Etonian (1922-1950) College Yearbooks

Total Page:16

File Type:pdf, Size:1020Kb

Etonian (1922-1950) College Yearbooks Elizabethtown College JayScholar Etonian (1922-1950) College Yearbooks 1932 Etonian - 1932 Elizabethtown College Follow this and additional works at: https://jayscholar.etown.edu/etonian Recommended Citation College, Elizabethtown, "Etonian - 1932" (1932). Etonian (1922-1950). 10. https://jayscholar.etown.edu/etonian/10 This Book is brought to you for free and open access by the College Yearbooks at JayScholar. It has been accepted for inclusion in Etonian (1922-1950) by an authorized administrator of JayScholar. For more information, please contact [email protected]. REFERENCE MATERIAL Digitized by the Internet Archive in 2011 with funding from LYRASIS members and Sloan Foundation http://www.archive.org/details/etonian1932eliz $ ^iionsE. of fht vf o n i a n r^20 = f n t a n oVl952 3 Class of £fi>atafhfotott OofU^u- in #t£ tjsat^nin^ fe*n mttt<ir£tl and fhit*ftj~ on*^ -V - - -^ ^ ^ I 5 Bebtcateb to Bean 9. C. JBaugljer, Cf)eri£iljcti counselor anb energetic cotoorfeer of tf)e class of 1932, unjo altoaps freelp offers fjiS abutcc, counsel, anb cooperation, tofjo eber striocs for tlje best interests anb ijigijest attainments of tfje scljool, toijo is conSibereb tfje closest frienb of tlje class anb toljose christian character tjas toon tlje esteem of tlje entire Stubent uobr, toe respectfully bebicate tljis bolume of tlje Etonian £ orci»ot*d -ilu publishing tins bolume of tfjc Ctonian, it has been the Sincere purpose of the staff, to bepict the ibeals of the college ano its founbns, to perpctuatr the memories of the school pear 1930=31 in a tangible form, anb to contribute our share to the ibeal of the greater Clijabethtoton College onfenfs Part I THE COLLEGE Part II ACTIVITIES Part III ATHLETICS Part IV FEATURES Part V ADVERTISEMENTS B A R D OF CONTRO L Ray A. Kurtz Editor Floy Schlosser Associate Editor Caleb Bucher Associate Editor Harry G. Shonk Business Manager William Richwine Assistant Business Manager Ezra Bucher Advertising Manager Dean A. C. Baugher Faculty Adviser hi toUim | •• + • ALMA MATKR We hail thee, Alma Mater, dear, As now we sing thv praise, let thy walls and storied halls Resound with endless praise. Chorus— We love thy sons so noble, Thy daughters fair and true, We love thee ever, old E. C, And thv colors Gra\> and Blue The strong and fair alike do share The labours of thy hand; Together they proclaim alway, Thy glory through the land. As long as breezes 'round thee blow And countless ages roll, May heaven s blessings on thee rest, While we thv name extol. wimammmm FACULTY AND ADMINISTRATION Here you are at last with the coveted sheep skin in the offing! What a train of memories flashes into your minds as you meditate upon hall, class-room, and campus! How vivid is the recollection of that first meal in the dining hall, that first attempt to master all knowledge, that first chapel talk- that shadowy memory of a gymnasium in embryo, and that soothing peal of the retiring bell! What a music, what a reverie all these scenes on College Hill call forth! You will have many joyous days before you, but some of your best days are now history and the source of happy reminiscences. It was on College Hill that you formed some of your most lasting friendships; it was here that you caught a vision of a life task; it was in the class-room that you entered the palace of the beautiful in art, literature, and music; it was there that you marvelled at the greatness of God in the behavior of chemical elements, in the motions of the planets in the heavens, and in the organization of plants and animals; it was in the gymnasium that you first caught the real spirit of team work and self control; it was on the chapel rostrum that you gained confidence in expressing yourself to others; and it was within the sacred walls of your Alma Mater that some of you dedicated your lives to Jesus Christ as your Savior. As you approach your respective tasks it is our earnest desire to see you honorably performing your duties and thus rendering a worthy contribution to humanity. To do this you will need an impelling force in your lives, and of all the aids to a worth-while life there is none like faith. You will never be able to realize your latent possibilities unless you have a firm conviction that life is eternally important. Just as you are partly fashioned by all the influences brought to bear upon your life, so you will leave an impress upon humanity wherever you go. The pebble thrown into the pond affects all the water in it and sets waves in motion that touch the farthest borders. Life similarly touches life and sets in motion currents that determine destinies. For your own sake and for that of others it does matter how you live. You should further realize that work creditably performed is the consummation of a design in the mind of the Creator himself. For each life there is some work to do; for each worthy deed there is a harmony in the symphony of the universe. Your training during the past four years has been an at- tempt at assisting you in believing that life is fraught with great issues and boundless possibilities, and it shall bring us great joy to see each one of you doing your respective work well. Our anticipation for you as you face sterner realities are not manifestly disturbed by fears. We know that your aspirations are high, your purposes noble, your wills indomitable, and your faith strong. With these traits dominating your lives you will succeed. When your efforts meet the hearty approval of your fellow men we shall rejoice with you; when you pass through the difficult places of life we shall sympathetically follow you and try to strengthen you; and should you fail for any reason, we shall love you still and hold out a helping hand. L' ENVOI Is your place a small place? Tend it with care! He set you there. Is your place a large place? Guard it with care! He set you there. Whatever your place, it is Not yours alone, but His Who set you there. President R. W. Schlosser. Twenty-two ^^^^HH SENIORS S E N I R CLASS HIS T DRY Motto No J'ictor\ Without Labor Colors Flower Purple and White White American Beauty Rose OFFICERS Fresh i Year Sophomore Year Benjamin Hoffman President Carl Zeigler Richard Strayer J'ice-President Howard Kerr Jessie Woodard Secretary Jessie Woodward Grace Shoop Treasurer Gertrude Maderia Prof. H. H. Nye Class Advisor Prof. H. H. Nye Junior Year Senior Year Clyde S. Deiter President Clyde S. Deiter L. Trostle Crouthamel rice-President Carl Zeigler Jessie Woodward Secretary Jessie Woodward Amos Hummer Treasurer Amos Hummer Prof. J. Z. Herr Class Advisor Prof. J. Z. Herr In the fall of 1927 fifty eager Freshman enrolled in Elizabethtown College, anxiously looking forward to the new experiences before them. Under the direction of Professor H. H. Nye, our class advisor, we organized on September 27, 1927, choosing Benjamin Hoffman as President of the Freshman Class. As our motto we chose "No Victory Without Labor." The next important event in the Freshman annals was the victory over the Sophomores in a tug-of-war at Lake Placida. In the Basketball season the girls were undefeated and the boys stood very near the top. Not only in athletics but in library and musical circles, as well, the Freshman class distinguished itself. Thirty of our members returned for the Sophomore year, a little older and wiser for the trials and successes of the Freshman year. Carl Zeigler was chosen as leader for our second year of College life. Various committees were appointed for social, literary, and athletic activities. The social committee very success- fully arranged for a banquet February 19, at Hershey Inn. The snowy night could not dampen the spirits of the happy banqueters. In the major sports the Sophomores held their own and the glory of the Freshman year was not dimmed but rather increased. The social activities of the year culminated in a good time at Penryn Park May 24. Already we were looking forward to the privileges and Thirty- y i \ responsibilities of the Junior year— Carl Zeigler was chosen as Editor-in-Chief of the Etonian work and Trostle Crouthamel was chosen as Business Manager. In the fall of 1929 eighteen jolly, yet very serious minded, juniors returned to join the task of publishing a bigger and better Etonian. Everyone worked to the best of his ability for the accomplishment of this worth while project. The 193 1 Etonian was successful not only as a literary accomplishment but also as a business enterprise, for the treasure of the class was richer by two hundred eighty six dollars after all had been said and done. Clyde Deiter was the able leader of our Junior activities. Social affairs were not neglected during this, busy year for a very unusually successful social affair was held on a moonlight night as we hiked the snowy roads. around Elizabethtown. In May the Juniors entertained the Senior class at the Inn at Indian Echo Cave. The Senior year began very auspiciously with many of the old members back and quite a few new friends in our midst. Mr. Deiter was chosen as leader of our class on the last round of its eventful journey. We immediately began to plan for the many activities of the Senior year.
Recommended publications
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • First and Second Degree Black Belt Training Manual
    First and Second Degree Black Belt Training Manual Developed by: Adam J. Boisvert, A-5-19 Chief Instructor & Shannon L. Boisvert, A-3-31 Assistant Chief Instructor Black Belt: Expert or Novice One of the greatest misconceptions within the martial arts is the notion that all black belt holders are experts. It is understandable that those unacquainted with the martial arts might make this equation. However, students should certainly recognize that this is not always the case. Too often, novice black belt holders advertise themselves as experts and eventually even convince themselves. The black belt holder has usually learned enough technique to defend themselves against single opponents of average ability. They can be compared to a fledgling that has acquired enough feathers to leave the nest and fend for themselves. The first degree is a starting point. The student has merely built a foundation. The job of building the house lies ahead. The novice black belt holder will now really begin to learn technique. Now that they have mastered the alphabet, they can now begin to read. Years of hard work and study await them before they can even begin to consider themselves an instructor or expert. A good student will, at this stage, suddenly realize how very little they know. The black belt holder also enters a new era of responsibility. Though a freshman, they have entered a strong honorable fraternity of the black belt holders of the entire world; and their actions inside and outside the training hall will be carefully scrutinized. Their conduct will reflect on all black belt holders and they must constantly strive to set an example for all grade holders.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
    Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare
    [Show full text]
  • Reviews University of New Mexico Press
    New Mexico Quarterly Volume 32 | Issue 3 Article 27 1962 Reviews University of New Mexico Press Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation University of New Mexico Press. "Reviews." New Mexico Quarterly 32, 3 (1962). https://digitalrepository.unm.edu/nmq/vol32/iss3/ 27 This Book Review is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. : Reviews 209 R€VI€WS OF: POETS AND MARKETS A Mixed Bag ofLittleMagazines This past year, the Quarterly received a small card headed "Memo from Harper-Atlantic" stating: "It just isn't true that magazines spend all their ti~e in destructive criticism of each other. See, for example, the delightful compliment Newsweek 'paid the Atlantic's April issue." While it is a little sad to read how happy "Harper-Atlantic" could be­ come through recognition' by Newsweek (Richard Rovere calls News­ week the magazine of the policy makers, a position which The Atlantic held even after the editorship of Oliver Wendell Holmes in a more literary era) the sentiment of the card seems sincere and incontestable. There are many brave new magazines deserving a salute, even if but ave et vale-chief among them, the little magazines publishing poetry. NMQ regrets having to turn down good verse simply because of space restrictions and is honestly deligpted that there are new outletS for poems.
    [Show full text]
  • 1 TABLE of CONTENTS Welcome
    TABLE OF CONTENTS Welcome ...............................................................................................2 About the Director ................................................................................3 About the Assistant Director ................................................................4 About the Hurricanette Instructor .........................................................5 About the Color Guard Instructor .........................................................6 Brief History of the Band of the Hour ..................................................7 Goals and Responsibilities of the Band of the Hour ............................8 Hierarchy of the Band of the Hour .......................................................9 Criteria for Success.............................................................................11 Attendance and Grading Policies .......................................................14 Class/Lab Conflicts ............................................................................16 Office Hours .......................................................................................16 Hurricane Plan ....................................................................................16 Stipend ................................................................................................17 Fees .....................................................................................................17 Music, Flip Folders, Lyres, and Drill Notebooks ...............................18 Instrument
    [Show full text]
  • The Caravan Playlist 086 Friday, September 26, 2014 Hour 1 Artist
    The Caravan Playlist 086 Friday, September 26, 2014 Hour 1 Artist Track CD/Source Label Allison Crowe Whether I'm Wrong Live at Wood Hall Rubenesque Records - c 2005 The Head And The Heart Heaven Go Easy On Me The Head and the Heart Sub Pop - c 2011 Pat Metheny & Lyle Mays September Fifteenth As Falls Wichita, So Falls Wichita Falls ECM - c 2000 Andrea England Drive Hope and Other Sins Interscope - 2012 Blake Mills Cry To Laugh Heigh Ho Verve - c 2014 Harry Dean Stanton Promised Land Partly Fiction Omnivore - c 2014 Zella Day Seven Nation Army Zella Day Pinetop - c 2014 Eric Bibb Nanibali Jericho Road Stony Plain - c 2013 Twang Darkly On The Canals Martian Archaeology Twang Darkly - c 2014 Laurie McClain The Beginning of Love The Child Behind My Eyes CD Baby - c 2002 Super Water Symphony When You're Not Around Hydrogen Child In Music We Trust - c 2013 Hour 2 Artist Track Concert Source Jack Williams Natural Man Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Thirsty Town Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Intro story to Old Sal Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Old Sal Live at the House of Crummer Wind River Artist - c 2005 Jack Williams En La Noche Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Waterbug Live at the House of Crummer Wind River Artist - c 2005 Jack Williams This Moment is Mine Live at the House of Crummer Wind River Artist - c 2005 Jack Williams This is My Body Live at the House of Crummer Wind River Artist
    [Show full text]
  • CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1
    CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Wash 2. Once 3. Even Flow 4. State Of Love And Trust 5. Alive 6. Why Go CHICAGO, ILLINOIS FRIDAY, NOVEMBER 29, 1991 LOCATION CHICAGO, IL Aragon Ballroom SET 1 1. Release 2. Even Flow 3. Smells Like Teen Spirit 4. Once 5. Alive 6. Jeremy 7. Why Go 8. Porch CHICAGO, ILLINOIS SATURDAY, MARCH 28, 1992 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Release 2. Even Flow 3. Improv (You Tell Me) 4. Rockin' In The Free World 5. Once 6. State Of Love And Trust 7. Alive 8. Black 9. Deep 10. Jeremy 11. Why Go 12. Porch TINLEY PARK, ILLINOIS SUNDAY, AUGUST 02, 1992 LOCATION TINLEY PARK, IL World Music Amphitheater SET 1 1. Summertime Rolls 2. Why Go 3. Deep 4. Jeremy 5. Even Flow 6. Alive 7. Black 8. Once 9. Porch CHICAGO, ILLINOIS THURSDAY, MARCH 10, 1994 LOCATION CHICAGO, IL Chicago Stadium SET 1 1. Release 2. Animal 3. Go 4. Even Flow 5. Dissident 6. Empire Carpet song 7. State Of Love And Trust 8. Why Go 9. Jeremy 10. Glorified G 11. Daughter 12. The Real Me 13. Not For You 14. Rearviewmirror 15. Blood 16. Alive 17. Porch 18. Garden 19. Happy Birthday (Jeff) 20. Spin The Black Circle 21. Black 22. Tremor Christ 23. Footsteps 24. Rockin' In The Free World 25. I Won't Back Down 26. Leash 27. Sonic Reducer Indifference CHICAGO, ILLINOIS SUNDAY, MARCH 13, 1994 LOCATION CHICAGO, IL New Regal Theater SET 1 1.
    [Show full text]
  • MAN of the HOUR As Recorded by Pearl Jam (From the 2003 Album "Big Fish (Soundtrack)")
    MAN OF THE HOUR As recorded by Pearl Jam (from the 2003 Album "Big Fish (soundtrack)") Transcribed by S-GUO Words by Pearl Jam Music by Pearl Jam Arranged by Pearl Jam A Intro All Guitars in Standard Tuning P = 111 C G C G c c V c c 1 V Vj V V V V V j V V V 4 V V V V V V V V V V V V V V V I 4 V V V V V V V V V V V V V V V V Gtr I 3 0 T 1 1 3 1 3 1 3 3 1 1 3 3 1 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 A 0 B 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 C G Am Em7 c c c c V V c c 5 V Vj V V V V c V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 3 0 0 0 0 T 1 1 3 1 3 1 3 3 3 1 1 0 1 3 3 3 3 3 A 0 0 0 0 0 0 0 2 2 2 2 0 B 3 3 3 0 0 0 (0) 2 2 2 2 3 3 3 3 P Am G c c c 9 V V V V V I V V V V V V V V V V V V V V V T 1 1 1 3 (1) 2 2 2 2 0 0 0 A 2 2 B 0 0 0 (0) 3 3 3 3 © 2003 Sony Classical Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MAN OF THE HOUR - Pearl Jam Page 2 of 12 B Verse 1 C G C G c c V c c 11 V V V V V V V V V V V V Vj V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 0 T 1 1 3 1 (0) 3 3 1 1 3 3 1 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 A 0 0 B 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 C G Am Em7 c c c c V V c c 15 V V V c V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 3 0 0 0 0 T 1 1 3 1 0 3 1 1 0 1 3 3 3 3 3 3 A 0 0 0 0 0 2 2 2 2 0 0 B 3 3 3 3 0 0 0 (0) 2 2 2 2 3 3 3 3 Am G c c c c V V c 19 V V V V V V V I V V V V V V V V V V V V V V V V V V V V let ringlet ring 3 3 T 1 1 1 3 3 3 0 2 2 2 2 0 0 0 0 A 2 2 B 0 0 0 (0) 3 3 3 3 3 3 3 3 C Chorus 1 Dm Em7 Am D7sus4 c c c c c 22 V V V V V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V V V V V gV V V V 1 3 1 1 1 0 1 3 0 0 0 T 3 3 3 3 3 3 0 1 1 1 1 1 1 0 1 (1) 2 A 0 0 0 0 0 0 B 2 2 0 0 0 0 2 2 2 2 © 2003 Sony Classical Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MAN OF THE HOUR - Pearl Jam Page 3 of 12 rit.
    [Show full text]
  • Elizabeth Bishop's New York Notebook, 1934-1937 Loretta Blasko
    What It Means To Be Modem: Elizabeth Bishop’s New York Notebook, 1934-1937 Loretta Blasko Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Masters of Liberal Studies in American Culture May 4, 2006 First Reader Second Reader, Blasko ii Acknowledgements A special thanks to: Sandra Barry of Halifax, Nova Scotia, for your knowledge in all things E.B. and your encouragement; Susan Fleming of Flint, Michigan, for your friendship and going the distance with me; Dr. J. Zeff and Dr. J. Furman, for your patience and guidance; Andrew Manser of Chicago, Kevin Blasko and Katherine Blasko of Holly, Michigan, my children, for pushing me forward; Alice Ann Sterling Manser, my mother, for your love and support. Blasko Contents Acknowledgements, ii Forward, vi Introduction, x Part I 1934 Chapter 1. The Water That Subdues, 1 Cuttyhunk Island. Chapter 2. It Came to Her Suddenly , 9 New York, Boris Goudinov , Faust , The House o f Greed. Chapter 3. Spring Lobsters, 20 The Aquarium, the gem room at the Museum of Natural Science, Hart Crane’s “Essay Modem Poetry,” Wilenski’s The Modern Movement in Art, John Dryden’s plays. Chapter 4. The Captive Bushmaster, 34 Marianne Moore’s “The Frigate Pelican,” Coleridge’s Biographia Literaria, and Loyola’s Spiritual Exercises . Chapter 5. That Face Needs a Penny Piece of Candy, 54 Henry James’s Wings o f the Dove, What Maisie Knew, and A Small Boy and Others, The U.S.A. School of Writing, Salvador Dali. Blasko Part II 1935 Chapter 6.
    [Show full text]
  • Channing Pollock
    The Library of America • Story of the Week From The American Stage: Writing on Theater from Washington Irving to Tony Kushner , edited by Laurence Senelick (The Library of America, 2010 ), pages 212 –225 . Reprinted from The Footlights: Fore and Aft (1911 ). CHANNING POLLOCK Channing Pollock ( 1880 –1946 ) was the all-purpose Broadway facto - tum. He served his apprenticeship as dramatic critic of The Washing - ton Post in 1898 , before becoming a press agent for the managers William A. Brady and the Shuberts. Without any sense of conflict of interest, he regularly reviewed plays for several publications, including The Smart Set and The Green Book , often biting the hands that had fed him. He also promoted his own works for the stage, including a dramatization of Frank Norris’s The Pit . Pollock contributed sketches to three versions of the Ziegfeld Follies (1911 , 1915 , and 1921 ), compos - ing the English lyrics for “My Man,” Fanny Brice’s rendition of the French torch song “Mon Homme.” His sanctimonious anti-war play The Fool was a popular if not a critical success in 1924 , but his dramatic career was dealt a lethal blow in 1931 when Dorothy Parker wrote of his latest effort: “ The House Beautiful is the play lousy.” Pollock’s am - ple store of stage lore is illustrated in his essay “Stage Struck,” from his collection The Footlights Fore and Aft (1911 ), which indicates just how popular the theatre as a profession and how widespread the con - cept of “stardom” had become since the days of Anna Cora Mowatt. Stage Struck Being a diagnosis of the disease, and a description of its symptoms, which has the rare medical merit of attempting a cure at the same time.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]