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INBOUND Convention – Boston, MA Tuesday 11.8.16 – Friday 11.11.16
INBOUND Convention – Boston, MA Tuesday 11.8.16 – Friday 11.11.16 Tuesday 11.8 SET 1 - 5:00PM – DJ JODI Come Get It Bae (Promo Only Clean Edit) - Pharrell Williams f./Miley Cyrus She Came To Give It To You (Promo Only Clean Edit) - Usher f./Nicki Minaj Downtown (Promo Only Intro Edit) - Macklemore & Ryan Lewis Focus (Promo Only Intro Edit) - Ariana Grande Feel Right (Promo Only Intro Edit) - Mark Ronson f./Mystikal Kiss The Sky (Promo Only Intro Edit*) - Jason Derulo Baddest Girl In Town - Pitbull f./Mohombi & Wisin Get Up Offa That Thing - James Brown Superstition (Mr Saccardo Remix) [Intro Clean] - Stevie Wonder My Love vs. Holiday - Justin Timberlake vs. Madonna Kiss - Prince Fade (Freejak Remix) [Intro Clean] - Kanye West SET 2 - 7:00PM – DJ JODI My House (Promo Only Intro Edit) - Flo Rida I Feel So Bad (Clean) - Kungs Ft. Ephemerals Would I Lie To You (Club Mix) - David Guetta, Cedric Gervais, & Chris Willis Want To Want Me (DJ Midnight Want You Back Acapella Hype Edit) – Jackon 5 vs. Jason Derulo 24K Magic (Promo Only Intro Edit) - Bruno Mars Closer (Mr. Collipark x DJ Kontrol Remix) [Intro Clean] - The Chainsmokers Ft. Halsey Let Me Blow Ya Mind (Punkie Moombahton Bootleg) [Intro Dirty] - Eve Ft. Gwen Stefani Ms. Jackson - Outkast Cheap Thrills (Promo Only Intro Edit) - Sia f./Sean Paul Fancy (Benja Styles Reggae Refix) (Dirty) - Iggy Azalea ft Charli XCX Sorry (Mercmonk Reggaeton Remix) [Intro Clean] - Justin Beiber Get Low - Dillon Francis & DJ Snake What's My Name (Gozzi & Alex Dynamix Moombahtwerk Edit) [Intro Clean] - Rihanna Vs. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
JOHN ROBERTS - GLASS EIGHTS (CD, Do-LP) DIAL RECORDS (Distribution by KOMPAKT) Release Date: 27Th of September 2010 by Brooke Chroman
TextText Text OFFICIAL PRESS RELEASE JOHN ROBERTS - GLASS EIGHTS (CD, Do-LP) DIAL RECORDS (distribution by KOMPAKT) Release date: 27th of September 2010 by Brooke Chroman In 2008 John Roberts was asked by Carsten Jost, Pantha Du Prince and Lawrence to be the first American artist on the influential german Dial Records imprint. His releases for Dial and sister label Laid have all received major accolades for their distinct and refined aesthetic. Roberts currently lives in Berlin and performs regularly in Europe's preeminent clubs. His first full-length album debuts a sound impeccably curated! GLASS EIGHTS weaves a fragile lace of melancholy punctuated by intricate 808 patterns, as a synthesized splice confronts the pull of a violin in minor key; the echoes of a disco clap pierce the loom of a somber piano refrain. The narrative of a classic house track begins to deconstruct and unravel itself as Roberts reveals something off-kilter, darker and contemplative of its own genre. This self-reflexive quality is, in part, caused by Roberts’ hyper-acute sense of percussion: a beat drops just after instinct beckons and seems to both unravel and collect itself, resulting in tracks that negotiate the space between a solitary night with headphones and the center of a packed dance floor. With its contemplative instrumental weave, GLASS EIGHTS asks broader cultural questions about the psychological function of music as it blurs distinctions between sublimation and expression, escape and confrontation, medication and symptom, repression and reserve. The electric and grand piano, organ, violin, modular synthesizers and eclectic percussion split, shatter and reform, disclosing an aesthetic sensibility which delicately reflects on the eerie stillness of a grey day, the repetition of a single note on a detuned upright piano, a deflated balloon, the white of a funeral arrangement, exhibiting a kind of discrete, perverse hopefulness. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Pantha Du Prince: Conference Of
Pantha Du Prince: Conference of Trees Start time: 8.30pm Running time: 2 hours including interval Please note all timings are approximate and subject to change Martin Aston spoke to Hendrik Weber about giving trees a voice in his new project There are few spaces where a German musician specialising in adventurous and increasingly conceptual techno crosses paths with a 19th century German mathematician, current authors of studies in the communicative behaviour of flora and a 12th century Persian Sufi philosopher. It’s also very timely, as the subject of communication between trees is increasing in both scientific and media fronts. Yet, for the man otherwise known as Hendrik Weber, the genesis of Conference of Trees began two decades ago, in his home town of Baunatal, Central Germany, surrounded by deep forest. ‘I’ve been fascinated by trees since I was about nine, going into the forest, inventing adventures and building huts,’ he recalls. ‘But as you grow older, you start to move away from this sense of completeness. For me, I was hunting more for music and playing in bands, skateboarding and skiing.’ It’s on his own, as Pantha Du Prince (‘a fantasy character...a poetic transporter for the concept behind the music’) that Weber has carved a niche for a style of techno he calls, ‘layered and cinematographic.’ He released the Diamond Daze (2004) and This Bliss (2007) albums on Berlin dance label Dial before signing to Rough Trade and widening his audience with Black Noise (2010) and Elements of Light (2013). The last of these was a collaboration with Norwegian percussion ensemble The Bell Laboratory, after Weber had discovered the carillon, an organ-style instrument consisting of 23 bells while recording Black Noise in the Swiss mountains. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat. -
Apollo Ghosts Caribou / Babe Rainbow / Ryan Walter Wagner / the New Pornographers / Sxsw / Bison B.C
FREE! MAY 2010 // THAT EAZY-DUZ-IT MAGAZINE FROM CiTR 101.9 FM // SUPPORTING VANCOUVER'S INDEPENDENT MUSIC COMMUNITY FOR OVER 25 YEARS APOLLO GHOSTS CARIBOU / BABE RAINBOW / RYAN WALTER WAGNER / THE NEW PORNOGRAPHERS / SXSW / BISON B.C. / HOW TO BE A DJ PT. 2 EDITOR EDITOR'S NOTE Jordie Yow ART DIRECTOR Dear Discorder: Lindsey Hampton With spring just around the corner, this is time to Now, getting back to this issue: We've got some of make plans for summer. This is the time of year when Vancouver's heaviest hitters talking to us: Carl Newman PRODUCTION MANAGER all the planning for local festivals and concerts are hap- from the New Pornographers dropped Dan Fumano a line Debby Reis pening and I have a challenge for them. Over the last few to chat about his new album on page 14, James Farwell COPY EDITORS years members of Discorder and CiTR have been playing from Bison B.C., who's music is heavy in a different sense Alison Atkinson, Liz Brant, Debby a number of friendly softball games against groups like of the word, discusses the maturation of their music with Reis, Miné Salkin Megaphone, Adbusters and CBC Radio 3. This year we Scott Lyon on page 18, Polaris award winner Dan Snaith would like to extend the challenge to the entire Vancouver of Caribou talked with our Jackie Wong about his newest AD MANAGER music community. This is a personal challenge, but it is on endeavour on page 12, Sancho McCann met with some David Stansfield behalf of Discorder and CiTR. -
THE TUFTS DAILY Est
Where You Mostly Sunny Read It First 58/48 THE TUFTS DAILY Est. 1980 VOLUME LXVIII, NUMBER 28 MONDAY, OCTOBER 20, 2014 TUFTSDAILY.COM Tufts alum examines ZBT hosts annual Get on the Ball career, development of Narratively fundraiser by Melissa Kain by Patrick McGrath Contributing Writer Daily Editorial Board Tufts fraternity Zeta Beta Tau (ZBT)’s Noah Rosenberg (LA ’05), founder, annual “Get on the Ball” philanthropy CEO and editor-in-chief of Narratively, event to raise money for the Boston a web-based, narrative journalism Children’s Hospital kicked off last platform, spoke about his career and Wednesday and will continue through the founding of the platform in a lec- this Friday, according to ZBT President ture titled “Human Stories Will Change Jason Brillon and ZBT Vice President the World,” organized by Friends of Bryan Dumond. Tufts Libraries for Parents and Family Dumond, a senior, explained Weekend in the Hirsh Reading Room of that members of ZBT will be rolling a Tisch Library, on Friday afternoon. ball with a six-foot diameter around Rosenberg was introduced by Laura campus and into Davis Square to collect Wood, director of Tisch Library, who signatures from students, faculty and spoke briefly about his career, dur- passersby on the ball itself. ing which he worked for The New York “We’ve been working with a num- Times, The Wall Street Journal, GQ, ber of partners who have pledged to CBS Channel One News and New York donate a certain amount of money for magazine, among other publications. each signature we get on the ball, so Wood called him an “entrepreneur and the goal is to get as many signatures as storyteller,” noting his contributions to we can and gather as much support as journalistic innovation, and added that we can,” he said. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
NPR Music's 50 Favorite Albums of 2010 Recommended by NPR
Best Music Of 2010: The Complete List Use the list below to browse NPR's best music of 2010 recommendations. Each critic's list is presented separately. Click on the article names to read our critics' comments about the albums. NPR Music's 50 Favorite Albums Of 2010 Recommended by NPR Music Staff Thomas Ades, Tevot Agalloch, Marrow Of The Spirit Aloe Blacc, Good Things Khaira Arby, Timbuktu Tarab Arcade Fire, The Suburbs Erykah Badu, New Amerykah, Pt. 2: Return Of The Ankh Big Boi, Sir Lucious Leftfoot...The Son Of Chico Dusty The Black Keys, Brothers Brooklyn Rider, Dominant Curve Buke & Gass, Riposte Carolina Chocolate Drops, Genuine Negro Jig Regina Carter, Reverse Thread Chancha Via Circuito, Rio Arriba Deerhunter, Halcyon Digest Issac Delgado, Love Joyce DiDonato, Rossini: Colbran, The Muse Flying Lotus, Cosmogramma Four Tet, There Is Love In You Vittorio Grigolo, The Italian Tenor Gyptian, Hold You Hilary Hahn, Higdon & Tchaikovsky: Violin Concertos Mary Halvorson Quintet, Saturn Sings Rita Indiana, El Juidero Jamey Johnson, The Guitar Song Jonsi, Go Seu Jorge And Almaz, Seu Jorge And Almaz King Sunny Ade, Baba Mo Tunde Ray LaMontagne And The Pariah Dogs, God Willin' And The Creek Don't Rise LCD Soundsystem, This Is Happening Lower Dens, Twin Hand Movement Alexander Melnikov, Shostakovich Janelle Monae, The ArchAndroid Jason Moran, Ten Carla Morrison, Mientras Tu Dormias The National, High Violet Owen Pallett, Heartland Sondra Radvanovsky, Verdi Arias Josh Ritter, So Runs The World Away Robyn, Body Talk Kermit Ruffins, Happy Talk Christian Scott, Yesterday You Said Tomorrow Gil Scott-Heron, I'm New Here Sleigh Bells, Treats Esperanza Spalding, Chamber Music Society Mavis Staples, You Are Not Alone Sufjan Stevens, The Age Of Adz The Tallest Man On Earth, The Wild Hunt Titus Andronicus, The Monitor Sharon Van Etten, Epic Kanye West, My Beautiful Dark Twisted Fantasy Top 10 Jazz Albums Of 2010 Recommended By Patrick Jarenwattananon, A Blog Supreme 1. -
Moogfest Cover Flat.Indd
In plaIn sIght JustIce m o o g f e s t Your weekend-long dance eVents at Moog FactorY reMIX Masters partY starts here Moog Music makes Moog instruments, including the Little Phatty and Voyager. The factory is French electro-pop duo Justice is the unofficial start to Moogfest: the band’s American tour in downtown Asheville at 160 Broadway St., where the analog parts are manufactured by hand. brings them to the U.S. Cellular Center on Thursday, Oct. 25. And while the show isn’t part of This year's Moogfest (the third for the locally held immersion course in electronic music) Check out these events happening there: the Moogfest lineup, festival attendees did have first dibs on pre-sale tickets. brings some changes — a smaller roster, for one. And no over-the-top headliner. No Flaming Even without a Moogfest ticket, you can go to MinimoogFest. It’s free and open to the public. Gaspard Augé and Xavier de Rosnay gained recognition back in ‘03 when they entered their Lips. No Massive Attack. Think of it as the perfect opportunity to get to know the 2012 per- Check out DJ sets by locals Marley Carroll and In Plain Sight (winners of the Remix Orbital for remix of “Never Be Alone” by Simian in a college radio contest. Even before Justice’s ‘07 debut, formers better. It's also a prime chance to check out some really experimental sounds, from Moogfest contest), along with MSSL CMMND (featuring Chad Hugo from N.E.R.D. and Daniel †, was released, they’d won a best video accolade at the ‘06 MTV Europe Music Awards.