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Faith Fact Saint John Paul II Feast Day – October 22
Faith Fact Saint John Paul II Feast Day – October 22 “Open wide the doors to Christ,” urged John Paul II during the homily at the Mass where he was installed as pope in 1978. Born in Wadowice, Poland, Karol Jozef Wojtyla had lost his mother, father, and older brother before his 21st birthday. Karol’s promising academic career at Krakow’s Jagiellonian University was cut short by the outbreak of World War II. While working in a quarry and a chemical factory, he enrolled in an “underground” seminary in Krakow. Ordained in 1946, he was immediately sent to Rome where he earned a doctorate in theology. Back in Poland, a short assignment as assistant pastor in a rural parish preceded his very fruitful chaplaincy for university students. Soon Fr. Wojtyla earned a doctorate in philosophy and began teaching that subject at Poland’s University of Lublin. Communist officials allowed Wojtyla to be appointed auxiliary bishop of Krakow in 1958, considering him a relatively harmless intellectual. They could not have been more wrong! Bishop Wojtyla attended all four sessions of Vatican II and contributed especially to its Pastoral Constitution on the Church in the Modern World. Appointed as archbishop of Krakow in 1964, he was named a cardinal three years later. Elected pope in October 1978, he took the name of his short-lived, immediate predecessor. Pope John Paul II was the first non-Italian pope in 455 years. In time, he made pastoral visits to 124 countries, including several with small Christian populations. John Paul II promoted ecumenical and interfaith initiatives, especially the 1986 Day of Prayer for World Peace in Assisi. -
Spolia's Implications in the Early Christian Church
BEYOND REUSE: SPOLIA’S IMPLICATIONS IN THE EARLY CHRISTIAN CHURCH by Larissa Grzesiak M.A., The University of British Columba, 2009 B.A. Hons., McMaster University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Art History) THE UNVERSIT Y OF BRITISH COLUMBIA (Vancouver) April 2011 © Larissa Grzesiak, 2011 Abstract When Vasari used the term spoglie to denote marbles taken from pagan monuments for Rome’s Christian churches, he related the Christians to barbarians, but noted their good taste in exotic, foreign marbles.1 Interest in spolia and colourful heterogeneity reflects a new aesthetic interest in variation that emerged in Late Antiquity, but a lack of contemporary sources make it difficult to discuss the motives behind spolia. Some scholars have attributed its use to practicality, stating that it was more expedient and economical, but this study aims to demonstrate that just as Scripture became more powerful through multiple layers of meaning, so too could spolia be understood as having many connotations for the viewer. I will focus on two major areas in which spolia could communicate meaning within the context of the Church: power dynamics, and teachings. I will first explore the clear ecumenical hierarchy and discourses of power that spolia delineated through its careful arrangement within the church, before turning to ideological implications for the Christian viewer. Focusing on the Lateran and St. Peter’s, this study examines the religious messages that can be found within the spoliated columns of early Christian churches. By examining biblical literature and patristic works, I will argue that these vast coloured columns communicated ideas surrounding Christian doctrine. -
Vol 3 Issue 2 Artistic Impression
Vol. 3, Issue 2 February, 2021 Burlington Artists League A Word from the President Dear BAL members, Welcome to the February edition of our newsletter. Our previous editor has resigned and until we can find another one, Angela Bostek is serving as our interim editor, taking on yet another responsibility. Our profound thanks, Angela. The month of February conjures up associations with the bleak mid-winter season. On the other hand, it anticipates the arrival of spring, especially if the ground-hog’s prognostications are correct. For us, it means the Small Art Contest. I am pleased that the contest this year has been a success. The entries were as fine as ever and my thanks to all participants and congratulations to the winners! Unfortunately, due to Covid restrictions, we could not have our usual reception to honor the winners. However, as usual, all entries will be on display for the month of February. Please take an hour or so during the month to drop by the gallery to admire all the art submitted for the contest. It’s quite impressive. Now we look forward to the next competition in April. Further information will be forthcoming, watch your email. We hope you will join us for our monthly business meeting by way of Zoom on Thursday, February 18, at 3 p.m. One of the main agenda items will be a discussion of possibly adding a competition at the end of the summer and your input is valuable. In the meantime, stay warm and safe. Jane ********* FEBRUARY CALENDAR OF EVENTS 1st – 28th 14th 18th Jan 22 – Feb 18 Feb. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Integrating Ecology and Justice: the New Papal Encyclical by Mary Evelyn Tucker and John Grim
Feature Integrating Ecology and Justice: The New Papal Encyclical by Mary Evelyn Tucker and John Grim Mat McDermott Una Terra Una Famiglia Humana, One Earth One Family climate march in Vatican City in June 2015. In Brief In June of 2015, Pope Francis released the first encyclical on ecology. The Pope’s message highlights “integral ecology,” intrinsically linking ecological integrity and social justice. While the encyclical notes the statements of prior Popes and Bishops on the environment, Pope Francis has departed from earlier biblical language describing the domination of nature. Instead, he expresses a broader understanding of the beauty and complexity of nature, on which humans fundamentally depend. With “integral ecology” he underscores this connection of humans to the natural environment. This perspective shifts the climate debate to one of a human change of consciousness and conscience. As such, the encyclical has the potential to bring about a tipping point in the global community regarding the climate debate, not merely among Christians, but to all those attending to this moral call to action. 38 | Solutions | July-August 2015 | www.thesolutionsjournal.org n June 18, 2015 Pope Francis thinking. By drawing on and develop- We can compare Pope Francis’ released Laudato Si, the first ing the work of earlier theologians and thinking to the writing of Pope John encyclical in the history of ethicists, this encyclical makes explicit Paul II, who himself builds on Pope O Rerum the Catholic Church on ecology. An the links between social justice and Leo XIII’s progressive encyclical encyclical is the highest-level teaching eco-justice.1 Novarum on workers’ rights in 1891. -
THE CORE THEMES of the ENCYCLICAL FRATELLI TUTTI St
THE CORE THEMES OF THE ENCYCLICAL FRATELLI TUTTI St. John Lateran, 15 November 2020 Card. GIANFRANCO RAVASI Preamble Let us begin from a spiritual account drawn from Tibetan Buddhism, a different world from that of the encyclical, but significant nonetheless. A man walks alone on a desert track that dissolves into the distance on the horizon. He suddenly realises that there is another being, difficult to make out, on the same path. It may be a beast that inhabits these deserted spaces; the traveller’s heart beats faster and faster out of fear, as the wilderness does not offer any shelter or help, so he must continue to walk. As he advances, he discerns the profile: a man’s. However, fear does not leave him; in fact, that man could be a fierce bandit. He has no choice but to go on, as the fear of an assault grips his soul. The traveller no longer has the courage to look up. He can hear the other man’s steps approaching. The two men are now face to face: he looks up and stares at the person before him. In his surprise he cries out: “This is my brother whom I haven’t seen for many years!” We wish to refer to this ancient parable from a different religion and culture at the beginning of this presentation to show that the yearning pervading Pope Francis’s new encyclical Fratelli tutti is an essential component of the spiritual breadth of all humanity. In fact, we find a few unexpected “secular” quotations in the text, such as the 1962 album Samba da Bênção by Brazilian poet and musician Vinicius de Moraes (1913-1980) in which he sang: “Life, for all its confrontations, is the art of encounter” (n. -
Seven Churches Pilgrimage in Rome... 2021
Seven Churches Pilgrimage in Rome... 2021 Day 1 Welcome to Italy Day 5 Marian churches: Sanctuary of Divine Love and Basilica of Rome Upon arrival at Rome Airport, we will be greeted by our English St Mary Major speaking tour manager who will be with the group during the entire stay This morning we will drive to the Marian Sanctuary of Divine Love which in Italy. We will board the private deluxe bus and transfer to our hotel. was added by Pope John Paul II for the Great Jubilee of 2000, replacing Following check-in, we will have free time to unpack and relax. If possible, St Sebastian Outside the Walls. Then we will complete the pilgrimage we will celebrate Mass in a local church. Dinner and overnight at our hotel celebrating Mass at Basilica of St Mary Major which is one of the oldest and in Rome (D) most important shrines in the world dedicated to the Blessed Virgin Mary. The basilica contains some the finest artwork and architectural wonders in Day 2 Walking day: from Church of St Maria in Vallicella to St the world such as the ceiling which is a masterpiece of the Renaissance Peter’s Basilica (0,7 miles) and the work of Giuliano da Sangallo. It contains also the painting of the We begin our pilgrimage celebrating Mass at the church of Santa Maria Blessed Mother known as the Salus Populi Romani. In the afternoon we will in Vallicella which is the principal church of the Oratorians, a religious enjoy a Maritozzo tasting. Maritozzo is a bigger pastry stuffed with whipped, congregation of secular priests, founded by St Philip Neri in 1561. -
Treaty Between the Holy See and Italy
TREATY BETWEEN THE HOLY SEE AND ITALY IN THE NAME OF THE MOST HOLY TRINITY Whereas: The Holy See and Italy have recognized the desirability of eliminating every existing reason for dissension between them by arriving at a definitive settlement of their reciprocal relations, one which is consistent with justice and with the dignity of the two Parties and which, by assuring to the Holy See in a permanent manner a position in fact and in law which guarantees it absolute independence for the fulfilment of its exalted mission in the world, permits the Holy See to consider as finally and irrevocably settled the “Roman Question”, which arose in 1870 by the annexation of Rome to the Kingdom of Italy under the Dynasty of the House of Savoy; Since, in order to assure the absolute and visible independence of the Holy See, it is required that it be guaranteed an indisputable sovereignty even in the international realm, it has been found necessary to create under special conditions Vatican City, recognizing the full ownership and the exclusive and absolute power and sovereign jurisdiction of the Holy See over the same; His Holiness the Supreme Pontiff Pius XI and His Majesty Victor Emanuel III King of Italy have agreed to conclude a Treaty, appointing for that purpose two Plenipotentiaries, namely, on behalf of His Holiness, His Eminence Cardinal Pietro Gasparri, his Secretary of State, and on behalf of His Majesty, His Excellency Sir Benito Mussolini, Prime Minister and Head of Government; which persons, having exchanged their respective full powers, which were found to be in due and proper form, have agreed upon the following articles: Art. -
The Sensuous in the Counter-Reformation Church Edited by Marcia B
Cambridge University Press 978-1-107-01323-0 - The Sensuous in the Counter-Reformation Church Edited by Marcia B. Hall and Tracy E. Cooper Frontmatter More information THE SENSUOUS IN THE COUNTER-REFORMATION CHURCH This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice, including the role of art and architecture, was reviewed and the invocation of the fi ve senses to incite devotion became a hotly contested topic. Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of rea- son in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, proces- sions, music, and theater as important parts of religious experience. Marcia B. Hall is The Carnell Professor of Renaissance Art History and Dir- ector of Graduate Studies at Tyler School of Art, Temple University. She is the author and editor of several books, including The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio ; After Raphael ; and Renovation and Counter Reformation: Vasari and Duke Cosimo in Santa Maria Novella and Santa Croce, 1564–77 . Tracy E. Cooper is Professor of Art History at Tyler School of Art, Temple University. -
Evaluating the Effects of the Geography of Italy Geography Of
Name: Date: Evaluating the Effects of the Geography of Italy Warm up writing space: Review: What are some geographical features that made settlement in ancient Greece difficult? Write as many as you can. Be able to explain why you picked them. _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ Give One / Get One Directions: • You will get 1 card with important information about Rome’s or Italy’s geography. Read and understand your card. • Record what you learned as a pro or a con on your T chart. • With your card and your T chart, stand up and move around to other students. • Trade information with other students. Explain your card to them (“Give One”), and then hear what they have to say (“Get One.”) Record their new information to your T chart. • Repeat! Geography of Italy Pros J Cons L Give one / Get one cards (Teachers, preprint and cut a set of these cards for each class. If there are more than 15 students in a class, print out a few doubles. It’s okay for some children to get the same card.) The hills of Rome Fertile volcanic soil 40% Mountainous The city-state of Rome was originally Active volcanoes in Italy (ex: Mt. About 40% of the Italian peninsula is built on seven hills. Fortifications and Etna, Mt. Vesuvius) that create lava covered by mountains. important buildings were placed at and ash help to make some of the the tops of the hills. Eventually, a land on the peninsula more fertile. city-wall was built around the hills. Peninsula Mediterranean climate Tiber River Italy is a narrow peninsula—land Italy, especially the southern part of The Tiber River links Rome, which is surrounded by water on 3 sides. -
One Day Visit of the Vatican 1/1 01 July 2013 1
One day visit of the Vatican 1/1 01 july 2013 1 Location : Rome, Italy Description When visiting Rome, you cannot miss visiting the Vatican City/State. Whether a Catholic believer or not, The Vatican is definitly one of the Richest spots in the world in terms of Architecture, decoration and art works. Of course, if you are a Chistian, you add to this wealth the spiritual importance of this holy place. You need to count a full day to visit well the Vatican. I strongly recommend to take teh guided tours proposed on the Vatican website (see links in the recommednations) and in any case, you definitly need to buy the tickets online in order to avoid the huge queue before the Museum entrance. I would also recommend avoiding visits on Sundays since the Museum's visit is free, meaning longer queues, and the closure of the Gardens. Ideally, you should arrive a bit before the opening hours of Saint Peter's Basilica, and start the visit from there, than head up to the museum and finish in the gardens. Dress Code is very important, and you should avois wearing shorts, mini-skirts,... since you will be entering inside holy places. As in every highly touristic place with crowds, be carreful for Pick Pockets. Activities Saint Peter Basilica 1 Saint Peter Basilica, Rome, Italy You simply cannot visit Rome without going to the Vatican, whether Catholic or not. And Saint Peter is definitly one of the most amazing monuments you will visit in your life, besides its holy symbol .. -
The Business Organisation of the Bourbon Factories
The Business Organization of the Bourbon Factories: Mastercraftsmen, Crafts, and Families in the Capodimonte Porcelain Works and the Royal Factory at San Leucio Silvana Musella Guida Without exaggerating what was known as the “heroic age” of the reign of Charles of Bourbon of which José Joaquim de Montealegre was the undisputed doyen, and without considering the controversial developments of manufacturing in Campania, I should like to look again at manufacturing under the Bourbons and to offer a new point of view. Not only evaluating its development in terms of the products themselves, I will consider the company's organization and production strategies, points that are often overlooked, but which alone can account for any innovative capacity and the willingness of the new government to produce broader-ranging results.1 The two case studies presented here—the porcelain factory at Capodimonte (1740-1759) and the textile factory in San Leucio (1789-1860)—though from different time periods and promoted by different governments, should be considered sequentially precisely because of their ability to impose systemic innovations.2 The arrival of the new sovereign in the company of José Joaquin de Montealegre, led to an activism which would have a lasting effect.3 The former was au fait with economic policy strategy and the driving force of a great period of economic modernization, and his repercussions on the political, diplomatic and commercial levels provide 1 For Montealegre, cf. Raffaele Ajello, “La Parabola settecentesca,” in Il Settecento, edited by Giovanni Pugliese Carratelli (Naples, 1994), 7-79. For a synthesis on Bourbon factories, cf. Angela Carola Perrotti, “Le reali manifatture borboniche,” in Storia del Mezzogiorno (Naples, 1991), 649- 695.