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W"' Ounci^Bwvinter Peace Festival I
lbs Influence Drug Al:^se? pts Replace 'Group' As^^een ounci^BWVinter Peace Festival I ub Januar ist Rockf Top Year Rolf Harris iN BEGINS ON PAGE 57 H U »{. i-' W" ' V. < , - One day Father Flanagan, of Boys’ and soon enough it was a hit. Town, saw one of his little boys carrying a So far, the story has spread to the much bigger boy in his arms, a crippled following towns, and “He Ain’t Heavy, boy. Father Flanagan asked the little boy He’s My Brother” is a hit in all of them: if that wasn’t an awfully heavy load. Houston, Spartanburg, S.C., Columbus, “He ain’t heavy,” the little boy San Diego, Seattle, Denver, Washington, replied. “He’s my brother.” The Hollies’ Minneapolis, San Antonio, Raleigh, song is based on this story. Omaha, San Francisco, Portland, Fresno, Just recently a Jesuit priest, who knew Providence, Des Moines, Mobile, the Boys’ Town story, heard the song on Chicago, Los Angeles, Sacramento, I the radio. He called the D.J. and told him Spokane, New York, Detroit, Atlanta, about it. In turn, the D.J. began to tell the Louisville. story every time he played the record, On Epic Records HlIPIC Special thanks to three heavy brothers—Gary Schaffer, Gary Taylor, Dan Walker. ®''EPIC''. Marea Re|. T.M. PBINIEB IN U.SJ». THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 26/January 24, 1970 Publication Office / 1 780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice Presiden t IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. -
Cash Box, N Y
iood Idea: Making Light Of Classical Music ^rial ) . at o Auto Tape Thefts Put At $40 Million 1 Irammy Nominees For 1969 BMI Anti-Trust Suit against ASCAP, February 14, 1970 BS, NBC Nets, ohn Rook To rake . WB's Ostin: 'No Major Changes'. An Ipsurge In Canadian Disk Sounds Despite isappointments . Rennie Tops DGG London rs SPROUT FROM GRASS ROOTS INT’L SECTION BEGINS ON PAGE 65 Columbia KStereoJI Rrst Hymn From GrarxJ Terr^e Leaving on a Jet Rane Something The Name of My Sorrow Miss America Man From Houston Love s Been Good to Me Sunday Mornin' Cornin’ Down Small Town Woman I II Never Fall in Love Again * Arizona i 'Arizona'.’ Mark Lindsay's single that has sold over 500,000 copies. Arizona’.’ Now the title song of his first solo album. Arizona. On Columbia Records s A .so nvniinbifi on 8-tmrk .stomo tnno rnrtritdoo 3 VOL XXXI - Number 29/February 14, 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Good Idea: Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood Light HARDING Making WOODY Art Director COIN MACHINE & VENDING ED ADLUM General Manager Of Classical Music BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. -
Actm Produdctions Presents a Jeremy Kagan Film Shot
ACTM PRODUDCTIONS PRESENTS A JEREMY KAGAN FILM SHOT Starring Noah Wyle, Sharon Leal, and Jorge Lendeborg, Jr. “Absorbing and profounds!” “Visually extraordinary…mesmerizing” LA TIMES FILM SHOWCASE “Wonderfully atmospheric, convincingly detailed” WALL STREET JOURNAL “Compelling real-life drama… with a terrific performance by Noah Wyle.” LEONARD MALTIN “Visually extraordinary. mesmerizing” “Sobering, suspenseful and exemplary.” FILM SHOWCASE REX REED – OBSERVER 1 www.shotmovie.org SHOT IS AVAILABLE NOW FOR THEATRICAL ON DEMAND Via http://shotmovie.org/home/#gathr Now on iTunes and Amazon iTunes at apple.co/2nn0Goc and Amazon at amzn.to/2zWrscY Runtime: 89 minutes Country of Origin: USA Language: English Genre: Drama MEDIA CONTACT: ACTM [email protected] A gripping drama about three lives irrevocably changed when a gun is accidentally fired on a busy Los Angeles street, SHOT is a visceral roller coaster ride unflinchingly exploring the consequences of gun violence in America. SYNOPSIS Sound mixer Mark pumps up the volume on a bloody shootout scene in an action film. After an argument with his wife Phoebe, Mark is suddenly felled by an actual random bullet accidently fired by teenager Miguel, who got the gun from his cousin to protect him from bullies. In real time on multiple screens, the couple encounters police, EMT and ER teams trying save Mark's life, at the same time as Miguel avoids getting caught. 5 months later their lives turned upside down, the three of them meet where Miguel asks for forgiveness and Mark, paralyzed and embittered, seeks revenge. ABOUT THE STORY From the moment the shot rings out, Kagan's camera in real time daringly follows Mark from the street, to stretcher, to gurney, to examining table, as we watch the paramedics and medical teams in full life-saving mode. -
Filmska Glazba
Filmska glazba Mohorović, Toni Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:415256 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository Sveučilište u Rijeci Filozofski fakultet u Rijeci Odsjek za kulturalne studije Modul: Mediologija i popularna kultura Student: Toni Mohorović FILMSKA GLAZBA DIPLOMSKI RAD Rijeka, ak. god. 2018./19. Sveučilište u Rijeci Filozofski fakultet u Rijeci Odsjek za kulturalne studije Modul: Mediologija i popularna kultura Student: Toni Mohorović Mentorica: Izv. prof. dr. sc. Diana Grgurić Komentor: dr.sc. Boris Ružić FILMSKA GLAZBA DIPLOMSKI RAD Rijeka, ak. god. 2018./2019. 2 SADRŽAJ: SAŽETAK ………………………………………………….………… 4 KLJUČNE RIJEČI ………………………………….……….………... 4 1. UVOD ……………………………………….………….………….. 5 2. TEORIJA FILMSKE GLAZBE ………………………….….……... 7 3. VRSTE I ULOGE FILMSKE GLAZBE …………………….……. 12 3.1. Svrhe filmske glazbe ………………………………..……….…... 15 3.2. Glazba kao izvor emocija na filmu ……………………………… 17 4. EVOLUCIJA FILMSKE GLAZBE ……………………………….. 23 4.1. Razdoblje nijemog filma ………………………………………… 23 4.2. Pojava zvučnog filma i zlatna era filmske glazbe …….…………. 27 4.3. Eksperimentalna faza i spaghetti vestern ………………….…….. 31 4.4. Razdoblje rocka i vraćanje tradiciji ……………………….…….. 34 4.5. Uspon sintesajzera ………………………………………..….….. 37 4.6. Prevlast pop i rock glazbe na filmu …………………...………… 41 4.7. Razvoj tehnologije i nove filmske glazbe ………………………. 44 5. ANALIZA GLAZBE U FILMOVIMA ………………..…………. 48 5.1. Psiho …………………………………………………………….. 48 5.2. Paklena Naranča ………………………………………………… 53 5.3. Lice s ožiljkom …………………………………………………. -
I UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado Em Música
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Música A COMPOSIÇÃO PARA FILMES NO EXEMPLO DE DAVE GRUSIN CHRISTIANNE MARIA DE DOMINICIS NEVES CAMPINAS 2004 I II UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Música A COMPOSIÇÃO PARA FILMES NO EXEMPLO DE DAVE GRUSIN CHRISTIANNE MARIA DE DOMINICIS NEVES Dissertação apresentada ao Curso de Mestrado em Música do Instituto de Artes UNICAMP como requisito parcial para a obtenção do grau de Mestre em Música sob a orientação do Prof. Dr. Claudiney Rodrigues Carrasco. CAMPINAS 2004 III FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO IA. - UNICAMP Neves, Christianne Maria De Dominicis. N414c A composição para filmes no exemplo de Dave Grusin / Christianne Maria De Dominicis Neves. – Campinas,SP: [s.n.], 2004. Orientador: Claudiney Carrasco. Dissertação(mestrado) – Universidade Estadual de Campinas. Instituto de Artes. 1. Música de Cinema. 2. Dave Grusin. 3. Composição para . filmes. I. Carrasco, Claudiney. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. IV Para Lara V VI AGRADECIMENTOS Grande parte deste trabalho foi viabilizado graças à concessão de Bolsa de Estudo pela CAPES (de outubro de 2001 a setembro de 2003) instituição à qual dirijo meus primeiros agradecimentos. Deixo também registrados meus sinceros agradecimentos: Ao meu pai, Jose Benedito Neves, pelo seu amor incondicional e pela presença atenta mais que afetuosa, contribuindo espontaneamente com as intermináveis cópias de arquivos em Cds, disquetes, pesquisas em internet -
Rock”N”Roll Cinema
Rock’n’Roll Cinema Adam Trainer Bachelor of Arts With First Class Honours in Media Studies This thesis is submitted for the degree of Doctor of Philosophy School of Media, Communication and Culture Murdoch University 2005 I declare that this thesis is my own account of my research and contains, as its main content, work which has not previously been submitted for a degree at any tertiary educational institution. Adam Trainer Refereed Publications Adam Trainer. ‘“Well I Wouldn’t Buy the Merchandise”: David Bowie as Post -Auteur’ in Senses of Cinema 28. September/October, 2003. http://www.sensesofcinema.com/contents/03/28/bowie_postmodern_auteur.html This journal article was derived from Chapter Five Adam Trainer. ‘The Business of Living: Secrets & Lies’ in Australian Screen Education 36. September, 2004. pp. 127-129. This journal article was written in association with research on cinematic realism, as featured in Chapter Four. Adam Trainer. ‘“They Made Me Do It”: The Mad World of Donnie Darko’ in Australian Screen Education 37. January, 2005. pp. 138-142. This journal article was derived from Chapter Three. Adam Trainer. ‘“It’s Not My Fault You Hate My Band”: Perth Art Rock’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. 127-135. This chapter was written in association with research on experimental music, as presented in Chapter Six. Adam Trainer. ‘A Crooked Crooked Reign’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. -
The Cash Box Radio Report
AUGUST I. 1987 THE MOST COMPREHENSIVE ANALYSIS OF CURRENT HITS THE CASH BOX RADIO REPOR T CENTER SECTION r D 82791 19359 8 A HIT RECORD FOR MULTI- FORMATS! KYRK KKRD WDJX Q104 92X 99KG KITY WYKS WLOL PWR 99.7 KTUX KSMB KDWB WBBQ WDLX KNAN WGTZ WINK WCGO CASH BOX 12" DANCE SINGLES CASH BOX TOP 100 SINGLES CBS Records/CBS Inc. 0 1 5 2 5 CASHBOX IE INTERNATIONAL MUSIC/COIN MACHINE/HOME ENTERTAINMENT WEEKLY {VOLUME LI—NUMBER 6, AUGUST 1. 1987 Editorial :ASHBOX Coattails Are Out There ... 3EORGE ALBERT ^resident and Publisher dARK ALBERT Right Now! ^ice President and General Manager ne of iPENCE BERLAND the sales tools that our industry relies on is the synergistic theorem that states "anything that /ice President brings people into record stores is good for the whole industry." Well, here comes the rush. A new single by Michael I.B. CARMICLE Jackson. "I /ice President Just Can’t Stop Loving You.” has shipped. The album should ship in the next »AM DURHAM three to four weeks. If anyone is capable of alleviating the standard summer /ice President doldrums, this world acclaimed artist, along with the recent shipment of Whit- SOBERT LONG ney Houston’s second album, should certainly be the ticket. director Black/Urban Marketing ONo one can really expect this album to match the world wide sales of "Thriller.’’ but cer- GREGORY DOBRIN tainly. multi, multi, multi-platinum would be expected just on the artist’s name value alone. Managing Editor And. by all reports, this album is at least as good as his previous effort, with some mar- KEITH ALBERT velous videos already shot. -
Cash Box, N Y
I Revamps Yesterday's 'Now' Hits (Editorial) . Mercury Northern structure. Ending Branch Setup . Renew Deane Exit Tetra . Mogull, Songs Control Battle . Slew Look For SIARAS . Pick- /vick Adding 3 Musicland Stores, London Product Deal . 3 aul Marks Is ASCAP's Director Of Opera- Indie In America . ions . Immediate Goes SECTION BEGINS ON PAGE 61 BLIND FAITH: HOME & EXPORT TRADE SUCCESS INT'L 1 I \ 1 ) MOM l 1 M’OK K The Exiles’ new single release, “Church St. Soul Revival’’ * t And we don’t mean the flip side, either. What we’re saying is that Tommy James, who has a healthy string of golden hits, wrote and produced the song. And selected The Exiles to record it. In fact, this is the first time that Tommy has allowed a group other than his own to record one of his songs. That says a lot about The Exiles. A group's got to start somewhere. So why not make it at the top. On Columbia Records M S "COLUMBIA "JgJMARCAS REG, PRINTED IN U.SA THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 9/September 27, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALAN RINDE West Coast Editor JOHN KLEIN BOB COHEN BRUCE HARRIS EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood Yesterday's WOODY HARDING Art Director Hits COIN MACHINE & VENDING 'Now' ED ADLUM General Manager CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. -
November 1984
MODERN DRUMMER VOL.8, NO. 11 Cover Photo by Lissa Wales FEATURES RUSS KUNKEL Studio drummers are often required to imitate the styles of other drummers, and one of the drummers they most frequently imitate is Russ Kunkel. His playing with such artists as James Taylor and Carole King in the early '70s defined the "laid back" California style, and he continues to be in demand for recordings as well as for concert tours. In this MD exclusive, he discusses everything from the artists he's worked with to the very drums he's played. by Robin Tolleson 8 COZY POWELL Powell's work with acts such as Jeff Beck, Ritchie Blackmore and Rainbow, and Whitesnake has established him as a hard rocker of the first -degree. He is also considered to be one of the founders of the heavy metal style of drumming. But Powell doesn't care for the heavy metal label, and he explains why in this candid discussion of his life and his music. by Robyn Flans 14 FOCUS ON TEACHERS: PART 2 John Beck by William F. Miller; Joel Leach by Dave Black; Sonny Igoe by Chip Deffaa; Steve Houghton by Susan Alexander; Chuck Flores by Richard Monette; Richie Lepore by Robert Beck 18 HORACEE ARNOLD An accomplished composer, educator, and drummer, Horacee Arnold's career has taken him around the globe with some of the great jazz musicians, including Jan Hammer, John Abercrombie, Rahsaan Roland Kirk and Chick Corea. Arnold discusses his experiences, his views on the relationship between composition and drumming, and his current activities.