“For the Liberty of the Nine Boys in Scottsboro and Against Yankee
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Feeling Humanitarianism During the Spanish Civil War and Republican Exile
Journal Feeling humanitarianism during the spanish civil war and republican exile MARTIN MORUNO, Dolorès (Guest Ed.) Reference MARTIN MORUNO, Dolorès (Guest Ed.). Feeling humanitarianism during the spanish civil war and republican exile. Journal of Spanish Cultural Studies, 2020, vol. 4, no. 1, p. 1-13 DOI : 10.1080/14636204.2020.1842092 Available at: http://archive-ouverte.unige.ch/unige:145176 Disclaimer: layout of this document may differ from the published version. 1 / 1 Journal of Spanish Cultural Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/cjsc20 Feeling humanitarianism during the Spanish Civil War and Republican exile Dolores Martín-Moruno To cite this article: Dolores Martín-Moruno (2020): Feeling humanitarianism during the Spanish Civil War and Republican exile, Journal of Spanish Cultural Studies To link to this article: https://doi.org/10.1080/14636204.2020.1842092 Published online: 17 Nov 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=cjsc20 JOURNAL OF SPANISH CULTURAL STUDIES https://doi.org/10.1080/14636204.2020.1842092 INTRODUCTION Feeling humanitarianism during the Spanish Civil War and Republican exile Dolores Martín-Moruno Institute for Ethics, History and the Humanities, University of Geneva, Geneva, Switzerland Until two decades ago, a mere “handful of historians” were concerned with the study of humanitarianism (Taithe and Borton 2016, 210). The reason is that humanitarianism has traditionally been presented as a moral imperative “located out of history” (Taithe 2017a), rather than as a movement whose long-term evolution needs to be understood in political (Arendt [1963] 1990; Boltanski [1993] 1999), economic (Haskell 1985; Roddy, Strange, and Taithe 2018), social (Brodiez and Dumons 2009) and cultural terms (Festa 2010). -
The Spanish Communist Party in the Spanish Civil War (1936-39), Vol
The Defence of Madrid: The Spanish Communist Party in the Spanish Civil War (1936-39), Vol. Amanda Marie Spencer Ph. D. History Department of History, University of Sheffield June 2006 i Contents: - List of plates iii List of maps iv Summary v Introduction 5 1 The PCE during the Second Spanish Republic 17 2 In defence of the Republic 70 3 The defence of Madrid: The emergence of communist hegemony? 127 4 Hegemony vs. pluralism: The PCE as state-builder 179 5 Hegemony challenged 229 6 Hegemony unravelled. The demise of the PCE 274 Conclusion 311 Appendix 319 Bibliography 322 11 Plates Between pp. 178 and 179 I PCE poster on military instruction in the rearguard (anon) 2a PCE poster 'Unanimous obedience is triumph' (Pedraza Blanco) b PCE poster'Mando Unico' (Pedraza Blanco) 3 UGT poster'To defend Madrid is to defend Cataluna' (Marti Bas) 4 Political Commissariat poster'For the independence of Spain' (Renau) 5 Madrid Defence Council poster'First we must win the war' (anon) 6a Political Commissariat poster Training Academy' (Canete) b Political Commissariat poster'Care of Arms' (anon) 7 lzquierda Republicana poster 'Mando Unico' (Beltran) 8 Madrid Defence Council poster'Popular Army' (Melendreras) 9 JSU enlistment poster (anon) 10 UGT/PSUC poster'What have you done for victory?' (anon) 11 Russian civil war poster'Have you enlisted as a volunteer?' (D.Moor) 12 Poster'Sailors of Kronstadt' (Renau) 13 Poster 'Political Commissar' (Renau) 14a PCE Popular Front poster (Cantos) b PCE Popular Front poster (Bardasano) iii Maps 1 Central Madrid in 1931 2 Districts of Madrid in 1931 2 3 Province of Madrid 3 4 District of Cuatro Caminos 4 iv Summary The role played by the Spanish Communist Party (Partido Comunista de Espana, PCE) during the Spanish Civil War of 1936-39 remains controversial to this day. -
January 24, 2020 Research Paper
January 24, 2020 Research Paper The United States has gone through a long period of racial prejudice, since its creation when Natives were forcefully taken off their land. Specifically in the 1930s, the race relations were at an extreme high due to the continuous poor treatment of Black people, who were considered “inferior” to White people, an unreasonable assumption. This is an extremely prevalent concept in the novel To Kill a Mockingbird which highlights the innocence of these minorities who do nothing to negatively contribute to society. Written and published in the 1960s, the brink of the Civil Rights Movement, Lee wrote the novel with the intention of raising awareness to the blatant racism occurring, which no one was acting upon, using characters that readers grew to love. Harper Lee used numerous historical events in order to develop the plot and characters of To Kill a Mockingbird specifically Emmett Till, the Scottsboro Boys, along with their trial and the Ku Klux Klan. To begin with, the case of Emmett Till was used to influence major characters of the novel, To Kill a Mockingbird by Harper Lee. Emmett Till was only 14, while visiting his family, was accused of flirting with a white woman. He was abducted by the relatives of the woman and they used extreme violence and shot him. Emmett Till’s mother decided to have an “open-casket funeral” in order to allow people around the world to be more aware of the extreme racial injustices that were occurring, which were often neglected(History.Com Editors 1). In comparison, the novel revolves the case of Tom Robinson, a 25 year old black man who was accused of the rape of Mayella Ewell. -
Contested Representations of the Scottsboro Trials
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2016 Belle Versus or Tramp Versus Child?: Contested Representations of the Scottsboro Trials Henry Guston Kemp Broege Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Broege, Henry Guston Kemp, "Belle Versus or Tramp Versus Child?: Contested Representations of the Scottsboro Trials" (2016). Women's History Theses. 11. https://digitalcommons.slc.edu/womenshistory_etd/11 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. 1 Belle Versus Beast or Tramp Versus Child?: Contested Representations of the Scottsboro Trials Henry Guston Kemp Broege Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, May 2016 2 In June of 2015, while I was in Montgomery doing research for my master’s thesis, an act of terrorism was carried out by Dylann Roof, a twentyoneyearold White supremacist man, who entered the Emanuel African Methodist Episcopal Church in Charleston, South Carolina and shot to death nine Black churchgoers during their service.1 When asked about his motives, Roof said, “I have to do it. You rape our women and -
Running with the Reds: African American Women and The
Running with the Reds: African American Women and the Communist Party during the Great Depression Author(s): Lashawn Harris Source: The Journal of African American History, Vol. 94, No. 1 (Winter, 2009), pp. 21-43 Published by: The University of Chicago Press on behalf of Association for the Study of African American Life and History Stable URL: https://www.jstor.org/stable/25610047 Accessed: 14-01-2019 00:31 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/25610047?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Association for the Study of African American Life and History, The University of Chicago Press are collaborating with JSTOR to digitize, preserve and extend access to The Journal of African American History This content downloaded from 140.103.6.225 on Mon, 14 Jan 2019 00:31:23 UTC All use subject to https://about.jstor.org/terms RUNNING WITH THE REDS: AFRICAN AMERICAN WOMEN AND THE COMMUNIST PARTY DURING THE GREAT DEPRESSION Lashawn Harris In a 1931 article in the Daily Worker, NAACP leader Walter White proclaimed that African American women who joined the ranks of the Communist Party (CP) were "ignorant and uncouth victims who were being led to the slaughter by dangerously bold radicals."1 While all African American leaders did not share White's sentiments and did not openly criticize African American participation in the CP during the first half of the 20th century, a significant group of black leaders and intellectuals, including A. -
Beck Center for the Arts Produces the Scottsboro Boys Marking the Ninth Collaboration with Baldwin Wallace Music Theatre Program Running February 7 Through 23, 2020
17801 Detroit Avenue Lakewood, OH 44107 beckcenter.org 216.521.2540 CONTACT: Julie Gilliland, 216.521.2540 x22 or [email protected] FOR IMMEDIATE RELEASE: December 16, 2019 Beck Center For The Arts Produces The Scottsboro Boys Marking The Ninth Collaboration With Baldwin Wallace Music Theatre Program Running February 7 through 23, 2020 Lakewood, OH–Beck Center for the Arts is pleased to produce The Scottsboro Boys with the esteemed Baldwin Wallace University Music Theatre Program. This limited engagement runs February 7 through 23, 2020 in the Mackey Theater. Show times are 8 p.m. Fridays and Saturdays and 3 p.m. Sundays. Special Wednesday and Thursday performances will take place at 8 p.m. on February 13, 19, and 20. Buy early and save with promo code: TRIAL to receive $5 off each adult or senior ticket purchased by February 6. Preview performance is the Thursday before opening night, February 6. Tickets range from $10 Smart Seats ® to $33 each. Group and student discounts are available. Tickets are on sale now. With a book by David Thompson, The Scottsboro Boys holds the distinction of the last production created by venerable songwriting team of composer John Kander and lyricist Fred Ebb. They were primarily known for stage musicals, such as the poignant Cabaret and sexy Chicago. The Scottsboro Boys is a musical with the framework of a minstrel show. This powerful musical is based on the true story of nine young black men in a landmark case that helped give rise to the civil rights movement and changed history. This production was nominated for the 2010 Drama Desk Award for Outstanding Musical and Outstanding Book of a Musical, as well as nominations for 2010 Tony Award Best Musical, Best Book of a Musical, and Best Original Score. -
1 Marxist Social Work: an International and Historical
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) This is an Accepted Manuscript of a book chapter published in The Routledge Handbook of Critical Social Work on 30/01/19, available online: https://www.routledge.com/The-Routledge-Handbook-of- Critical-Social-Work-1st-Edition/Webb/p/book/9781138578432 Marxist Social Work: An international and historical perspective Tom Vickers, Nottingham Trent University Introduction The relationship of Marxism to social work is highly contested and contradictory. Tavares (2013) suggests that social work and Marxism might be considered intrinsically connected and/or diametrically opposed, because both share a concern with the ‘social question’ but social work has often been involved in managing the contradictions of capitalism and thereby sustaining it. This is further complicated by disputes over what 'Marxism' means1. The English-language literature on Marxist social work is mostly limited to the ‘Radical Social Work’ (RSW) tradition, and the experience of socialist countries is neglected. For example Strug (2006) observes the almost total absence in the international social work literature of “information about Cuban social work, the changes it has undergone, or its relevance for the international social work community” (p. 750). Filling the gaps in the literature is a huge task, beyond the scope of this chapter. Instead this chapter outlines some key features of Marxism as it relates to social work, and offers examples of Marxist social work within the varying contexts of capitalist states, popular movements, and socialist states. The chapter is informed by a review of historical and contemporary literature, building on Vickers (2015). -
Latvian Volunteers in the Spanish Civil War
51 LATVIAN VOLUNTEERS IN THE SPANISH CIVIL WAR Ignacio de la Torre MhBSRS Abstract The purpose of this article is to analyse the participation of Latvian volunteers in the Spanish Civil War (1936-1939). To examine this historical episode, diverse international archival sources have been processed, in order to produce a common narrative. This is a topic which had remained lost in the limbo of oblivion, however, on a documented basis is now possible to narrate the feats of the Latvian brigadistas1. While the authoritarian government of Latvia had declared itself neutral towards the Spanish conflict, it took place with the mobilisation of a particular generation made up of young men and women who understood this war as the beginning of an international struggle against Nazi-Fascist powers. These volunteers interpreted the war in Spain in a universal dimension – the Spanish Republican Army was assisted by volunteers from 54 nationalities out of the 56 recognised independent states of the time. Between 1936 and 1938, about 200 Latvians reached Spain and joined regular Republican military units: the International Brigades. They left their daily routines, families and homes in order to enlist in a foreign army to kill and die for. In Spain the Latvian volunteers distinguished themselves because of their idiomatic skills, medical knowledge and previous military experience (especially in the field of artillery). In numerical terms their participation was limited, but in percentage and narrative terms, their story is fascinating and illustrative. Volunteering for Spain was categorised as a serious felony by the Ulmanis regime. Taking sides in the Spanish Civil War was punished by the loss of citizenship penalty. -
The Red International and the Black Caribbean: Transnational Radical Organizations in New York City, Mexico and the West Indies, 1919-1939
The Red International and the Black Caribbean: Transnational Radical Organizations in New York City, Mexico and the West Indies, 1919-1939 By Margaret Stevens B.A., Rutgers University, 2001 A.M., Brown University, 2006 A Dissertation Submitted in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Margaret Stevens This dissertation by Margaret Stevens is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ____________ __________________________________ Barrymore Bogues, Advisor Recommended to the Graduate Council Date ____________ ___________________________________ Paul Buhle, Reader Date ____________ ___________________________________ Paget Henry, Reader Approved by the Graduate Council Date ____________ ___________________________________ Shelia Bond, Dean of the Graduate School iii CURRICULUM VITAE Margaret Stevens was born in Madison, Wisconsin on October 7, 1979. She received her B.A. in Philosophy and English and graduated Phi Beta Kappa from Rutgers University in 2001. Stevens completed her A.M. in American Civilization at Brown University in 2006. In 2008, Stevens‘s article entitled ―‗Hands off Haiti!:‘ Self-Determination, Anti- Imperialism and the Communist Movement in the United States, 1925-1929‖ was published in Black Scholar. Her article ―Shirley Graham DuBois: Portrait of the Black Woman Artist as a Revolutionary, co-authored with Gerald Horne, is forthcoming in ―Want to Start a Revolution?” Women and the Black Freedom Struggle, an anthology edited by Dayo Gore, Jeanne Theoharis and Komozi Woodard with New York University Press. She also wrote an entry on the Organization of African Unity for an encyclopedia entitled Africa and the Americas: Culture, Politics and History, Transatlantic Relations Series. -
Effacing the Scottsboro Boys: Censorship As Discourse Ellen G
Effacing the Scottsboro Boys: Censorship as Discourse Ellen G. Landau, Case Western Reserve University With his adaptation around 1968 of social critique expressed in a deliberately clumsy cartoonish style, many in the New York art world considered the career of acclaimed Abstract Expressionist Philip Guston to have taken a surprising turn. Unknown to most, however, by “introducing” Ku Klux Klan hoods into his iconography at this juncture, Guston was choosing to revisit his own personally complicated connections with political repression. Born in Montreal of Russian immigrant parents who fled Cossack pogroms, Guston moved with his family to Los Angeles in the 1920s, an era of social instability marked in Southern California by the visible rise of paranoid and exclusionary right-wing social behavior. Non-whites and Jews were routinely barred from acceptance and upward mobility; radically “other,” many (like Guston’s father, a suicide) could never assimilate nor shed an outsider’s sense of vulnerability. Standard accounts of Guston’s development have not analyzed in sufficient depth the considerable implications for his own artistic trajectory as a result of the sadistic and unconstitutional suppression in 1933 of portable murals slated for exhibition at the Hollywood branch of the Communist-affiliated John Reed Clubs. These were created by then-20-year-old Philip Goldstein along with a group of like-minded friends including, among others, Harold Lehman, Murray Hantman and Reuben Kadish. All novice painters, Guston’s cohort was aided by Luis Arénal, brother-in-law of David Alfaro Siqueiros, the famed Mexican revolutionary muralist who’d recently spent time in Los Angeles. -
The Birth of Children's Rights Between the First and Second World Wars
MISCELLANEA HISTORICO-IURIDICA TOM XIX, z. 1 ROK 2020 Roldán Jimeno Universidad Pública de Navarra (Public University of Navarre, Spain) e-mail: [email protected] ORCID: 0000-0002-1400-282X DOI: 10.15290/mhi.2020.19.01.06 The birth of children’s rights between the First and Second World Wars: The historical events leading up to the Convention Abstract At the beginning of the twentieth century, the industrialised countries had no guidelines for protecting children. From the time of its creation, the League of Nations has been interested in improving the situation of children and expanding their rights. To accomplish just that, the Child Welfare Committee was created in 1919. The creation of said Committee was the first action taken by the international community in a matter that was not to be left to the sole discretion of the states. That same year, the Englishwoman Eglantyne Jebb and her sister Dorothy founded Save the Children, which evolved very quickly and, in 1920, gave way to the establishment of the International Save the Children Union, headquartered in Geneva. In 1924, the League of Nations approved the Geneva Declaration of the Rights of the Child, drafted by Eglantyne Jebb herself. The first big challenge that said legal doctrine and the partnership in favour of children’s rights came up against was the Spanish Civil War. The first great movement of refugee children featured the children of the Basque Country, who were welcomed in Great Britain. Let us take a look at this case as an example of the practical side of the first legal doctrine on children’s rights. -
The NAACP's Rape Docket and the Origins of Criminal Procedure
UNIVERSITY OF PENNSYLVANIA JOURNAL OF LAW ANDSOCIAL CHANGE Volume 24, Number 3 2021 THE NAACP’S RAPE DOCKET AND THE ORIGINS OF CRIMINAL PROCEDURE BY SCOTT W. STERN* Abstract. This Article provides the definitive account of the surprisingly voluminous docket of rape cases argued by the National Association for the Advancement of Colored People (NAACP). It argues, for the first time, that the NAACP’s rape docket was central to the development of modern criminal procedure—to the establishment of the right to counsel, the right to remain silent, the right to a trial free from mob violence or influence, the right against self-incrimination via a coerced confession, and the right to a jury of one’s peers selected without discrimination. Drawing on original archival research, this Article demonstrates that all of these rights have their origins in the hundreds of cases argued by the NAACP on behalf of Black men accused of sexual assault by white women. This Article also argues that these cases were central to the development of the NAACP’s legal department, the relationships between local branches and the national office, and the careers of the famous civil rights attorneys—from Charles Hamilton Houston to Jack Greenberg—who rose to national prominence with the NAACP. Thus, these cases were central to the development of civil rights litigation itself. Indeed, the first significant Supreme Court case argued for the NAACP by a Black attorney was an interracial rape case. The first Supreme Court case ever argued by a Black woman, Constance Baker Motley, was an interracial rape case.