The Last Refuge of a Scoundrel Martin Luther King Jr. Day in S.F
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11_571869 bindex.qxd 10/21/04 7:11 PM Page 172 Index See also Accommodations and Restaurant indexes below. GENERAL INDEX Architectural highlights, 130–131 Area codes, 28 Art Festival, Union Street, 5 A AA (American Automobile Art galleries, 141 Association), 12 Asian Art Museum, 113–114 Aardvark’s, 150–151 ATMs (automated teller machines), 1 AARP, 9 Avenue Cyclery, 133 Ab Fits, 146 Avis, 26 Accommodations, 33–65. See also Accommodations Index The Castro, 63–64 Cow Hollow, 60–62 B aker Beach, 128, 132–133 family-friendly, 54–55 Bambuddha Lounge, 162–163 The Financial District, 57–58 Barnes & Noble, 141 Fisherman’s Wharf, 58–60 Bars, 163–169 with free parking, 49 BART (Bay Area Rapid Transit), 10, 25 Japantown, 62–63 Baseball, 137 The Marina, 60–62 Basketball, 137 Nob Hill, 46–50 Bay Area Reporter, 9, 169 North Beach, 58–60 Bay Area Theatresports (BATS), Pacific Heights, 60–62 157–158 pricing categories, 34 Bay Guardian, 16 near San Francisco International Bayporter Express, 11 Airport, 64–65 Bay to Breakers Foot Race, SoMa, 50–57 4, 135–136 Union Square, 35–46 Beach Blanket Babylon, 158 A.C.T. (American Conservatory Beaches, 132 Theater), 156 Be-At Line, 159 Addresses, finding, 17 Belden Place cafes, 73 Alabaster, 148 Biking, 133 A La Carte, A La Park, 6 Biordi Art Imports, 148 Alamo car-rental agency, 26 Birkenstock, 150 Alamo Square Historic District, 130 The Bliss Bar, 163 Alcatraz Island, 105, 108 Blue & Gold Fleet, 28, 108, 131–132 American Automobile Association Boating, 133–134 (AAA), 12 Boat tours, 131–132 American Conservatory -
San Franciscointernationalairport47 Oakland Internationalairport48 (Fisherman’S Wharf)74 193 80-81
198 Index Les numéros de page en gras renvoient aux cartes. Bars et boîtes de nuit 173, 182 A 4th Street Bar & Grill 179 Accès 47 1015 Folsom 179 Accessoires de mode 193 Absinthe Brasserie & Bar 177 Ben and Nick’s 182 Achats 185, 193 Bix 174 Activités culturelles 170 Bourbon and Branch 178 Activités de plein air 109 Bubble Lounge 176 Aéroports Buena Vista Café 177 Oakland International Airport 48 Café Claude 173 San Francisco International Airport 47 Café du Nord 179 Aînés 51 Cafe Zoetrope 176 Alamo Square (Haight-Ashbury) 87 Cellar 360 177 Cigar Bar & Grill 174 Alcatraz 76, 80-81 Clock Bar 173 Alimentation 186 Club Six 180 Alta Plaza Park (Pacific Heights) 82, 108 DNA Lounge 179 Ambassades 52 Edinburgh Castle Pub 177 Angel Island (Marin County) 99, 100 Eli’s Mile High Club 182 Angel Island State Park (Angel Island) 100 Eos Wine Bar 178 Ferry Plaza Wine Merchant & Wine Bar 174 Antiquités 187 First Crush Restaurant & Bar 173 Aquarium of the Bay Fluid Ultra Lounge 180 (Fisherman’s Wharf) 74 Gordon Biersch 174 Architecture 34 Greens Sports Bar 177 Argent 52 Harvey’s 180 Art déco 37 Hôtel Biron 178 Jillian’s 180 Asian Art Museum (Civic Center) 86 Jupiter 182 Attraits touristiques 59 Kozy Kar 176 Autocar 50 Laszlo 181 A Avion 47 Lefty O’Doul’s 173 - Lexington Club 181 Li Po Cocktail Lounge 174 Mad Dog in the Fog 178 B Madrone Art Bar 178 Index Index Baker Beach 109 Martuni’s 180 Matrix Fillmore 177 Bank of America (Financial District) 67 Mauna Loa Club 177 Bank of California (Financial District) 68 Moby Dick 181 Banques 52 Nectar Wine Lounge 177 guidesulysse.com http://www.guidesulysse.com/catalogue/FicheProduit.aspx?isbn=9782894649428 199 Bars et boîtes de nuit (suite) Berkeley (East Bay) 100, 101 Nickies 178 hébergement 127, 140 Nihon Whisky Lounge 181 restaurants 140, 165 No Name Bar 181 sorties 140, 182 Paragon 179 Blues 171 Pier 23 Cafe 176 Boissons alcoolisées 53 Pisco Latin Lounge 181 Place Pigalle 177 Buena Vista Park (Haight-Ashbury) 87, 108 Press Club 173 Buffalo Paddock (Golden Gate Park) 92 Redwood Room 174 Burroughs, William S. -
Business Consultation of Select Best Practices to an Animated Film Studio
University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can Joshua Christian Blackwood University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Management Sciences and Quantitative Methods Commons Recommended Citation Blackwood, Joshua Christian, "Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can" (2016). Senior Theses. 110. https://scholarcommons.sc.edu/senior_theses/110 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Business Consultation of Select Best Practices to an Animated Film Studio How to Produce the Most Successful Film You Can Senior Thesis Spring 2016 Student Josh Blackwood Director Dr. Lauren Steimer Second Reader Dr. Jack Jensen Table of Contents Introduction………………………………………………………………………………………..1 Establishing Scope………………………………………………………………………………...4 Methodology………………………………………………………………………………………5 Operational Planning Data Animation Studio………………………………………………………………………….8 Release Date…………………………………………………………………………….…9 Runtime…………………………………………………………………………………..11 Pre-sold Property………………………………………………………………………...12 Negative Cost…………………………………………………………………………….13 -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
San Francisco Tourist Information. for a San Francisco Events Calendar Please Visit
Fun Things to Do in San Francisco San Francisco is a very unique, vibrant city with many opportunities to have fun! Please visit www.sanfrancisco.travel for additional San Francisco tourist information. For a San Francisco events calendar please visit www.sfweekly.com/events/search. Unique San Francisco Landmarks and Tourist Attractions Golden Gate Bridge – www.goldengatebridge.org/visitors The Bridge connects San Francisco to California's northern counties. With its tremendous 746-foot tall towers, sweeping main cables, signature International Orange color, and Art Deco styling, it is a sensory experience featuring color, light, and sound. America’s Cup Summer of Racing (July 4th – September 21st) - http://www.americascup.com/en/sanfrancisco Spectators all along the waterfront will experience the excitement of the races up close and the entire city will welcome the global sailing community coming to watch and participate in this world class event. Before and after the races, visitors can enjoy activities and entertainment at the America’s Cup Village. Alcatraz – www.alcatrazcruises.com Once home to some of America's most notorious criminals, the federal penitentiary that operated here from 1934 to 1963 brought a dark mystique to the Rock. To this day, Alcatraz is best known as one of the world's most legendary prisons. Golden Gate Park – www.golden-gate-park.com Golden Gate Park is the 3rd most visited park in the United States. It is filled with gardens, museums, art, flowers, trees, lakes, birds and wildlife. There are also plenty of opportunities to participate in sports, clubs and other activities. Pier 39/Fisherman’s Wharf – www.pier39.com and www.visitfishermanswharf.com Pier 39 is a waterfront complex that is a gathering place for millions of San Francisco locals and visitors. -
Retail Space Available on Cable Car Line
2,627 SF 4,810 SF RETAIL SIGNAGE RETAIL SPACE AVAILABLE ON CABLE CAR LINE 2,627 – 7,437 SF AVAILABLE FINANCIAL DISTRICT, SAN FRANCISCO AERIAL OF SURROUNDING RETAILERS & COMPANIES 4 EMBARCADERO FERRY BUILDING 3 EMBARCADERO 2 EMBARCADERO TRANSAMERICA 1 EMBARCADERO ELAN MANAGEMENT/ BUILDING MERITAGE GROUP DRUMM ST FRONT ST 475 SANSOME ST International E-Commerce Tenant THE EMBARCADERO 420 MONTGOMERY ST Financial Servies Tenant 1 MARKET ST CALIFORNIA ST MARKET ST MAIN ST SPEAR ST 101 CALIFORNIA ST PINE ST ESTIMATED HEAD COUNT FOR SELECTED PROPERTIES PROPERTY OCCUPIED AVERAGE SF TTL ESTIMATED SF PER WORKER* HEAD COUNT 555 California 1,441,761 175 8,239 101 California 1,105,518 175 6,317 225 BUSH ST Embarcadero Center 2,885,186 175 16,487 1 Market Complex 1,711,479 175 9,780 Transamerica Pyramid 420,426 175 2,402 Ferry Building 97,875 175 559 TOTAL: 43,784 * Source: CoreNet Global, 2017 FLOOR PLANS AND PROPERTYFLOOR PLAN & PROPERTYFEATURES FEATURES • 4,810 SF available at high traffic corridor, ground floor retail opportunity in a 14-story, Class A-office building • Neighboring restaurant tenants on California Street include Pabu/Ramen Bar, world-renowned Tadich Grill, Perbacco, Barbacco & Michael Mina • Banks •tenants 2,627 within – 7,437 a two SFblock available radius includeat high Citibank, traffic corridorFirst National, ground Bank, floor retail opportunity Union Bank,in Banka 14-story, of America, Class and A office First Republic building • Over 43,000• Neighboring employees restaurant in immediate tenants area on California Street -
San Francisco and the Bay Area Anonymous
University of Mississippi eGrove Haskins and Sells Publications Deloitte Collection 1971 Gastronomic tour with H&S: San Francisco and the Bay area Anonymous Follow this and additional works at: https://egrove.olemiss.edu/dl_hs Part of the Accounting Commons, and the Taxation Commons Recommended Citation H&S Reports, Vol. 08, (1971 autumn), p. 28-29 This Article is brought to you for free and open access by the Deloitte Collection at eGrove. It has been accepted for inclusion in Haskins and Sells Publications by an authorized administrator of eGrove. For more information, please contact [email protected]. A Gastronomic Tour with H& S SAN FRANCISCO AND This is the third of a series of For those touring the financial threshold is like taking a magic regional guides to good food, district, The Golden Eagle (220 carpet to North Africa. based on a survey of Haskins & Front Street) is "an excellent The food is authentic Moroccan. Sells people who know the lunch spot and also a good place Guests sit on cushions and dine restaurants in the cities for an informal dinner." Although with their fingers as Berber where they practice. the menu is limited, food is dancers perform to native music. excellent and prices reasonable. Another restaurant in this same Another informal, fun evening can Built on hills and bounded by water area, noted by many as being "the be had at the Minerva Cafe (136 on three sides, San Francisco is a best seafood restaurant in the Eddy Street). This is an authentic romantic and beautiful city, city," is Sam's Grill & Sea Food Greek cafe, complete with music, where dining out often combines (374 Bush Street). -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
25 Years: Downtown Plan Monitoring Report, 1985-2009 03
YEARS DOWNTOWN PLAN MONITORING REPORT 1 9 8 5 - 2 0 0 9 SAN FRANCISCO PLANNING DEPARTMENT JUNE 2011 © 2011 San Francisco Planning Department 1650 Mission Street, Suite 400 San Francisco, CA 94103-3114 www.sfplanning.org 25 YEARS: DOWNTOWN PLAN MONITORING REPORT 1985-2009 San Francisco Planning Department June 2011 Table of Contents EXECUTIVE SUMMARY 01 25 Years: Downtown Plan 01 Economic Change and Unexpected Trends 02 Regional Context and What Lies Ahead 02 25 YEARS: DOWNTOWN PLAN MONITORING REPORT, 1985-2009 03 Report Organization 03 PART I: THE DOWNTOWN PLAN: GOALS ACHIEVED 05 Introduction 05 Space for Commerce 08 New Commercial Construction Downtown 08 Downtown Commercial Space Today 10 Space for Housing 12 New Housing Downtown 12 Jobs Housing Linkage Program (JHLP) 14 Protecting Existing Housing Downtown 16 Downtown Housing Today 17 Open Space 18 Downtown Open Space Today 20 Historic Preservation 21 Downtown Historic Preservation Today 21 Urban Form 23 Downtown Urban Form Today 24 Moving About – Transportation 25 Downtown Transportation Today 26 PART II: ECONOMIC CHANGE AND REGIONAL GROWTH SINCE 1985 27 San Francisco Employment Change – from Office to Other Activities 28 Sole Proprietors – Shift from Large to Smaller Employers 28 Downtown Area Employment – A Change in Location 33 Downtown C-3 Zone Employment Change 33 Downtown San Francisco in a Regional Context: What Lies Ahead? 34 San Francisco and the Region 34 The Downtown Plan Today and Tomorrow 35 APPENDICES Appendix A: Downtown Plan Objectives 37 Appendix B: Table 1: New Office -
Open Thesis Final Copy.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH THE ARCHITECTURE OF A THREE-DIMENSIONAL FEMALE CHARACTER IN SYLVIA PLATH’S “THE BELL JAR” AND ITS IMPACT ON FEMALE CHARACTERS IN THE HOLLYWOOD FILM INDUSTRY KATHERINE ELIZABETH MURT SPRING 2014 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in English and Media Studies with honors in English Reviewed and approved* by the following: Lisa Sternlieb Associate Professor of English Thesis Supervisor, Honors Adviser John Marsh Associate Professor of English Faculty Reader * Signatures are on file in the Schreyer Honors College. i ABSTRACT Sylvia Plath is remembered in literary history for her complex and dimensional creation of characters through both her prose and poetry. Plath’s own personal experiences with emotionally challenging life events informed her collective works, and from these experiences she drew forth her seminal novel The Bell Jar, a semiautobiographical account of a young girl named Esther who moves to New York City for a new job and uncovers her own vast emotional depth and potential for instability in the process. Esther’s journey into the recesses of her own mind broke ground in that Plath exposed an emotional depth to a female character that had yet to be so explicitly explored outside of the confines of a male literary counterpart. Esther is a female character that stands on her own, and her three-dimensional emotionality constructed the blueprint for how we see modern females in literature and art. Following suit, the Hollywood film industry has produced countless films starring female protagonists with emotional issues, using these issues as a means to create depth in a character where depth does not truly exist. -
Historicizing the Liminal Superhero
BOX OFFICE BACK ISSUES: HISTORICIZING THE LIMINAL SUPERHERO FILMS, 1989–2008 by ZACHARY ROMAN A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2020 DISSERTATION APPROVAL PAGE Student: Zachary Roman Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Peter Alilunas Chairperson Janet Wasko Core Member Erin Hanna Core Member Benjamin Saunders Institutional Representative and Kate Mondloch Interim Vice-Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2020 ii © 2020 Zachary Roman iii DISSERTATION ABSTRACT Zachary Roman Doctor of Philosophy School of Journalism and Communication December 2020 Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 Although the superhero film became a dominant force in Hollywood early in the 21st century, the formation of the superhero genre can be attributed to a relatively small temporal window beginning in 1989 and ending in 2008. This dissertation argues that a specific group of superhero films that I call the liminal superhero films (LSF) collectively served as the industrial body that organized and created a fully formed superhero genre. The LSF codified the superhero genre, but that was only possible due to several industrial elements at play before they arrived. An increasing industrial appetite for blockbusters coming out of the 1970s, the rise of proprietary intellectual property after the corporate conglomeration that occurred at the end of the 20th century, and finally, the ability of the LSF to mitigate risk (both real and perceived) all led to this cinematic confluence.