Dolby Media Meter User's Manual
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Dvdit Pro Tutorial
TUTORIAL SONIC ™ DVDit® Pro 6 POWERFUL DVD AUTHORING FOR VIDEO PROFESSIONALS FROM SONIC THE HOLLYWOOD STANDARD IN DVD CREATION © Copyright 2005 Sonic Solutions. All rights reserved. DVDit Pro Tutorial — Sonic Part Number 800207 Rev B (09/05) This manual, as well as the software described in it, is furnished under license and may only be used or copied in accordance with the terms of such license. The information in this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Sonic Solutions. Sonic Solutions assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Sonic Solutions. SONIC SOLUTIONS, INC. (“SONIC”) MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE SOFTWARE. SONIC DOES NOT WARRANT, GUARANTEE, OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OF THE SONIC SOFTWARE IS ASSUMED BY YOU. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. IN NO EVENT WILL SONIC, ITS DIRECTORS, OFFICERS, EMPLOYEES, OR AGENTS BY LIABLE TO YOU FOR ANY CONSEQUENTIAL, INCIDENTAL, OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE THE SOFTWARE EVEN IF SONIC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
Universidade Federal Do Rio Grande Do Sul Instituto De Informática Curso De Engenharia De Computação
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE INFORMÁTICA CURSO DE ENGENHARIA DE COMPUTAÇÃO ANDREI ANATOLY KORCZIK YEFINCZUK Sistema Online para Mixagem Analógica de Áudio Monografia apresentada como requisito parcial para a obtenção do grau de Bacharel em Engenharia de Computação. Orientador: Prof. Dr. Marcelo de Oliveira Johann Porto Alegre 2014 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL Reitor: Prof. Carlos Alexandre Netto Vice-Reitor: Prof. Rui Vicente Oppermann Pró-Reitor de Graduação: Prof. Sérgio Roberto Kieling Franco Diretor do Instituto de Informática: Prof. Luís da Cunha Lamb Coordenador do Curso de Engenharia de Computação: Prof. Marcelo Götz Bibliotecária-Chefe do Instituto de Informática: Beatriz Regina Bastos Haro RESUMO Motivado pela ideia de compartilhar equipamentos de som de alta qualidade através da Internet, este trabalho propõe e apresenta um protótipo de serviço capaz de fornecer ao usuário acesso remoto a um sistema de mixagem analógica de áudio. Para isto, os arquivos de áudio do usuário são enviados a um servidor web, de onde podem ser executados por uma estação de gravação que tem conexão, através de uma interface digital-analógico-digital, com um equipamento de mistura. Com esse tipo de sistema em funcionamento, os usuários de diversos lugares podem ter acesso a equipamentos raros e caros, antes disponíveis apenas aos grandes estúdios. O servidor foi implementado para realizar mixagens de até dezesseis trilhas, enviadas pelo usuário através da aplicação cliente. Com isso, o conceito de mixar faixas de áudio na nuvem pôde ser testado. Palavras-chave: Áudio Analógico, Mixagem, Computação e Música. Online Analog Audio Mixing System ABSTRACT Driven by the idea of sharing high quality audio equipments through Internet, this paper proposes and presents a prototype of a service that provides remote access to analog audio system to the users. -
Optimizing the Implementation of Dolby Digital Plus in Soc Designs
White Paper Optimizing the Implementation of Dolby Digital Plus in SoC Designs Chris Cavigioli and Brett Miller, MIPS Technologies Roger Dressler and Rob Hislop, Dolby Laboratories January 2007 MIPS Technologies and Dolby Laboratories have collaborated to provide a rapid and low-risk methodology for deploying Dolby Digital Plus technology to the set-top box and HD DVD/Blu-ray Disc markets. Introduction Dolby® Digital Plus, the newest generation of Dolby Digital, the standard-setting audio technology from Dolby Laboratories, is making its way into next-generation home entertainment applications, bringing superior sound quality, more efficient audio compression, and an improved user experience to the home. Dolby Digital Plus, also known as Enhanced AC-3 (E-AC-3), was developed to address the changing requirements of two burgeoning consumer markets. For the emerging HD DVD and Blu-ray Disc optical disc players, the data compression capabilities of Dolby Digital Plus allow movie studios to combine a superior audio experience with high-definition video. The technology also enhances the latest digital TV set-top boxes (STBs), enabling broadcasters to deploy offerings with lower bit rates, reducing costs and adding flexibility and value for consumers. While there are tremendous advantages to using Dolby Digital Plus, there are also design considerations that system-on-a-chip (SoC) teams need to understand. The rigorous approval testing that is required at Dolby Laboratories before a chip or a system can use the Dolby Digital Plus logo is substantial. Working with Dolby Laboratories, MIPS Technologies has developed an optimized, tested version of Dolby Digital Plus that will run on any of its 32-bit synthesizable processor cores—significantly slashing audio subsystem development time. -
Frequently Asked Questions Dolby Digital Plus
Frequently Asked Questions Dolby® Digital Plus redefines the home theater surround experience for new formats like high-definition video discs. What is Dolby Digital Plus? Dolby® Digital Plus is Dolby’s new-generation multichannel audio technology developed to enhance the premium experience of high-definition media. Built on industry-standard Dolby Digital technology, Dolby Digital Plus as implemented in Blu-ray Disc™ features more channels, less compression, and higher data rates for a warmer, richer, more compelling audio experience than you get from standard-definition DVDs. What other applications are there for Dolby Digital Plus? The advanced spectral coding efficiencies of Dolby Digital Plus enable content producers to deliver high-resolution multichannel soundtracks at lower bit rates than with Dolby Digital. This makes it ideal for emerging bandwidth-critical applications including cable, IPTV, IP streaming, and satellite (DBS) and terrestrial broadcast. Dolby Digital Plus is also a preferred medium for delivering BonusView (Profile 1.1) and BD-Live™ (Profile 2.0) interactive audio content on Blu-ray Disc. Delivering higher quality and more channels at higher bit rates, plus greater efficiency at lower bit rates, Dolby Digital Plus has the flexibility to fulfill the needs of new content delivery formats for years to come. Is Dolby Digital Plus content backward-compatible? Because Dolby Digital Plus is built on core Dolby Digital technologies, content that is encoded with Dolby Digital Plus is fully compatible with the millions of existing home theaters and playback systems worldwide equipped for Dolby Digital playback. Dolby Digital Plus soundtracks are easily converted to a 640 kbps Dolby Digital signal without decoding and reencoding, for output via S/PDIF. -
Implementing a Parametric EQ Plug-In in C++ Using the Multi-Platform VST Specification
2003:044 C EXTENDED ESSAY Implementing a parametric EQ plug-in in C++ using the multi-platform VST specification JONAS EKEROOT SCHOOL OF MUSIC Audio Technology Supervisor: Jan Berg 2003:044 • ISSN: 1402 – 1773 • ISRN: LTU - CUPP - - 03/44 - - SE Implementing a parametric EQ plug-in in C++ using the multi-platform VST specification Jonas Ekeroot Division of Sound Recording School of Music in Pite˚a Lule˚aUniversity of Technology April 23, 2003 Abstract As the processing power of desktop computer systems increase by every year, more and more real-time audio signal processing is per- formed on such systems. What used to be done in external effects units, e.g. adding reverb, can now be accomplished within the com- puter system using signal processing code modules – plug-ins. This thesis describes the development of a peak/notch parametric EQ VST plug-in. First a prototype was made in the graphical audio program- ming environment Max/MSP on MacOS, and then a C++ implemen- tation was made using the VST Software Development Kit. The C++ source code was compiled on both Windows and MacOS, resulting in versions of the plug-in that can be used in any VST host application on Windows and MacOS respectively. Writing a plug-in relieves the programmer of the burden to deal directly with audio interface details and graphical user interface specifics, since this is taken care of by the host application. It can thus be an interesting way to start developing audio DSP algorithms, since the host application also provides the op- portunity to listen to and measure the performance of the implemented plug-in algorithm. -
Martin Pauser 9925925 Elektrotechnik Toningenieur V 033 213
Martin Pauser 9925925 Elektrotechnik Toningenieur V 033 213 Ambisonic Decoding für reguläre Lautsprecheraufstellungen und Möglichkeiten der Optimierung für die 5.1 Lautsprecheraufstellungen nach dem ITU Standard Musikinformatik 1 SE Inhalt 1 Einleitung.................................................................................................. 5 1.1 Problemstellung ......................................................................................... 5 1.2 Ziel der Arbeit............................................................................................. 5 1.3 Struktur der Arbeit ...................................................................................... 5 1.4 Surround Sound und Ambisonics im Überblick .......................................... 7 2 Psychoakustik und Richtungshören .................................................... 11 2.1 Einleitung ................................................................................................. 11 2.2 Interaural Time Difference (ITD) .............................................................. 11 2.3 Interaural Level Difference (ILD) .............................................................. 13 2.4 Medianebene und HRFTs ........................................................................ 14 2.5 Zusammenfassung .................................................................................. 14 3 Ambisonic Surround Sound ................................................................. 16 3.1 Historische Entwicklung .......................................................................... -
C1C2 Manual Addendum A07
C 1/C 2 Controllers Manual Supplement for C 1 and C 2 with PLIIx-Lipsync Software Upgrade Installed Addendum to Owner’s Guide 2 NEW SURROUND MODES The new surround modes are for 7.1 channel systems. Size setup Are your back channel speakers selected? Main speakers Large If you have not yet selected Back channel speakers, Center speaker Small press the MENU button on the remote (or the Menu Surround speakers Small button on the front panel) and go to the Speaker > Back speakers 2 Small setup, Size setup menu page, > Back speakers. Subwoofer Yes Subwoofer filter On Subwoofer freq. 80Hz-THX SIZE SETUP Enhanced bass Off BACK SPKRS: 2 SMALL Exit Dolby Pro Logic IIx Dolby Pro Logic IIx: This extends two channel or 5.1 channel source material to the center channel, surround channels and back channel speakers in a 7.1 channel system. Pro Logic IIx produces a spacious, enveloping effect. It is designed for use with any stereo, Dolby 2.0, Dolby Pro Logic, Dolby Digital 5.1, DTS 5.1 or Surround EX signal. With a single back channel speaker it is known as 6.1 channel, and with two back channel speakers it is known as 7.1 channel. There are two types of Pro Logic IIx: Pro Logic IIx Movie and Pro Logic IIx Music. These are our recommended surround modes if you have a 6.1 or 7.1 channel system. Please note that Pro Logic IIx Movie is not compatible with Dolby Digital 5.1 with a 6.1 channel system. -
Dolby Broadcast Technologies Overview
Dolby® Broadcast Technologies: Essential for Evolving Entertainment Broadcast delivery requirements are in transition, and television transmission is no longer limited to signals sent to TV sets and home theater systems. Consumers now watch their favorite programs and movies on multiple devices: on PCs via the Internet, or by using cell phones, portable media players, and more. Dolby’s portfolio of technologies is evolving right alongside today’s new broadcast landscape. Dolby® broadcast technologies work together as a seamless, integrated solution—they are involved at every stage, from content creation all the way to consumers. Dolby helps content providers deliver a great entertainment experience, regardless of how viewers access programming: in their home theaters; via new Internet-capable media devices such as Vudu and Apple TV®; or on the many video-enhanced mobile devices on the market. All Dolby broadcast technologies support a path for metadata, ensuring that consumers hear programming the way it was intended. Plus, each technology is designed to address unique requirements for different parts of the broadcast chain, while still efficiently taking advantage of similarities when possible. The Technologies Dolby E is our digital audio technology optimized for the distribution of multichannel audio through digital two- channel postproduction and broadcasting infrastructures. Dolby E is the ideal format for professional contribution and distribution through networks regardless of the technology used for final delivery to consumers. Dolby Digital is a worldwide standard in film, broadcast, and packaged media. It is used virtually worldwide for broadcast services with 5.1-channel audio and can be found in DVD, terrestrial DTV, digital cable, and direct broadcast satellite. -
Dolby Vision UHD Blu-Ray Authoring Workflow Guide
Dolby Vision UHD Blu-ray Authoring Workflow Guide Version 1.1 September 9, 2019 Confidential information Confidential Information Copyright © 2019 Dolby Laboratories. All rights reserved. For information, contact: Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-863-1373 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. Following are trademarks of Dolby Laboratories: ® Dolby ® ™ ™ ® ™ ® Dolby Atmos Dolby Audio Dolby Cinema Dolby Theatre Dolby Vision Dolby Voice ™ ™ Feel Every Dimension in Dolby Feel Every Dimension ™ ™ Feel Every Dimension in Dolby Atmos Dolby Digital Plus ™ ® ™ Dolby Advanced Audio Dolby Home Theater Dialogue Intelligence ™ ™ Dolby Digital Plus Home Theater MLP Lossless ® ™ Pro Logic Surround EX ™ ™ Dolby Digital Plus Advanced Audio Dolby Fidelio ™ ™ ™ Dolby AccessLink Dolby CaptiView Dolby CineAsset ™ Dolby CineAsset Player All other trademarks remain the property of their respective owners. Patents This product is protected by one or more patents in the United States and elsewhere. For more information, including a specific list of patents protecting this product, please visit http://www.dolby.com/patents. Confidential information Confidential information for Dolby Laboratories Licensees only. Unauthorized use, sale, or duplication is prohibited. Software Distribution Licensee shall comply with Licensor’s most recent Software Distribution Policy, a copy of which is included in the Deliverables or provided to Licensee and updated by Licensor from time to time and communicated to Licensee. Dolby Vision UHD Blu-ray Authoring Workflow Guide Page 2 Confidential Information Table of Contents 1 OVERVIEW ......................................................................................................................................... 4 DOLBY VISION MASTER AND DOLBY VISION MEZZANINE DELIVERABLES ................................... -
Dolby Laboratories Announces Conference Call and Webcast for Q3 Fiscal 2021 Financial Results
NEWS RELEASE Dolby Laboratories Announces Conference Call and Webcast for Q3 Fiscal 2021 Financial Results 7/16/2021 SAN FRANCISCO, July 16, 2021 (GLOBE NEWSWIRE) -- Dolby Laboratories, Inc. (NYSE:DLB) will release nancial results for the third quarter (Q3) of scal 2021 after the close of regular trading on Thursday, July 29, 2021. Members of Dolby management will lead a conference call open to all interested parties to discuss Q3 scal 2021 nancial results for Dolby Laboratories at 2:00 p.m. PT (5:00 p.m. ET) on Thursday, July 29, 2021. Access to the teleconference will be available at http://investor.dolby.com/ or by dialing 1-844-200-6205 (or dialing +44-208-0682-558 for international callers), and entering conrmation code 128014. A replay of the call will be available from 5:00 p.m. PT on Thursday, July 29, 2021, until 8:59 p.m. PT on Thursday, August 5, 2021, by dialing 1-929-458-6194 (international callers can access the replay by dialing +44-204-525-0658) and entering the conrmation code 571517. An archived version of the teleconference will also be available on the Dolby Laboratories website, http://investor.dolby.com. About Dolby Laboratories Dolby Laboratories (NYSE: DLB) is based in San Francisco, California with oces around the globe. From movies and TV shows, to apps, music, sports and gaming, Dolby transforms the science of sight and sound into spectacular experiences for billions of people worldwide. We partner with artists, storytellers, developers, and businesses to revolutionize entertainment and communications with Dolby Atmos, Dolby Vision, Dolby Cinema, and Dolby.io. -
DP600 Program Optimizer—Postproduction
DP600 Program Optimizer—Postproduction Note: This document assumes the DP600 includes the optional file-based audio coding package. Dolby DP600 and DP600-C Program Optimizer Overview for Postproduction Facilities The DP600-C version additionally offers faster-than-real-time file-based encoding and decoding of Dolby Digital, Dolby Digital Plus, and Dolby E content, and enables transcoding be- tween Dolby E and Dolby Digital or Dolby Digital Plus formats. Taking advantage of the features of Dolby Digital Plus, the DP600-C can perform high-quality, single-step transcoding Summary of Dolby Digital to Dolby Digital Plus without having to de- code and reencode. The Dolby® DP600 Program Optimizer is an innovative and flexible system offering intelligent file-based audio loudness To ensure the highest possible work-flow integration and ef- analysis and correction compatible with many of the broad- ficiency, the DP600 offers open access (via Web Services) to cast and video-on-demand (VOD) media file formats in use Dolby’s unique audio processing engines as well as coding today. Expanding upon the technology developed for the technologies traditionally found only in real-time hardware. award-winning Dolby LM100 Broadcast Loudness Meter with Dialogue Intelligence™, the Dolby DP600 enables cable and For example, the DP600 feature set complements several IPTV broadcasters to automatically normalize the loudness of types of third-party applications and products, including the all file-based programming and commercials without impact- following: ing the original dynamic range.1 • Archiving • Automation For compressed audio formats that include metadata (Dolby E, • Content conversion Dolby Digital, and Dolby Digital Plus, for example), the Dolby • Content transport DP600 can automatically set the dialnorm parameter and • Distribution automatically correct a previously set dialnorm parameter. -
Implementacija Vticnika Vamp Za Segmentacijo Zvocnih Posnetkov
Univerza v Ljubljani Fakulteta za racunalniˇ ˇstvo in informatiko Timotej Fartek Implementacija vtiˇcnika Vamp za segmentacijo zvoˇcnihposnetkov DIPLOMSKO DELO UNIVERZITETNI STUDIJSKIˇ PROGRAM PRVE STOPNJE RACUNALNIˇ STVOˇ IN INFORMATIKA Mentor: izr. prof. dr. Matija Marolt Ljubljana, 2018 Copyright. Rezultati diplomske naloge so intelektualna lastnina avtorja in Fakultete za raˇcunalniˇstvo in informatiko Univerze v Ljubljani. Za objavo in koriˇsˇcenje rezultatov diplomske naloge je potrebno pisno privoljenje avtorja, Fakultete za raˇcunalniˇstvo in informatiko ter mentorja. Besedilo je oblikovano z urejevalnikom besedil LATEX. Fakulteta za raˇcunalniˇstvo in informatiko izdaja naslednjo nalogo: Tematika naloge: Posnetki, ki jih v radijskih in podobnih programih posnamejo, navadno vse- bujejo meˇsanicogovora, petja in instrumentalne glasbe. V okviru diplomske naloge se boste posvetili implementaciji sistema za segmentacijo tovrstnih posnetkov (deljenju na enote, kot so govor, solo petje in tako naprej) kot vtiˇcnikza orodje Sonic Visualiser. Zahvaljujem se mentorju, izr. prof. dr. Matiji Maroltu, za vse nasvete, ideje in strokovno pomoˇc,prav tako pa se zahvaljujem druˇziniin vsem, ki so mi tekom ˇstudijastali ob strani. Kazalo Povzetek Abstract 1 Uvod 1 1.1 Pregled podroˇcja . .2 1.2 Pregled pogosto uporabljenih orodij za analizo zvoka . .5 1.3 Motivacija . 10 2 Algoritem 11 2.1 Opis algoritma . 11 2.2 Znaˇcilke . 14 3 Vamp 17 3.1 Kaj so vtiˇcnikiVamp . 17 3.2 Struktura . 17 3.3 Vampy . 19 3.4 Primer . 19 4 Implementacija 23 4.1 Uporabljene tehnologije . 23 4.2 Priprava ogrodja . 24 4.3 Branje vhodnih podatkov . 26 4.4 Raˇcunanjeznaˇcilk. 27 4.5 Statistiˇcnaanaliza . 27 4.6 Klasifikacija in segmentacija . 28 4.7 Konˇcniizdelek . 30 4.8 Performanˇcnaanaliza .