felt it Even when life falls apart Strong enough to break your heart It's gotta get dark enough For you to see the stars Darkness fell on me when I lost my Dad Girl you were the light that got me through You walked right beside me down that road to hell and back And in that midnight hour I fell in love with you It's gotta get dark enough for you to see the stars Shine like diamonds on black velvet Love is just a word until you’ve felt it Even when life falls apart Strong enough to break your heart It's gotta get dark enough For you to see the stars Staring at the sky tonight, never felt so alive Sometimes the lights have to go out For you to see what life’s about It's gotta get dark enough for you to see the stars Move you like a work of art Strong enough to break your heart It's gotta be dark enough for you to see the stars For you to see the stars © 2017 Alamo Lounge Music (ASCAP) All Rights Administered by BMG Rights Management (US) LLC/Sony/ATV Cross Keys Publishing (ASCAP)/2121 Music (ASCAP) Greatest Show On Earth (Radney Foster/Jay Clementi) Here we go! Pot luck supper and BBQ Cooler full of beer, one for sodas too Us kids -
Sept. 24, 2009 • Inside • Board Nixes Plans for New Town Hall FORUM
Volume 7, Number 38 PDF Version – www.HighlandsInfo.com Thursday, Sept. 24, 2009 • Inside • Board nixes plans for new Town Hall FORUM ....................... 2 Letters .......................... 2 The biggest news to come out remodeled with funds already on where policies aren’t allowed to be Obituaries ..................... 3 of the Town Board’s worksession hand. set or voted on, Town Attorney Bill Wooldridge ................... 4 Wednesday was the nixing of the Town Manager Jim Fatland Coward said since the worksession Salzarulo ...................... 5 This Week in Highlands plan to build a new Town Hall. said given the current economic was advertised as a Special Meeting From Turtle Pond .......... 6 Thurs.-Sun., Sept. 24-27 During the renovations of the situation and given the fact that cost and Worksession, the Town Hall Coach’s Corner ............. 7 • Highlands Playhouse Antique Show at current Town Hall – meant only to estimates to build a new Town Hall issue could be decided and voted His & Hers .................... 14 the Civic Center. Preview Party Thursday from be used until plans were finalized complex were in excess of $5.4 mil- on if the board so desired. Conservative POV ......... 17 6:30-8:30 p.m., 10-5 Friday and Saturday, noon for a new Town Hall — architects lion, it would be fiscally sound to Though the idea of voting on Events ........................... 26 to 5 on Sunday. $12. Call: 526-2695 for tickets. discovered that the building is cancel plans to build new and ren- something the public didn’t have a Classifieds ..................... 32 Fri.-Sun., Sept. 25-27 sound and could be renovated for a ovate and remodel instead.