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Our Lady of the Most Holy Rosary Catholic Community La Comunidad Católica De Nuestra Señora Del Santo Rosario 5415 Fortuna Rd
Our Lady of the Most Holy Rosary Catholic Community La Comunidad Católica De Nuestra Señora del Santo Rosario 5415 Fortuna Rd. NW Albuquerque, NM 87105 ~ 505-836-5011 Served by the Norbertine Community and a Pastoral Team of Deacons and Lay Persons Servida por la Comunidad de Norbertinos y un Equipo Pastoral de Diáconos y Laicos PARISH OFFICE HOURS Monday—Thursday 8:00AM-12:00PM 1:00PM—5:00PM Friday 8:00AM—12:00PM Phone:505-836-5011 Fax: 505-836-7562 www.holyrosaryabq.org MASS SCHEDULE HORARIO DE MISA DAILY/DIARIA Monday-Friday/Lunes-Viernes 9:00AM—English WEEKEND FIN DE SEMANA Saturday/Sábado 4:00PM—English Sunday/Domingo 9:00AM—Bilingual 11:00AM– English 1:00PM—Español First Fridays Primer Viernes Mass/Misa 9:00AM & 5:30PM Adoration/Adoración 10:00AM-5:15PM CONFESSIONS CONFESIONES Saturday/Sábado 2:30PM Fourth Sunday of Advent ~ December 22, 2019 IV Domingo de Adviento ~ Diciembre 22, 2019 HELP US PREPARE OUR CHRISTMAS ENVIROMENT! Monday, December 23rd at 9:30 a.m. in the church. All are welcome ~ Bring your work gloves ¡AYÚDENOS A PREPARAR PARA LA NAVIDAD! Lunes, el 23 de diciembre, a las 9:30 de la mañana en la Iglesia. Todos son bienvenidos ~ Traigan sus guantes de trabajo Christmas Schedule ~ Horario de la Navidad December 24 ~ 24 de diciembre Christmas Eve ~ Nochebuena 3:30 p.m. Music Prelude 4:00 p.m. Family Mass (English) 10:00 p.m. Music Prelude ~ Preludio Musical 10:30 p.m. Mass During the Night (Bilingual) ~ Misa de la Noche (Bilingüe) December 25 ~ 25 de diciembre Christmas Day ~ Día de Navidad 9:00 a.m. -
A Mughal Princess in Baroque New Spain Catarina De San Juan (1606-1688), the China Poblana
DOI: http://dx.doi.org/10.22201/iie.18703062e.1997.71.1793 GAUVIN ALEXANDER BAILEY CLARK UNIVERSITY A Mughal Princess in Baroque New Spain Catarina de San Juan (1606-1688), the china poblana EW FIGURES HAVE so captivated the popular Mexican imagination as the china poblana, yet few are so poorly understood.1 Her pervasive Fimage is beloved by tourists and schoolchildren, celebrated by folk troupes, lauded in poetry, reenacted in plays and cinema, and extolled by politicians. Originally a symbol of civic pride for the city of Puebla, she went on to epitomize the Republican spirit following the French invasión (1862- 1863), and eventually embodied the very essence of México itself. As the designer of an elabórate municipal monument in her glory proclaimed in the 1940S: "[the china poblana] simboliza el ALMA NACIONAL... el arquetipo 2 NACIONAL de la virtuosa mujer mexicana." Some say she was an ancient princess from China, whose luxurious silks inspired the folk costume of today. Others insist that her origins are to be found on Mexican soil, in the Poblano heartland. So, who was she? She was in fact two people. The china poblana of the popular imagina- tion—of the brightly embroidered blouse and rebozo shawl—is an invention 1. I would like to thank Clara Bargellini for rekindling my interest in the china poblana, and for directing me to readings in viceregal painting. I am also grateful to Elizabeth Rhodes for her editorial comments. 2. Luis G. Andrade (1941), quoted in Rafael Carrasco Puente, Bibliografía de Catarina de San Juan y de la china poblana, México, Secretaría de Relaciones Exteriores, 1950, p. -
The Reconstruction of Colonial Monuments in the 1920S and 1930S in Mexico ELSA ARROYO and SANDRA ZETINA
The reconstruction of Colonial monuments in the 1920s and 1930s in Mexico ELSA ARROYO AND SANDRA ZETINA Translation by Valerie Magar Abstract This article presents an overview of the criteria and policies for the reconstruction of historical monuments from the viceregal period in Mexico, through the review of paradigmatic cases which contributed to the establishment of practices and guidelines developed since the 1920s, and that were extended at least until the middle of the last century. It addresses the conformation of the legal framework that gave rise to the guidelines for the protection and safeguard of built heritage, as well as the context of reassessment of the historical legacy through systematic studies of representative examples of Baroque art and its ornamental components, considered in a first moment as emblematic of Mexico’s cultural identity. Based on case studies, issues related to the level of reconstruction of buildings are discussed, as well as the ideas at that time on the historical value of monuments and their function; and finally, it presents the results of the interventions in terms of their ability to maintain monuments as effective devices for the evocation of the past through the preservation of its material remains. Keywords: reconstruction, viceregal heritage, neo-Colonial heritage Background: the first piece of legislation on monuments as property of the Mexican nation While the renovation process of the Museo Nacional was taking place in 1864 during the Second Empire (1863-1867) under the government of the Emperor Maximilian of Habsburg, social awareness grew about the value of objects and monuments of the past, as well as on their function as public elements capable of adding their share in the construction of the identity of the modern nation that the government intended to build in Mexico. -
Our Lady of Guadalupe Pilgrimage to Mexico
Our Lady of Guadalupe Pilgrimage to Mexico Dec. 30, 2018– Jan. 5, 2019 Fr. Peter Mangum, JCL, JV Spiritual Director Travel to Mexico City, Mexico to see sites significant to the apparitions of Our Lady of Guadalupe to St. Juan Diego. Itinerary Highlights Mexico City • Metropolitan Cathedral Pilgrim Experience • Shrine of Our Lady of Guadalupe - Basilica • Pray at the Church of - Chapel of Juan Diego - Holy Tilma Healing in Tulpetlac, where - Chapel of Miracles Juan Diego experienced • Church of the Holy Family his fifth apparition of Our - Venerate the Relics of Blessed Miguel Pro Blessed Mother • Palace of the Arts • Celebrate Mass at the • Folklore Ballet Performance Shrine of Our Lady of • National Palace Guadalupe and tour the Basilica where Juan Diego’s San Juan Teotihuacan tilma is located • Church of the Miracles • Aztec Pyramids of the Sun and the Moon • Visit the hilltop Chapel of Tepeyac and hear the story Puebla of Our Lady’s appearance • Puebla Cathedral in Guadalupe • St. Dominic Church • Visit the Cathedral in • Golden Chapel of Our Lady of the Rosary Puebla • Society of Jesus Church • Church of St. Francis of Assisi • Climb the Pyramids of the • Talabera Ceramic Factories Moon and Sun at San Juan • Artist Quarter Teotihuacan Sample Itinerary* Day 1: TRAVEL TO MEXICO CITY Upon arrival, you will have a welcome dinner at your hotel. Visit the Church of the Holy Family, where we will celebrate Mass and venerate the relics of Blessed Miguel Pro. Fr. Pro was martyred during the Cristo Rey era at the beginning of the 20th century. Ovenight in Mexico City. -
MCMANUS-DISSERTATION-2016.Pdf (4.095Mb)
The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation McManus, Stuart Michael. 2016. The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493519 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World A dissertation presented by Stuart Michael McManus to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2016 © 2016 – Stuart Michael McManus All rights reserved. Dissertation Advisors: James Hankins, Tamar Herzog Stuart Michael McManus The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World Abstract Historians have long recognized the symbiotic relationship between learned culture, urban life and Iberian expansion in the creation of “Latin” America out of the ruins of pre-Columbian polities, a process described most famously by Ángel Rama in his account of the “lettered city” (ciudad letrada). This dissertation argues that this was part of a larger global process in Latin America, Iberian Asia, Spanish North Africa, British North America and Europe. -
Arizona, Southwestern and Borderlands Photograph Collection, Circa 1873-2011 (Bulk 1920-1970)
Arizona, Southwestern and Borderlands Photograph collection, circa 1873-2011 (bulk 1920-1970) Collection Number: Use folder title University of Arizona Library Special Collections Note: Press the Control button and the “F” button simultaneously to bring up a search box. Collection Summary Creator: Various sources Collection Name: Arizona, Southwestern and Borderlands Photograph collection Inclusive Dates: 1875-2011 Bulk Dates: (bulk 1920-1970) Physical Description: 95 linear feet Abstract: The Arizona, Southwestern and Borderland photograph collection is an artificially created collection that consists of many folders containing photographs, from various sources, of Arizona, New Mexico, and Mexico arranged by topics including places, people, events and activities, and dating from about 1875 to the present, but mostly after 1920. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, view books, photograph albums, panoramas and photoprints. Collection Number: Use folder title Language: Materials are in English and Spanish. Repository: University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll. library.arizona.edu/ E-Mail: [email protected] Historical Note The Photograph subject files were created and added to by Special Collections staff members, over the years, from donations received from various sources, in order to provide subject access to these photographs within Special Collections holdings. Scope and Content Note The files generally fall into the categories of Arizona and New Mexico cities and towns, military posts, and other places; Tucson, Ariz.; Indians of Arizona, New Mexico and Mexico; Mexico; and individual people. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, viewbooks, and photoprints. -
Travel Guide Puebla
How to use this brochure Tap any button in the contents to go to the Tap the button to get back to the con¬tents selected page. page or to the selected map. Contents Map Tap the logo or the image to go to the Tap the button to book your hotel or tour. webpage. Book Here Tap the logos to access the weather forecast, take a virtual tour of archaeological sites via Street View, enjoy videos and photos of Puebla. Follow us in social media and keep up to date with our latest news, promotions and information about the tourist destinations in Mexico. 25. Magic Route of Gastronomy. Contents Magic Route of Nature. 26. Villages of the Sierra Magica. 27. Villages of the Sierra Magica. 28. Sierra Nororiental. Map. 29. Sierra Nororiental. Villages. 30. Serdan Valley. Map of Villages. 31. Serdan Valley. Villages. 32. Valle de Atlixco y Matamoros. Map. 33. Valle de Atlixco y Matamoros. Villages. Centro Vacacional Atlixco-Metepec. 1. Puebla. 34. Mixteca Route. Map of Villages. 2. 10 Things to do in Puebla. 35. Mixteca Route. Villages. 3. 10 Things to do in Puebla. 36. Mixteca Route. Villages. 4. 10 Things to do in Puebla. 37. Tehuacán and Sierra Negra. Map. 5. Hotel Misión Puebla. 38. Tehuacán and Sierra Negra. Tehuacán. 6. City of Puebla. Hotel & Spa Aldea del Bazar. 7. Colonial Buildings in Puebla. 39. Tehuacán and Sierra Negra. Villages. 8. Colonial Buildings in Puebla. 40. Awe-inspiring natural wonders in Puebla. 9. Puebla and its Museums. 41. Awe-inspiring natural wonders in Puebla. 10. -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
Desert Botanical Garden Press
DESERT BOTANICAL GARDEN PRESS KIT OVERVIEW THE GARDEN: Discover the tranquil vibrancy of 50,000 desert plants nestled amid the red rocks of the Papago Buttes at Desert Botanical Garden. Visitors can stroll through five thematic trails to explore plants, including towering cactus, alluring succulents and brilliant desert wildflowers. Delve deeper to experience world-class art exhibitions, festive events, fascinating classes and so much more. MISSION: The Garden’s commitment to the community is to advance excellence in education, research, exhibition and conservation of desert plants of the world with emphasis on the Southwestern United States. We will ensure that the Garden is always a compelling attraction that brings to life the many wonders of the desert. LOCATION | WEBSITE: 1201 N. Galvin Parkway, Phoenix, AZ 85008 | dbg.org | 480.941.1225 MEDIA CONTACTS: Dana Terrazas, Director of Marketing Communications Clare Hahne, Marketing Communications Manager 480.481.8101 | [email protected] 480.481.8102 | [email protected] YOUR GARDEN BY THE NUMBERS (Reflective of 2017): 450,578 32,575 122 4,357 379 68,432 80 SPECIES CARED FOR TOTAL ATTENDANCE MEMBERS NEW SPECIES ADDED SPECIES IN THE VOLUNTEER HOURS CELEBRATING GARDEN’S LIVING THAT ARE RARE AND CONTRIBUTED 80 YEARS IN 2019 COLLECTION ENDANGERED DESERT BOTANICAL GARDEN | PRESS KIT | OVERVIEW 1 HISTORY In the 1930s, a small group of passionate local citizens saw the need to conserve the beautiful desert environment. One was Swedish botanist Gustaf Starck, who found like-minded residents by posting a sign that said “Save the desert,” with an arrow pointing to his home. Nearly eight decades later, thanks to leadership and investments from many individuals, Desert Botanical Garden has blossomed from a dream into a living museum unlike any other. -
Relay for Life Luminaria Chair Guidebook
Relay For Life Luminaria Chair Guidebook American Cancer Society Eastern Division RelayForLife.org LUMINARIA CHAIR guidebook Table of Contents WELCOME TO THE RELAY FOR LIFE COMMITTEE!...........................................................................................................4 WHERE DO THE DOLLARS GO?.............................................................................................................................................5 RELAY FOR LIFE OVERVIEW...................................................................................................................................................8 WHAT IS RELAY FOR LIFE?........................................................................................................................................................8 PHILOSOPHY – WHY WE RELAY ...............................................................................................................................................8 WHY RELAY?............................................................................................................................................................................8 NATIONAL RELAY FOR LIFE EVENT STANDARDS.........................................................................................................................9 Overnight Event...................................................................................................................................................................9 Opening and Closing Ceremony..........................................................................................................................................9 -
THE INFANT JESUS: the Purpose of Advent Is to Celebrate and Seek to Understand the True Meaning of Jesus’ Birth
WHAT IS Advent? Advent is the period preceding Christmas Day that begins the nearest Sunday to November 30 and covers four Sundays. Because the day it begins changes from year to year, so does the length of each advent season. Advent 2019 begins on December 1 and ends December 24th. Advent is a time of preparing, sharing, and reflecting that leads up to celebrating the birth of Jesus our Lord. Christian families often light candles on advent wreaths, share faith stories, and find quiet moments to reflect on what the birth of Jesus really means. Each Sunday at worship services an advent candle is lighted, and passages of scripture are shared about hope, love, joy and peace. Usually, the Christmas eve and Christmas day candles are different colors from the rest of the candles. Children often make ornaments representing symbols of Christianity, like doves, angels and stars. Come to the manger with us this advent. Come where the ordinary becomes special and wonder is awesome. Come and receive the blessing of Advent… Jesus, God’s only begotten son. AN ADVENT MESSAGE FROM REV. MARLA C. HAWKINS Our Advent focus this year is on the manger where Jesus was placed at his birth. Often times we see symbols but miss the message that they bring. The manger though a simple feeding device, holds significant meanings worth our consideration. Perhaps coming to the manger means considering a lowly place where seemingly nothing significant happens. Also, It could mean to come to an unlikely place to receive a miracle. None the less, This is a time to meet Jesus at the manger, see the angels proclaim the everlasting miracle and be in the presence of the prince of peace. -
NOTICE of PUBLIC MEETING Thursday, June 16, 2016 9:00 A.M. to 4:30 P.M
NOTICE OF PUBLIC MEETING Thursday, June 16, 2016 9:00 a.m. to 4:30 p.m. East Bay Center for the Performing Arts 339 11th St Richmond, CA 94801 (510) 234-5624 1. 9:00 Call to Order D. Harris Welcome of new Council Member Juan Devis Welcome from East Bay Center J. Simmons 2. 9:30 Roll Call and Establishment of a Quorum CAC staff 3. 9:35 Presentation: Performance by Local Artist D. Harris 4. 9:45 Approval of Minutes from April 22, 2016 (TAB 12) D. Harris 5. 9:50 Chair’s Report (TAB 13) D. Harris 6. 10:00 Director’s Report (TAB 14) C. Watson 7. 10:15 Panel Recommendations: S. Gilbride a. Creative California Communities (TAB 15) Panel Chairs b. Cultural Pathways (TAB 16) c. Local Impact (TAB 17) d. Veterans Initiative in the Arts (TAB 18) e. Professional Development and Consulting (TAB 19) 8. 12:45 Honoring of Retiring Staff Members C. Watson 9. 1:00 Public Comment (may be limited to two minutes per D. Harris speaker) 10. 1:45 2015-16 Programs Budget Recap (TAB 20) A. Kiburi S. Gilbride 11. 2:00 2016-17 Panel Recommendations: Artists in Schools (TAB 21) S. Gilbride Panel Chair 12. 2:30 2016-17 Program Update: Poetry Out Loud (TAB 22) S. Gilbride 13. 2:45 2016-17 Program Guidelines: State-Local Partnership (TAB 23) S. Gilbride 14. 3:00 Update: Arts in Corrections A. Kiburi 15. 3:15 Committee Reports (TAB 24) D. Harris 16. 3:45 Council Member Updates and Reports (2 min.