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Boston Symphony Orchestra Concert Programs, Summer, 1967-1968

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FIRST WEEK June 30, July 1, 2, 1967 7 WITH FLAIR A! FIRE! rca Victor OECORDIN PROKOFIEFF: SYMPHONY No. 5 BOSTON SYMPHONY/ LEINSDORF PROKOFIEFF SERIES _ Just two of the recordings in the Bostonians' acclaimed Prokofieff Series. Hear them all on RCA Victor Red Seal. RwThe most trusted name in sound EIGHTY-SIXTH SEASON 1966-1967 OSTON SYMPHONY ORCHESTRA ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the FIRST WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks John L. Thorndike Philip K. Allen Francis W. Hatch Henry A. Laughlin Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Tanglewood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaouen Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager Sanford R. Sistare Andrew Raeeurn Press and Publicity Assistant to the Music Director James F. Kiley, Tanglewood Superintendent TANGLEWOOD LENOX, MASSACHUSETTS 7 us II To hi-fi people, the word Dual doesn't mean (OAT JacToHy double or twofold* Oak St. off Lincoln Pittsfield, Mass. Open Mon. - Sat. 9-5 It means perfection. I 1 Hi-fi experts, who choose Dual for their own stereo systems, agree that Dual automatic turntables play your records as they were meant to be played. Perfectly. With low-friction tonearm bearings for flaw- less Vfe-gram tracking, to- tally accurate anti-skating compensation for balanced tracking on both groove walls, and with extra- gentle cueing for precise placement of stylus on rec- ord. The Dual 1015, $89.50. Other models from $69.50 to $129.50. For full informa- tion, write United Audio Products, Inc., Dept. CP, 535 Madison Avenue, New York, N.Y. 10022. — 2 — WEEKEND PRELUDE Friday Evening, June 30, at 7:00 MALCOLM FRAGER, Piano Assisted by DORIOT ANTHONY DWYER, flute BEETHOVEN SONATA IN F MAJOR, Op. 10, No. 2 Allegro—Allegretto—Presto In his Opus 10, Beethoven first adopts his plan of writing piano sonatas in three movements. In the second Sonata of this opus, the expected slow movement is omitted and the Scherzo, as middle movement, is modified to an allegretto, flowing melodiously in a gentle F minor. The returning refrain is written out and freshly developed. The Trio maintains the lyric mood, variety being reserved for the short Finale on a single canonic theme, this time clearly and ringingly gay. SIX THEMES WITH VARIATIONS, Op. 105 TEN THEMES WITH VARIATIONS, Op. 107 These two sets of variations were composed in 1818-1820 for G. Thomson in Edinburgh, and were written for piano solo, or piano with flute or violin. In this performance the flute version will be used. The variations are based on folk songs, many of them Scottish but others from Austria or Switzerland, and two from Russia. In this performance numbers 1-4 and 5 (Scottish) will be played from Op. 105 and numbers 7 and 8 (Russian) from Op. 107. PROKOFIEV PRELUDE, Op. 12, No. 7 This Prelude was published in 1913. It is marked Vivo e delicato. Below a rippling figure in the right hand, a typically folk-song theme sings its way. In the central section Prokofiev indulges in his usual ostinato rhythmic pattern, over which the right hand plays pianissimo glissandos. Before the conclusion of the composition, both the quiet opening and the motor-like middle section are combined. Here again, however, the Prelude moves from a climactic forte to a triple piano ending. MARCH, Op. 12, No. 1 On March 7, 1915, Prokofiev made his first appearance abroad in Rome. At this concert he played several of the numbers which comprise Opus 12. No. 1 is a short March which opens pianissimo and builds to a highly dis- sonant and fortissimo climax before subsiding in the last four bars to a sudden piano. This March was presumably written as early as 1906, but not published until 1913. PIANO SONATA No. 3 IN A MINOR, Op. 28 This Sonata bears the sub-title, "From Old Notebooks." Apparently Prokofiev used material from a discarded conservatory sonata which had been written in 1907, and revised it in final form in 1917. It is a brief one- movement sonata, which opens with a brilliant Allegro tempestuoso, followed by a typically lyrical melody marked Moderato. 7 Mr. FRAGER plays the Steinway Piano — 3 — •ii PROGRAM NOTES At the conclusion of last year's season e4t the at Tanglewood, John N. Burk brought to / years of service a close 48 as program annotator for the Orchestra's concerts. Berkshire Festival His work is internationally known, and by many he was considered the dean of program annotators. He is also the author of distinguished books on Bee- thoven, Mozart and Clara Schumann. With his permission, much of his writ- ing is being used for this season's program notes. The editor of the pro- grams this summer will be Donald T. Gammons. THE SOLOISTS MALCOLM FRAGER Malcolm Frager, born in St. Louis in 1935, was a magna cum laude graduate of Columbia University in New York. He studied there with Carl Friedberg, and later at the American Conserva- tory at Fontainebleau and the Marlboro Music School. Since his debut recital in New York in 1952 he has toured extensively; in the Soviet Union, South America, Europe and Iceland, as well as in this country. He has won several prizes, notably the Edgar M. Levintritt Award in the United States in 1959, and these Pianists . the Queen Elisabeth of Belgium Inter- national Music Competition in Brussels in I960. JOHN BROWNING This is the fifth consecutive season that Mr. Frager has appeared as soloist VAN with the Boston Symphony Orchestra at CLIBURN the Berkshire Festival concerts. EVELYNE CROCHET YEHUDI MENUHIN Born in New York in 1916 of Russian MALCOLM FRAGER parents, Yehudi Menuhin began his vio- lin lessons at the age of five. Over the CLAUDE FRANK years he studied with three distinguished teachers, Louis Persinger, George Enesco and Adolf Busch. He made his debut as LILIAN KALLIR soloist in San Francisco in 1923 at the early age of seven. Since that time he EDEN and TAMIR has appeared with every major orchestra in the world, and has played under the baton of every distinguished conductor for the last fifty years. During the first World War he added hundreds of con- play only certs a year to his usual routine, playing often two or three times a day for men and women of the armed services of all nations. He has received many decora- tions and awards of honor, the list of * STEINWAY which would be impressive. At the moment Mr. Menuhin is the artistic director of two festivals in his M. STEINERT two adopted countries. The first is in & SONS Bath, England, where he conducts in 162 BOYLSTON STREET • BOSTON addition to directing the Festival. The ALSO WORCESTER and SPRINGFIELD (Continued on page 30) OSTON SYMPHONY ORCHESTRA Friday Evening, June 30, at 9:00 ERICH LEINSDORF, Conductor * PROKOFIEV Symphony No. 5, Op. 100 I. Andante II. Allegro moderato III. Adagio IV. Allegro giocoso Intermission BEETHOVEN * Violin Concerto in D major, Op. 61 I. Allegro ma non troppo II. Larghetto III. Rondo Soloist: YEHUDI MENUHIN BALDWIN PIANO *RCA VICTOR RECORDS 7 — 5 l» ^Program ^otes Friday Evening, June 30 SYMPHONY NO. 5, Op. 100 By Serge Prokofiev Born in Sontsovka, Russia, April 23, 1891; died near Moscow, March 4, 1953 Prokofiev wrote his Fifth Symphony in Soviet Russia in one month in the summer of 1944, fifteen years after his Fourth. He gave out a statement at the time that he intended it as "a hymn to free and happy Man, to his mighty powers, his pure and noble spirit." Such a dedication was in accord with official pronouncements that music should be addressed directly to the people. The sentiment was all very fine, but Prokofiev evidently considered it too broadly inclusive, for he added a personal claim: "I cannot say that I deliberately chose this theme. It was born in me and clamored for expression. The music matured within me. It filled my soul." The treatment, though traditional in form, is deeply felt, subjective and daring, and seems at times possessed of the dramatic tensions of the war period in which it was composed. The Symphony had its premiere in Moscow in January, 1945, with the composer conducting. Then in November of that Marlboro Music Festival RUDOLF SERKIN • Artistic Director • MARLBORO, VERMONT Festival Orchestra • Chamber Music ON WEEKENDS: JULY 7 - AUGUST 20 SATURDAYS AT 8:30 PM - SUNDAYS AT 3:00 PM FRIDAYS, JULY 7 AND AUGUST 18 AT 8:30 PM FIRST and SECOND WEEKENDS SOLD OUT Programs include : PABLO CASALS conducting the Marlboro Festival Orchestra Ticket Information from : Marlboro Festival, Box T, Marlboro, Vt. or phone: 802-254-8163 Steinway Piano Columbia Records — 6 year Serge Koussevitzky and the Boston Symphony Orchestra introduced the score to America. The opening movement is an Andante, built on two full-voiced melodic themes, the first in triple, the second in duple beat.
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  • Festival Internacional De Piano "Bogota 450 Años"

    Festival Internacional De Piano "Bogota 450 Años"

    OLM ---------- ----- ~ E - MALCOLM FRAGER Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. FESTIVAL INTERNACIONAL DE PIANO "BOGOTA 450 AÑOS" Para vincularse a la celebración de (dos Preludios Opus 23, dos los 450 años de la fundación de Momentos musicales Opus 16 y Bogotá, la Sala de Conciertos de la Daisies Opus 38), Scriabin (Sonata Biblioteca está realizando, dentro Opus 30 No. 4 Y dos Estudios) y de de su temporada musical de este Chopin (Barcarola Opus 60, tres año, el Festival Internacional de Mazu rkas, Noctu rno Opus 32 No. 1 y Piano, en el cual participan desta­ Balada Opus 23 No. 1). El 6 de julio cados intérpretes internacionales y la connotada pianista austríaca colombianos. Ingrid Haebler con obras de Mozart (Variaciones en Do mayor K 265, Blanca Uribe cuya brillante carrera Fantasía en Do menor K 475 YSona­ internacional la ha consagrado ta en Do menor K 457), Schubert como una de las grandes pianistas (Sonata Opus 120) y Debussy (tres colombianas, abrió el festival el pa­ Preludios). sado 16 de marzo. El 27 de marzo intervino el pianista polaco Walde­ El 13 de julio la pianista venezolana mar Malicki, al cual siguieron, el4 de Judith Jaimes con obras de Schu­ mayo, los pianistas Nelly y Jaime mann (Piezas de fantasía Opus 12), Ingram, de Panamá, quienes con­ Juan Bautista Plaza (Intermezzo), forman uno de los más célebres Lauro (Suite venezolana) y de Cho­ dúos pianísticos de la actualidad. pin (cuatro Scherzos). Dos pian istas se presentan en este El 27 de julio el español Joaquín mes de junio: el 8, Malcolm Frager, Achúcarro con obras de Bach (Par­ norteamericano de larga trayecto­ tita No.