FIRE ESCAPE's St. Louis BBS Directory: MID-DECEMBER 1994/JANUARY 1995
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S 314 Area Code BBS Directory
FIRE ESCAPE'S St. Louis BBS Directory: MID-MARCH/APRIL 1996 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ All PREVIOUS "Directories" are now outdated, please delete them! The Deadline for the Mid-April/May 96 edition is April 14th! ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ BULLETIN BOARD SYSTEM NAME L# P PHONE # STATS SYSOP NAME HOURS MODEM SOFT ============================ == = ======== === ============= ===== ====== ==== 911 Online 09 - 872-9990 R ? 24 v.34-B WGRP ACME Acres BBS -- - 426-5159 *CR Wizlord 24 14.4-B SLGT Aerie BBS L1 - 773-8316 --- Journeyman 24 14.4-N VBBS Aerie BBS L2 - 773-8186 --- Journeyman 24 14.4-B VBBS Affinity BBS 26 - 771-6800 --- Aqualung 24 2.4-N MISC Affinity BBS 09 - 771-6300 --- Aqualung 24 9.6-B MISC Affinity BBS 04 - 771-9374 --- Aqualung 24 2.4-N MISC After Dark BBS -- - 227-9828 R Harvester 24 14.4-N WWIV After Thought -- - 423-6312 --- Shade Tree 24 14.4-B WWIV Alien BBS, The -- - 544-3668 --- Alien 24 2.4-N C-64 All Night Thing -- - 752-3308 R Dr. Tone 24 14.4-M WWIV Andromeda II BBS, The -- - 869-5171 A Linus 06-01 14.4-B TLGD A.R. Ware BBS -- - 231-9270 N? Weekend Warri 24 14.4-B UNKW Arena, The -- - 845-6849 C Jake Blues 24 v.34-B VBBS Asgardian Realm, The -- - 291-6762 R Lancer 24 DS34-B WWIV Babylon 7 -- - 926-2206 R Strider 24 v.34-B SLGT BadMedicine BBS -- T 341-5038 AR BadMedic 22-07 14.4-B TRI Balls & Shaft -- - 532-4409 --- Gambit 24 DS34-B WWIV Banana Republic, The -- - 282-3337 CR Dr. -
FIRE ESCAPE's St. Louis BBS Directory: DECEMBER 1993
FIRE ESCAPE'S St. Louis BBS Directory: DECEMBER 1993 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ All PREVIOUS "Directories" are now outdated, please delete them! The Legends and Directory Information are at the End. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ BULLETIN BOARD SYSTEM NAME L# P PHONE # STATS SYSOP NAME HOURS MODEM SOFT ============================ == = ======== === ============== ===== ===== ==== 19th Hole BBS, The -- - 487-5782 --- Mr. Bill 24 DSH-B WWIV 4 Star BBS -- - 225-8821 C Mike 24 2.4-N PCBD Absolute Value 02 - 731-7935 --- Art Hebbeler 24 2.4-N MISC Absolute Value -- - 731-7934 P Art Hebbeler 24 32b-N MISC Absolute Value -- - 895-2616 --- Art Hebbeler 24 2.4-N MISC Access Denied: MAC BBS -- - 846-5565 --- Skip 24 32b-B HERM Access Imaging -- - 664-8220 --- ? 24 32b-B MISC Ace's Place -- S 272-5436 N Ace 24 32b-B SYNC ACME Acres BBS -- - 351-5227 --- Buster Bunny 24 32b-B WWIV Adults Unlimited -- - 481-7101 C Dirty Old Man 24 32b-B TLGD Affinity ADULT Multiline BBS 19 - 771-6800 --- Aqualung 24 32b-B MISC After Midnight Sushi Bar -- - 772-3428 A The Jap 00-12 2.4-N WWIV After Thought -- - 423-6312 --- Shade Tree 24 2.4-N WWIV Alien's -- - 349-5179 --- Alien 24 2.4-N C-64 Amazon, The -- - 846-8758 --- Audiophile 24 DSH-B WWIV American Liberator, The -- - 343-4759 --- ? 24 32b-B WWIV Amiga Only -- - 428-4737 --- Mike Kraml 24 DSH-B OPUS Andromeda II -- - 869-5171 --- ? 24 2.4-N UNKW Arcadia BBS -- - 429-4448 --- Terror 24 2.4-N MISC Arena, The L1 - 845-6849 --- Jake Blues 24 32b-B VBBS Arena, The L2 - 845-6859 --- Jake Blues 24 32b-B VBBS Asgardian Realm, The -- - 291-6762 --- Lancer 24 DSH-B WWIV Asylum II, The -- - 846-8412 N The Billiken 24 32b-B VBBS Atlantis BBS -- - 426-7873 --- Plutarch 24 32b-B WWIV Aviary, The -- - 544-2569 * FlyBoy 24 2.4-N WWIV Babble-On: Land of Kazhbu -- - 481-6298 --- Kadet Kazhbu 24 9.6-B SLGT Barb's Lookout Window -- - 894-0919 * Barb C. -
FIRE ESCAPE's St. Louis BBS Directory: MAY 1993 +++++++++++
FIRE ESCAPE'S St. Louis BBS Directory: MAY 1993 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ All PREVIOUS "Directories" are now outdated, please delete them! The Legends and Directory Information are at the End! ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ BULLETIN BOARD SYSTEM NAME L# P PHONE # STATS SYSOP NAME HOURS MODEM SOFT ============================ == = ======== === ============== ===== ===== ==== 1st and Goal BBS -- S 272-8853 --- D.V. Ous 24 2.4-N TLGD 4 Play ADULT BBS -- - 481-4821 C Nite Writer 24 2.4-N MISC 4 Star BBS L1 - 225-8821 --- Mike 24 2.4-N PCBD 4 Star BBS L2 - 225-4197 --- Mike 24 9.6-N PCBD A Momentary Lapse Of Reason -- - 739-4344 --- Dave Gilmour 24 2.4-N WWIV Absolute Value 04 - 731-7935 N Art Hebbeler 24 2.4-N MISC Absolute Value -- - 731-7934 --- Art Hebbeler 24 2.4-N MISC Absolute Value -- - 895-2616 P Art Hebbeler 24 32b-B MISC Abyss, The [C:\BBS> DIR] -- - 434-2620 --- Crimson Wizard 24 32b-B CELE ACME Acres BBS -- - 351-5227 N Buster Bunny 24 32b-M WWIV Access Denied: MAC BBS -- - 846-5565 --- Skip 24 32b-B HERM Access Imaging -- - 664-8220 * ? 24 32b-B MISC Adventurer's Guild, The -- - 892-6467 --- William 24 2.4-N TLGD Aerovista -- - 638-5204 --- Apollo/Crystal 24 9.6-B WWIV Affinity ADULT BBS 11 - 771-6800 $ Aqualung 24 2.4-B DLX Affinity ADULT BBS 02 - 771-2127 $ Aqualung 24 DSH-L DLX Affinity ADULT BBS 01 - 771-1860 $ Aqualung 24 DSH-B DLX Affinity ADULT BBS -- - 771-4828 $ Aqualung 24 9.6-B DLX Affinity ADULT BBS -- - 771-4937 $ -
BBS.® Performance at 2,400 Or 28,800 Worldgroup
May 1995 US $3.95 I Canada $4.95 SERVICES I 70992· 35460 MAGAZINE J Dr o 70992 35460 3 Wor/dgroup E-mail: Users Manager: Users can easily access and manage their navigate your mail with /heir system with Olen in box, Worldgroup out box, mulli Manager. a fold"",,1 filing shareware, ~~==============~: ~ cabine/, distributable J address book. Windows client. r S .... ccli.. one/muTe. With the click of an icon, users are connected and _nl9tl. ..... /O!/ged into your gelllIia c_ and Ie.... " ~I I ,,",VII II ~I "1IiI~.IOf ''8 ... , syslem. '''111-.0 01 'UU. Thanh ag.,n, -Scott Pleese rank your level of Inlerest in Internel connectivio/ I ".(667% ~ ~ CI ~ B (10 CO' ~~ E~ t.4. F F.. ltII ... ~ Polls and ~ Nain Menu: Launch your .. MItt.. " ......1 _ Questionnaires: own online service. right Offer markeling C(13 l J' out of the box, with - surveys, suggestions Worldgroup. Offer users boxes, applica/ ions 1 0(26 6 ' e-mail,forums, mull i-user forms and les/ing, 10 teleconference, polls. files, name a few . Resulls E (3133' Internet access, and more. are immediately Respon,e Number lallied and can be viewed as exporlable bar graphs or pie charls. Open Your Windows To The Worldgroup:'" Bring The World A company to the world beyo nd. With things simultaneously. Like Click Away. the click of an icon, you can downl oad files in the background, The newest, smartest generation of network your entire business while reading new mail. Or auto online software isn't coming from world-customers, stockholders, update new versions of Microsoft. -
Ansi Artwork and the Digital Underground, 1985-2000
Like City Lights, Receding: ANSi Artwork and the Digital Underground, 1985-2000 Michael A. Hargadon Supervised by Dr. Elena Razlogova and submitted in partial completion of the requirements for the degree of Master of Arts (History) Concordia University Montreal, Quebec FINAL: 22 May 2009 (23 October 2010) Acknowledgements qx9, Nitefowl, Tektite, Jupiter8 and the SYMBio.sys Crew, Lupus Yonderboy, Ashes and the CPS Crew, Flight, MoleQL and the Root Crew, Pantheon, Frozen Spirit and the WhirlWind Crew, Shot Gun, Epoch, Red Hornet, The Yowler, Triffid, The Shillingi, many forgotten users, and Cott Lang, Darkened Enmity and Tim Strike – none of whom I ever met, but whose software made worlds and offered solace. Table of Contents Introduction ............................................................................................................................................. 1 Objective ............................................................................................................................................ 1 First Thoughts ............................................................................................................................... 1 Art and the Digital Underground .................................................................................................. 4 Categories of Analysis ...................................................................................................................... 10 Category I: Constraint ................................................................................................................. -
Like City Lights, Receding: Ansi Artwork and the Digital Underground, 1985-2000
Like City Lights, Receding: ANSi Artwork and the Digital Underground, 1985-2000 Michael A. Hargadon A Thesis in the Department of History Presented in Partial Fulfillment of the Requirements for the degree of Master of Arts (History) Concordia University Montreal, Quebec, Canada March 2011 © Michael A. Hargadon, 2011 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Michael A. Hargadon Entitled: Like City Lights, Receding: ANSi Artwork and the Digital Underground, 1985-2000 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Dr. Matthew Penney Chair Dr. Norman Ingram Examiner Dr. Rachel Berger Examiner Dr. Elena Razlogova Supervisor Approved by Dr. Norman Ingram Chair of Department or Graduate Program Director 20 Dean of Faculty ABSTRACT Like City Lights, Receding: ANSi Artwork and the Digital Underground, 1985-2000 Michael A. Hargadon The rise of the Internet has obscured knowledge of the modes of mass online interaction that preceded it. Foremost amongst these was the Bulletin Board System (BBS), whose unique technological constraints encouraged the development of the art form known as ANSI. Through an examination of the economic paradigm shift that permitted mass adoption of microcomputers, the technological operating environment of the 1980s and 1990s and the ethos of the software piracy scene of that era, this thesis explains why this species of art took the form that it did, why artists chose to express themselves in this medium, and how ANSI defined the aesthetics of the online world between 1985 and the turn of the century.