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Alice in Wonderland
Alice in Wonderland US : 1933 : dir. Norman Z McLeod : Paramount : 77 min prod: Louis D Lighton : scr: Joseph L Mankiewicz & William Cameron Menzies : dir.ph.: Henry Sharp & Bert Glennon Jackie Searl; Billy Barty; Baby LeRoy …………………..…………………………………………… Charlotte Henry; Richard Arden; Gary Cooper; W.C. Fields; Cary Grant; Edna May Oliver; Edward Everett Horton; Jack Oakie; Leon Errol; Charles Ruggles; May Robson; Ned Sparks; Louise Fazenda; Alison Skipworth; Lucien Littlefield; Harvey Clark; William Austin Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5090 4.5 9 5 1,683 - - - - - No unseen Alice, the Caterpillar and “You are old, father William” Source: Illustrated History of the Talkies Leonard Maltin's Movie and Video Guide Speelfilm Encyclopedie review – identical to 1996 review: above “Top Paramount stars appear, disguised as various Lewis Carroll characters, in this slow- Halliwell's Film Guide review moving adaptation of the classic story. Fascinating because of its casting – Cooper as “Intriguing but disappointing version of the the White Knight, Fields as Humpty Dumpty, nonsense classic, keeping to the Tenniel Grant as the Mock Turtle – but, overall, a bore. drawings by dressing an all-star cast in masks, Screenplay by Joseph L Mankiewicz and thereby rendering them ineffective. Ida William Cameron Menzies. ** ” Lupino was brought from the UK for the title role, but not used. Scr: Joseph L Mankiewicz and William Cameron Menzies, from the novel by Lewis Carroll. Music: Dimitri Tiomkin **” “Nothing grows out of anything -
THE BOX OFFICE CHECK-UP of 1935
1 to tell the world!* IN 1936 THE BOX OFFICE CHECK-UP of 1935 An annual produced by the combined editorial and statistical facilities of Motion Picture Herald and Motion Picture Daily devoted to the records and ratings of talent in motion pictures of the year. QUIGLEY PUBLISHING COMPANY THE PUBLIC'S MANDATE by MARTIN QUIGLEY 1 The Box Office Check-Up is intended to disclose guidance upon that single question which in the daily operations of the industry over- shadows all others; namely, the relative box office values of types and kinds of pictures and the personnel of production responsible for them. It is the form-sheet of the industry, depending upon past performances for future guidance. Judging what producers, types of pictures and personalities will do in the future must largely depend upon the record. The Box Office Check-Up is the record. Examination of the record this year and every year must inevitably dis- close much information of both arresting interest and also of genuine im- portance to the progress of the motion picture. It proves some conten- tions and disproves others. It is a source of enlightenment, the clarifying rays of which must be depended upon to light the road ahead. ^ Striking is the essential character of those pictures which month in and month out stand at the head of the list of Box Office Cham- pions. Since August, 1934, the following are among the subjects in this classification: "Treasure Island," "The Barretts of Wimpole Street," "Flirta- tion Walk," "David Copperfield," "Roberta," "Love Me Forever," "Curley -
Knight Letter D De E
d de e knight letter d de e The Lewis Carroll Society of North America !!!!! !!!!!!! !!!!!!!!! !!!!!!!!! !!!!!!! !!!!! Fall 2018 Volume III Issue 1 Number 101 d de e The Knight Letter is the official magazine of the Lewis Carroll Society of North America, a literary society whose purpose is to encourage study and appreciation of the life, work, times, and influence of Lewis Carroll (Charles Lutwidge Dodgson), and which is in affiliation with the Fales Library, New York University. It is published twice a year and is distributed free to all members. Editorial correspondence should be sent to the Editor in Chief at [email protected]. submissions Submissions for The Rectory Umbrella and Mischmasch should be sent to [email protected]. Submissions and suggestions for Serendipidity and Sic, Sic, Sic should be sent to [email protected]. Submissions and suggestions for All Must Have Prizes should be sent to [email protected]. Submissions and suggestions for From Our Far-Flung Correspondents should be sent to [email protected]. © 2018 The Lewis Carroll Society of North America ISSN 0193-886X Chris Morgan, Editor in Chief Cindy Watter, Editor, Of Books and Things Mark Burstein, Editor, From Our Far-Flung Correspondents Foxxe Editorial Services, Copyeditor Mark Burstein, Production Editor Sarah Adams-Kiddy, Proofreader Andrew H. Ogus, Designer the lewis carroll society of north america President: Linda Cassady, [email protected] Vice-President: Amy Plummer, [email protected] Secretary: Sandra Lee Parker, [email protected] www.LewisCarroll.org Annual membership dues are U.S. $35 (regular), $50 (international), and $100 (sustaining). Subscriptions, correspondence, and inquiries should be addressed to: Sandra Lee Parker, LCSNA Secretary PO Box 197 Annandale, Virginia 22003 Additional contributors to this issue: Mary DeYoung, August Imholtz, Jr., and Devra Kunin On the cover: Fantasia on 42 (unpublished notebook drawing) by John Vernon Lord. -
'S GREATEST MOVIE MUSICALS
‘s GREATEST MOVIE MUSICALS AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. Ballot2.indd 1 5/16/06 12:27:06 PM 1 ALADDIN 5 AN AMERICAN IN PARIS 9 BABES IN TOYLAND Disney, 1992 Metro-Goldwyn-Mayer, 1951 Metro-Goldwyn-Mayer, 1934 PRINCIPAL CAST Robin Williams, Scott Weinger, Linda Larkin (Voices) PRINCIPAL CAST Gene Kelly, Leslie Caron, Oscar Levant PRINCIPAL CAST Virginia Karns, Charlotte Henry, Felix Knight DIRECTORS Ron Clements, John Musker DIRECTOR Vincente Minnelli DIRECTORS Gus Meins, Charles Rogers PRODUCERS Ron Clements, John Musker PRODUCER Arthur Freed PRODUCER Hal Roach SCREENWRITERS Ron Clements, John Musker, Ted Elliot, Terry Rossio SCREENWRITER Alan Jay Lerner SCREENWRITERS Frank Butler, Nick Grinde MUSIC/LYRICS Alan Menken, Tim Rice, Howard Ashman CHOREOGRAPHER Gene Kelly MUSIC/LYRICS Victor Herbert/Glen MacDonough MUSIC/LYRICS George Gershwin/Ira Gershwin SONG SELECTIONS “A Whole New World” SONG SELECTIONS “Toyland” “Friend Like Me” SONG SELECTIONS “I Got Rhythm” “Don’t Cry, Bo-Peep” “One Jump Ahead” “I’ve Got a Crush on You, Sweetie Pie” “Go to Sleep, Slumber Deep” “Our Love Is Here to Stay” 2 ALEXANDER’S RAGTIME BAND 10 BABES ON BROADWAY Twentieth Century-Fox, 1938 6 ANCHORS AWEIGH Metro-Goldwyn-Mayer, 1941 Metro-Goldwyn-Mayer, 1945 PRINCIPAL CAST Tyrone Power, Alice Faye, Don Ameche PRINCIPAL CAST Mickey Rooney, Judy Garland, Fay Bainter DIRECTOR Henry King PRINCIPAL CAST Gene Kelly, Frank Sinatra, Kathryn Grayson DIRECTOR Busby Berkeley PRODUCER Harry Joe Brown DIRECTOR George Sidney PRODUCER Arthur Freed SCREENWRITERS Kathryn Scola, Lamar Trotti PRODUCER Jon Pasternak SCREENWRITERS Fred Finklehoffe, Elaine Ryan CHOREOGRAPHER Seymour Felix SCREENWRITER Isobel Lennart MUSIC/LYRICS Burton Lane/Arthur Freed, Roger Edens, E.Y.