A Festival of Nine Lessons and Carols 2019
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A Festival of Nine Lessons & Carols
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 A FESTIVAL OF NINE LESSONS & CAROLS THE CENTENARY SERVICE Sir Stephen Cleobury SIR STEPHEN CLEOBURY CBE Six months after the centenary service of A Festival of Nine Lessons and Carols, Stephen Cleobury was appointed Knight Bachelor in the Queen’s Birthday Honours. This richly-deserved recognition of his ‘services to choral music’ brought tremendous pleasure and delight to the Choir and College, and to the many more who have attended Chapel services and listened to broadcasts, webcasts and recordings since Stephen became Director of Music in 1982. Since that time, he has chosen and conducted the music for 37 years of choral worship: for Christmas and Easter, as well as for thousands of daily chapel services. The sound of the Choir under his direction has reached the ears and touched the hearts of countless millions of people. Hundreds of boys and young men have been Choristers or Choral Scholars and there have been no fewer than 23 Organ Scholars. His influence as a teacher and a role model to young musicians has been as extraordinary as the way in which he has extended the reach of the Chapel’s music through recording, broadcasting and touring. As the College makes this recording of the Centenary Festival of Nine Lessons and Carols available, we once again salute Sir Stephen’s extraordinary achievements and pay tribute to the qualities of musicianship, leadership, commitment and dedication that lie behind all that he has given, and all that we have so gratefully received. -
Daniel Purcell the Judgment of Paris
Daniel Purcell The Judgment of Paris Anna Dennis • Amy Freston • Ciara Hendrick • Samuel Boden • Ashley Riches Rodolfus Choir • Spiritato! • Julian Perkins RES10128 Daniel Purcell (c.1664-1717) 1. Symphony [5:40] The Judgment of Paris 2. Mercury: From High Olympus and the Realms Above [4:26] 3. Paris: Symphony for Hoboys to Paris [2:31] 4. Paris: Wherefore dost thou seek [1:26] Venus – Goddess of Love Anna Dennis 5. Mercury: Symphony for Violins (This Radiant fruit behold) [2:12] Amy Freston Pallas – Goddess of War 6. Symphony for Paris [1:46] Ciara Hendricks Juno – Goddess of Marriage Samuel Boden Paris – a shepherd 7. Paris: O Ravishing Delight – Help me Hermes [5:33] Ashley Riches Mercury – Messenger of the Gods 8. Mercury: Symphony for Violins (Fear not Mortal) [2:39] Rodolfus Choir 9. Mercury, Paris & Chorus: Happy thou of Human Race [1:36] Spiritato! 10. Symphony for Juno – Saturnia, Wife of Thundering Jove [2:14] Julian Perkins director 11. Trumpet Sonata for Pallas [2:45] 12. Pallas: This way Mortal, bend thy Eyes [1:49] 13. Venus: Symphony of Fluts for Venus [4:12] 14. Venus, Pallas & Juno: Hither turn thee gentle Swain [1:09] 15. Symphony of all [1:38] 16. Paris: Distracted I turn [1:51] 17. Juno: Symphony for Violins for Juno [1:40] (Let Ambition fire thy Mind) 18. Juno: Let not Toyls of Empire fright [2:17] 19. Chorus: Let Ambition fire thy Mind [0:49] 20. Pallas: Awake, awake! [1:51] 21. Trumpet Flourish – Hark! Hark! The Glorious Voice of War [2:32] 22. -
Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Spotlight on Grace: a Preview of Lessons & Carols
Weekly E-News from Grace Episcopal Church December 1, 2016 Spotlight on Grace: A Preview of Lessons & Carols Please join us on Sunday, December 4 at 5 PM for A Service of Lessons and Carols for Advent. This moving and beautiful service has its roots (as do many of our services) in England. Here is a bit of history courtesy of St. Thomas Episcopal Church in Houston Texas: The Procession with Carols on Advent Sunday originated at King's College, Cambridge, England in 1934, composed by Dean Eric Milner-White (who had also been responsible nine years earlier for the more widely known Festival of Nine Lessons and Carols for Christmas Eve). In his Preface to the Advent Sunday service, Dean Milner- White wrote: 'In the old English liturgies, the Advent Offices made a preparation for the coming of our Lord to this earth far more vivid and eager than those of our present [1662] Prayer Book. So an Advent Carol Service, if without precedent, is not without suitability, if it helps to express "the desire of all nations and ages."' The purpose of the service is 'not to celebrate Christmas, but to expect it.' At Grace, we begin the service with a candle-lit church and the choir gathered in the narthex for the singing of Palestrina's great Matin Responsory. During the hymn "Come, thou, redeemer of the earth" the choir moves into the chancel. What follows is a sequence of readings, hymns and carols, with the choir processing around the nave of the church and singing from various locations. -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
NMC164 Watkins-Wyas-Booklet
Huw Watkins In my craft or sullen art Mark Padmore tenor Huw Watkins piano Paul Watkins cello Alina Ibragimova violin The Nash Ensemble Elias Quartet Huw Watkins Sonata for Cello and Three Auden Songs 8’47 The Nash Ensemble Eight Instruments 13’44 10 Brussels in Winter 3’31 Artistic Director Amelia Freedman CBE FRAM 1 Allegro 4’36 11 Eyes look into the well 2’51 Paul Watkins cello 2 Lento 5’04 12 At last the secret is out 2’25 Ian Brown conductor 3 Allegro 4’04 Mark Padmore tenor Philippa Davies flute Paul Watkins cello Huw Watkins piano Richard Hosford clarinet The Nash Ensemble Ursula Leveaux bassoon Laura Samuel violin Ian Brown conductor 15’02 Partita for solo violin Catherine Leonard violin 13 Maestoso 4’07 Lawrence Power viola Four Spencer Pieces 15’15 14 Lento ma non troppo 1’06 Duncan McTier double bass 4 Prelude 1’46 15 Lento 4’31 and Huw Watkins piano 5 Shipbuilding on the Clyde 1’49 16 Comodo 1’04 6 The Crucifixion 1’36 17 Allegro molto 4’14 Elias Quartet 7 The Resurrection of Soldiers 5’51 Alina Ibragimova violin Sara Bitlloch violin Separating Fighting Swans 2’28 8 Donald Grant violin 9 Postlude 1’45 18 In my craft or sullen art: Martin Saving viola Marie Bitlloch cello Huw Watkins piano Goodison Quartet No 4 17’31 Mark Padmore tenor Elias Quartet Total timing 71’01 Mark Padmore appears by arrangement with Harmonia Mundi USA. Alina Ibragimova appears on this recording with kind permission from Hyperion Records. -
2021 Annual Meeting Report
#doingchurchdifferently AGENDA 1. Call to Order—Opening Prayer—Welcome................................................Interim Dean Rev. Jason Leo 2. Recognition of Secretary 3. Elections • Recognition of 2020 Nominating Committee.......................................Interim Dean Rev. Jason Leo • Explanation of Electronic and Other Voting Procedures..............................................Sarah Hartwig - First Ballot for Elected Positions Reporting on balloting and additional ballots will occur as needed throughout the meeting 4. The Interim Dean’s Address (Ministry Appreciations)................................Interim Dean Rev. Jason Leo 5. Treasurer’s Report...........................................................................................................Sandra Crawford • Budget Recap for 2020 • Pledge Updates • Presentation of 2021 Budget 6. Next Century Vision Update................................................................................Dianne Ebbs, Tom Kent 7. Dean Search Committee Update...................Patrick Daffin, OldenWarren, Rev. Canon John Johanssen 8. Trustees’ Report...................................................................................................................Steve Gerdsen 9. Senior Warden’s Address.........................................................................................Michael Henrickson 10. Appreciation to Outgoing Vestry..............................Michael Henrickson, Interim Dean Rev. Jason Leo 11. Closing Prayer and Doxology 12. Announcement of Cathedral Leadership -
A Festival of Nine Lessons and Carols
Welcome Welcome, Guests! St. Paul’s is a joyful community that welcomes all those who yearn for hope and meaning in their lives. You are welcome here, whether you come with faith or doubt, answers or questions; whether you are a cradle Episcopalian or have no idea what that means. We invite you to participate fully in our worship as we celebrate the birth of Jesus Christ. Sing the Christmas carols, and respond to the prayers and readings. Or, if you prefer, sit back quietly and allow God’s Spirit to speak to you in the way that feels most comfortable. Whatever your background, whatever you are seeking, there’s a place for you here. Welcome, Children! You are welcome as full participants in our worship. Parents who desire nursery care for infants and toddlers will find the nursery across the courtyard in the Parish Center. Need assistance? Reading glasses and hearing enhancement devices are available from an usher. Restrooms: The women’s room is in the hallway near the nametags; the men’s room is around the corner near the elevator; the gender-neutral restroom is next to Roberts Library. PLEASE PARTICIPATE IN WORSHIP AS YOU ARE ABLE Although there are customary postures (such as standing and kneeling) in Episcopal worship, you are invited to be seated at any point, according to your needs and comfort. Please turn cell phones off or silence them. The Nativity of Our Lord: Christmas Eve A Christmas Festival of Nine Lessons and Carols This beautiful service was instituted by Archbishop Edward Benson at Truro Cathedral in England. -
SEA EAGLE Works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS Horn
Richard Watkins horn with Mark Padmore tenor • Huw Watkins piano Paul Watkins cello • The Nash Ensemble SEA EAGLE works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS horn Peter Maxwell Davies: Sea Eagle 9’08 The Nash Ensemble 1 Adagio 4’05 Marianne Thorsen violin 2 Lento 3’33 3 Presto molto 1’30 Laura Samuel violin Lawrence Power viola Gerald Barry: Jabberwocky 5’44 4 Adrian Brendel cello with Mark Padmore tenor • Huw Watkins piano Saunders photo: Keith Colin Matthews: Three of a Kind 9’34 5 Vivo 1’47 6 Largamente 1’13 7 Calmo 6’34 with Paul Watkins cello • Huw Watkins piano 8 Huw Watkins: Trio 12’48 with Laura Samuel violin • Huw Watkins piano David Matthews: Quintet for Horn and Strings (live recording) 13’13 9 Andante 7’57 10 Molto vivace 5’16 The Nash Ensemble 11 Mark-Anthony Turnage: Prayer for a great man 3’57 with Paul Watkins cello Robin Holloway: Trio for Horn, Cello and Piano 20’08 12 I Liberamente 11’33 13 II Poco allegro 8’35 with Paul Watkins cello • Huw Watkins piano Total timing 75’29 2 SEA EAGLE Introduction by Richard Watkins Matthews and Holloway, it’s certainly years have played in several of his a winning one. chamber works, most notably with the Nash, so when I discovered that his I met Peter Maxwell Davies when I Horn Concerto, and after prolonged David Matthews’ first piece for solo Cello Concerto, written for the joined the Fires of London, my first negotiations, it finally came to fruition horn was his Capriccio for Two Horns brilliant Paul Watkins, had a short professional experience in 1981. -
Emily Howard
© Sam Fairbrother Emily Howard Contemporary Leipzig London New York C. F. Peters Ltd & Co. KG Peters Edition Ltd C. F. Peters Corporation Talstraße 10 2 – 6 Baches Street 70 – 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385 Deutschland UK USA ( +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4034 ( + (1) 718 416 7822 * [email protected] * [email protected] * [email protected] BIOGRAPHY Emily Howard Emily Howard’s music is known for its particular connection with science. She first won critical acclaim with Magnetite (“a structural tour de force” – AllMusic), commissioned by Liverpool European Capital of Culture 2008 for the Royal Liverpool Philharmonic Orchestra and Vasily Petrenko, the year she received the Paul Hamlyn Foundation Award for Composers. Her works are commissioned, performed and broadcast internationally by leading festivals and ensembles including the BBC Proms, Wien Modern, the London Symphony Orchestra, Bamberger Symphoniker, and New Scientist Live. Howard was a featured composer at the Aldeburgh Festival 2018, which included the world premiere of her opera To See The Invisible. Described by The Times as “visionary” and by The Guardian as “one of this year’s finest new works”, her 2016 BBC Proms commission, Torus (Concerto for Orchestra), gained wide critical acclaim and subsequently won a 2017 British Composer Award. BBC Radio 3’s Record Review described Howard’s 2016 NMC Debut Disc Magnetite as “a confident, major orchestral debut”, hailing its “scientific ideas brilliantly articulated”. Indeed, orchestral writing is key to Howard’s work. Solar (“galactic power on a compact scale” – The Financial Times) received its world premiere in 2010 with the London Symphony Orchestra conducted by Nicholas Collon at the Barbican Centre, and in 2013 was given its Australian premiere (West Australian Symphony Orchestra / Paul Daniel) with further performances by the BBC Symphony Orchestra under Garry Walker.