KJFC JAZZ COUNTRY例会 Wayne Shorter VS Joe Henderson Wayne

Total Page:16

File Type:pdf, Size:1020Kb

KJFC JAZZ COUNTRY例会 Wayne Shorter VS Joe Henderson Wayne KJFC JAZZ COUNTRY例会 2015年4月25日 Wayne Shorter VS Joe Henderson 担当H.A Wayne Shorter Joe Henderson ① Introducing Wayne Shorter /Wayne Shorter Page One /Joe Henderson "Blues A La Carte" "Recorda-Me" Lee Morgan (tp) Kenny Dorham(tp) Wayne Shorter (ts) Joe Henderson(ts) Wynton Kelly (p) McCoy Tyner (p) Paul Chambers (b) Butch Warren (b) 5:35 Jimmy Cobb (ds) 6:03 Pete La Roca(ds) 1959 Vee-Jay 1963 Blue Note ② Ready For Freddie/Freddie Hubbard Song For My Father/Horace Silver "Arietis" "Song For My Father " Freddie Hubbard (tp) Carmell Jones Bernard McKinney (euphonium) Joe Henderson(ts) Wayne Shorter(ts) Horace Silver(p) McCoy Tyner (p) Teddy Smith (b) 6:41 Art Davis (b) 7:17 Roger Humphries (ds) Elvin Jones(ds) 1964 Blue Note 1961 Blue Note ③ Second Genesis /Wayne Shorter In 'N Out /Joe Henderson "I Didn't Know What Time It Was" "Serenity " Wayne Shorter(ts) Kenny Dorham(tp) Cedar Walton (p) Joe Henderson(ts) Bob Cranshaw (b) McCoy Tyner (p) Art Blakey (ds) Richard Davis(b) 5:12 1960 Vee-Jay 6:16 Elvin Jones(ds) 1964 Blue Note ④ Art Blakey!!!!! And His Jazz Messengers!!!!! Little Johnny C / Johnny Coles "Alamode" "Heavy Legs" Lee Morgan (tp) Johnny Coles(tp) Curtis Fuller(b) Leo Wrigh(as) Wayne Shorterr(ts) Joe Henderson(ts) Bobby Timmons (p) Duke Pearson (p) 6:40 Jymie Merritt (b) 5:58 Bob Cranshaw(b) Art Blakey (ds) Walter Perkins(ds) 1961 Impulse! 1963 Blue Note ⑤ Adam's Apple /Wayne Shorter Inner Urge/Joe Henderson "Adam's Apple" "Night And Day" Wayne Shorterr(ts) Joe Henderson(ts) Herbie Hancock (p) McCoy Tyner (p) Reggie Workman (b) Bob Cranshaw(b) Joe Chambers (ds) Elvin Jones(ds) 6:49 1966 Blue Note 7:24 1964 Blue Note ⑥ Mosaic/ Art Blakey And The Jazz Messengers Trompeta Toccata/Kenny Dorham "Children Of The Night" "The Fox" Freddie Hubbard (tp) Kenny Dorham(tp) Curtis Fuller(b) Joe Henderson(ts) Wayne Shorterr(ts) Tommy Flanagan Cedar Walton (p) Richard Davis(b) 8:51 Jymie Merritt (b) 7:59 Albert Heath(ds) Art Blakey (ds) 1964 Blue Note 1961 Blue Note ⑦ Speak No Evil /Wayne Shorter Tetragon/Joe Henderson "Speak No Evil" "Invitation" Freddie Hubbard (tp) Joe Henderson(ts) Wayne Shorter (ts) Don Friedman (p) Herbie Hancock (p) Ron Carter (b) Ron Carter (b) Jack DeJohnette(ds) 8:23 Elvin Jones(ds) 6:18 1968 Milestone 1964 Blue Note ⑧ Sorcerer/Miles Davis Basra /Pete La Roca "The Sorcerer" "Lazy Afternoon" Miles Davis (tp) Joe Henderson(ts) Wayne Shorter (ts) Steve Kuhn (p) Herbie Hancock (p) Steve Swallow(b) Ron Carter (b) Pete La Roca (ds) 5:14 Tony Williams(ds) 5:31 1965 Blue Note 1967 Columbia ⑨ Miles Smiles/ Miles Davis The Real McCoy/ McCoy Tyner "Gingerbread Boy" "Passion Dance" Miles Davis (tp) Joe Henderson(ts) Wayne Shorter (ts) McCoy Tyner (p) Herbie Hancock (p) Ron Carter (b) Ron Carter (b) Elvin Jones(ds) 7:43 Tony Williams(ds) 8:47 1967 Blue Note 1966 Columbia ⑩ Schizophrenia /Wayne Shorter The Kicker/Joe Henderson "Tom Thumb" "Mo' Joe" Curtis Fuller(b)() Mike Lawrence(tp)() James Spaulding (as) Grachan Moncur IIIr(b) Wayne Shorter (ts) Joe Henderson(ts) Herbie Hancock (p) Kenny Barron(p) 6:16 Ron Carter (b) 4:09 Ron Carter (b) Joe Chambers (ds) Louis Hayes (ds) 1967 Blue Note 1967 Milestone.
Recommended publications
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
    Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan,
    [Show full text]
  • ART FARMER NEA Jazz Master (1999)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
    [Show full text]
  • MUNI 20101215 – Závěr 1. Dexterity (Charlie Parker) 3:54 Kenny Barron
    MUNI 20101215 – závěr 1. Dexterity (Charlie Parker) 3:54 Kenny Barron (1943)-p; Victor Lewis-dr. Englewood Cliffs, February 17, 1986. CD Enja / Musica Jazz/High Tide TIDE 9177-2. 2. Everything’s Cool (Marcus Roberts) 3:08 Marcus Roberts (1963)-solo p. Tallahassee, Florida, January 31-February 5, 1998. CD Sony SK 60554. 3. Blame It on My Youth (Oscar Levant) 6:12 Brad Mehldau (1970w)-p; Larry Grenadier-b; Jorge Rossy-dr. 1995. 4. Laird Baird (Charlie Parker) 4:02 Stephen Scott (1969)-p; Christian McBride-b. New York City, April 12-14, 1995. CD Verve 527 907-2. 5. Just You, Just Me (Jesse Greer-Raymond Klages) 3:06 Benny Green (1963)-solo p. Stamford, Connecticut, January 22-24, 2001. CD Telarc CD 83539. 6. FMFMF (For My Family, For My Friends) (Geri Allen) 5:32 Geri Allen (1957)-p; Cyro Baptista-perc. New York City, December 14-15, 1995/March 1, 1996. CD Blue Note 38297. 7. St. Thomas (Sonny Rollins) 6:38 Michel Petrucciani (1962-1999w)-solo p. New York City, June 1983. CD Blue Note 38329. 8. Donna Lee (Charlie Parker) 4:16 Gonzalo Rubalcaba (1963 Havana)-p; Ron Carter-b; Julio Barreto-dr. Toronto, Canada, December 14-15, 1993. CD Blue Note 30490. 9. Looking (Berlin Version) (Cecil Taylor) 4:55 Cecil Taylor (1929)-solo p. Berlin, November 1, 1989. CD FMP 28/Musica Jazz FMP FJ 02. 10. Syndrome (Carla Bley) 6:08 Gary Burton-vib; Makoto Ozone (1961)-p; Steve Swallow-elb; Mike Hyman-dr. Ludwigsburg, Germany, November 1984. CD ECM 1293/825 235-2.
    [Show full text]
  • KSU Faculty Jazz Parliament Presenting the “Partial-Ment”
    SCHOOL of MUSIC Where PASSION is heard KSU Faculty Jazz Parliament Presenting the “Partial-Ment” Sam Skelton, Reeds Rob Opitz, Trumpet/Flugelhorn Tyrone Jackson, Piano Marc Miller, Bass Justin Chesarek, Drums Thursday, October 1, 2020 | 7:30 PM Presented virtually from Morgan Concert Hall of the Bailey Performance Center PROGRAM Selections will be announced from the stage. BIOGRAPHIES Justin Chesarek Percussionist Justin Chesarek began gigging at the age of twelve with Pittsburgh jazz legend Harold Betters and spent time listening to Roger Humphries live, well-known for his work with Horace Silver. Afer earning a Bachelors of Music in Music Education from Slippery Rock University, Justin pursued a Masters of Music and Jazz Studies at Georgia State University. Along the way, Chesarek filled his gig calendar, making a name for himself as an exceptional musician. He performs regularly with Joe Alterman, Trey Wright, Gary Motley, The Joe Gransden Big Band, the ATL Collective, and he is a regular at the Atlanta Jazz Festival. He has performed at The Iridium and The Blue Note in New York, Washington D.C’s Kennedy Center, a TED Talk, the Juneau Jazz and Classics Festival in Alaska, The North Sea Jazz Festival in Holland, and the Montreaux Jazz Festival in Switzerland. Chesarek teaches Jazz Percussion at Kennesaw State University, he is the Artist Affiliate of Jazz Percussion at Emory University, and he runs a private studio of his own, working with students of all ages. His students have gone on to become professional touring musicians, off-broadway theater pit players, and top call Atlanta drummers.
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Omer Avital Ed Palermo René Urtreger Michael Brecker
    JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”.
    [Show full text]
  • August Wilson African American Cultural Center Launches Aw Studio Sessions Monthly Virtual Music Series
    AUGUST WILSON AFRICAN AMERICAN CULTURAL CENTER LAUNCHES AW STUDIO SESSIONS MONTHLY VIRTUAL MUSIC SERIES New Series Features Orrin Evans, Leela James, Roger Humphries, Gerald Veasely and Carol Riddick, Lyndsey Morgan Smith & more November 23, 2020 – Pittsburgh, PA – The August Wilson African American Cultural Center (AWAACC), one of the largest non-profit cultural organizations in the country focused exclusively on the African American experience and the arts of the African diaspora, announced the launch of AW Studio Sessions, a new monthly virtual music series. Featuring some of today’s most talented jazz, blues, R&B, and traditional Brazilian musicians and vocalists, AW Studio Sessions were recorded live in a series of intimate studio sessions. These digital concerts will be streamed on the first Thursday of every month beginning December 3, 2020 and will run through April 2021, with a special added performance by Leela James on Thursday, December 17, 2020, who will perform an array of Gertrude “Ma” Rainey classics in honor of the release of Netflix’s film adaptation of August Wilson’s Ma Rainey’s Black Bottom. Including performances by Roger Humphries, Gerald Veasely, Carol Riddick and a special work entitled Terreno Comun: The Brazilian Project by Orrin Evans commissioned by the Center, AW Studio Sessions showcase the Center’s commitment to supporting artists through performance, educational and commission opportunities. AW Studio Sessions offers a broad range of Black musical traditions. Over the course of the winter, the sessions will dive into varied styles from jazz, soul and more, and will explore the influence of Nina Simone, an artist who shared August Wilson’s passion for social justice.
    [Show full text]
  • Jazz Ensembles Concert.Indd
    UPCOMING PERFORMANCES GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS NOVEMBER 15, 2018 / 7:30 P.M. MUSIC PERFORMANCES Graduate String Trio Recital November 15, 7:30 p.m. ORH Music in the Museum Concert Series / FREE November 20, noon, 6 p.m. GAMA JAZZ ENSEMBLES CONCERT Holiday Spectacular Open Rehearsal for students (ID required) November 28, 7 p.m. GCH Parade of Lights Preview / FREE November 29, 6 p.m. UCA Holiday Spectacular November 29, 7 p.m. GCH Special Guest Don Aliquo Holiday Spectacular December 2, 4 p.m. GCH Concert Orchestra Concert / FREE December 2, 7:30 p.m. ORH SHILO STROMAN DIRECTOR DANCE PERFORMANCES Fall Dance Capstone Concert December 7, 8, 7:30 p.m. UDT WIL SWINDLER Fall Dance Capstone Concert December 8, 2 p.m. UDT DIRECTOR THEATRE PERFORMANCES Big Love by Charles Mee November 16, 7:30 p.m. ST Big Love by Charles Mee November 17, 2 p.m. ST Freshman Theatre Project / FREE November 30, 7:30 p.m. ST www.CSUArtsTickets.com UNIVERSITY CENTER FOR THE ARTS SEASON SPONSORS www.bwui.com www.ramcardplus.com CSU JAZZ ENSEMBLE II SHILO STROMAN, Director Hot House / TADD DAMERON arr. by JACK COOPER Soloist: Nicky Podrez, trumpet Josh Zimmerman, alto sax For All We Know / FRED COOTS (lyrics by SAM M. LEWIS) arr. by JOHN CLAYTON Soloist: Samantha Williams, piano Rivers / MIKE TOMARO Soloists: Nicky Podrez, trumpet Addy Dodd, bari sax Ian Maxwell, drums Lil’Darlin / NEAL HEFTI Soloists: Carolina Knonbauer, trumpet Tenor Madness / SONNY ROLLINS arr. by MARK TAYLOR Soloists: Kevin Rosenberger, tenor sax Noah Gulbrandson, tenor
    [Show full text]