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J U L I a N a M O
J u l i a n a M o r i [email protected] www.julianamori.com Objective To contribute with my experience, knowledge and skills to develop new ways and contents of audiovisual media expression Education Universitat Pompeu Fabra — Digital Arts, Masters Barcelona-Spain, 2009 Pos graduate-level coursework towards a Masters in Digital Arts. Courses in experimental media and art history, human-computer-interaction, physical interfaces, networks, creative programming, web development, photographism and algorithmic video. PUC-SP — Social Communication-Journalism, BA São Paulo-Brazil, 2000 Graduated with a Bachelor of Communication with a majour in journalism. Courses in social and media sciences, communication theory, semiotics, reporting, news editing, media writing, photography and video production. Specialization on Documentary Video. Professional Experience Tugo Filmes — Director São Paulo, 2004-... Directed the audiovisual branch of the studio producing documentaries, experimental and videoart projects. Collaborated with several brazilian producers and broadcast channels creating television contents for clients such as MTV Brasil, TV Cultura, GW Productions/GloboTV. Avalanche Filmes — Assistant Director São Paulo, 2008 Assistant directed several advertisement films. Worked with multidisciplinary teams helping to define and organize the productions needs. Responsible for working with the director on script decoupage, casting tests, shooting schedules and post-production supervising. Hiper Produções — Editor São Paulo, 2006-07 Editor of gastronomical tv program Diário do Olivier, hosted weekly on broadband brazilian channel TV Record. Responsible for script the program since the shooting (acting as the second cinematographer on the team) untill the material selection, editing and masterization of the program. RedeTV— Assistant Director São Paulo, 2005-06 Assistant directed tv program Top Report, hosted weekly on broadband brazilian channel RedeTv. -
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER Our Work in the Digital Realm Hollywood, Health & Society is a free, non-profit resource based at the USC Annenberg Norman Lear Center that connects TV creative teams with top health and climate change experts. These ser- vices are also available to those producing new media content on television show websites and social media platforms. In fact, we have already built up a substantial portfolio of work in the digi- tal realm. Among other projects, HH&S has: ➻ Parenthood / The Experts Speak Provided experts and coordinated responses for “The Experts Speak” feature on Asperger’s/ASD Coordinated with experts on bioterrorism for on the Parenthood (NBC) website. features on the website and third season DVD of 24 Provided an expert for MTV International’s (FOX). World AIDS Day online “Ask The Doctor” feature. Worked with ABC to develop a Q&A on the General Partnered with Army Wives and Lifetime Televi- Hospital website, answering viewer’s questions about sion on multi-episode storylines dealing with an on-air storyline dealing with HIV. Type 2 diabetes and traumatic brain injuries. New Partnered with Telemundo and the Centers for Dis- media components included informational pages ease Control and Prevention to create health-related, on mylifetime.com and Army Wives-themed show-specific websites for telenovelas (Pecados pages on cdc.gov. Social media included tweets Ajenos, Amarte Así) in both Spanish and English. on @CDCgov, @OfficialArmyWives, and @Real- Coordinated a pro-social, transmedia (television, WendyDavis (star of Army Wives) and a special radio, workshops, Internet) campaign with Sin Senos Facebook page (monitored by the CDC) for fans No Hay Paraíso. -
Las Vegas Channel Lineup
Las Vegas Channel Lineup PrismTM TV 222 Bloomberg Interactive Channels 5145 Tropicales 225 The Weather Channel 90 Interactive Dashboard 5146 Mexicana 2 City of Las Vegas Television 230 C-SPAN 92 Interactive Games 5147 Romances 3 NBC 231 C-SPAN2 4 Clark County Television 251 TLC Digital Music Channels PrismTM Complete 5 FOX 255 Travel Channel 5101 Hit List TM 6 FOX 5 Weather 24/7 265 National Geographic Channel 5102 Hip Hop & R&B Includes Prism TV Package channels, plus 7 Universal Sports 271 History 5103 Mix Tape 132 American Life 8 CBS 303 Disney Channel 5104 Dance/Electronica 149 G4 9 LATV 314 Nickelodeon 5105 Rap (uncensored) 153 Chiller 10 PBS 326 Cartoon Network 5106 Hip Hop Classics 157 TV One 11 V-Me 327 Boomerang 5107 Throwback Jamz 161 Sleuth 12 PBS Create 337 Sprout 5108 R&B Classics 173 GSN 13 ABC 361 Lifetime Television 5109 R&B Soul 188 BBC America 14 Mexicanal 362 Lifetime Movie Network 5110 Gospel 189 Current TV 15 Univision 364 Lifetime Real Women 5111 Reggae 195 ION 17 Telefutura 368 Oxygen 5112 Classic Rock 253 Animal Planet 18 QVC 420 QVC 5113 Retro Rock 257 Oprah Winfrey Network 19 Home Shopping Network 422 Home Shopping Network 5114 Rock 258 Science Channel 21 My Network TV 424 ShopNBC 5115 Metal (uncensored) 259 Military Channel 25 Vegas TV 428 Jewelry Television 5116 Alternative (uncensored) 260 ID 27 ESPN 451 HGTV 5117 Classic Alternative 272 Biography 28 ESPN2 453 Food Network 5118 Adult Alternative (uncensored) 274 History International 33 CW 503 MTV 5120 Soft Rock 305 Disney XD 39 Telemundo 519 VH1 5121 Pop Hits 315 Nick Too 109 TNT 526 CMT 5122 90s 316 Nicktoons 113 TBS 560 Trinity Broadcasting Network 5123 80s 320 Nick Jr. -
17 June 2021 | the Marché Du Film
PRESS RELEASE FOR IMMEDIATE RELEASE THE MARCHÉ DU FILM – FESTIVAL DE CANNES ANNOUNCES PARAMOUNT+, DISCOVERY+ AS EXCLUSIVE GUESTS OF MEET THE STREAMERS 2021 MEET THE STREAMERS EXPANDING FURTHER ITS PROGRAM WITH BRITBOX, NENT AND STUDIOCANAL LEADERS, WATCHA, INC CEO, LATAM FOCUS Paris – Thursday, June 17th, 2021 – The Marché du Film – Festival de Cannes is pleased to announce the third edition of its event dedicated to streaming platforms, strategy and innovation, Meet the Streamers. The growing program will notably welcome ViacomCBS’ Paramount+, Discovery’s discovery+ for two major keynotes, and will be part of the Marché du Film which will run from the 6th to the 15th of July 2021. Jérôme Paillard, Executive Director of the Marché du Film said :“The Covid era has been a unique opportunity for streaming platforms to blossom and for many films to reach their audience in a new way, during the cinemas closure. The love-hate relationship between cinema and streamers has come of age and we can more than ever find common winning strategies. This is the light that the Meet the Streamers team aims to cast with an even richer event this year.” Meet the Streamers is thrilled to host ViacomCBS’ Paramount+ as its exclusive guest following the service’s March 2021 launch. The Marché du Film audience will be able to join Kelly Day, President of Streaming and Chief Operating Officer for ViacomCBS Networks International (VCNI) for a keynote and conversation focused on the international rollout of Paramount+ within an ever-changing landscape. “With an unrivalled global footprint and powerful content ecosystem, ViacomCBS is uniquely positioned to take advantage of the massive global streaming opportunity as we continue to bring Paramount+ to audiences around the world. -
BET Networks Delivers More African Americans Each Week Than Any Other Cable Network
BET Networks Delivers More African Americans Each Week Than Any Other Cable Network BET.com is a Multi-Platform Mega Star, Setting Trends Worldwide with over 6 Billion Multi-Screen Fan Impressions BET Networks Announces More Hours of Original Programming Than Ever Before Centric, the First Network Designed for Black Women, is One of the Fastest Growing Ad - Supported Cable Networks among Women NEW YORK--(BUSINESS WIRE)-- BET Networks announced its upcoming programming schedule for BET and Centric at its annual Upfront presentation. BET Networks' 2015 slate features more original programming hours than ever before in the history of the network, anchored by high quality scripted and reality shows, star studded tentpoles and original movies that reflect and celebrate the lives of African American adults. BET Networks is not just the #1 network for African Americans, it's an experience across every screen, delivering more African Americans each week than any other cable network. African American viewers continue to seek BET first and it consistently ranks as a top 20 network among total audiences. "Black consumers experience BET Networks differently than any other network because of our 35 years of history, tremendous experience and insights. We continue to give our viewers what they want - high quality content that respects, reflects and elevates them." said Debra Lee, Chairman and CEO, BET Networks. "With more hours of original programming than ever before, our new shows coupled with our returning hits like "Being Mary Jane" and "Nellyville" make our original slate stronger than ever." "Our brand has always been a trailblazer with our content trending, influencing and leading the culture. -
MTV International
Brand/Rebrand: MTV International 07.16.2015 In 1987, Sting sang the iconic words "I want my MTV" on the Dire Straits single "Money for Nothing." Now, nearly 30 years later, he can finally have it, thanks to an MTV International rebrand that hands a healthy portion of its channels' on-air real estate over to the viewers. Unofficially dubbed "I am my TV," the flashy centerpiece of the new MTVI is #MTVBump, an online platform that lets viewers upload their own videos to be considered as idents, or by submitting them through Instagram and Vine using the aforementioned hashtag. At the same time, the Viacom network has provided each of the regions across the 160+ countries in which it resides with a digital toolkit packed with hundreds of lo-fi-yet-chic animated backgrounds and 3D animated objects, then given them free reign to combine them at will. The goal, said Sean Saylor, VP of creative at MTV International, was "for it to feel fun" for each region to implement the new assets, "to mix and match them as much as they want and to make them feel unique and relevant to their audience… It's coming from the same direction aesthetically but it always looks a little different." MTVI has always packed its airwaves with imaginative design elements (a fresh new slate of its legendary Art Breaks also populate the rebrand), creating what is at least the illusion of an anything-goes aesthetic well-suited to its audience. But this new amalgamation of user-generated content and local in-house creative independence makes the illusion a reality - the brand is ceding control of its airwaves to a degree unprecedented in linear television, giving literally anyone in the world the chance to help dictate its look and feel. -
'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 P.M.*
What Winter Cold? These Comedians are Bringing the Heat! Check Out the World Premiere of 'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 p.m.* NEW YORK, Nov. 16, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL is unleashing a new "Hot List" of its star comics upon the world! See who makes the cut in the World Premiere of "COMEDY CENTRAL's Hot List," debuting Sunday, December 5 at 10:00 p.m. With the success of 2009's "Hot List," which included white-hot comedians Aziz Ansari, Donald Glover, Nick Kroll and Whitney Cummings, COMEDY CENTRAL is proving its prophetic prowess yet again by rolling out a bevy of break-through talent that audiences will soon have to reckon with. COMEDY CENTRAL has picked seven of the hottest comedians who have been on a hot streak in the clubs, on the Internet, in films and on television. This year's cream of the comedic crop includes Pete Holmes ("John Oliver's New York Stand-Up Show," "COMEDY CENTRAL Presents"), Reggie Watts ("Michael & Michael Have Issues"), Chelsea Peretti ("COMEDY CENTRAL Presents," "The Sarah Silverman Program"), Kurt Metzger ("Ugly Americans," "COMEDY CENTRAL Presents"), Kyle Kinane ("COMEDY CENTRAL Presents," "Last Call with Carson Daly"), Natasha Leggero ("COMEDY CENTRAL Presents," "Ugly Americans," "Last Comic Standing") and Owen Benjamin ("The House Bunny," "COMEDY CENTRAL Presents"). "COMEDY CENTRAL's Hot List" includes interviews with the comedians as well as clips from their various performances and day-in-the-life footage captured with a self-recorded flipcam. Tune in Sunday, December 5 at 10:00 p.m. -
MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
State Systemic Improvement Plan – FFY 2018
New Jersey Early Intervention System SPP/APR FFY 2018 (SFY 2019) Indicator 11-Attachment State Systemic Improvement Plan Submitted: April 1, 2020 THE STATE SYSTEMIC IMPROVEMENT PLAN PHASE III INTRODUCTION The New Jersey Department of Health (DOH) is the designated State Lead Agency for the Early Intervention System (NJEIS) established under Part C of the Individuals with Disabilities Education Act (IDEA). As such, the DOH is ultimately responsible for using its supervisory authority to ensure the availability of appropriate early intervention services for eligible infants, toddlers and their families. New Jersey is divided into three geographic regions that are North Jersey, Central Jersey and South Jersey. The state has a twenty-one (21) county governmental structure and NJEIS operates in all 21 counties of New Jersey through contracts with 50 Early Intervention Agencies (EIPs), 13 Service Coordination Units (SCUs) and four Regional Early Intervention Collaboratives (REICs). Phases I & II of the State Systemic Improvement Plan (SSIP) in 2015 and 2016 were completed through the efforts of the DOH and stakeholders through multiple meetings; the formation of small, task-oriented workgroups; data collection and analysis that all support the State- Identified Measurable Result (SIMR). The NJEIS defined the SIMR as: “Infants and toddlers with disabilities will substantially increase their rate of growth and development of positive social emotional skills by the time they exit the program as measured by Indicator 3A, summary statement 1” The execution of Phase III Years 1 through 4 followed the Actions Steps outlined in each of the four (4) Implementation Plans along with the Methods and Measures of the Evaluation Plan developed and submitted in Phase II. -
Carlos Eduardo Pereira De Oliveira Universidade Do Estado De Santa Catarina (UDESC)
“EU QUERO MINHA MTV”: NARRATIVAS SOBRE UMA NOVA EMISSORA NO BRASIL DEMOCRÁTICO (1988-1990) Carlos Eduardo Pereira de Oliveira Universidade do Estado de Santa Catarina (UDESC). E-mail: [email protected] Resumo O presente artigo analisa as narrativas sobre a inserção da MTV no Brasil, relacionando com o processo de abertura política no país. Partindo de algo já formatado, a operação brasileira trazia diferenças profundas, que repousavam na sua transmissão e no contexto de inserção, com uma série de acontecimentos que estruturaram a narrativa de abertura política, social e cultural. Coloco como marco central a promulgação da Constituição Cidadã, em 1988, por compreendê-la enquanto fator crucial de um processo de redemocratização, reverberando na radiodifusão no país, consolidando clima de liberdade, protagonismo e renovação. Com isso, o contexto de entrada da MTV no país está intimamente ligado com as reverberações da promulgação, em que as expectativas sobre o futuro estavam na ordem do dia. As fontes trabalhadas são matérias do jornal Folha de São Paulo, entre 1985 e 1990, em diferentes cadernos e colunas e que tiveram como foco as narrativas sobre a MTV. Portanto, o início das atividades desta emissora em solo brasileiro esteve associado ao desenvolvimento de narrativas que aventavam a ideia de liberdade, mediante conteúdo musical na programação, voltada ao público jovem. Palavras-chave: MTV Brasil; redemocratização; História do Tempo Presente “A TV Abril é a MTV no Brasil. A emissora brasileira anunciou ontem [07/03/1990], oficialmente, que passará a transmitir – e a produzir – programação com a marca da rede mundial Music Television” (MARSIAJ, 1990, p.E3). -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME