Oss 117 Le Caire Nid Despions Avec Sous Titres
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Five Ashore in Singapore, 1967
BIBLIOASIA OCT – DEC 2018 Vol. 14 / Issue 03 / Feature Raphaël Millet is a film director, producer and (Facing page) The French-Dutch poster for Five Ashore in Singapore, 1967. After its initial premiere critic with a passion for early cinema. He has in France, the film was released in other parts of Europe and North America, where it was screened published two books, Le Cinéma de Singapour in cinemas right into 1968. Courtesy of Raphaël Millet. (2004) and Singapore Cinema (2006), as well as directed documentaries such as Gaston Méliès and His Wandering Star Film Company The pun is lost in translation of (2015), screened as part of the 2015 Singapore A MOVIE BY ANY OTHER NAME International Film Festival, and Chaplin in Bali course, but details such as the num- (2017), which opened the Bali International Film Like similar B-movies of the era, the ber of male protagonists and location Festival in 2017. film went by several different titles. were kept intact in most of the titles The English version in the United of the foreign-language versions that Kingdom was called Five Ashore in were either dubbed or subtitled, for Singapore, and in the United States example Cinco Marinos en Singapur as the double-barrelled Singapore, in Spanish (also Cinco Muchachos Few foreign films, especially Western Singapore.1 Inexplicably, in Singapore en Singapur in Argentina), Cinque ones, have ever been shot completely on it was first announced asSingapore Marines per Singapore in Italian, Vijf location in Singapore. In the latter half Mission for Five,2 before being eventu- Kerels Voor Singapore in Dutch, and fof the 1960s, a handful of low-budget ally retitled and released as Our Five Pet Momaka za Singapour in Serbian commercial European films – or B-grade Men in Singapore in February 1968. -
OSS 117 : LE CAIRE, NID D'espions Dossier Enseignant Un Film De Michel Hazanavicius Couverture
LYCÉENS ET APPRENTIS AU CINÉMA 162 OSS 117 : LE CAIRE, NID D'ESPIONS dossier enseignant Un film de Michel Hazanavicius Couverture Fiche technique 1 : © Gaumont Réalisateur 2 Michel Hazanavicius ou le second degré incarné Acteur 3 Jean Dujardin, le véritable caméléon Personnage 4 Le désirable crétin français Genèse 5 Adieu à Jean Bruce – Un modèle littéraire et un héros d'espionnage détournés Contexte 6 Mornes et redoutables années 1950 Genre 7 Le film d'agent secret revisité Découpage narratif 8 Récit 9 Une inattention prodigieuse Mise en scène 10 Action et comédie, rire contemporain et vintage kitsch ● Rédacteur du dossier Marc Cerisuelo, professeur à 14 l'université Paris-Est Séquence Marne-la-Vallée, spécialiste « Bienvenue au Caire » des cinémas français et américain. Auteur d'ouvrages critiques consacrés à Jean-Luc Godard, Influences 16 Preston Sturges, les frères Coen Une cinéphilie aux aguets et Wes Anderson, et d'essais comme Hollywood à l'écran (Presses Sorbonne Nouvelle, 2000) Filiations 18 et Fondus enchaînés (Seuil, 2012). D'un OSS l'autre Rédacteur d'un livret pédagogique sur La Party (Blake Edwards, 1968) et animateur régulier des Dialogues 19 formations Lycéens et apprentis Le grand oral d'OSS : 117 au cinéma en Île-de-France. ● Rédacteurs en chef 20 Critique Camille Pollas et Maxime Werner Une attente exaucée sont respectivement responsable et coordinateur éditorial des éditions Capricci, spécialisées dans les livres de cinéma (entretiens, essais critiques, journalisme et documents) et les DVD. 2 Fiche technique © Gaumont -
Ambitos REVISTA 2016.Pmd
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sapientia ÁÁMBITOMBITOSS 13 REVISTA DE ESTUDIOS DE CIENCIAS SOCIALES Y HUMANIDADES, núm. 38 (2017) , pp. 13-22. I.S.S.N.: 1575-2100. Géneros populares y cine transnacional en la Europa mediterránea: André Hunebelle y el cine de aventuras Jorge Manuel Neves Carrega* UNIVERSIDADE DO ALGARVE Resumen: Entre mediados de los años cincuenta y setenta, la inversión en la coproducción cinematográfica entre los países de la Europa mediterránea condujo al desarrollo del género popular como la película de capa y espada, peplum y euro-western. A menudo analizadas desde una perspectiva puramente nacional, estas películas representan, sin embargo, un ejemplo paradigmático de cine transnacional que permitió a las industrias cinematográficas italianas, francesas y españolas combatir la hegemonía comercial del cine de Hollywood. Basado en el estudio de un caso, el de la carrera del director André Hunebelle, este artículo propone analizar el papel de la coproducción de películas de aventuras en el desarrollo de un cine transnacional en la Europa mediterránea . Palabras clave: Cine transnacional en la Europa mediterránea, géneros populares, cine de aventuras, André Hunebelle, El Capitán, Banco à Bangkok pour OSS 117. Popular genres and transnational cinema in mediterranean Europe: André Hunebelle and the adventure movie Abstract: Between the mid-1950s and the mid1970s, investment in film co-production among the countries of Mediterranean Europe led to the blooming of popular genres like the swashbuckler, peplum and euro-western. Often analysed from a purely national perspective, these films represent, however, a paradigmatic example of a transnational cinema that allowed the Italian, French and Spanish film industries to fight against the commercial hegemony of Hollywood cinema. -
Oss 117: Cairo Nest of Spies
MUSIC BOX FILMS Presents OSS 117: CAIRO NEST OF SPIES A film by Michel Hazanavicius With Jean Dujardin, Bérénice Béjo, Aure Atika and Philippe Lefèbvre Written by Jean-François Halin based on the “OSS 117” novels by Jean Bruce Adaptation and dialogues by Jean-François Halin and Michel Hazanavicius A film produced by Eric and Nicolas Altmayer Running time 1h39 Not rated Please download high res photos from http://www.musicboxfilms.com/oss117 Press contact: Distribution Contact: Sophie Gluck & Associates Music Box Films Sophie Gluck/Sylvia Savadjian 942 Lake St 124 West 79th Street Chicago, IL 60607 New York, NY 10024 (312) 432-1215 Tel: (212) 595-2432 [email protected] [email protected] www.musicboxfilms.com [email protected] SYNOPSIS Egypt, 1955. Cairo is a real nest of spies. Everyone is suspicious of everyone else. Everyone is plotting against everyone else: the British, the French, the Soviets, the family of the deposed King Farouk, who want to reclaim his thrown, the Eagles of Kheops, a religious sect that wants to seize power… The President of the French Republic, Monsieur René Coty, sends his best weapon to put some order into this turmoil teetering on the verge of chaos: Hubert Bonisseur de la Bath, otherwise known as OSS 117. NOTES ABOUT THE PRODUCTION An entire era seen from today. Nicolas Altmayer, who produced the film along with his brother Eric, remembers: “It all started with the discovery of a few old OSS 117 novels in our parents’ library. The covers with stylized and very colorful drawings, the slightly old-fashioned action scenes and that fifties style awakened a multitude of memories in me. -
PROLOGUE Le Premier Roman D'espionnage a Être Publié Au
PROLOGUE Le premier roman d’espionnage a être publié au début des années 50 dans Playboy est Casino Royal d’un inconnu complet Ian Fleming. L’ouvrage marquera peu les esprits autant tout le monde se souviendra de Marilyn Monroe autant tout le monde ne se souviendra que très peu de ce premier roman. Et puis un producteur Harry Saltzman s’intéressera au roman quelques années plus tard il s’associera à Albert R Broccoli et … mais vous connaissez la suite. Pendant 1 ce temps en France ou en Angleterre il y a deux séries qui marchent fort mais que James Bond finira par faire tomber dans l’oubli. OSS 117 et Le Saint sont deux excellents romans, Leslie Charteris pour le deuxième, Jean Bruce mais aussi sa femme Josette et ses enfants François et Martine écriront pendant des années les histoires du premier. 2 OSS 117 avant d’être parodié de façon un peu pitoyable par Jean Dujardin fut un excellent héros tant dans les romans que dans d’excellents films avec entre autre Frederik Stafford ou John Gavin (ce dernier fut envisagé un temps pour succéder à Sean Connery dans Au service secret de sa majesté), les romans étaient excellents surtout ceux de Jean Bruce même s’ils donnaient moins dans les descriptions à n’en plus finir de Ian Fleming et finalement c’était tant mieux. Le style des OSS 117 était plus simple 3 mais aussi je crois plus rapide, plus percutant, il faut quand même se souvenir qu’il faut attendre la page 160 dans Motel 007 (the spy who loved me) avant qu’il y ait un début d’histoire. -
International
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Machiavelli's Angels Hiding in Plain Sight: Media Culture
Paul Bleton Machiavelli’s Angels Hiding in Plain Sight: Media Culture and French Spy Fiction of the Cold War Centripetal and globalizing forces shifted French pre-World War Two espionage fiction away from nationalism and towards the protection of the Western block. It developed within an ideological ground: a rightist core made of anti-Communism, racism, radical conservatism, and elitism. It expressed itself through heroes rep- resenting those values, elite fighters, alpha males, master spies, who seemed to inherit emblems of nobility, and were confident enough to assume that they lived in a natural order of society, which did not require explicit assessment; they showed complacence toward ex-colonial empire and smugness toward non-white people, and were less at war with communist theory than with the KGB’s perverse agenda. From a narrative point of view, paperback espionage fiction had inherited Manichaeism from popular literature, and two main types of plot from adjacent or previous genres: adventure (rush and pursuit), often in exotic places, and investi- gation (in the wake of a mystery). The former fitted perfectly the anti-communist program and the latter easily converted topical contemporary news as well as old ideological themes into fiction.1 Adventure: In Agitation clandestine,2 a succession of unfortunate accidents alert a KGB spy ring in Cuba. Anton Blasick decides to eliminate whoever may put the ring in jeopardy. A killing game will ensue fought by him and his nemesis, the French agent Philippe Larsan, who naturally will win in the end. Investigation: In OSS 117 n’est pas aveugle,3 in order to understand the successive disappearan- ces of three scientists working in a military facility, OSS (Office of Strategic Services) agent 117 assumes a false identity, works his way into the Russian-sponsored plot, thinks he has found a culprit only to discover that he has been out-maneuvered by the real traitor.