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Based on donations made before 4/10/16 Antaeus Theatre Company Presents

by Henrik Ibsen In a Version by Andrew Upton Directed by Steven Robman

Scenic Designer Costume Designer Se Hyun Oh Leah Piehl Lighting Designer Sound Designer Leigh Allen Cricket Myers Props Designer Production Stage Manager Erin Walley Kristin Weber

Adaptation © Andrew Upton 2004

Ensemble Tony Amendola*, Daniel Blinkoff*, JD Cullum*, Elizabeth Dennehy*, Nike Doukas*, Karianne Flaathen*, Adrian LaTourelle*, Kwana Martinez*, Lynn Milgrim*, Ned Mochel*, Ann Noble*, Jaimi Paige*, James Sutorius*, Amelia White*

*member, Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States The video and/or audio recording of this performance by any means whatsoever are strictly prohibited. Artistic Directors’ Note Welcome to Antaeus and welcome to the world of Hedda Gabler. This production has a special significance for the company as it will be our last one here on Lankershim Blvd. On April 18 construction began on our new home in Downtown Glendale and we are looking forward to opening the doors and sharing L.A.’s newest home for the arts with you all.

Beginning with the company’s first full season in 2010, these past six years have been a time of tremendous growth and artistic vitality. Thanks to the generosity of our company members and loyal patrons, we have been able to offer the Los Angeles community an ever-expanding array of programming including our critically-acclaimed productions, the Antaeus Academy, arts education programs, the Antaeus Playwrights Lab, as well as countless readings and workshops.

With two theaters and a larger classroom and library space, our new home in Glendale will allow us to grow and expand the work we’ve begun here on Lankershim Blvd. Everything we do is guided by the desire to create a community of passionate artists and audiences in an increasingly connected yet, somehow, more isolating world. Through our work we seek to inspire debate, conversation, friendship, and most of all a sense of community. After all, live theater is the original social media!

There’s no better time to become part of the vibrant Antaeus community. During construction we will continue to raise funds in order to finish the building and hit the ground running once we open the doors. The arrival of a new theater is a rare event in the cultural life of a city, one that requires a passionate group of supporters behind it, willing it into existence. Join us on this exciting journey and become a contributor to Antaeus today!

Thank you for being here and enjoy the show.

Bill, Rob, and John

MISSION Antaeus is a cooperative theater ensemble founded to empower the actor and to bring classical theater to Southern California. The company exists to create a family of artists and audiences and is dedicated to exploring stories with enduring themes. VISION PRODUCTION: In a virtual, media-driven world, we value the communal experience of live theater. We are dedicated to excellence in the performance of the written word. We challenge and inspire our community through storytelling that is visceral and immediate. PROCESS: We are devoted to the ongoing development and growth of our artists and remain committed to exploring new ways of rehearsing and performing. We nurture an environment where artists can risk failure in the pursuit of greatness. EDUCATION: We believe that learning never ends. We train ourselves; we train the next generation; and we include our community in this work. Director’s Note

What strikes me about Hedda Gabler is its focus on the double-edged sword of entitlement. Nearly all the characters in the play struggle with the conflict between what they think they deserve and what they actually find on their respective plates. Hedda, the General’s privileged daughter, is facing a stultifying life that won’t provide her with either the advantages or excitement of her youth. The workaholic Tesman, a champion of his academic specialty, can’t help feeling inferior to his disreputable rival. Judge Brack has power and prestige in the town, but lusts after the one thing he can’t attain: Hedda. Even Thea, after rehabilitating Løvborg and capturing him as her “soul mate,” has to start over in order to savor her accomplishment. And Løvborg, convinced that he is destined to be recognized for the defiant fist he raises in the face of social norms, ends up as gruesomely far from that as possible.

All of these characters believe they are owed something, yet it remains outside their grasp, and none of them can control the situation the way they think they should. Something stalls them, or scares them, or fools them. Is it bad luck? Accidents of history? A spirit or will spoiled by a sense that they’re “entitled” to satisfaction?

As you can tell, I’m not blaming “Victorian mores” for either Hedda’s or anybody else’s behavior in the play. I don’t think the problems dramatized in Hedda Gabler derive only from the conventions of a particular era, and in any case the social reforms Ibsen may have been seeking were far from accomplished even a century after the play’s premiere in the late 19th century. To emphasize this, I shifted the period of this production some 30 years forward from where Ibsen set it, from the early 1890s to the early 1920s--not a time frame most people would immediately associate with restrictive or limited behavior. And that’s just my point. What keeps a person from being able to shape or control his or her life? A good question—and the reason why I wanted to direct this play.

--Steven Robman, Director Cast of Characters

AUNT JULLE Lynn Milgrim/Amelia White BERTE Elizabeth Dennehy/Karianne Flaathen JØRGEN TESMAN JD Cullum/Adrian LaTourelle HEDDA GABLER Nike Doukas/Jaimi Paige THEA ELVSTED Kwana Martinez/Ann Noble JUDGE BRACK Tony Amendola/James Sutorious EJLERT LØVBORG Daniel Blinkoff/Ned Mochel

The Hedda Gabler casts are the Generals and the Pistols. The mixed casts on Thursday and Friday nights are called the Fjords. Go to antaeus.org to see each cast’s performance schedule. (Subject to change)

All Antaeus full productions are partner cast. Please see insert for this performance’s cast.

Hedda Gabler runs approximately 2 hours and 20 minutes, with one 10-minute intermission. For the Production Costume Associate Costume Assistant Assistant Stage Manager Lena Sands Beryl Brachmann Grayson Stamps

Assistant Director Wardrobe Mistress Draper Ricka Fisher Kristin Weber A. Jeffrey Schoenberg Production Manager Assistant Technical Director Scenic Painter Adam Meyer Rene Parras Jr. Orlando de la Paz

Why Partner Casting Double casting, or as we call it “partner casting” (two actors sharing the same role) has been an Antaeus practice since we formed our company in 1991. Partner casting was originally a logistical solution to our members’ need to make a living while committing to the demands of a theatre performance schedule. Sharing roles brings surprising benefits. We learn from each other as we collaborate the creation of a character. In performance, the constantly changing lineup keeps our performances sharp. We are constantly on our toes and open to the unexpected. Antaeus audiences can count on seeing excellent actors working at the top of their game. The strength of our ensemble is a direct result of the partner casting process.

Antaeus Programming is Supported in Part by

S. MARK TAPER FOUNDATION THE WELLS FARGO FOUNDATION THE SHUBERT FOUNDATION JOHN AND BEVERLY STAUFFER FOUNDATION THE GREEN FOUNDATION THE CLARENCE E. HELLER CHARITABLE FOUNDATION COMPANY - HEDDA GABLER

Tony Amendola Daniel Blinkoff JD Cullum

Elizabeth Dennehy Nike Doukas Karianne Flaathen

Adrian LaTourelle Kwana Martinez Lynn Milgrim

Ned Mochel Ann Noble Jaimi Paige

James Sutorius Amelia White ENSEMBLE Distant Shore (CTG). Film/TV credits include: With Honors, Crossing the TONY AMENDOLA (JUDGE BRACK): Bridge, Rockabye, Close to Home Founding Member at Antaeus. Theatre: (recurring), Charmed, NYPD Blue, and Mark Taper Forum, South Coast Law & Order. Mr. Blinkoff received his Rep, A.C.T., The Old Globe, La Jolla MFA from The Yale School of Drama. Playhouse, Williamstown Theatre, Center Stage, and the Oregon, JD CULLUM (JØRGEN TESMAN): California, and Utah Shakespeare A veteran of Southern California stages Festivals. Tony was an associate artist, and an Antaean since 1993, JD most actor, and director at the Berkeley recently appeared in Cloud 9. He has Rep Theatre for 10 years. Directing starred in plays at the Mark Taper credits: Savages, The Night of the Forum, Geffen Playhouse, Kirk Douglas Iguana, Filumena (Berkeley Rep), Theatre, South Coast Repertory and the All’s Well That Ends Well (Oregon Pasadena Playhouse. He is the recipient Shakespeare), The Merchant of Venice, of multiple Garland Awards and L.A. The Tempest (California Shakespeare). Drama Critics Circle Awards for his Film credits: Meddler, Blow, The Mask work. Recent on-camera credits include: of Zorro, Annabelle, John Sayle’s Lone Aquarius, Code Black, Bones, The Star. Recent TV credits include: The Newsroom, The Lone Ranger and Mad Mentalist, Dexter, New Girl, Being Mary Men. Jane, NCIS, The West Wing, Stargate ELIZABETH DENNEHY (BERTE): SG-1 (Bra’tac) and Continuum (Kagame). Elizabeth is an original creator of He is currently recurring on Once Upon Tony and Tina’s Wedding, a graduate a Time (Geppetto). VO work includes: of Hofstra University and LAMDA. World of Warcraft, Black Ops, Fallout, Theatre: Henry IV, Part One (Antaeus), and Narrator of Land Before Time. For Cyrano (Independent Shakespeare Co.), Jerry Turner (OSFA). A Streetcar Named Desire, Dancing

at Lughnasa, The Secret Rapture DANIEL BLINKOFF (EJLERT (SCR), Vampire Lesbians of Sodom LØVBORG): LA theatre credits (Provincetown Playhouse NY), Henry include: Sondheim UnScripted, Western V with Kevin Kline (the NYSF), As You UnScripted, Chekhov UnScripted Like It (Shakespeare & Co), Opera and Shakespeare UnScripted (Impro Comique (Kennedy Center), Savage in Theatre/Falcon Theatre and Pasadena Limbo (Zephyr). Film: Janeane from Des Playhouse), The Belle of Belfast (EST), Moines, Hancock, Red Dragon, Gattaca, Macbeth (Antaeus), The Children and The Game. TV: Masters of Sex, The (The Theatre @ Boston Court), Opus Mentalist, Charmed, Seinfeld, NYPD (Fountain Theatre, StageSceneLA Blue, and Star Trek the Next Generation. Award-Best Actor), Major Barbara, An Italian Straw Hat (Garland Award, Best NIKE DOUKAS (HEDDA GABLER): Actor), The Intelligent Design of Jenny Nike has appeared with Antaeus in The Chow, The School for Wives, Nostalgia, Wood Demon, The Liar, Tonight at 8:30, and A Christmas Carol (SCR), and A Cousin Bette, and countless readings. She has also directed readings of Flare Path and Blithe Spirit, and taught ADRIAN LATOURELLE (JØRGEN Shakespeare and Scene Study in the TESMAN): Adrian has appeared in Antaeus Academy. Her most recent numerous television series such as NCIS, stage credits are Casa Valentina at the Castle, The Legend of Korra, Last Resort, Pasadena Playhouse, Fallen Angels at The Closer, House, NCIS:LA, Boston the Jewel Theatre in Santa Cruz and Legal, Without a Trace, Criminal Minds, this Fall she will appear in Three Days Numb3rs, and Sons of Anarchy. His many in the Country at the Kinetic Theatre stage credits include work in some of Company in Pittsburgh. Other credits the best theaters in the country, such as include South Coast Repertory, PICT the Mark Taper Forum, the Shakespeare Classic Theatre (Pittsburgh), ACT Theatre in DC, The Old Globe, San Jose Theatre (Seattle), The Old Globe, Mark Repertory, the Dallas Theater Center, Taper Forum, Shakespeare Festival Antaeus Theatre Company, and the LA, Berkeley Repertory Theatre, Yale Repertory Theatre. Adrian has also Shakespeare Santa Cruz, The Berkeley worked abroad, performing in theater Shakespeare Festival, and The American and film in Russia and the Netherlands. Conservatory Theater, where she received her MFA in Acting. Her many KWANA MARTINEZ (THEA ELVSTED): TV appearances include Modern Family Is pleased to work with Antaeus again, and a recurring role on Desperate having last appeard as Antigone in Housewives. The Curse of Oedipus. SoCal: South Coast Repertory (World Premiere KARIANNE FLAATHEN (BERTE): of Rajiv Joseph’s Mr. Wolf), San Jose Karianne was last seen at Antaeus in Repertory (Sonia Flew), The Old Globe Wedding Band. Other Los Angeles (Compleat Female Stage Beauty), theatre credits include: Top Girls Ensemble Theatre of Santa Barbara (Antaeus, StagesceneLA Award for (Crime and Punishment); North Best Lead Actress), Miracle on South Coast Repertory, The Colony, Laguna Division Street (Colony Theatre), Peace Playhouse, Pasadena Playhouse, and In Our Time (Antaeus), Celebration, Center Theatre Group. Regional/NYC: The Typists, The Thin Man, etc. all with Commonwealth Shakespeare (Romeo the A2 Ensemble. UK Theatre: The and Juliet, The Tempest, A Midsummer Woman In Black (No. 1 UK and Asia Night’s Dream) The Denver Center (The Tour), The Gift (London Tour), The Two Merry Wives of Windsor), Milwaukee Noble Kinsmen (Latchmere Theatre, Repertory, American Repertory Battersea). Film: Diani & Devine meet Theatre, Arizona Repertory, The Alley, The Apocalypse, I Am I, The Selling. La Mama, and New York Theatre Webisodes: The Sanctum, Mary Olson, Workshop. Kwana appears in numerous Take That Joy. Karianne received her commercials, is on television and film, training from Drama Studio London appears in numerous commercials, and SUNY Purchase. Proud member and is a Vassar and Harvard grad. of Antaeus, Actors’ Equity Association, kwanamartinez.com and the Pro99 movement. Website: kflaathen.com LYNN MILGIM (AUNT JULLE): At Remains, and many others. He wishes to ANTAEUS: Wedding Band (Ovation thank his pack at home for all the love Nomination Best Supporting and support Acress, Stage Raw Awards, Best Ensemble), Tonight at 8:30, The ANN NOBLE (THEA ELVSTED): At Malcontent (StageSceneLA ANTAEUS: The Liar, The Crucible, Award, Featured Actress). Macbeth, Peace in Our Time, The Broadway: Otherwise Engaged (with Malcontent. Most recently, she Tom Courtenay, Harold Pinter, performed in Stanley Ann: The Unlikely director); Bedroom Farce, ( Peter Story of Barack Obama’s Mother Hall, director); Charley’s Aunt, and (Stage Raw Nomination, Best Solo international tour of Brighton Beach Performance) produced by Victoria Memoirs (Gene Saks, director). Her Mudd, Elizabeth Yng-Wong, and LA’s many off-Broadway appearances LGBT Center where she was also seen include Win/Lose/Draw, Echoes, in Edward Albee’s The Goat, or Who Is Macbeth, Crimes of Passion, City Sylvia? (Stage Raw Award, Best Actress; Scene, Talking With, and Ribcage at Ovation Nomination, Best Actress), and venues that include Manhattan Theatre The Laramie Project: Ten Years Later Club, NY Shakespeare Festival, and (Ovation Nomination, Best Production). Second Stage. She has played leading Other LA credits include: Other Desert roles in regional theatres nationwide, Cities at ICT of Long Beach, The Light including Boston’s Charles Playhouse, Princess, The Miraculous Journey of Cincinnati’s Playhouse-in-the-Park, Edward Tulane and Anastasia Krupnik D.C.’s Arena Stage, Syracuse Stage, both at South Coast Repertory, Belfry Hartford Stage, and Actors’ Theatre of at the Malibu Playhouse, An Ideal Louisville. Los Angeles theatre include Husband at Sierra Madre Playhouse, appearances at LATC, La Mirada, Orange Flower Water at the Victory, and numerous plays at South Coast and And Neither Have I Wings To Fly, Repertory, most recently The Heiress, Sidhe, The Friendly Hour, Shove, and Trip to Bountiful, and the world premiere Bunbury, all at The Road. annnoble.com of Samuel D. Hunter’s Rest. She has been a series regular on pilots for JAIMI PAIGE (HEDDA GABLER): This ABC and CBS and has guest-starred is Jaimi’s first production with Antaeus. on numerous television shows, most Previous local stage credits include: recently Southland and Franklin and Venus In Fur at South Coast Repertory; Bash. Tender Napalm at Six01 Studio, The Collector, Jesse Boy, and Green Eyes/ NED MOCHEL (EJLERT LØVBORG): Rooming House at Ruskin Theatre Ned is so pleased to be a part of Group, Ghosts and Great Expectations this incredible cast. He appeared in at A Noise Within, and Sleeping Sam Hunter’s A Permanent Image at Ugly at the Santa Monica Playhouse. Rogue Machine Theatre last summer. Other notable stage credits include Ned hails from Chicago where he Juliet (Romeo and Juliet), Helena (A worked for The Goodman Theatre, Midsummer Night’s Dream) and Girl The Court Theatre, Lifeline Theatre, in the world premiere of Tennessee Williams’ Green Eyes, featured at the a Lucille Lortel Award. She works Tennessee Williams Theatre Festival. on radio with the California Artists Her television and film credits include: Radio Theatre. Amelia was born in Rizzoli & Isles, The Mentalist, Medium, Nottingham, trained at the Central Ghost Whisperer: The Other Side, School of Speech and Drama in London, Diagnosis X, the feature film Peacock is married to Antaeus actor Geoffrey and the upcoming feature films Within Wade, and is a proud AEA member. the Dark, Desolation and Stephanie.

Follow Your Bliss! PRODUCTION JAMES SUTORIUS (JUDGE BRACK): ANDREW UPTON (PLAYWRIGHT): At ANTAEUS: Henry IV, Part One, The Andrew Upton was co-artistic director Crucible, Macbeth, The Seagull, The of the Sydney Theatre Company (STC) Autumn Garden, and ClassicsFest with Cate Blanchett from 2008 to 2013, projects A Delicate Balance and after which he took over as sole artistic Wrecks. The Old Globe: Who’s Afraid director until late 2015. Writing credits of Virginia Woolf (Best Actor Award), include many classical adaptations Lincolnesque (Best Featured Actor including Chekhov’s The Present for STC Award), The Price, The Savannah (dir. John Crowley, with Cate Blanchett Disputation. La Jolla: Glengarry Glen and Richard Roxburgh); Maxim Gorky’s Ross (Nominated Best Featured Actor Children of the Sun for STC (dir. Kip Award). Broadway: The Farnsworth Williams); Michail Bulgakov’s The White Invention, Conversations with My Guard for the National Theatre, UK (dir. Father, The Changing Room, Hamlet. Howard Davies); Chekhov’s Uncle Vanya Off Broadway: Sexual Perversity in for STC (dir. Tamás Ascher, with Cate Chicago. Regional Theater: Other Blanchett and Richard Roxburgh); Maxim Desert Cities, The Merchant of Venice, Gorky’s Philistines for the National Hamlet, Uncle Vanya, The Price, Theatre UK, (dir. Howard Davies); a co- A Perfect Wedding, A Man for All adaptation with Simon Stone of Ingmar Seasons, Antony and Cleopatra, A Bergman’s Face to Face for STC (dir. Christmas Carol. Film/TV: IMDB will Simon Stone); and original play Riflemind tell all. for STC and Trafalgar Studios London AMELIA WHITE (AUNT JULLE): AT (dir. Philip Seymour Hoffman, with John ANTAUES: You Cant Take it with You, Hannah). For screen, Andrew co-wrote Peace in Our time and Tonight at 8:30. Gone (2006) with James Watkins, which Broadway credits include Crazy for was directed by Ringan Ledwidge and You, The Heiress and Cat on a Hot starred Amelia Warner. Most recently, tin Roof. She’s worked Off-Broadway, he adapted Tim Winton’s short story and at extensive regional theatres. ‘Reunion’ as part of feature film, The She received a Theatre World Award Turning (2013). for her work in The Accrington Pals at the Hudson Guild. Most recently she STEVEN ROBMAN (DIRECTOR): appeared with The Mint Theatre in Steven recently staged Sebastian NYC in Women Without Men, which Barry’s The Steward of Christiandom, was nominated for a Drama Desk and starring Brian Dennehy, at the Mark Taper Forum and Bernard Weinraub’s Black Dahlia Theatre, Shakespeare Above the Fold, starring Taraji P. Theatre Company. Film: Mother’s Day, Henson, at the Pasadena Playhouse. He Fishing Naked, Boost, New Year’s Eve, directed Kathryn Graf’s The Snakecan Life as We Know It, The Soloist, Fun at the Odyssey Theatre and her Who’s with Dick and Jane, Cellular, American Afraid of David Hare? in the Antaeus Wedding. Television: The Librarians, Theatre Company’s ClassicsFest last Grey’s Anatomy, CSI, Mistresses, season. He has also staged plays at Criminal Minds, Touch, Castle, Major the Longwharf Theatre in New Haven, Crimes, NCIS, Harry’s Law, Mad Men, Guthrie Theatre in Minneapolis, Actor’s Eli Stone, Cold Case, Studio 60 on the Theatre of Louisville, Goodman Theatre Sunset Strip, Without A Trace, Everwood, in Chicago, Baltimore Center Stage, Yale The Guardian, Buffy the Vampire Repertory Theatre, and in New York at Slayer, Dawson’s Creek. Education: the Manhattan Theatre Club, Phoenix Northwestern University. Wife: Heather Theatre and Playwrights Horizons. His Allyn. Pug: Roosevelt. Geek: robnagle. work for television includes over 100 com hours of comedy series, dramatic series, and movies-of-the-week. JOHN SLOAN (CO-ARTISTIC DIRECTOR): John joined Antaeus in BILL BROCHTRUP (CO-ARTISTIC 2005 after appearing as Eilif in Mother DIRECTOR): At ANTAEUS: Cloud 9, Courage and Her Children. Other Mrs. Warren’s Profession, The Seagull, Antaeus productions include King Lear, Peace in Our Time, The Malcontent, The Dickens Project (with LATW) and Cousin Bette, Tonight at 8:30, Pera Macbeth. Elsewhere in Los Angeles, Palas. Theatre: Primary Stages, South he has performed at The Mark Taper Coast Repertory, The Fountain, Black Forum, The Geffen Playhouse, South Dahlia, Odyssey, LA Theatre Works, Coast Repertory, Pasadena Playhouse, Pasadena Playhouse, Rogue Machine. Theatre @ Boston Court and The Film: Life as We Know It, He’s Just Not Odyssey, where he appeared in No That Into You, Ravenous. Television: Man’s Land with Alan Mandell and Larry Major Crimes, Shameless, Dexter. Series Pressman. Other credits from around Regular: Public Morals, Total Security, the country include Soho Rep, La Mama NYPD Blue. Spoken Word: Sit ‘n Spin; Etc., American Jewish Theater, The Rant & Rave; Spark Off Rose, and Mint Theater Company, Denver Center numerous other Storytelling venues. Theatre Company, The Intiman Theatre billbrochtrup.com (Seattle) and the Alabama Shakespeare Festival. His television appearances ROB NAGLE (CO-ARTISTIC include leading roles in the SyFy mini- DIRECTOR): At ANTAEUS: The Liar, series The Triangle, Happy Hour on FOX, Macbeth, Peace in Our Time. Other and the Hallmark movie The Seven Year theatre includes: South Coast Repertory, Hitch. Other credits include Bones, How Denver Center Theatre Company, I Met Your Mother, Liz & Dick, Farmed Troubadour Theater Company, Portland & Dangerous, Private Practice, Grey’s Center Stage, Mark Taper Forum, Center Anatomy, The Glades and CSI:NY. Stage, Old Globe, San Jose Repertory, johnsloan.com ANA ROSE O’HALLORAN (Mark Taper Forum/Center Theatre (EXECUTIVE DIRECTOR): Ana Rose Group); Twist Your Dickens (Kirk joined Antaeus last year and has over Douglas Theatre/Center Theatre 10 years of non-profit fundraising and Group); The Most Deserving (Denver management experience. Prior to joining Center Theater Company); Stardust Antaeus, Ana Rose worked as the Senior (REDCAT); Intimate Apparel (LADCC Director of The Pablove Foundation winner, Best Costume Design); The and in various roles in the Development Heiress (Pasadena Playhouse, Ovation Department at Center Theatre Group. nominated); All My Sons, Come Back She received her MFA in Theatre Little Sheba, The Doctor’s Dilemma and Management from California State The Eccentricities of a Nightingale (A University, Long Beach and dual BFAs in Noise Within); Paradise Lost (Intiman Theatre Management and Performance Theatre); Futura, The Pain and the Itch, from Ohio University. and Tartuffe (The Theatre@Boston Court); bobrauschenbergamerica, Tree SE HYUN OH (SCENIC DESIGNER): (Inside the Ford); Boom, Men of Tortuga Se Oh recently co-designed Office Hour (Furious Theatre Company); Saudade with Takeshi Kata, a new play written (UCLA Live); Full Still Hungry (Ford by Julia Cho, directed by Neel Keller at Amphitheater). She recently designed South Coast Repertory. Selected Los the feature film All Stars. Her work has Angeles credits include BED, directed been featured at MOMA, Art Basel by Jennifer Chambers at the Echo Miami, and 2010 Whitney Biennial. Piehl Theatre Company; Mr. Marmalade, teaches at USC; she has a BA from directed by Olivia Trevino at The UC Berkeley and her MFA in costume Garage Theatre; Vampire Lesbians of design from CalArts. leahpiehl.com Sodom, directed by Raina Pratto at Long Beach Playhouse. Associate opera and LEIGH ALLEN (LIGHTING musical credits include: A Midsummer DESIGNER): Leigh is a recipient of the Night’s Dream, directed by Paul Curran Los Angeles Drama Critics Circle Award at Teatro dell’Opera di Roma; Le Roi for Career Achievement. Accolades Malgre Lui, directed by Thaddeus include: Ovation, Best Production Strassberger at Bard SummerScape; and Lighting nomination, Dying City; Another Sun, a musical arranged by LADCC award, Production, One Night Joseph A. Baker, directed by Kim in Miami; Garland Award, Cousin Bette; Jin-Young at The Hyundai Theatre LA Weekly Award, Treefall; Ovation, Company. Se Oh holds an MFA in Stage Production of the Year, Killer Joe; Design from Northwestern University. GLAAD Award, Like a Dog on Linoleum; sehyunoh.com Macy Award, The Secret Garden; and LADCC and LA Weekly Awards, Johnny LEAH PIEHL (COSTUME DESIGNER): Got His Gun. Other lighting design Recent credits include: Mr. Wolf and credits include the world premieres The Light in the Piazza (South Coast of Boise, USA (Matrix Theatre) and Repertory); Race (Kirk Douglas/Center Flim Flam: Houdini and the Hereafter Theater Group); Pygmalion (Pasadena (Malibu Playhouse), both written by Playhouse); The Steward of Christendom Gene Franklin Smith. Leigh has also toured with Masters of Illusion, Live! and KRISTIN WEBER (PRODUCTION has designed for cruise lines, musical STAGE MANAGER/WARDROBE theater companies, regional theaters, MISTRESS): universities, and many more. In her At ANTAEUS: The Crucible, The Liar, spare time, she teaches at Santa Monica Top Girls, The Curse of Oedipus, College. Wedding Band, Henry IV, Part One, Picnic, Uncle Vanya, Cloud 9 and CRICKET MYERS (SOUND various ClassicsFests. Kristin graduated DESIGNER): On Broadway, Cricket at the top of her class from Chapman earned a Tony Nomination and a Drama University where she majored in Desk Award for her design of Bengal Entertainment Theatre Technology Tiger at the Baghdad Zoo. Off Broadway with an emphasis in stage management. designs include The Marvelous Other credits include: Driving Miss Wonderettes. She has also designed Daisy, Women in Mind (Sierra Madre regionally at The Geffen Playhouse, La Playhouse) and Wicked Lit 2012 Jolla Playhouse, The Ahmanson, Mark (Unbound Productions). She is glad Taper Forum, Berkeley Rep, Arena to call Antaeus her artistic home. Big Stage, South Coast Repertory, the Kirk thanks to her family and friends for Douglas Theatre, and the Pasadena their endless love and support. Special Playhouse. Other selected L.A. designs thanks to Steve, Ricka, Grayson, Adam, include NoHo Arts Center, The Ghost Robin, Emyli, Serena, Ana Rose, and to Road Company, East West Players, The the best Artistic Directors around! Enjoy Celebration Theatre, and Circle X. She the show! has earned 18 Ovation Nominations, as well as winning The Kinetic Award for RICKA FISHER (ASSISTANT DIRECTOR): Outstanding Achievements in Theatrical A producer and director, Ricka was Design, an LADCC and a Garland co-founder of Off Off Broadway The Award. cricketsmyers.com Production Company, followed by a long studio and network career making ERIN WALLEY (PROPS DESIGNER): scores of TV movies and miniseries for is very excited to be working on her broadcast and cable networks. As Director first production with Antaeus Theatre of Development at the Wallis Annenberg Company. A graduate of the University Center for the Performing Arts for nearly of Missouri, Kansas City with an MFA in 10 years, she supervised the initial capital Theatre Scenic Design, her recent prop campaign culminating in the Inaugural work includes Six Characters in Search Season 2013 - 2014. More recently, she of an Author, Antigone, and All My Sons has directed readings and workshops at at A Noise Within, Always…Patsy Cline Skylight Theatre, GreenLight One-Act and A Christmas Story at Sierra Madre festival, Antaeus and other LA venues. B.A. Playhouse, and Shiv at The Theater @ Dramatic Arts UC Berkeley; MFA Theatre Boston Court. Additionally, she has Directing Carnegie-Mellon University. ADAM MEYER (PRODUCTION “Dead Awaken” at CalArts, and “Bayou MANAGER/TECHNICAL DIRECTOR): Blues” which premiered at the Edinburgh On the Antaeus stage he has Fringe Festival in 2015. acted in Mother Courage and Her Children, Tonight at 8:30, King Lear, The RENE PARRAS JR. (ASSISTANT Malcontent, Peace in Our Time, Macbeth, TECHNICAL DIRECTOR): Rene has and The Curse of Oedipus. He is a worked on various projects across founding A2 Rep of the A2 ensemble. He Southern California. Ranging from set has done theater all over the US at such design, prop fabrication, graphic design reputable theaters as The Shakespeare and more. He’s honored to work on Theatre of New Jersey, Williamstown his second show with Anteaus Theatre Theatre Festival and Cortland Repertory Company, and looks forward to working Theatre. Some TV credits include: Untold on more shows to come. Stories from the E.R. (TLC) and Ella & Me (Animal Planet). He has appeared in many GRAYSON STAMPS (ASSISTANT STAGE sketches meyerbros.net. Rebecca Miller is MANAGER): Grayson Stamps is very a beautiful soul. @AdamJohnMeyer excited to be joining the Antaeus team. Some of his behind the curtain work LENA SANDS (COSTUME ASSISTANT): includes If All The Sky Were Paper in Lena Sands is a costume designer, association with Chapman University, also puppet artist and scenographer. Recent being highly involved during his time at Los Angeles designs: Ameryka (Critical his Alma Mater, American Musical and Mass), Judgement of Fools (Atwater Dramatic Academy where he received Village Theatre), Talking to Terrorists his BFA. Also in front of the curtain he (HCLAB), Riot/ Rebellion (LATC), Paradise has been seen playing Prior in Angels in by Design (CalArts CNP), Substrata America, Space Pandas and Measure for (Redcat). She is a regular assistant Measure at the Scotland Fringe Festival. designer at Center Theater Group. Her Also involved in ACT Repertory Theatre recent generative work inscribes LA in Macbeth, The Diviners, and Antigone. Times letters to the editor on clothes to “Every great dream begins with a dreamer.” question assimilation and challenges to Harriet Tubman. @stampsgk rights of self presentation. Also coming up: Ophelia’s Revenge in residence at the Martha’s Vineyard Film Society in July. Lena received her MFA in Design for Performance from CalArts.

BERYL BRACHMAN (COSTUME ASSOCIATE): Beryl Brachman is excited to have worked on her first production with Antaeus Theater. She is currently pursuing her MFA in theater design at California Institute of the Arts. Previous credits include “Nightwalk in the Chinese Garden” directed by Stan Lai which premiered at the Huntington Gardens, Thank You to our Extended Family of Loyal Supporters Government Benefactor Elaine Kramer & Al Latham City of Los Angeles ($5,000 - $9,999) Carol Lombardini & Department of Dawn Didawick & William Cole Don & Marsha McManus Cultural Affairs Harry Groener Anne McNaughton & LA County Winnie Holzman & Dakin Matthews Arts Commission Paul Dooley David Lee Kerry Mohnike Gwynne & Robert Pine Foundations Molly Munger & Jennifer & Matthew Rowland American Endowment Steve English Jennifer & Ed Ryba Foundation Claudette Nevins & Suzanne & Ned Schmidtke Anonymous Benjamin Pick Elizabeth Swain The Flourish Foundation Joan Pirkle Smith & Kurtwood Smith Kitty Swink & The Green Foundation Susie Schwarz & Armin Shimerman The Clarence E. Heller Stuart Berton Wendy & Peter Van Norden Charitable Foundation Reba & Geoffrey Thomas The Kroger Co. Foundation Friend ($500 - Belinda & Jack Walker The Shubert Foundation $999) John & Beverly Stauffer Patron ($2,500 - Eugene Alper Foundation $4,999) Robert Anderson S. Mark Taper Foundation Polly & Jamie Anderson Sharon Lawrence Apostle Wells Fargo Foundation Bill Brochtrup John Bobek Ruth Eliel & William Cooney Eve Gordon & Todd Waring Institutions Diane Glatt & David Holtz Holly & Philip Baker Hall AJS Costumes Susan Boyd Joyce & Deb Lacusta & Amazon Associates Jon Joyce Dan Castellaneta Crowell, Weedon & Co Mary & Mark Lambert Stephen Lesser Melinda Eades LeMoine Audrey Davis Levin & Individual Support Richard Nathan Peter Levin Angel ($50,000+) Laura A. Seigle Beth & Jack Nagle Kiki & David Gindler R. Scott Thompson Alexandra & Ed Napier Jack Needleman Producer Backer ($1,000 - Melinda Peterson & Philip Proctor ($10,000+) $2,499) Bruce Pottash Sonja Berggren & Claire & Brad Brian Charlotte Rae Patrick Seaver Anne Gee Byrd Sallie Scanlan, TRUSTEE Elizabeth & Rick Berman Evie & John DiCiaccio Margaret & David Sloan Jocelyn Towne & Olga Garay & Kerry English Susan Sullivan & Simon Helberg Kimiko Gelman & John Prosky Connell Cowan

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To make a donation, fill out the envelope enclosed in your program, or go online to www.antaeus.org. For more information, please contact Serena Johnson, our Development Manager at 818-506-5436. ENSEMBLE MEMBERS Tony Abatemarco, John Achorn, Rhonda Aldrich, John Allee, Tony Amendola, John Apicella, Tessa Auberjonois,Fran Bennett, Gigi Bermingham, Daniel Bess, Daniel Blinkoff, Peggy Ann Blow, Andrew Borba, Chad Borden, Bill Brochtrup, Anne Gee Byrd, Stephen Caffrey, Jane Carr, Emily Chase, Josh Clark, Avery Clyde, Mimi Cozzens, Barry Creyton, JD Cullum, Gregg Daniel, Ramón de Ocampo, Jason Dechert, Jen Dede, Mark Deklin, Joe Delafield, John DeMita, Seamus Dever, Dawn Didawick, Francia DiMase, Mark Doerr, Nike Doukas, Sarah Drew, Apollo Dukakis, Frank Dwyer, Paul Eiding, Terry Evans, Wyatt Fenner,Martin Ferrero, Karianne Flaathen, Julia Fletcher, Karolie Foreman, Bo Foxworth, Jeff Thomas Gardner, Kimiko Gelman, Eve Gordon, Dana Green, Harry Groener, Arye Gross, Graham Hamilton, Richard Herd, Steve Hofvendahl, Joe Holt, Shannon Holt, Gregory Itzin, Veralyn Jones, John-David Keller, Michael Kirby, Lily Knight, Tamara Krinsky, Adrian LaTourelle, Melanie Lora, Henri Lubatti, Kate Maher, Leo Marks, Anna Mathias, Dakin Matthews, Saundra McClain, Don R. McManus, Anne McNaughton, Micheal McShane, Bill Mendieta, Adam Meyer, Lynn Milgrim, Allan Miller, Richard Miro, Elyse Mirto, William Mitchell, Rebecca Mozo, Rob Nagle, Claudette Nevins, Jonathan Nichols, Ann Noble, Jeffrey Nordling, Linda Park, Angela Paton, Zoe Perry, Melinda Peterson, Christina Pickles, Robert Pine, Lawrence Pressman, Philip Proctor, John Prosky, Deborah Puette, Jeanne Sakata ,Mikael Salazar, Raphael Sbarge, Ned Schmidtke, Armin Shimerman, John Sloan, Adam J. Smith, Kurtwood Smith, Devon Sorvari, Janellen Steininger, Joanna Strapp, Susan Sullivan, James Sutorius, Elizabeth Swain Joel Swetow, Kitty Swink, Jeanne Syquia, Rebekah Tripp, Marcelo Tubert, Peter Van Norden, Geoffrey Wade, Patrick Wenk-Wolff, Laura Wernette, Stoney Westmoreland, Karen Malina White, Amelia White, Jules Willcox, Paul Willson, Alicia Wollerton

ASSOCIATE MEMBERS Heather Allyn, Christopher Breyer, Matthew Goldsby, Robert Goldsby, Paul Lazarus, Michael Murray, A. Jeffrey Schoenberg, Stephanie Shroyer

A2 ENSEMBLE Brian Abraham, Erin Barnes, John Bobek, Shannon Clair, Christopher Clowers, Brett D. Colbeth, Paul Culos, Nicholas D’Agosto, Julia Davis, Etta Devine, Liza de Weerd, Gabriel Diani, Jeff Doba, Daniel Dorr, Drew Doyle, Nicole Erb, James Ferrero, Alexandra Goodman, Belen Greene, Matthew Grondin, Simon Helberg, Raleigh Holmes, Sally Hughes, Antonio Jaramillo, Danielle Jones, Dylan Jones, Desiree Mee Jung, Jim Kane, Connor Kelly-Eiding, Alexander Knox, Lindsay LaVanchy, Ian Littleworth, Aaron Lyons, Jill Maglione, Abigail Marks, Stephanie Mitchell, Lisa Valerie Morgan, Lily Nicksay, Maria Pallas, Tro Shaw, Jason Thomas, R. Scott Thompson, Danielle Thorpe, Jocelyn Towne, Abby Wilde, Buck Zachary, Lizzie Zerebko

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Co-Artistic Directors Antaeus Founders Bill Brochtrup, Rob Nagle, Dakin Matthews, Lillian Groag John Sloan ANTAEUS BOARD Associate Artistic Directors OF DIRECTORS Armin Shimerman, Kitty Swink David Gindler, Chair

Executive Director Rhonda Aldrich Ana Rose O’Halloran Jamie Anderson Sonja Berggren Company Manager Stuart Berton Robin Campbell Charlie Bohlen Bill Brochtrup Development Manager Anne Gee Byrd Serena Johnson Bob Craft Dawn Didawick Marketing & Development Assistant Harry Groener Emyli Gudmundson Paula Holt Susan Boyd Joyce Production Manager Mary Lambert Adam Meyer Melinda Eades LeMoine Bookkeeper Rob Nagle Amy Michner Claudette Nevins Ana Rose O’Halloran Artwork & Graphic Design John Prosky Mila Sterling Laura Seigle Armin Shimerman Publicist John Sloan Lucy Pollak Elizabeth Swain Kitty Swink Arts Ed Committee Reba Thomas John Prosky, John Sloan, Ann Noble, Peter Van Norden Janellen Steininger, Kitty Swink Jack Walker Jonathan Weedman Arts Ed Teaching Artists John Apicella, Elizabeth Berman Ramón de Ocampo, Karole Foreman Bo Foxworth, Amad Jackson, Ian Littleworth, Anna Mathias, Ty Mayberry, Michael McShane, Ann Noble, John Prosky, Tro Shaw, R. Ernie Silva, Darin Singleton, Marcelo Tubert