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Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba. -
Looking Back: Elmore Leonard Elmore Leonard (B. Oct. 11, 1925
Looking Back: Elmore Leonard Elmore Leonard (b. Oct. 11, 1925), American novelist & screenwriter, died on August 20. – Aug. 20, Leonard was best known for writing crime fiction: fast-paced novels about ex-cons, aspiring kidnappers, gun dealers and loan sharks, and the world-weary lawmen who chase them, often as not shaking their heads over how damned dumb criminals can be. For more about Leonard, his style, and best stuff, follow the link. Leonard was born in New Orleans, but his family moved frequently. In 1934, they settled in Detroit, which remained his home for the rest of his life. After serving in World War Two, he began his writing career while working with an advertising agency. His earliest novels were Westerns, but he went on to specialize in crime fiction and suspense thrillers. He became known as the Dickens of Detroit for the use of that locale in his stories. His best-known works include Get Shorty, Out of Sight, Rum Punch, Glitz, Cuba Libre and Mr. Majestyk. His western stories include ones that became the films Hombre and 3:10 to Yuma. In an article called ‘Why Elmore Leonard Matters,” Laura Williams said “his novels were always expertly plotted and sardonically funny” but what made it “impossible to forget about anything Elmore Leonard ever wrote was his voice.” His writing was short on description but filled with dialogue that “sounds exactly like the way people speak.” Like Mark Twain, Leonard believed he could “tell his readers everything worth knowing about Americans by showing them how we talk. In a 2001 essay, Leonard advised aspiring writers to “go easy on the adverbs” and skip the “hooptedoodle. -
Imagining a Free Cuba: Carlos Manuel De Cespedes and Jose Marti
Occasional Paper #24 IMAGINING A FREE CUBA: CARLOS MANUEL DE CÉSPEDES AND JOSÉ MARTÍ Cathy L. Jrade, George Monteiro, Nelson R. Orringer, Louis A. Pérez, Jr., Ivan A. Schulman, Thomas E. Skidmore, and Wayne S. Smith Edited by José Amor y Vázquez i Occasional Papers is a series published by The Thomas J. Watson Jr. Institute for International Studies Brown University, Box 1970 2 Stimson Avenue Providence, RI 02912 Telephone: (401) 863-2809 Fax: (401) 863-1270 E-mail: [email protected] http://www.brown.edu/Departments/Watson_Institute/ Thomas J. Biersteker, Ph.D., Director Thomas G. Weiss, Ph.D., Associate Director Frederick F. Fullerton, Editor/Writer Nancy Hamlin Soukup, Editor/Writer Amy M. Langlais, Assistant Computer Coordinator Statements of fact or opinion are solely those of the authors; their publication does not imply endorsement by the Thomas J. Watson Jr. Institute for International Studies. Copyright © 1996 by the Thomas J. Watson Jr. Institute for Interna- tional Studies. All rights reserved under International and Pan American Convention. No part of this report may be reproduced or transmitted in any form or by any other means, electronic or me- chanical, including photocopy, recording, or any information stor- age and retrieval system, without prior written permission from the publisher. All inquiries should be addressed to Occasional Papers, Thomas J. Watson Jr. Institute for International Studies. ii TABLE OF CONTENTS Preface ........................................................................................... v Cubans by Choice: Carlos Manuel de Céspedes and José Martí ........................... 1 Thomas E. Skidmore Approaching Martí: Text and Context ................................... 13 Louis A. Pérez, Jr. Stephen Crane’s Cuban War ................................................... 25 George Monteiro The Relevance of Martí’s Thought Today ............................ -
“Raylan Givens” with an Expansive List of Diverse Film And
TIMOTHY OLYPHANT “Raylan Givens” With an expansive list of diverse film and television credits, Timothy Olyphant is known for his poignant roles in both dramas and comedies. He most recently wrapped Breck Eisner’s remake of the horror classic The Crazies, which revolves around a small town beset by death and insanity after a plane crash lets loose a secret biological weapon into the water supply. Olyphant stars as the town sheriff. Overture Films recently released this film in February 2010. This past year, Timothy starred opposite Steve Zahn and Milla Jovovich in David Twohy’s A Perfect Getaway for Relativity Media, which centers around two couples who, on a Hawaiian vacation, discover that psychopaths are stalking and murdering tourists on the islands. He also stars in Gary Yates’ independent feature High Life, a comedy about four hapless junkies who plan to rob a bank. The film premiered at the 2009 Berlin Film Festival. In 2007, Olyphant starred in 20th Century Fox’s Hitman and Live Free Die Hard. Hitman, based on the popular video game and directed by Xavier Gans, centers around “Agent 47” (Olyphant), who realizes he’s being pursued by both Interpol and the Russian military as he treks across Eastern Europe. In Live Free Die Hard, directed by Len Wiseman, Olyphant played “Thomas Gabriel,” an internet-based terrorist who John McClaine (Bruce Willis) is trying to stop from systematically shutting down the United States. Olyphant co-starred with Elisha Cuthbert and Emile Hirsch in 20th Century Fox’s The Girl Next Door. Olyphant brilliantly portrayed “Kelly,” the porn producer and ex-boyfriend of “Danielle” (Cuthbert), who tries to convince her to come back to the business. -
Martin Amis Interviews Elmore Leonard
Martin Amis Interviews Elmore Leonard at the Writers Guild Theatre, Beverly Hills, January 23, 1998 (Amis's interview with Leonard was sponsored by the nonprofit group Writers Bloc, a year-old non-profit group formed by Andrea Grossman. The event sold out the 540-seat Beverly Hills Theatre. My thanks to Ms. Grossman for alerting me to the event and Amis's American reading tour, and providing for this transcript). MARTIN AMIS: We're welcoming here Elmore Leonard, also known as "Dutch." And rather less formally, the "Dickens of Detroit. " It is an apt description, I think, because he is as close as anything you have here in America to a national novelist, a concept that almost seemed to die with Charles Dickens but has here been revived. I was recently in Boston visiting Saul Bellow, and on the shelves of the Nobel laureate, I spied several Elmore Leonards. Saul Bellow has a high, even exalted view of what literature is and does. For him, it creates the "quiet zone" where certain essences can nourish what he calls "our fair souls. " This kind of literature of the Prousto-Nabokovian variety has recently been assigned the label "minority interest." There is patently nothing "minority interest" about Elmore Leonard. He is a popular writer in several senses. But Saul Bellow and I agreed that for an absolutely reliable and unstinting infusion of narrative pleasure in a prose miraculously purged of all false qualities, there was no one quite like Elmore Leonard. I thought we might begin at the beginning, and talk about your early years as a writer and how you got started.