Feminism and Women's Voices in the World Wars
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Stuart Hall and Feminism: Revisiting Relations Stuart Hall E Feminismo: Revisitando Relações
61 Stuart Hall and Feminism: revisiting relations Stuart Hall e feminismo: revisitando relações ANA CAROLINA D. ESCOSTEGUY* Pontifícia Universidade Católica do Rio Grande do Sul, Graduate Program in Communications. Porto Alegre – RS, Brazil ABSTRACT This article firstly addresses Stuart Hall’s account of the contributions of feminism to * PhD in Communication Sciences from the the formation of cultural studies. Secondly, it deals with the development of feminist University of São Paulo, criticism in the context of cultural studies, especially in England. Following this line, Professor at Pontifical Catholic University of Rio it retrieves Hall’s ideas on the problematic of identity(ies). This dimension of his work Grande do Sul and CNPq is the third approach to be explored, a subject also relevant in feminist theoretical pro- Researcher. Author of Cartografias dos estudos duction. The paper additionally points out matches and mismatches of such develop- culturais: uma versão ments in the Brazilian context. Finally, it concludes that the theme deserves in-depth latino-americana (Belo Horizonte: analysis, especially as the topic of identity plays a central role in current political prac- Autêntica, 2002). tice and feminist theory. Orcid: http://orcid. org/0000-0002-0361-6404 Keywords: Estudos culturais, Stuart Hall, feminismo, identidade E-mail: [email protected] RESUMO Este artigo aborda, em primeiro lugar, a narrativa de Stuart Hall sobre as contribuições do feminismo para a formação dos estudos culturais. Em segundo, trata do desen- volvimento da crítica feminista no âmbito dos estudos culturais, sobretudo ingleses. Nessa trajetória, resgata as ideias de Hall sobre a problemática da(s) identidade(s). -
Synthesizing Current Research: Women's Higher Education And
Synthesizing Current Research: Women‘s Higher Education and the World Wars ANNE M. E. MILLAR Abstract This paper considers the extant scholarship on the impact of the First and Second World Wars on women‘s higher education in Canada. No published monograph examines this topic, a reflection of the wider lack of scholarship on women‘s world war experiences in this country. In order to synthesize existing research, scholarship from military history, women‘s history, and the history of higher education is assessed. Despite the extensive historiography on both the First and Second World Wars, a number of areas remain unexamined by Canadian historians. Many topics, notably the impact of war on women and the family, have garnered attention only recently, in large part due to the influence of social history and second wave feminism. Concentrated in the last forty years, scholarship on wartime women has been predominantly concerned with analyzing the impact of the world wars. Scholars initially emphasized the ways in which these conflicts opened up traditionally male spheres to women and the role this played in bringing a change in gender norms. Women‘s historians, in particular, have focused on the impact of wartime mobilization on women‘s labour, while more recently, historians of higher education have added to these discussions by exploring women‘s entrance into the professions, and by extension, women‘s access to professional training. There is still much missing from this analysis. To date, there is no published full-length monograph examining Canadian women in institutions Strata Anne M. E. Millar of higher learning during wartime. -
Rebecca Walker
Freedom to become who we are It’s a Long Story – Rebecca Walker Edwina Throsby: From Sydney Opera House, welcome to It’s a Long Story, a podcast exploring the lives behind the ideas. I’m Edwina Throsby. Rebecca Walker: That's what we all need permission to do is to become who we are, you know. ET: The daughter of Alice Walker, who wrote the African-American classic The Color Purple, and Melvyn Leventhal, a Jewish civil rights lawyer, Rebecca Walker’s intersecting and sometimes jarring identities were the foundation of her career. In 1992, her article for Ms Magazine called ‘I am the Third Wave’ crystallised her thinking around feminism and activism. Its massive success spurred on her work: she established the Third Wave Fund to support young women from diverse backgrounds to pursue activism and leadership. Then, multiple memoirs, essay collections and a novel followed. Rebecca’s work has always been a response to her personal situation, be it family, identity, becoming a mother, masculinity, race, Buddhism, or a combination of all of these, and she has developed a strong and compelling ethos about what it means to live a feminist life in an ever-changing world. Rebecca Walker, thank you very much for coming and speaking to us on "It's a Long Story". RW: It's my pleasure. I'm so happy to be here with you. Chapter 1: Early life, identity, feminism. ET: As a mixed race baby born in Mississippi to civil rights activist parents, your very existence is something of a political statement. -
Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory
Journal of Feminist Scholarship Volume 4 Issue 4 Spring 2013 Article 5 Spring 2013 Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann University of New Orleans Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Feminist, Gender, and Sexuality Studies Commons, Law and Gender Commons, and the Women's History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mann, Susan A.. 2018. "Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory." Journal of Feminist Scholarship 4 (Spring): 54-73. https://digitalcommons.uri.edu/jfs/vol4/iss4/5 This Viewpoint is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Cover Page Footnote The author wishes to thank Oxford University Press for giving her permission to draw from Chapters 1, 5, 6, 7, and the Conclusion of Doing Feminist Theory: From Modernity to Postmodernity (2012). This viewpoint is available in Journal of Feminist Scholarship: https://digitalcommons.uri.edu/jfs/vol4/iss4/5 Mann: Third Wave Feminism's Unhappy Marriage VIEWPOINT Third Wave Feminism’s Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann, University of New Orleans Abstract: This article first traces the history of unhappy marriages of disparate theoretical perspectives in US feminism. In recent decades, US third-wave authors have arranged their own unhappy marriage in that their major publications reflect an attempt to wed poststructuralism with intersectionality theory. -
African-American Leadership in the Sexual Assault Movement LIBATIONS RITUAL Ancestor Reverence Smudging Ceremony ANGELA DAVIS
FORGING FORWARD: African-American Leadership in the Sexual Assault Movement LIBATIONS RITUAL Ancestor Reverence Smudging Ceremony ANGELA DAVIS “Black women were and continue to be sorely in need of an anti-rape movement.” — Angela Davis OBJECTIVES • Identify, Acknowledge and Celebrate Black Women Leadership in SA • Anti-Rape Movement in the United States (pre-post Civil Rights Movement) • Importance of Culturally Specific Programming for African Americans • African American Specific Sexual Assault Programming-SASHA Center • Service Provisions, Antidotes and Suggestions • Identifying Male/White Women/Other Allies • New and Emerging Black Women Leaders in SA Movement GROUP AGREEMENTS DIVERSITY •Race/Ethnicity •Social Class •Marital status •Gender Identity •Age •Orientation •Religious Affiliation •Gender Non-Conforming PRESENTER’S POSITION • Expertise and Wisdom • Non-Exhaustive/NOT Comprehensive/Exploratory • Self-Discovery-Survivor Focused • Sexual Assault Specific • Context and Historical Orientation • Third Wave Feminist and Womanist Perspective • Local, Regional, National Figures • Allies-Race, Gender • In search of our Fore-Mothers FEMINIST OR SOMETHING ELSE? Womanist The AND & BOTH Third Wave Feminism Alice Walker, a poet and activist, who is Rebecca Walker coined the term mostly known for her award-winning The irony is that these two "third-wave feminism" in a 1992 essay. book The Color Purple, coined the term brilliant minds are mother It has been proposed that Walker has Womanist in her 1983 book In Search of and daughter-estranged -
Alice Walker Papers, Circa 1930-2014
WALKER, ALICE, 1944- Alice Walker papers, circa 1930-2014 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Creator: Walker, Alice, 1944- Title: Alice Walker papers, circa 1930-2014 Call Number: Manuscript Collection No. 1061 Extent: 138 linear feet (253 boxes), 9 oversized papers boxes and 1 oversized papers folder (OP), 10 bound volumes (BV), 5 oversized bound volumes (OBV), 2 extraoversized papers folders (XOP) 2 framed items (FR), AV Masters: 5.5 linear feet (6 boxes and CLP), and 7.2 GB of born digital materials (3,054 files) Abstract: Papers of Alice Walker, an African American poet, novelist, and activist, including correspondence, manuscript and typescript writings, writings by other authors, subject files, printed material, publishing files and appearance files, audiovisual materials, photographs, scrapbooks, personal files journals, and born digital materials. Language: Materials mostly in English. Administrative Information Restrictions on Access Special restrictions apply: Selected correspondence in Series 1; business files (Subseries 4.2); journals (Series 10); legal files (Subseries 12.2), property files (Subseries 12.3), and financial records (Subseries 12.4) are closed during Alice Walker's lifetime or October 1, 2027, whichever is later. Series 13: Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. The same restrictions listed above apply to born digital materials. Emory Libraries provides copies of its finding aids for use only in research and private study. -
How Sexism in American Politics Sparked Off the New Feminist Renaissance
The Lessons We Have Learnt: How Sexism in American Politics Sparked Off the New Feminist Renaissance Anna Misiak Falmouth University Trump and Feminist Erasures In the introduction to their edited collection Feminist Erasures: Challenging Backlash Culture (2015), Kumarini Silva and Kaitlynn Mendes discuss popular and academic understandings of feminism to consider their impact on women’s equality, activism and representations in the western culture. Having sampled both political and media discourses in the English language, the authors conclude that at the time of writing advocacy for women’s rights was often belittled or pronounced as too radical and outmoded. By no means was it a recent development. The anti-feminist discourse had been present in the western culture for a while. Most visibly, it gathered momentum in the 1980s when Ronald Reagan’s right-wing politics found its fantasy reflection in popular action blockbusters where hard, white male figures dominated the screen, applauded for their uncompromising confidence and physical strength. Although there has been a significant shift in gender politics since Reagan's era, the cultural myth of the 1980s' action hero proved hard to die. And today, some of Donald Trump's sexist discourse seems to resonate with a similar ruthless admiration for the virile white man. As Sharon Willis argued, the male heroes of big budget films such as, among others, Die Hard (1988), Lethal Weapon (1987) and Terminator 2 (1991) did not appear in a cultural vacuum. They were intrinsically tied to the rise of white masculine identity and its impact on social and cultural hierarchies, as well as gender debates. -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women. -
1 Imagining Women's Lives: Feminism, Temporality, and the Metaphor Of
1 Imagining Women’s Lives: Feminism, Temporality, and the Metaphor of Waves The Pueblo people and the indigenous people of the Americas see time as round, not as a long linear string. If time is round, if time is an ocean, then something that happened 500 years ago may be quite immediate and real, whereas something inconsequential that happened an hour ago could be far away. Think of time as an ocean always moving . Leslie Marmon Silko, Interview Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and fall again. I am made and remade continually. Different people draw different words from me. Virginia Woolf, The Waves In spring 2013 the majority of the one hundred students in my undergraduate course on diversity in American culture responded to my question “What is feminism?” with positive and accurate definitions such as “feminism is the belief that women and men are of equal value and that they deserve equal rights and opportunities in society.” Most of the students were vaguely conservative; they were diverse in terms of race, nationality, gender, and academic fields; only a handful were majoring in the humanities; and yet, for the first time in my thirty years of teaching, the term “feminist” elicited almost no resistance or hostility. This surprising situation appears to represent a sea change from the typical experience that Toril Moi pinpointed in her 2006 essay, “‘I Am Not a Feminist, But . .’: How Feminism Became the F-Word.” Like many feminist faculty, Moi observed that since the mid-1990s, “most of my students no longer make feminism their central political and personal project” (1735). -
The Aftermath of Feminism: Gender, Culture and Social Change By
Book Review The Aftermath of Feminism: Gender, Culture and * Social Change 1 By Angela McRobbie Chaesung Chun Seoul National University, Korea Angela McRobbie, a British scholar who has produced a series of enlightening works on feminism, cultural theories, global media, and the culture of young people, such as Zoot Suits and Second-hand Dress (1989), Feminism and Youth Culture (1991), Postmodernism and Popular Culture (1994), British Fashion Design: Rag Trade or Image Industry? (1998), and In the Culture Society: Art, Fashion and Popular Music (1999), has recently written an inspiring book, The Aftermath of Feminism: Gender, Culture and Social Change. Focusing on the British situation of post-feminism since the early 1990s, McRobbie has tried to provide theoretical fraemworks to analyze the phenomenon of post-feminism, relate them to the empirical study on British cases in terms of academic institutional and popular culture, and suggest the concept of "affirmative feminism" to cure the current situation. Sociological theorists in the line of poststructuralism and especially feminist theories have been sources of theorietical insights for the author, and, based on these, she analyzes more concrete cases such as movies and books that show the trend of post-feminism (Bridget Jones in chapter 1), the UK government's "new sexual contract" to young women, popular TV makeover programmes, and the "illegible rage" underlying contemporary femininities. This book, as the author illustrates, is an attempt to make an intervention which crosses the borders of a range of academic disciplines, gender studies, sociology, cultural, and media studies, with the aim of 1 Thousand Oaks, California: Sage, 2008. -
Third Wave Feminist History and the Politics of Being Visible and Being Real
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-12-2006 Third Wave Feminist History and the Politics of Being Visible and Being Real Robbin Hillary VanNewkirk Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation VanNewkirk, Robbin Hillary, "Third Wave Feminist History and the Politics of Being Visible and Being Real." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/wsi_theses/1 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THIRD WAVE FEMINIST HISTORY AND THE POLITICS OF BEING VISIBLE AND BEING REAL by ROBBIN VANNEWKIRK Under the Direction of Peter Lindsay ABSTRACT This project works to illuminate some of the main theoretical claims that writers of the third wave make in order to understand these claims as rhetorical devices used to make themselves visible and real. Being visible is a common theme in third wave texts and realness is a site that is both contested and embraced. Being Visible and being real work together to situate third wave actors in a U.S. feminist continuum that is sprinkled with contradiction and ambiguity. This thesis will examine the contextual development of third wave feminism, and then using examples of realness and visibility in the three third wave anthologies, Being Real, Third Wave Agenda, and Catching a Wave, this thesis will interrogate at the rhetorical significance of those themes. -
Introduction 1. Critics Such As Angela Mcrobbie and Andrea Stuart Have
Notes Introduction 1. Critics such as Angela McRobbie and Andrea Stuart have observed that feminist theoretical trajectories shifted in the early 1990s as fem- inism split with “professional feminism” retreating to the academy, while “popular feminism” “comes at most of us through the media” (Stuart 30). However, what this split means is still hotly contested. Gill explains that critics have variously interpreted the emergence of “popular feminism,” or what has come to be known as “postfemi- nism,” as an “epistemological break” (250), a “historical shift” (251), or a backlash to feminism (253). Throughout this book, I follow Gill, who argues that postfeminism “is best understood not as an episte- mological perspective, nor as a historical shift, and not (simply) as a backlash” but rather as a “sensibility” with “recurring and relatively stable themes, tropes and constructions that characterize gender rep- resentations in the media in the early twenty- first century” (254– 55). 2. Judith Williamson refers to this genre of programming as “retro- sexist.” 3. As Sady Doyle explains, Game of Thrones features “old- timey, misog- ynist knights and kings,” while Mad Men focuses on old- timey, misogynist admen. 4. Andi Zeisler notes that “with every season of Game of Thrones, one question has become more insistent among in the blogosphere: ‘Is Game of Thrones feminist?’” The same is also true for Mad Men. Primarily, the debates about these programs have occurred online, in blogs and online magazines, though several scholarly collections focused on Mad Men have been published as well. Although it is beyond the scope of this introduction to list all the articles devoted to this debate, a few of the most widely cited articles are listed here.