Between the Covers Rare Books a Spooky Conversation Between Tom
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SFRA Newsletter Published Ten Times a Vear Iw the Science Fiction Research Associa Tion
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-1989 SFRA ewN sletter 165 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 165 " (1989). Digital Collection - Science Fiction & Fantasy Publications. Paper 110. http://scholarcommons.usf.edu/scifistud_pub/110 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The SFRA Newsletter Published ten times a vear Iw The Science Fiction Research Associa tion. C:opyrightf'.' 1l)8~ by the SFRA. Address editorial correspon dence to SFRA Newslcller. English Dept., Florida Atlantic University, Boca Raton. FL ::n,n I (Tel. 407-3()7-3838). Editor: Robert A. Collins: Associate Editor: Catherine Fischer: R('l'iCiv Editor: Rob Latham: Fillll Editor: Ted Krulik; Book Neil'S Editor: Martin A. Schneider: EditOlial Assistant: .Jeanette Lawson. Send changes of address to the Secretary. enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA Thomas D. Clare son (1970-76) SFRA Executive Arthur o. Lewis,.Jr. (1977-78) Committee .Joe De Bolt (1979-80) .J ames Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (J985-8() President Elizabeth Anne Hull Past EditOl'S of the Newsletter Liberal Arts Division Fred Lerner (1971-74) William Rainey Harper College Beverly Friend (1974-78) Palatine. -
Common Horror Elements 2.Pages
Common Horror Elements 1) “Elements of Aversion” by Elizabeth Barrette - All horror has motifs in common - Elements of absence = Takes away certitudes (constant things in our lives) - The Unknown = primal fear, anything can happen, limitless potential, endless power - The Unexpected = reversal of expectation, confuses what we expect from reality - The Unbelievable = places beyond belief, boundaries of everyday reality - The Unseen = something new and strange, only become visible when something goes seriously wrong - The Unconscious = we fear ourselves, we can neither control nor escape it - The Unstoppable = we can not avoid or control it, confront the inevitable - Elements of Presence = Puts in certitudes, adds an intrusion to our comfort - Helplessness = lack of control, relate to the feeling - Urgency = the feeling that something has to be done, variables that place pressure on it - Pressure = build up of tension adding to urgency, slow build of tension, we connect to it in terms of the pressure in our own life, but is different then reality as it always reaches a resolution - Intensity = heightened awareness and senses, enhances all emotions, drowns out common sense, so all consuming, everything else becomes heightened, drowns out rational thinking of brain. - Rhythm = rise and fall of tension, pattern of action or lack of, comforting or disruptive, playing on our innate desire for the world to make sense - Release = comes to a conclusion, uncertainty keeps us waiting, redemption or disaster offer completion, balance restored or altered, its over, allows us to let the story go - What you get out of it largely depends on how you go into it - Your own fears will sustain you even as they threaten to drive you mad - Come out more powerful then when you went in 2) “The Evolution of American Horror Film” - Major Hollywood Figures in the Horror Genre - Larry Cohen: sophisticated, physiological. -
Tolkien, Hispanic, Koonts, Evanovich Bkmrks.Pub
Fantasy for Tolkien fans Hispanic Authors If you like J.R.R. Tolkien, why not give these authors a try? Kathleen Alcala Machado de Assis Piers Anthony Robert Jordan Julia Alvarez Gabriel Garcia Marquez A.A. Attanasio Guy Kavriel Kay Isabel Allende Ana Menendez Marion Zimmer Bradley Tanith Lee Jorge Amado Michael Nava Terry Brooks Ursula K. LeGuin Rudolfo Anaya Arturo Perez-Reverte Lois McMaster Bujold George R. R. Martin Gioconda Belli Manuel Puig Susan Cooper L.E. Modesitt Sandra Benitez Jose Saramago John Crowley Elizabeth Moon Jorge Luis Borges Mario Vargas Llosa Tom Deitz Andre Norton Ana Castillo Alfredo Vea Charles de Lint Mervyn Peake Miguel de Cervantes David Eddings Terry Pratchett Denise Chavez Eric Flint Philip Pullman Sandra Cisneros Alan Dean Foster Neal Stephenson Paulo Coehlo C. S. Friedman Harry Turtledove Humberto Costantini Neil Gaiman Margaret Weis Jose Donoso 7/05 Barbara Hambly Connie Willis Laura Esquivel Elizabeth Hand Roger Zelazny Carlos Fuentes Tracy Hickman Cristina Garcia Oscar Hijuelos 7/05 ]tÇxà XätÇÉä|v{ If you like Dean Koontz 7/05 Janet Evanovich, Romantic mysteries you might like: Pseudonyms of Dean Martin H. Greenberg filled with action Susan Andersen Koontz: Caitlin Kiernan and humor. J.S. Borthwick David Axton Stephen King Stephanie Plum Jan Burke Brian Coffey Joe Lansdale Dorothy Cannell Mysteries K.R. Dwyer James Lasdun Harlan Coben One for the money Leigh Nichols Ira Levin Jennifer Crusie Two for the dough Anthony North Bentley Little Jennifer Drew Three to get deadly Richard Paige H.P. Lovecraft G.M. Ford Four to score Owen West Robin McKinley Kinky Friedman High five Sue Grafton Graham Masterton Hot six Heather Graham If you like Dean Koontz, Richard Matheson Seven up Sparkle Hayter you might like: Joyce Carol Oates Hard eight Carl Hiassen Richard Bachman Tom Piccirilli To the nines P.D. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
“Something Strange Is Happening in the Town of Stepford”
“Something Strange is Happening in the Town of Stepford” A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) By Kristina Dahl A Thesis Submitted to The Department of Literature, Area Studies, and European Languages UNIVERSITETET I OSLO In Partial Fulfillment of the Requirements for the MA degree February 2014 II “Something Strange is Happening in the Town of Stepford” A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) By Kristina Dahl A Thesis Submitted to The Department of Literature, Area Studies, and European Languages UNIVERSITETET I OSLO In Partial Fulfillment of the Requirements for the MA degree February 2014 III © Kristina Dahl 2014 “Something Strange is Happening in the Town of Stepford”*: A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) *Tagline retrieved from www.IMDB.com. Kristina Dahl http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo. Picture on the Previous Page: Paramount Pictures’ cover photo for The Stepford Wives (2004) DVD. Application for permission to use has been submitted. IV Abstract The thesis presented works from the assumption that films produced in Hollywood are important historical documents that can provide interesting comments on changes in U.S society and culture. Through a comparative analysis of The Stepford Wives film from 1975 and its 2004 remake, this thesis aims to examine how changes in genre, plot and overall narrative from the original to the remake reflect public understandings of feminism, and what the lead characters in both movies can reveal about the changing roles of women in American society. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: July 19, 2019 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2019 DATE local EVENT NAME WHERE TYPE WEBSITE LINK JULY 18-21 NYS MISTI CON Doubletree/Hilton, Tarrytown, NY limited size Harry Potter event http://connecticon.org/ JULY 18-21 CA SAN DIEGO COMIC CON S.D. Conv. Ctr, San Diego, CA HUGE media & comics show NO DW GUESTS YET! Neal Adams, Sergio Aragones, David Brin, Greg Bear, Todd McFarlane, Craig Miller, Frank Miller, Audrey Niffenegger, Larry Niven, Wendy & Richard Pini, Kevin Smith, (Jim?) Steranko, J Michael Straczynski, Marv Wolfman, (most big-name media guests added in last two weeks or so) JULY 19-21 OH TROT CON 2019 Crowne Plaza Htl, Columbus, OH My Little Pony' & other equestrials http://trotcon.net/ Foal Papers, Elley-Ray, Katrina Salisbury, Bill Newton, Heather Breckel, Riff Ponies, Pixel Kitties, The Brony Critic, The Traveling Pony Museum JULY 19-21 KY KEN TOKYO CON Lexington Conv. Ctr, Lexington, KY anime & gaming con https://www.kentokyocon.com/ JULY 20 ONT ELMVALE SCI-FI FANTASY STREET PARTY Queen St, Elmvale, Ont (North of Lake Simcoe!) http://www.scififestival.ca/ Stephanie Bardy, Vanya Yount, Loc Nguyen, Christina & Martn Carr Hunger, Julie Campbell, Amanda Giasson JULY 20 PA WEST PA BOOK FEST Mercer High School, Mercer, PA all about books http://www.westpabookfestival.com/ Patricia Miller, Michael Prelee, Linda M Au, Joseph Max Lewis, D R Sanchez, Judy Sharer, Arlon K Stubbe, Ruth Ochs Webster, Robert Woodley, Kimberly Miller JULY 20-21 Buf WILD RENN FEST Hawk Creek Wildlife Ctr, East Aurora, NY Renn fest w/ live animals https://www.hawkcreek.org/wp/ "Immerse yourself in Hawk Creek’s unique renaissance-themed celebration of wildlife diversity! Exciting entertainment and activities for all ages includes live wildlife presentations, bird of prey flight demonstrations, medieval reenactments, educational exhibits, food, music, art, and much more! JULY 20-21 T.O. -
An Interviewwithroger Zelazny
No. 43 December 1972 An Interview With Roger Zelazny (You have asked me to step outside myself, then turn around and interview me. Okay. I’m outside now. I’ll stop right there and start questioning him.) “Tell me about yourself, Z.” “I was born on May 13, 1937 and received my B.A. from Western Reserve University in 1959. I attended Columbia for graduate work and received my M.A. there in 1962, in English and Comparative Literature. For a little over seven years, from early 1962 to early 1969, I worked for the Social Security Administration as a claims representative in Ohio and, in the final four, as a claims policy specialist in the SSA Centred Office here in Baltimore. I have a wife (Judy) and a son (Devin).” “Wait a minute, Z. We just passed a whole generation of psychoanalytic critics and biographers awhile back. What about childhood trauma and all that crap?” “I believe a piece of writing should be considered of, in, by, and for itself, a thing independent of the person who wrote it.” “But you are talking to me. I know where you got that. You wrote nothing but poetry for years—after you got out of high school and started college—and you got hung up on the New Criticism: close textual analysis, and the hell with the guy who wrote it. A touch of end-of-the-century decadence, too. The Symbolists, Firbank... But you were a Psychology major until your final year. You know that writing is a form of bahavior, and as such it invariably bears the mark of its executor.” “Of course.” “So tell us about your childhood hangups.” “No.” “Why not?” “Because I’m a bug on privacy.” “Shyness?” “Some, I suppose. -
Conadian (...And in Hollywood)
November 1994 Table of Contents vol. 33 no. 5 M a i n St o r i es Locus Looks a t Books Long-Lost Verne.......................... 8 - 13- Harcourt SF Line Resurrected.. 8 C onAdian Distillations: Short Fiction Reviews by Mark R. Kelly: Heinlein on Mars Realms of Fantasy 10/94; Radius 10/94; ConAdian (...and in Hollywood) .............. 8 W o rldcon 1994 Souvenir Book; Alternate Worldcons, Mike A n alo g MAFIA Threatens ........ 8 Resnick, ed.; Prairie Fire, Summer '94; F&SF 10- ConAdian Reports: 11/94; Asimov's 10/94; Analog 11/94; Interzone Rice Recants re 9/94; Omni 10/94. Vampire Cruise ........................ 8 Jane Jewell........................ 38 - 17- Nebula Awards Russell Letson...................40 Reviews by Faren Miller: Everville, Clive Barker; The Priest, Thomas M. Weekend 1995 ........................ 9 Mike Glyer.......................... 41 Disch; Revenant, Melanie Tern; Merlin’s Wood, Spectrum Competition Open ... 9 Edward Bryant...................48 Robert Holdstock; Nameless Sins, Nancy A. Collins; Travellers in Magic, Lisa Goldstein; T he D ata File Black Thorn, White Rose, Ellen Datlow & Terri Windling, eds.; SHORT TAKES: The Devil’s Own King Tour Begins.................................9 Work, Alan Judd; Complicity, lain Banks; The Court Cases.........................................9 A Sad Farewell to Unicorn Hunt, Dorothy Dunnett. Cyberspace: - 21 - The Final Electronic Frontier?.......... 9 Two Horror Stars Reviews by Gary K. Wolfe: Rushdie Update................................... 9 Queen City Jazz, Kathleen -
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne -
Full Name: the American Gothic: Landscapes of Fear Short Title
Full Name: The American Gothic: Landscapes of Fear Short Title: Landscapes of Fear ECTS Weighting: 10 ECTS Semester Taught: Hilary 2021 Lecturer: Dr Bernice M. Murphy Learning Outcomes: Students who successfully complete this course will: • Have become familiar with a number of key American horror and gothic narratives; • Will have been introduced to significant sub-genres of the wider American gothic tradition. These include: the rural gothic, the suburban gothic, the urban gothic and the highway horror film; • Have gained an understanding of the factors informing the cultural construction of place and space in American gothic and horror narratives; • Students will also be introduced to a range of critical and theoretical approaches towards the primary texts and the key issues raised by the course, as well as issues related the wider academic study of place and space. Learning Aims: “If we had less imagination, we would feel more secure.” (Yi-Fu Tuan, Landscapes of Fear) This one-term course explores the relationship between the individual and the physical environment in American horror and gothic texts from the beginnings of an independent American literary culture to the present day. From the seemingly savage wilderness that confronted the first European settlers to the brutal realities of frontier life and, latterly, the rather different varieties of terror found in the rural, urban (and then suburban) environments, American authors and filmmakers have always been fascinated with the impact that the nation’s vast and varied landscape has upon those who reside there. This course will explore the many reasons why this is the case, and also consider the differing ways in which horror and gothic depictions of specific geographical and architectural settings serve to dramatize some of the most profound anxieties and preoccupations associated with the American way of life. -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
Stephanie Wells UC Berkeley OLLI, Spring 2021 Suburban Ennui And
Stephanie Wells UC Berkeley OLLI, Spring 2021 Suburban Ennui and Dystopia in American Fiction This course will examine the weirdly specific genre of American suburban fiction initially made so notorious in the 1960s and 1970s by writers like Updike and Cheever. What is it about this aspirational niche of the American dream that so often leads those who have “achieved” it into despair or alienation? Through several novels and short stories epitomizing this genre, we’ll explore themes of technology, sexuality, marriage, whiteness, class, NIMBYism, parenting, and the yearning for home that even home itself can’t satisfy. The course contains five novels that you’ll need to procure; short stories are all posted on the course website. Please have the readings done before each class meets if you can. Reading list Week 1: John Cheever, “O Youth and Beauty!” (1953), “The Swimmer” (1964) Joyce Carol Oates, “Where Are You Going, Where Have You Been?” (1966) John Updike, “The Orphaned Swimming Pool”(1970), “When Everyone was Pregnant” (1971) Week 2: Ira Levin, The Stepford Wives (1972) Week 3: Margaret Atwood, “The City Planners” (1965) Rick Moody, The Ice Storm (1994) Week 4: Don DeLillo, White Noise (1987) Sections: “Waves and Radiation,” “Airborne Toxic Event” Week 5: Don DeLillo, White Noise (1987) Section: “Dylarama” Week 6: Jeffrey Eugenides, The Virgin Suicides (1993) Week 7: A.M. Homes, “Adults Alone” (1990) T.C. Boyle, The Tortilla Curtain (1995) pp. 1-194 (through Book Two, chapter 3) Week 8: Ben Percy, “Writs of Possession” (2011) T.C. Boyle, The Tortilla Curtain (1995) pp.