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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Batman’S Story
KNI_T_01_p01 CS6.indd 1 10/09/2020 10:14 IN THIS ISSUE YOUR PIECE Meet your white king – the latest 3 incarnation of the World’s Greatest Detective, the Dark Knight himself. PROFILE From orphan to hero, from injury 4 to resurrection; this is Batman’s story. GOTHAM GUIDE Insights into the Batman’s sanctum and 10 operational centre, a place of history, hi-tech devices and secrets. RANK & FILE Why the Dark Knight of Gotham is a 12 king – his knowledge, assessments and regal strategies. RULES & MOVES An indispensable summary of a king’s 15 mobility and value, and a standard move. Editor: Simon Breed Thanks to: Art Editor: Gary Gilbert Writers: Frank Miller, David Mazzucchelli, Writer: Alan Cowsill Grant Morrison, Jeph Loeb, Dennis O’Neil. Consultant: Richard Jackson Pencillers: Brett Booth, Ben Oliver, Marcus Figurine Sculptor: Imagika Sculpting To, Adam Hughes, Jesus Saiz, Jim Lee, Studio Ltd Cliff Richards, Mark Bagley, Lee Garbett, Stephane Roux, Frank Quitely, Nicola US CUSTOMER SERVICES Scott, Paulo Siqueira, Ramon Bachs, Tony Call: +1 800 261 6898 Daniel, Pete Woods, Fernando Pasarin, J.H. Email: [email protected] Williams III, Cully Hamner, Andy Kubert, Jim Aparo, Cameron Stewart, Frazer Irving, Tim UK CUSTOMER SERVICES Sale, Yanick Paquette, Neal Adams. Call: +44 (0) 191 490 6421 Inkers: Rob Hunter, Jonathan Glapion, J.G. Email: [email protected] Jones, Robin Riggs, John Stanisci, Sandu Florea, Tom Derenick, Jay Leisten, Scott Batman created by Bob Kane Williams, Jesse Delperdang, Dick Giordano, with Bill Finger Chris Sprouse, Michel Lacombe. Copyright © 2020 DC Comics. BATMAN and all related characters and elements © and TM DC Comics. -
Action Comics Annual 6 Comic Book Elseworlds
Read And Download PDF Ebook Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics At Online Ebook Library ACTION COMICS ANNUAL 6 COMIC BOOK ELSEWORLDS SUPERMAN IN ACTION COMICS PDF ACTION COMICS ANNUAL 6 COMIC BOOK ELSEWORLDS SUPERMAN IN ACTION COMICS PDF DATABASE ID 1VBIF - Are you looking for ebook Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf? You will be glad to know that right now Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf is available on our online library. With our online resources, you can find Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf in or just about any type of ebooks, for any type of product. Best of all, they are entirely free to find, use and download, so there is no cost or stress at all. Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf may not make exciting reading, but Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in is packed with valuable instructions, information and warnings. We also have many ebooks and user guide is also related with Action Comics Annual 6 Comic Book Elseworlds Superman In Action Comics Pdf database id 1vbif in pdf, include : Natation De L Apprentissage Aux , Diario Di Stalker Libro Mario Rossi , Land Of Magic Medicines Faraway Libro Inglese Enid Blyton , United States Terrorism Ironic Perspective Libro Inglese Ron Hirschbein , Without Faith Without God Or Libro Inglese John Barclay and many other ebooks. -
Smallville Season 11: Argo Volume 4 Free
FREE SMALLVILLE SEASON 11: ARGO VOLUME 4 PDF Cat Staggs,Daniel Hdr,Bryan Q. Miller | 160 pages | 01 Apr 2014 | DC Comics | 9781401246372 | English | United States Smallville, Season Eleven: Argo - - JavaScript must be enabled to use this site. Please enable JavaScript in your browser and refresh the page. We are shipping all orders on time, but please expect possible delays in transit. The post office and other shippers are overwhelmed and some shipments may experience significant delays. Some international orders have seen delays as large as weeks. Auction in progress, bid now! Weekly Auction ends Monday October 26! This item is not in stock. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. Volume 1 - 1st printing. Written by Bryan Q. Art by Pere Perez. Cover by Cat Staggs. Softcover, pages, full color. Volume 1 - 2nd and later printings. Volume 2 - 1st printing. Art by ChrissCross. Cover by Mico Suayan. Superman discovers a vigilante in Metropolis on the trail of a killer-and this mysterious Batman will stop at nothing to find his parents' killer, even if it Smallville Season 11: Argo Volume 4 him on a collision course with The Man of Steel! Volume 2 - 2nd and later printings. Volume 3 - 1st printing. Art by Jorge Jimenez. Cover by Scott Kolins. Mysterious speed storms have struck across the globe, and a familiar face returns to help Clark to stop them. Volume 4 - 1st printing. Cover by Pete Woods. Clark Kent finds himself transported to the future, where he meets the greatest heroes of the 31st Century: Booster Gold and the Legion of Smallville Season 11: Argo Volume 4 But it's not just a social call: Superman must stop war between Earth and a stunning villain! Volume 5 - 1st printing. -
Masquerade, Crime and Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discern- ing readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true- crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Criminal Deceptions Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0–333–71471–3 (Hardback) 978-0–333–93064–9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Dc Entertainment Jul19 0502 Lex Luthor Year of the Villain #1 $4.99 Jul19 0503 Riddler Year of the Villain #1 $4.99
DC ENTERTAINMENT JUL19 0502 LEX LUTHOR YEAR OF THE VILLAIN #1 $4.99 JUL19 0503 RIDDLER YEAR OF THE VILLAIN #1 $4.99 JUL19 0504 POWERS THE BEST EVER HC (MR) $24.99 JUL19 0505 HARLEY QUINN & POISON IVY #1 (OF 6) $3.99 JUL19 0506 HARLEY QUINN & POISON IVY #1 (OF 6) HARLEY CARD STOCK VAR ED $4.99 JUL19 0507 HARLEY QUINN & POISON IVY #1 (OF 6) POISON IVY CARD STOCK VAR ED $4.99 JUL19 0508 HARLEY QUINN & POISON IVY #1 (OF 6) BLANK VAR ED $3.99 JUL19 0509 BATMAN #181 FACSIMILE EDITION $3.99 JUL19 0510 HARLEEN #1 (OF 3) (MR) $7.99 JUL19 0511 HARLEEN #1 (OF 3) VAR ED (MR) $7.99 JUL19 0512 LEGION OF SUPER HEROES MILLENNIUM #1 (OF 2) $4.99 JUL19 0513 LEGION OF SUPER HEROES MILLENNIUM #1 (OF 2) VAR ED $4.99 JUL19 0514 DCEASED A GOOD DAY TO DIE #1 $4.99 JUL19 0515 DCEASED A GOOD DAY TO DIE #1 VAR ED $4.99 JUL19 0516 DCEASED A GOOD DAY TO DIE #1 HORROR VAR ED $4.99 JUL19 0517 FLASH FORWARD #1 (OF 6) $3.99 JUL19 0518 FLASH FORWARD #1 (OF 6) VAR ED $3.99 JUL19 0519 FLASH FORWARD #1 (OF 6) BLANK VAR ED $3.99 JUL19 0520 BATMAN CURSE OF THE WHITE KNIGHT #3 (OF 8) $4.99 JUL19 0521 BATMAN CURSE OF THE WHITE KNIGHT #3 (OF 8) VAR ED $4.99 JUL19 0522 GOTHAM CITY MONSTERS #1 (OF 6) $3.99 JUL19 0523 GOTHAM CITY MONSTERS #1 (OF 6) VAR ED $3.99 JUL19 0524 INFERIOR FIVE #1 (OF 12) $3.99 JUL19 0525 INFERIOR FIVE #1 (OF 12) VAR ED $3.99 JUL19 0526 DC SUPER HERO GIRLS AT METROPOLIS HIGH TP $9.99 JUL19 0527 DOLLAR COMICS DETECTIVE COMICS #854 $1.00 JUL19 0528 DOLLAR COMICS BATMAN #608 $1.00 JUL19 0529 DOLLAR COMICS HARLEY QUINN #1 $1.00 JUL19 0530 DOLLAR COMICS CRISIS -
The Rewriting Ethos of the Vertigo Imprint: Critical Perspectives on Memory-Making and Canon Formation in the American Comics Field
Comicalités La bande dessinée : un « art sans mémoire » ? ................................................................................................................................................................................................................................................................................................ Christophe Dony The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field ................................................................................................................................................................................................................................................................................................ Avertissement Le contenu de ce site relève de la législation française sur la propriété intellectuelle et est la propriété exclusive de l'éditeur. Les œuvres figurant sur ce site peuvent être consultées et reproduites sur un support papier ou numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale. La reproduction devra obligatoirement mentionner l'éditeur, le nom de la revue, l'auteur et la référence du document. Toute autre reproduction est interdite sauf accord préalable de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Revues.org est un portail de revues en sciences humaines et sociales développé par le Cléo, Centre pour l'édition -
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