Rejkopisy – PAŹDZIERNIK 2019
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Musik Schafft Wirkung.Pdf
Schriftenreihe Bachelor‐ und Masterthesen der Berner Fachhochschule – Soziale Arbeit Tobias Nägeli Musik schafft Wirkung Jugend, Musik und Gesellschaft im Kontext der Sozialen Arbeit Bachelorthesis der Berner Fachhochschule – Soziale Arbeit. Juni 2011 www.soziothek.ch Sozialwissenschaftlicher Fachverlag «Edition Soziothek». Die «Edition Soziothek» ist ein Non‐Profit‐Unternehmen des Vereins Bildungsstätte für Soziale Arbeit Bern. Der Verein ist verantwortlich für alle verlegerischen Aktivitäten. Schriftenreihe Bachelor‐ und Masterthesen der Berner Fachhochschule – Soziale Arbeit In dieser Schriftenreihe werden Bachelor‐ und Masterthesen von Studierenden der Berner Fachhochschule – Soziale Arbeit publiziert, die dem Prädikat „sehr gut“ oder „hervorragend“ beurteilt und vom Ressort Diplomarbeit der Berner Fachhochschule – Soziale Arbeit zur Publikation empfohlen wurden. Tobias Nägeli: Musik schafft Wirkung. Jugend, Musik und Gesellschaft im Kontext der Sozialen Arbeit. © 2011 «Edition Soziothek» Bern ISBN 978‐3‐03796‐418‐7 Verlag Edition Soziothek c/o Verein Bildungsstätte für Soziale Arbeit Bern Hallerstrasse 10 3012 Bern www.soziothek.ch Jede Art der Vervielfältigung ohne Genehmigung des Verlags ist unzulässig. www.soziothek.ch Tobias Nägeli Musik schafft Wirkung Jugend, Musik und Gesellschaft im Kontext der Sozialen Arbeit Bachelor-Thesis zum Erwerb des Bachelor-Diploms Berner Fachhochschule Fachbereich Soziale Arbeit Musik schafft Wirkung Jugend, Musik und Gesellschaft im Kontext der Sozialen Arbeit Bachelor-Thesis zum Erwerb des Bachelor-Diploms in Sozialer Arbeit Berner Fachhochschule Fachbereich Soziale Arbeit Vorgelegt von Tobias Nägeli Bern, Juni 2011 Gutacherin: Prof. Rahel Müller Abstract Jugend, Musik und Soziale Arbeit – eine gesuchte Verknüpfung? Während die Jugend als Klientengruppe der Sozialen Arbeit einen verständlichen Fokus darstellt, hinterlässt das Thema Musik in diesem Zusammenhang ein Fragezeichen. Wird aber Jugendkultur ge- nauer betrachtet, so wird ihre Verbindung zur Musikkultur sichtbar. -
Milli Vanilli Girl You Know It's True Mp3, Flac, Wma
Milli Vanilli Girl You Know It's True mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Girl You Know It's True Country: UK Released: 1988 Style: Euro House, Synth-pop MP3 version RAR size: 1716 mb FLAC version RAR size: 1440 mb WMA version RAR size: 1399 mb Rating: 4.2 Votes: 701 Other Formats: FLAC MP1 MP4 DXD MPC RA AA Tracklist A1 Girl You Know It's True A2 Baby Don't Forget My Number A3 More Than You'll Ever Know A4 Blame It On The Rain A5 Take It As It Comes B1 It's Your Thing B2 Dreams To Remember B3 All Or Nothing B4 I'm Gonna Miss You B5 Girl You Know It's True (N.Y. Subway Extended Mix) Companies, etc. Record Company – Bertelsmann Music Group Record Company – MCA Music Inc. Phonographic Copyright (p) – Hansa Musik Produktion GmbH Copyright (c) – Hansa Musik Produktion GmbH Marketed By – Arista Records, Inc. Distributed By – Arista Records, Inc. Produced For – Far Music Production Recorded At – Far Studios Mixed At – Far Studios Published By – MCA Music Publishing Published By – Adekayode Music Published By – FMP Songs Published By – Edition Intro Published By – Warner-Tamerlane Publishing Corp. Published By – Eleksylum Music Inc. Published By – Philesto Music Co. Published By – Realsongs Published By – Rare Blue Music, Inc. Published By – Almo Music Corp. Published By – Little Shop Of Morgan Songs Published By – SBK Blackwood Music Inc. Published By – Triple Three Music Credits Arranged By, Horns – Dino Solera Arranged By, Keyboards – P.G. Wylder, Pit Loew* Backing Vocals – Bimey Oberreit, Charles Shaw, Felicia Taylor, Herbert Gebhard*, Joan Faulkner, Jodie Rocco, John Davis, Linda Rocco, Peter Rishavy, The Jackson Singers Coordinator [Production] – Ingrid Segieth Design – Marlene Cohen Drums – Curt Cress Engineer – Bernd Berwanger, Jens Seekamp, Norbert Janicke*, Tobias Freund Guitar – Bruce Ingram, Jens Gad, Peter Weihe Horns – D. -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb. -
Faculty and Students Debate ROTC's Place on Campus
,, I VOL. XXIII NO. 54 FRIDAY , NOVEMBER 16, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Security call-boxes to be ready by Dec. By MEGAN JUNIUS News Writer Security call-boxes are currently being installed in 18 locations around campus, according to Phil Johnson, assistant director of Security. The call boxes are specially designed for fast, reliable response, he said. To notify Security, the user need only open the door of the call-box. Inside the box will be an extremely sensitive speaker telephone that allows Security to hear the situation whether or not the person activating the phone is speaking, Johnson said. Because of the special wiring of the phone, Security will immediately know the location of the phone and send help, he said. The phones were placed in locations needing better security, as proven through campus statistics. In the past, Saint Mary's Road and the parking lots have been a concern to many, he said, so call-boxes will be placed in these areas. However, since the residence halls have phones at the front of each door, and the paths along the main quads are well lit, there is little need for call boxes in these areas, Johnson said. The eighteen call-boxes will be ready for use Dec. 1, Johnson said, as the wiring and software are still being adjusted. Signs will be posted above the call boxes when they are officially in operation. "We hope these phones are taken seriously. They One more for "Touchdown Jesus" have been installed for emergency use only," Johnson said. -
Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. -
2017-10-Radio Salomon
Artist List for period: 01.10.2017 - 31.10.2017 WYCLEF JEAN FEAT. LUNCH MONEY, THE KNOCKS – WHAT HAPPENED TO LOVE DON DIABLO – MOMENTUM (ORIGINAL MIX) MAURIZIO BASILOTTA & DAVE ROSE – FUNKYBIZA RITA ORA – YOUR SONG ALLE FARBEN & JANIECK – LITTLE HOLLYWOOD ANDREA BELLI X MAURO PILATO & MAX MONTI – GAM GAM (STEREOMODE 2K17 RADIO REWORK) BURAK YETER FEAT. DANELE SANDOVAL – TUESDAY SIGALA X DIGITAL FARM ANIMALS – ONLY ONE MICAR – BURDEN DOWN ALAN WALKER FEAT. GAVIN JAMES – TIRED OFENBACH – BE MINE CHARLIE PUTH – ATTENTION (ROMAN MULLER REMIX) CNCO FEAT. LITTLE MIX – REGGAETON LENTO (REMIX) FRENCH MONTANA & J BALVIN FEAT. SWAE LEE – UNFORGETTABLE [LATIN REMIX] ITALOBROTHERS – SUMMER AIR (RADIO EDIT) CHALLE SALLE – LAGANO DASOUL FEAT. NACHO – KUNG FU JOSE LUCAS – IF IT WEREN T FOR LOVE (THE WHISTLE SONG) NICKY JAM – EL AMANTE BABY K FEAT. ANDRES DVICIO – VOGLIO BALLARE CON TE(SAMMYCILLI ULTIMIX) BINGO PLAYERS – BEAT THE DRUM (ORIGINAL MIX) BLASTERJAXX FEAT. INNA – HOT MALUMA – FELICES LOS 4 BOB SINCLAR FEAT. AKON – TIL THE SUN RISE UP PISO 21 – BESANDOTE FEDDE LE GRAND VS IAN CAREY – KEEP ON RISING J BALVIN FT. WILLY WILLIAM – MI GENTE CHAINSMOKERS & COLDPLAY – SOMETHING JUST LIKE THIS DEEPEND FEAT. GRAHAM CANDY – WAITING FOR THE SUMMER TRAVI – BANG BREATHE CAROLINA & DROPGUN FT. KALEENA ZANDERS – RHYTHM IS A DANCER LUCAS & STEVE – UP TILL DAWN (ON THE MOVE) (ORIGINAL MIX) JASON DERULO FEAT. NICKI MINAJ & TY DOLLA SIGN – SWALLA CHARLY BLACK & DADDY YANKEE – GYAL YOU A PARTY ANIMAL (REMIX) D BASE – VASE POGLEJ ALOK, BRUNO MARTINI & ZEEBA – NEVER LET ME GO DAVID FEAT. MURAT – VRJAM UMMET OZCAN FEAT. CHRIS CRONE – EVERYTHING CHANGES DAVID & ALEX FEAT. -
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt. -
Chapter One: Getting Started
Chapter One: Getting Started Welcome to the world of Ivalice! Where a fantastick and magickal adventure awaits those foolhardy and brave enough to seek it out! What awaits you as you venture into this marvelous world? Who will you be? Perhaps a hardy Bangaa warrior, who cuts down swaths of enemies with his giant sword? Mayhap you will be a Viera hunter, whose arrow flies true and far? Or possibly a Hume mage, with access to powerful and ancient Magicks that makes your foes quiver in fear. Where will you go? Will you scour the land's furthest marches, east and west, seeking the blade of legend? Will you venture to the highest peaks and lowest caverns, hunting the ultimate mark? Will your clan take part in a fierce war, protecting the land they know and love from the forces of evil? Ivalice is a world of infinite possibility and intrigue. Your hero can be anything and anyone, but the true question is, can your hero be legendary? Playing the Game If you are familiar with Dungeons & Dragons™ or any similar variant there-of, then getting into Ivalice Alliance Tabletop (IAT) should be a fairly straightforward and easy affair, as it borrows heavily from the rules and play style provided there. Likewise, if you are familiar with Final Fantasy™, then getting into IAT should also be an easy and straightforward affair. If you are familiar with both series, then this game is practically a dream-come-true. In order to play IAT, at least at the stage it is in now, it is a good idea to first be at least somewhat familiar with the D20 system of play, as in, you know what a D20 is and how it's used in a game like Dungeons & Dragons™. -
Generuj PDF Z Tej Stronie
Antykorupcja https://antykorupcja.gov.pl/ak/retrospekcje/retro/9433,Pieniadze-za-milczenie-o-Milli-Vanilli.html 2021-09-30, 03:53 Pieniądze za milczenie o Milli Vanilli Pomimo plotek grupa Milli Vanilli została nominowana do nagrody Grammy w kategorii Najlepszy Debiut. Zespół otrzymał statuetkę, by kilka dni później, 19 listopada 1990 roku, po raz pierwszy w historii przyznawania tych nagród, została ona odebrana laureatom. Dwaj piosenkarze Rob Pilatus i Fabrice Morvan zostali zauważeni przez producenta Franka Fariana, który podpisał z nimi kontrakt, dając początek niemieckiej grupie Milli Vanilli. Jej pierwszy album „All or Nothing” wydano w Europie w 1988 roku i od razu odniósł on sukces. W Stanach Zjednoczonych, gdzie płyta pojawiła się na początku 1989 roku, krążek nosił nazwę „Girl you know it’s true” – od tytułu wiodącego singla. Na całym świecie sprzedano 30 milionów płyt i gdy w grudniu 1989 roku album zajmował pierwsze miejsca list przebojów, piosenkarz Charles Shaw wyjawił Johnowi Lelandowi z nowojorskiego „Newsday”, że Pilatus i Morvan nie byli faktycznymi wykonawcami utworu „Girl You Know It’s True” i że wraz z trzema innymi piosenkarzami to on był wykonawcą piosenek na debiutanckiej płycie Milli Vanilli. Przyznał też, że zapłacono mu 6 tysięcy dolarów za użyczenie głosu. Wkrótce jednak wycofał swoje oświadczenie, twierdząc, że wypowiedź stanowiła jedynie reklamę nowego albumu. Później donoszono, że Frank Farian miał zapłacić 150 tysięcy dolarówłapówki za zdementowanie przez Shawa własnego wywiadu. Prawda mogła ujrzeć światło dzienne na wiele miesięcy przed rozdaniem nagród Grammy, bowiem podczas jednego z nagrań, gdy studio Arista otrzymało demo z faktycznym głosem Milli Vanilli, jego wiceprezydent powiedział: „What is that crap?” (co to za gówno). -
Beatport Announces 2019 Beats in School Winners
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES 2019 BEATS IN SCHOOL WINNERS BERLIN, DE - FEBRUARY 4, 2019 - Beatport announced the four winners of its Beats In School mentorship program, which has returned for an expanded second season in 2019. The unique year-long initiative not only uncovers new and unsigned talent, but also provides the tools and mentoring for a lasting career in electronic music. Following an influx of entries from around the world, Beatport and its label partners selected four concurrent winners for the 2019 program. These producers now begin a year-long mentorship with an elite label in their genre: Dirtybird, Hospital, mau5trap and Second State. Crossing the worlds of tech-house, drum & bass, progressive house and techno, the Beats In School 2019 winners are Sammy Legs (Dirtybird), Redemptive (Hospital Records), Donny Carr (mau5trap) and dotdat (Second State). In addition to direct A&R from top label ambassadors, Beats In School covers all facets of a successful career. Educational partners Berklee School Of Music and Point Blank Music School will provide tailored production courses and one-on-one tutorials, while industry experts representing Beatport and the AFEM (Association For Electronic Music) help winners navigate the business. Additionally, the coveted prize package includes industry standard gear and specialist training from ADAM Audio, Focusrite, Moog, Novation, Roland, V-Moda and WAVES Audio. Despite the overwhelming response to season two, Beatport is committed to addressing the program’s gender imbalance. Following a low number of female entrants, this year’s winners are all male. Beatport is working together with industry advocacy groups to encourage more entries from women in future seasons. -
Triple J Hottest 100 of the Decade Voting List: AZ Artists
triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft.