January 1949) James Francis Cooke
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A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In dividuals and groups of national and international fame, represen ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors. -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
Goodwill Court Off the Air?
FEBRUARY A MACFADDEN PUBLICATION THE LAWYERS DRIVE GOODWILL COURT OFF THE AIR? COMPLETE WORDS Answering All AND MUSIC TO A Your Questions FAMOUS THEME About SONG IN THIS ISSUE TELEVISION De e tf* etit YES, IF YOUR MAKE -UP'S NATURAL WHAT IS BEAUTY FOR -if All over the world smartly-groomed incredible, astounding effect is that not to set masculine hearts women say Princess Pat rouge is their of color coming from within the skin, favorite. Let's discover its secret of just like a natural blush. You'll be a athrob -if not to bring the thrill utterly natural color. Your rouge-unless glamorous person with Princess Pat of conquests -if not to sing it is Princess Pat -most likely is one flat rouge -irresistible. Try it -and see. little songs of happiness in tone. But Princess Pat rouge is duo -tone. your heart when he admires? There's an under- Make -up's so important - tone that blends especially your rouge! with an overtone, to change magically There's nothing beautiful about on your skin. It be- rouge that looks painted, that outlines comes richly beauti- - itself as a splotch. But Princess Pat ful, vital, real -no r - ------r---- rouge- duo -lone -Ah, there is beauty! outline. The almost PRINCESS PAT, Dept. 792 FREE 2709 South Wells Street, Chicago w Without cost or obligation please send me a Princess Pat cosmetics «r. s are non -allergic! free sample of Princess Pat rouge, as checked English Tint Poppy Gold Squaw Vivid Tan Medium Theatre Nile PRINCESS PAT ROUGE One sample free; additional samples lOc each. -
Music of the Baroque Chorus and Orchestra War and Peace
Music of the Baroque Chorus and Orchestra War and Peace Jane Glover, Music Director Jane Glover, conductor William Jon Gray, chorus director Soprano Violin 1 Flute Laura Amend Robert Waters, Mary Stolper Sunday, May 17, 2015, 7:30 PM Alyssa Bennett concertmaster Pick-Staiger Concert Hall, Evanston Bethany Clearfield Kevin Case Oboe Sarah Gartshore* Teresa Fream Robert Morgan, principal Monday, May 18, 2015, 7:30 PM Katelyn Lee Kathleen Brauer Peggy Michel Harris Theater, Chicago (Millennium Park) Hannah Dixon Michael Shelton McConnell Ann Palen Clarinet Sarah Gartshore, soprano Susan Nelson Steve Cohen, principal Kathryn Leemhuis, mezzo-soprano Anne Slovin Violin 2 Daniel Won Ryan Belongie, countertenor Alison Wahl Sharon Polifrone, Zach Finkelstein, tenor Emily Yiannias principal Bassoon Roderick Williams, baritone Fox Fehling William Buchman, Alto Ronald Satkiewicz principal Te Deum for the Victory of Dettingen, HWV 283 George Frideric Handel Ryan Belongie* Rika Seko Lewis Kirk (1685–1759) Julie DeBoer Paul Vanderwerf 1. Chorus: We praise Thee, o God Julia Elise Hardin Horn 2. Soli (alto, tenor) and Chorus: All the earth doth worship Thee Amanda Koopman Viola Jon Boen, principal 3. Chorus: To Thee all angels cry aloud Kathryn Leemhuis* Elizabeth Hagen, Neil Kimel 4. Chorus: To Thee Cherubim and Seraphim Maggie Mascal principal 5. Chorus: The glorious company of the apostles Emily Price Terri Van Valkinburgh Trumpet 6. Aria (baritone) and Chorus: Thou art the King of Glory Claudia Lasareff-Mironoff Barbara Butler, 7. Aria (baritone): When Thou tookest upon Thee Tenor Benton Wedge co-principal 8. Chorus: When Thou hadst overcome Madison Bolt Charles Geyer, 9. Trio (alto, tenor, baritone): Thou sittest at the right hand of God Zach Finkelstein* Cello co-principal 10. -
The a Lis Auth Szt P Hen Pian Ntic No T Cho Trad Opin Diti N an on Nd
THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 1 2 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION 3 4 THE AUTHENTIC CHOPIN AND LISZT PIANO TRADITION GERARD CARTER BEc LL B (Sydney) A Mus A (Piano Performing) WENSLEYDALE PRESS 5 Published in 2008 by Wensleydale Press ABN 30 628 090 446 165/137 Victoria Street, Ashfield NSW 2131 Tel +61 2 9799 4226 Email [email protected] Designed and printed in Australia by Wensleydale Press, Ashfield Copyright © Gerard Carter 2008 All rights reserved. This book is copyright. Except as permitted under the Copyright Act 1968 (for example, a fair dealing for the purposes of study, research, criticism or review) no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior permission. Enquiries should be made to the publisher. ISBN 978-0-9805441-2-1 This publication is sold and distributed on the understanding that the publisher and the author cannot guarantee that the contents of this publication are accurate, reliable, complete or up to date; they do not take responsibility for any loss or damage that happens as a result of using or relying on the contents of this publication and they are not giving advice in this publication. 6 7 8 CONTENTS Chapter 1: Introduction ... 11 Chapter 2: Chopin and Liszt as composers ...19 Chapter 3: Chopin and Liszt as pianists and teachers ... 29 Chapter 4: Chopin tradition through Mikuli ... 55 Chapter 5: Liszt tradition through Stavenhagen and Kellermann .. -
Die Fledermaus
Opera San José Presents Johann Strauss’s Die Fledermaus SAN JOSE, CA (August 28, 2019) – On September 14th Opera San José opens the 2019-2020 season with Die Fledermaus. We kick off the season on September 14, 2019 when we open Die Fledermaus. Michael Morgan, music director of Festival Opera in Walnut Creek will make his Opera San José debut conducting Johann Strauss’ most seductive series of waltzes and polkas, effervescent arias and dizzying, sentimental ensembles. We will have particularly brilliant sets and costumes, and Marc Jacobs will return to direct this production, which was highly appreciated in 2012. Fledermaus is a double dose of good cheer, thanks to the sparkle of excellent champagne and a vintage, masterful operetta. This production from Opera San José is funded in part by a Cultural Affairs grant from the City of San José. Die Fledermaus will be sung in German with English dialogue and English supertitles. Runtime is approximately three hours. Opera San José presents six performances of this opera, opening in San José’s California Theatre on September 14, 2019, closing September 29, 2019. The California Theatre is at 345 S. First Street in downtown San José. Dates: Performances: September 14, 15m, 19, 22m, 27, and September 29m. Time: “m” indicates matinee at 3PM; all other performances are at 8PM Location: California Theatre, 345 South 1st Street (between San Carlos and San Salvador), San José, CA Tickets: Tickets are available by calling (408) 437-4450, online at OPERASJ.ORG, and at the Opera San José Box Office at 2149 Paragon Drive in San José. -
Forgotten Splendour
FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death. -
Romantic Voices Danbi Um, Violin; Orion Weiss, Piano; with Paul Huang, Violin
CARTE BLANCHE CONCERT IV: Romantic Voices Danbi Um, violin; Orion Weiss, piano; with Paul Huang, violin July 30 PROGRAM OVERVIEW Violinist Danbi Um embodies the tradition of the great Romantic style, her Sunday, July 30 natural vocal expression coupled with virtuosic technique. Partnered by pia- 6:00 p.m., Stent Family Hall, Menlo School nist Orion Weiss, making his Music@Menlo debut, she offers a program of music she holds closest to her heart, a stunning variety of both favorites and SPECIAL THANKS delightful discoveries. Music@Menlo dedicates this performance to Hazel Cheilek with gratitude for her generous support. ERNEST BLOCH (1880–1959) JENŐ HUBAY (1858–1937) Violin Sonata no. 2, Poème mystique (1924) Scènes de la csárda no. 3 for Violin and Piano, op. 18, Maros vize (The River GEORGE ENESCU (1881–1955) Maros) (ca. 1882–1883) Violin Sonata no. 3 in a minor, op. 25, Dans le caractère populaire roumain (In FRITZ KREISLER (1875–1962) Romanian Folk Character) (1926) Midnight Bells (after Richard Heuberger’s Midnight Bells from Moderato malinconico The Opera Ball) (1923) Andante sostenuto e misterioso Allegro con brio, ma non troppo mosso ERNEST BLOCH Avodah (1928) INTERMISSION JOSEPH ACHRON (1886–1943) ERICH WOLFGANG KORNGOLD (1897–1957) Hebrew Dance, op. 35, no. 1 (1913) Four Pieces for Violin and Piano from the Incidental Music to Shakespeare’s CONCERTS BLANCHE CARTE Danbi Um, violin; Orion Weiss, piano Much Ado about Nothing, op. 11 (1918–1919) Maiden in the Bridal Chamber March of the Watch PABLO DE SARASATE (1844–1908) Intermezzo: Garden Scene Navarra (Spanish Dance) for Two Violins and Piano, op. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
The Alumnus, V29n4, October 1945
University of Northern Iowa UNI ScholarWorks The Alumnus UNI Alumni Association 10-1945 The Alumnus, v29n4, October 1945 Iowa State Teachers College Let us know how access to this document benefits ouy Copyright ©1945 Iowa State Teachers College Follow this and additional works at: https://scholarworks.uni.edu/alumnusnews Part of the Higher Education Commons Recommended Citation Iowa State Teachers College, "The Alumnus, v29n4, October 1945" (1945). The Alumnus. 162. https://scholarworks.uni.edu/alumnusnews/162 This Magazine is brought to you for free and open access by the UNI Alumni Association at UNI ScholarWorks. It has been accepted for inclusion in The Alumnus by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. 1945-46 October I I -Concert, Blanche Thebom, mezzo-soprano, 8 p. m., College Auditorium October 13-Dad's Day, luncheon, 11 :45 a . m., the Commons. Football, Loras College at Cedar Foils, 2 p. m. October 20-Footboll, Hemline University at St. Poul. October 21-Piono Recital, Rafael de Silva, 8 p. m., College Auditorium. October 24, 25, 26-County Teachers Examinations, 8 a . m. to 5 p. m., Auditorium Building. November 3-Homecoming, footbol!, South Dakota State College at Cedar Falls, 2 p. m. November I 0- Footboll, Droke University at Des Moines. November I I-College Symphony Orchestra Concert, 8 p. m., College Auditorium. November 26-Registrotion for W inter Quarter. December I-Normal Training Subject Motter tests, 8 a . m. to 12 noon, Administration Building. December 12-Concert, Patricio Travers, violinist, 8 p. m., Co llege Auditorium. -
The Ukrainian Weekly 1942
SVOBODA Український Щоденник Ukrainian Daily РІК L Ч. 59. VOl/b. NO. 59. SECTION II. Щг ®br aiman ШееШр •і—— ящщ/тіштш^тІШдшщтштшшшщтшшш^ Dedicated to the needs and interests of young Americans of Ukrainian descent. No. 11 JERSEY CITY; N. J., MONDAY, MARCH 16, 1942 VOL, X MUST BECOME MORE ACTIVE NOW Л Mykola Lysenko Centenary • •і With some of their officers and most active members ШУЯ! in Uncle Sam's armed forces, many of our young Ukrainian fYNE hundred years ago last Tues- jone generation to another by word American clubs and organizations find themselves barely able! \* day, March 10, there was born in [of mouth. to function. In some instances they exist in name only. Those the village of Hrynky, district of Pol The poignant charm of these folk j tava, Ukraine, a man who became і songs, laden with all the emotions, that do manage to remain active, lack the spirit and push of known as the Father of Modern Uk : heartaches, and joys of the Ukrain-;pre-wa r times. rainian Music—Mikola Lysenko. jian people, fascinated Lysenko while! All this, of course, is to be expected, especially in the yet a child, and remained with him; initial stages of the war; when, figuratively speaking, the shock |even when the beauty and grandeur' of its impact sets everyone back on his heels. But as the shock 'of the world's finest classics became і wears off and equilibrium becomes restored, the need for de* I revealed to him while studying abroad, іcisiv e action becomes imperative. -
Cleveland Institute of Music Wednesday, April 23, 2014 8:00 P.M
TRIFONOV 04.23.14 WORLD PREMIERE EVENT Cleveland Institute of Music Wednesday, April 23, 2014 8:00 p.m. Kulas Hall DANIIL TRIFONOV, piano with CLEVELAND INSTITUTE OF MUSIC ORCHESTRA JOEL SMIRNOFF, conductor The Enchanted Lake, Op. 62 Anatoly Liadov (1855-1914) Magyar képek (Hungarian Sketches), BB103 Béla Bartók Dear Music Lover, An Evening in the Village (Este a székelyeknél) (1881-1945) Bear Dance (Medvetánc) Welcome to an important and historic occasion at the Cleveland Institute of Music! Melody (Melódia) Tonight, April 23, 2014, international piano sensation and CIM student Daniil Trifonov Slightly Tipsy (Kicsit ázottan) premieres his first concerto for piano and orchestra with the Cleveland Institute of Swineherd’s Dance (Ürögi kanásztánc) Music Orchestra. CIM commissioned Trifonov’s Piano Concerto in E-flat minor as a cornerstone of its Year of the Composer/Virtuoso. This World Premiere and CIM’s new program for the Polacca from The Sleeping Beauty, Op. 66 Peter Ilyich Tchaikovsky composer/virtuoso revive the tradition of the composer/virtuoso and celebrate such (1840-1893) writers as Rachmaninoff, Shostakovich and Bernstein, who spent their lives performing their own works, creating repertoire based on the essential connection between performer and audience —wedded to a love and respect for the culture of community. INTERMISSION CIM’s own Victor Babin, Beryl Rubinstein, Marcel Dick and Arthur Loesser were such artist/composers and our hope is that the conservatory can be the birthplace for a great Piano Concerto in E-flat minor (2014) Daniil Trifonov repertoire for the 21st century. Andante – Allegro non troppo (b. 1991) Tonight will be a night to remember for all our lives.