Anne Rice Collection (Mss
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sex, Blood and (Un)Death: the Queer Vampire and HIV
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons Kutztown University Journal of Dracula Studies Volume 6 Article 4 2004 Sex, Blood and (Un)Death: The Queer Vampire and HIV Carlen Lavigne Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Lavigne, Carlen (2004) "Sex, Blood and (Un)Death: The Queer Vampire and HIV," Journal of Dracula Studies: Vol. 6 , Article 4. Available at: https://research.library.kutztown.edu/dracula-studies/vol6/iss1/4 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. 1 Sex, Blood and (Un)Death: The Queer Vampire and HIV Carlen Lavigne “The taste of blood has grown foul in recent years.” - Sons of Darkness, Introduction Geraldine never had to ask if Christabel had been tested. Dracula was not concerned about Lucy’s transfusions. Even Louis and Lestat in the 1970s did not worry about the viruses they might be picking up from their victims. Nevertheless, the association between vampires and disease is not new. Nicola Nixon, for example, observes that “vampirism, with its connotative yoking of sexuality and contagion, has a -
The Vampire Lestat Rice, Anne Futura Pb 1985 Jane Plumb 1
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36264 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. • DARK, ANGEL A STUDY OF ANNE RICE'S VAMPIRE CHRONICLES BY Jane Plumb (B. A. Hons) Ph.D Thesis Centre for the Study of Women & Gender University of Warwick January 1998 Jane Plumb CONTENTS Acknowledgements i Synopsis ii Abbreviations iii 1 The Vampire Chronicles:- Introduction - the Vampire Chronic/es and Bram Stoker's Dracula. 1 Vampirism as a metaphor for Homoeroticism and AIDS. 21 The Vampire as a Sadean hero: the psychoanalytic aspects of vampirism. 60 2. Femininity and Myths of Womanhood:- Representations of femininity. 87 Myths of womanhood. 107 3. Comparative themes: Contemporary novels:- Comparative themes. 149 Contemporary fictional analogues to Rice. 169 4. Conclusion:- A summary of Rice's treatment of genre, gender, and religion in 211 relation to feminist, cultural and psychoanalytic debates, including additional material from her other novels. Bibliography Jane Plumb ACKNOWLEDGEMENTS' I am especially grateful to Dr. Paulina Palmer (University of Warwick) for her unfailing patience and encouragement during the research and compiling of this work. I wish also to thank Dr. Michael Davis (University of Sheffield) for his aid in proof-reading the final manuscript and his assistance in talking through my ideas. -
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne -
GOTHIC HORROR Gothic Horror a Reader's Guide from Poe to King and Beyond
GOTHIC HORROR Gothic Horror A Reader's Guide from Poe to King and Beyond Edited by Clive Bloom Editorial matter and selection © Clive Bloom 1998 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. __ First published 1998 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-68398-9 ISBN 978-1-349-26398-1 (eBook) DOI 10.1007/978-1-349-26398-1 A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 02 01 00 99 98 __ Published in the United States of America 1998 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. -
Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006
Clark 1 Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006 Clark 2 Introduction What scares you? Fear manifests in many different ways for every being on this earth. However diverse these horrific episodes may be, there is one universal element common to every human experience: We all have fears. One avenue through which we can explore, identify and even vicariously experience our most primal fears is through horror fiction. H.P. Lovecraft said: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their truth must establish for all time the genuineness and dignity of the weirdly horrible tale as literary form (www.quotationspage.com). Coupled with Lovecraft's fear of the unknown is the fear of any threat to our fragile mortality, fear of anything that may potentially cause physical harm to our being. This is a phobia innate to every person. The most precious and frail endowment of human existence is our ability to sustain and promote our humanity. When this gift is threatened in any way, shape or form, a fear is created. There are several ways through which we can more concretely define these fears, subcategories to the dread of any danger to our delicate subsistence. For example, fear of the unexplained. This phobia can be defined as dread of that which we cannot rationalize with existing or obtainable evidence. Another is the fear of the unseen. This phobia could be described as fright of something that is intangible or concealed. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper aligrunent can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Xnfonnation Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 SYMPATHY FOR THE DEVIL; FEMALE AUTHORSHIP AND THE LITERARY VAMPIRE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor o f Philosophy in the Graduate School of The Ohio State University By Kathy S. -
Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2012 Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan Marquette University, [email protected] Published version. "Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work," in Joss Whedon: The Complete Companion: The TV Series, The Movies, The Comic Books and More. Ed. PopMatters Media. London: Titan Books, 2012: 285-297. Publisher Link. © 2012 Titan Books. Used with permission. FIREFLY 3.10 3.10 Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan For all the standard horror movie monsters Joss Whedon took up in Buffy and Angel-vampires, of course, but also ghosts, demons, werewolves, witches, Frankenstein's monster, the Devil, mummies, haunted puppets, the Creature from the Black Lagoon, the "bad boyfriend," and so on-you'd think there would have been more zombies. In twelve years of television across both series zombies appear in only a handful of episodes. They attack almost as an afterthought at Buffy's drama-laden homecoming party early in Buffy Season 3 ("Dead Man's Party" 3.2); they completely ruin Xander's evening in "The Zeppo" (3.13) later that same season; they patrol Angel's Los Angeles neighborhood in "The Thin Dead Line" (2.14) in Angel Season 2; they stalk the halls of Wolfram & Hart in "Habeas Corpses" (4.8) in Angel Season 4. A single zombie comes back from the dead to work things out with the girlfriend who poisoned him in a subplot in "Provider" (3.12) in Angel Season 3; Adam uses science to reanimate dead bodies to make his lab assistants near the end of Buffy Season 4 ("Primeval" 4.21); zombies guard a fail-safe device in the basement of Wolfram & Hart in "You're Welcome" (3.12) in Angel Season 5. -
Death Drive: Vampires in Anne Rice's the Vampire Chronicles Chi Tsai
Death Drive: Vampires in Anne Rice’s The Vampire Chronicles Chi Tsai, National Normal Taiwan University, Taiwan The Asian Conference on Literature & Librarianship 2014 Official Conference Proceedings 2014 0298 iafor The International Academic Forum www.iafor.org In principle, vampire is the fantastic creature of immortality, which mysteriously attains energy by drinking blood from living creatures. This imagined creature is often viewed as the symbol of blasphemy for it suggests human blood as one kind of its dietary supplement. The inhumane setting challenges the teaching of Christian tradition, yet it also arise the clash of human-centered civilization from the agency of killing and surviving. The publication of Anne Rice's Vampire Chronicles series marks the contemporary cultural penetration of vampire popularity. In the essay, I choose five novels of The Vampire Chronicles series: Interview with the Vampire(1976), The Vampire Lestat(1985), The Queen of the Damned(1988), The Tale of the Body Thief (1992), and The Vampire Armand (1998) to expound the issue of death drive among Rice’s vampire literature. I would apply Freudian and Lacanian conceptions to illustrate the vampire myth. Then, I would discuss Rice’s vampire plots with the notion of death drive. In The Queen of the Damned, Anne Rice dramatizes her vampire origin with pre-Christian background, an accident of the Egyptian King Enkil and Queen Akasha created the legend of vampires. Blood drinking became the essential for physical survival, and the monstrous feeding brings ecstasy to the vampires. In The Queer Space of the Drive, Teresa de Lauretis argues that drive (Trieb)‘leans on (lehnet an), the satisfaction of the need for nourishment, cleanliness, warmth, and so forth.’ In Rice’s books, we can figure out the need for blood drinking is an innate drive for the vampires. -
Things That Go Bump in the Night: Recent Developments in Horror Fiction for Young Adults
DOCUMENT RESUME ED 360 638 CS 213 966 AUTHOR Christenbury, Leila TITLE Things That Go Bump in the Night: Recent Developments in Horror Fiction for Young Adults. PUB DATE Mar 93 NOTE 12p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (44th, San Diego, CA, March 31-April 3, 1993). PUB TYPE Speeches/Conference Papers (150) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Adolescent Literature; *Fiction; Literature Appreciation; *Reading Interests; Reading Material Selection; Recreational Reading; Secondary Education; Teacher Responsibility IDENTIFIERS *Horror Fiction ABSTRACT Whether teachers are horror fans or not, part of a teacher's service to student readers is to recommend recent and good horror no/els. Unlike the almost idiosyncratic horror market of years past, today a series of recognizable horror writer such as Christopher Pike, D. E. Atkins, R. L. Stine and others are turning out numerous titles specifically for young adults. In addition, the definition of horror today seems to have shifted somewhat from a reliance upon outside forces of evil to a malevolence which can be more readily explained, making horror more like a mystery or detective story than a tale of the supernatural. A final development in recent horror fiction for young adults is that really different books are rare, leaving the field dominated by R. L. Stine and Christopher Pike lookalikes. This may not mean much to horror readers who want predictability, but teachers and librarians should be aware of it.(A 14-item annotated bibliography of recent and recommended horror novels for young adults is attached.) (NH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
Thesis the Communication of Fan Culture: the Impact of New Media on Science Fiction and Fantasy Fandom Georgia Institute of Tech
Thesis The Communication of Fan Culture: The Impact of New Media on Science Fiction and Fantasy Fandom Georgia Institute of Technology Author ………………………………………………………………………. Betsy Gooch Science, Technology, and Culture School of Literature, Communication, and Culture Advisor ………………………………………………………………….…… Lisa Yaszek Associate Professor Science, Technology, and Culture Program School of Literature, Communication, and Culture Certified by ……………………………………………………………………. Carol Senf Associate Chair Science, Technology, and Culture Program Coordinator School of Literature, Communication, and Culture Abstract Historically, fan culture has played an enormous role in the creation and development of science fiction and fantasy, and the genres have left a significant impact on the lives of their fans. I have determined that fandom relies on and can be described purely by its method of communication. This essay traces the historical relevance of the fan community as it relates to the evolution of science fiction and fantasy and the contributions fans have made to the genre’s literary and stylistic conventions. This paper will also be showcasing the genres’ influence on its fans’ lives, such as through the establishment of fan culture, as well as the reasons this highly interconnected relationship is necessary to the continued existence of the science fiction and fantasy genres. Particularly, this paper highlights the key activities and productions of fan culture: the languages (fanspeak), dress codes (costuming), literature (fan fiction), art (fan art), and music (filking), and the organized outlets for fan activities (conventions and fanzines). Each of these activities and productions is a mode of communication, and it is this communication between fans that creates fan community and culture. These activities and productions will be explained in an anthropological manner that will explore the cultural reasoning for and issues that occur due to these fan activities. -
Poster Vampires Exist
Vampires exist! Models of the peaceful co-existence of vampires and humans based on the scenarios derived from fiction literature, comic books and films Based on the works of Emily Welkins: www.emilywelkins.com Aims and objectives If vampires were real and lived amongst us, would their existence be possible from the The Harris-Meyer-Kostova model scientific point of view? This study presents a new approach to modeling inter-temporal interactions between vampires and humans based on several types of vampire behavior described in popular fiction literature, comic books, films and TV series. Several scenarios of vampire-human co-existence are drawn and mathematical models are applied to test whether vampires could have existed amongst us today and under what provisions. This research tackles a ridiculous subject using serious mathematical tools. It analyzes what is further called “The Stoker-King model” (based on Bram Stoker’s “Dracula” and Stephen King’s “’Salem’s Lot”), “The Rice model” (after Anne Rice’s “Vampire where H denotes humans, V denotes vampires and VS denotes vampire slayers. H0 is the initial state of Chronicles”), “The Harris-Meyer-Kostova model” (based on Charlaine Harris’s human population, kH denotes the exponential growth of human population, v0 is the initial state of vampire population, aHV and baHV both describe interactions between a human and a vampire (with a as the “Southern Vampire Series”, Stephanie Meyer’s “Twilight saga” and Elizabeth Kostova’s coefficient of a lethal outcome for vampire-human interaction for humans and b as the coefficient “The Historian”, “The Whedon model” (based on Joss Whedon’s “Buffy the Vampire describing the rate with which humans are turned into vampires) and cV denotes the death rate for Slayer” TV series) and “The Blade model” (based on Marvel Comics’ “Blade”). -
The Queer Vampire and HIV
1 Sex, Blood and (Un)Death: The Queer Vampire and HIV Carlen Lavigne “The taste of blood has grown foul in recent years.” - Sons of Darkness, Introduction Geraldine never had to ask if Christabel had been tested. Dracula was not concerned about Lucy’s transfusions. Even Louis and Lestat in the 1970s did not worry about the viruses they might be picking up from their victims. Nevertheless, the association between vampires and disease is not new. Nicola Nixon, for example, observes that “vampirism, with its connotative yoking of sexuality and contagion, has a long history of being linked to the horrors of venereal diseases – syphilis in particular” (118), while James Twitchell goes into more depth: Two centuries ago many diseases were misdiagnosed as being the result of vampire activity: pernicious anemia, a blood disorder where the victim shrivels up, needing new red blood cells to survive; porphyria, in which the photophobic patient’s teeth and hair take on a fluorescent glow; tuberculosis, where the early symptoms are weight loss and the later coughing of blood; cholera, in which whole populations are slowly decimated; and, of course, the one still with us today, cancer. The most horrendous of all human decimations was the plague ... The cause was simply unknown then, and although we now know that the plague was carried to humans from rats via fleas, it was certainly more “logical” to use the time-tested explanation that had satisfied previous generations: the city was a victim of a vampire attack. (19) The pale wasting of the vampiric victim was compared to any number of ailments.