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Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
Rolleifle,X 2.8F IMPROVING on When the Rolleiflex 2.8F Was Created, Astar Was Born
HOW Amateur Photographer's... Ie P 0 06 MUCH o HEY PHOTOGRAPHER I PHOTOGRAPH I COST? AType 1Rolleiflex 2,8F with 80mm Planar and exposure AType 1version of the meter, showing late 1950s, with 75mm 'moderate/heavy use' 1/3.5 Planar and built with 'obvious wear in uncoupled exposure to the body covering' meter. Ihis one is in sold for [432,02 on as-bought condition eBay on 16 July, A and has not yet been dealer in Frankfurt cleaned for display sold anear-mint 2.8F with Planar and meter for [1.261 on 11 July. The 3.5F realises similar prices, with similar differences for condition. Amint example of the last 'wl\'ite face' 3.5F with meter and ERe [ever ready easel sold on eBay for [1,874 on, 16 July. AweU-used but sound 3.5F with ptanar and accessories sold for [436.20 on 14 July A3.5F with f/3.5 Xenotar and needing a the optical quality of the 80mm f/2.8 Carl shutter service [which Zeiss Planar and the ultimate mechanical could be pricey] sold leaf shutter of the time, the Synchro for [171 on 11 July. The classic Type 1of the 1960s, Compur As acreative tool, particularly for These examples show pictures of people, it was unsurpassed, that prices of 2.8F with 80mm f/28 Planar and built-in The companion to the 28F, the Rolleiflex and 3.5F Rolleiflexes 35F, had been launched in 1958 with either vary dramatically with selenium-cell exposure meter an f/35 Zeiss Planar or an f/35 Schneider condition. -
COMPLETE CATALOGAE of CAMEBAS & Acgeseoiles
COMPLETECATALOGAE OF CAMEBAS& ACGESEOilES "ij May29, 1961 Designed-byKingscott Ltd, lssued by R.5/61-? printedin EnglandbyW, S. CoweltLtd R. F. FIUNTER LTD,5t-53 iria:'s i,'i,nR.l, Londcn, W.C.t 7 WHYA To choosea Rollei is to choosethe finest camerain the world. The Rollei is really two cameras. One, taking the picture and the secondgiving you a preview of this picture - in full size- right way up - in full colour, which is observedbefore and during exposure. Whether you are a beginner or professional, Rollei is the camera for you and its system ensuresyour getting the best possible picture. The large brilliant focusing screenmakes you the complete master of picture composition. As this picture is in full colour, one can selectwith easethe correct colour distribution. A turn of the focusing knob brings the picture dead sharp and as an added check, a large magnifier is housed in the focusing hood to guaranteeevery time complete sharpness.The brightness of the image on the focusing screenis always something of a revelation to the new owner of a Rollei. Whichever model of Rollei you select, you always see exactly what you are taking and by skilful positioning of the controls, the whole attention can be given to obtaining the best possible composition.Now there is an entirely new Rollei - the Rollei-Magic. This is the only 21 in. x 2l in. camera which automatically givescorrect exposureand a preview of your picture - in full size - and in full colour. The exposure is automatically set and a perfectly exposed negative is guaranteed every time. -
THE ROLLEIFLEX: MODEL by MODEL These Green Pages Deal with the Individual Rolleiflex Cameras in Detail
THE ROLLEIFLEX: MODEL BY MODEL These green pages deal with the individual Rolleiflex cameras in detail. Self-contained sectionsfor each group of model coverpoints of loading, unloading, shooting, and specific controls. For afuller explanation of aspectscommon to all Rolleiflex cameras, compare these sections with the main text under the same headings. The Rolleiflex F and E Series The Rolleiflex Automat Series Loading 6 Loading 29 Unloading I Unloading 30 Shooting g Shooting 30 Using the Rolleiflex E Special Controls 34 Exposure Meter I0 Installing the Exposure Early Rolleiflex Models Meter II Loading 38 Special Controls It Unloading 38 Shooting 38 The Rolleiflex T SpecialControls 39 Loading I4 Unloading I6 Lens Attachments and Accessories Shooting I5 Tele and Wide-angle $ Using the Rolleiflex T Close-up Work 40 Exposure Meter t8 Earlier Close-up Lens Sets 42 Installing the Exposure Soft Focus Lenses 42 Meter ,8 The Lens Hood 43 Special Controls I9 The Rolleilux 43 Filters 43 The Rollei-Magic I,II The Rollei Micro Adapter 44 Loading 20 Unloading 22 Yiewing Accessofies Shooting 22 The Binocular Focusing Special Controls 22 Hood 45 The EyeJevel Prism TheRolleiflex4x4 Finder 45 The Rolleigrid 45 Loading 25 Rolleiclear Screen 45 Unloading 25 The Rolleimeter 45 Shooting 25 The Extension Focusing SpecialControls 26 Knob 45 fl ililt Carnero Cases and Holding The Rolleikin Cine Film Accessories Adapter 54 Ever-Ready Cases 48 The Rolleikin II 54 The Metal Ever-Ready Case 48 Installing the Release The Rolleifix Tripod Head 50 Knob 56 The Pistol Grip 50 Assembling the Rolleikin II 56 The Panorama Head 50 Loading 56 The Stereo Slide 50 Film Transport 58 The Rolleimarin Rewinding 58 Underwater Housing 52 The Rolleikin I 58 Rolleimot, remote control 52 Assembling the Rolleikin I 58 Film Loading and Alternatiae Picture Sizes Transport @ The Rolleiflex Mask Set 53 Rewinding 60 The Plate Adapter 53 Early Designsof Rolleikin 62 Note: Various items of equipment mentioned in the following pages are no longer manufactured. -
Large Format Lenses from Carl Zeiss Oberkochen 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2014 Arne Cröll – All Rights Reserved (this version is from August 25, 2014) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well-known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena.