DOCSLIB.ORG

Presents the 29Th Summer Music Festival Finale Concert

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presents the 29Th Summer Music Festival Finale Concert Chamber Music Society of Lincoln Center Award for Extraordinary Service to Chamber Music ——————————————————————————- Presents the 29th Summer Chamber Music Connection Board of Trustees: Abigail Browning Picotte, President Music Festival Finale Concert Rosemarie Welch, Vice President Hector Garcia, Secretary Hyacinth Macintosh, Treasurer Dr. Melanie Richards, Public School & Outreach Liaison Jarred Magill, IT Liaison Alex Mendoza, Corporate Advisor Tim Degitz, Advisor ——————————————————————————- Deborah Price, Founder & Artistic Director Stephanie Price-Wong, Assistant Artistic Director & Fellowship Director Alix Raspé Gray, Marketing & Development Director John Paul Fretwell, Onsite Manager Elizabeth Macintosh, Administrative Assistant Hyacinth Macintosh, Gig Coordinator Melissa Quitter & Lisa Koo, Parent Volunteer Coordinators ——————————————————————————- Summer Fellowship Students: Bonnie Burgess-Gay, Jack Demos, Danielle Hall, Audrey Maxwell, Victoria Phillips, Eric Spain, Owen Looker, Mari Jo Downing, Kate Fornshell, Joshua Richards-Jarvis, Alex Palmer @chambermusicconnection Connect Thank you! With Us! Anonymous donor for CMC’s Zoom Pro Version @TheCMConnection St. John’s Episcopal Church • CMC Home Facility CMC Volunteers • Helping Make CMC a Quality Educational Experience The piano in Kilbourne Hall is on loan by Chayim Kurt Mehl www.cmconnection.org Deborah Price, Founder and Artistic Director CMC—An Equal Opportunity Educational Experience 1 2 CONTRIBUTE DONATIONS CMC brings together students of every age and background for one purpose: to connect music students, artists, and community through the art of chamber ABOUT CMC music. In playing everything from Mozart to pop, the students develop their abil- ity to appreciate and capitalize on their differences to communicate, create and The Chamber Music Connection, Inc. (CMC), founded by Artistic Director perform music for themselves, their peers and their community. Your charitable Deborah Barrett Price—better known to students and faculty as Debbie—has gifts help us continue bringing students, guest artists, and the community togeth- maintained a policy of “no audition required” since starting the program in er through this unique art form. Your donation is greatly appreciated by our stu- 1992. CMC students are primarily string, piano, and wind players, but CMC dents, staff, and the CMC board, and is tax-deductible to the extent permitted by accepts all types of instrumentalists and vocalists. Ensembles are formed law. based on age, previous experience, and their potential to learn from—and To make a donation: inspire—one another. Students must collaborate to achieve their musical -Send a check to goals. CMC students and alumni have been recognized for achieving excel- CHAMBER MUSIC CONNECTION, lence on their particular instrument and with their small ensemble throughout P.O. Box 831, Worthington, OH 43085 -Donate online at www.cmconnection.org/donate the state and the country. Several ensembles have placed or won statewide -Show your support and donate at our concerts and International chamber music and/or solo competitions and have per- formed or won medals in the Fischoff, M-Prize, Coltman, MYA Discover, Saint The Chamber Music Connection, Inc. is a recognized tax-deductible Paul String Quartet, Pasadena Conservatory of Music Chamber Music Compe- 501c3 not-for-profit organization. tition and/or the Ohio Orchestra & String Teachers Association Biennial CORPORATE SPONSORSHIPS Chamber Music Competitions. CMC’s programs serve students from as far as CMC’s corporate sponsorships offer tremendous visibility, promotion, and Granville, Mansfield, Springfield, Kenton, Dayton, Cleveland, Cincinnati as access. Throughout the year, CMC presents a variety of free community events well as throughout Central Ohio. Rehearsals and coaching's are housed in St. and performances across the Central Ohio area. Corporate gifts and sponsorships John’s Episcopal Church in Worthington, Ohio. CMC, Inc. is a not-for-profit play a major role in supporting the programs of CMC while offering exclusive organization providing an equal opportunity educational experience. For more information, please visit our website at www.cmconnection.org partnerships and various benefits for your business and organizations. We are currently in the Kvamme Family Challenge, and CMC gratefully acknowledges The Kvamme Family for the Matching Dollar-for-Dollar Challenge! CMC MISSION The Chamber Music Connection, Inc. (CMC) mission is to instill a pas- ADVERTISE IN OUR PROGRAMS sion to partake in and to preserve the art of chamber music in educa- CMC is looking to add your business advertisement to our Season Programs! tion and performance for present and future generations contributing Supporting CMC through program advertisement ensures you a wide business to the quality of society and our culture. CMC connects children and audience of Central Ohio families and ensures CMC a source of funding for the concerts and events that our students love! The Conservatory Series, Residency adults, students and professionals, along with the community, togeth- Masterclasses, competition experiences and finale concerts are all funded in part er in the study and performance of this unique and influential art form. by the generous advertising support of your business, CMC families, and their associated businesses. Submitting your advertisement helps keep CMC tuition low and concerts free for the community. 29th SUMMER FESTIVAL ASSOCIATED FACULTY & GUEST ARTISTS Thank you for your continuing support of CMC and all of the musical experienc- July 2020: Deborah Price, Founder & Artistic Director es we provide Central Ohio students and the community! Isaac Allen, Phillipa Burgess, Lane Champa, Angela Choong, Adam Cordle, Ruthie To learn more about becoming a sponsor, volunteer, submitting an advertise- Cordray, Jill Crist, Christopher Durrenberger, Robert Firdman, John Paul Fretwell, Laura ment, and/or providing meals for our students and guest artists, please email us Gamboa, Bram Goldstein, Alix Raspé Gray, Alex Greenbaum, Mark Grisez, Sun-Min Kim, Andy Liang, Elizabeth Macintosh, David Nesmith, Suzanne Newcomb, Alex Palmer, Zak at [email protected] Phillips, Kyle Price, Cole Randolph, Vanessa Ripley, Aaron Schwartz, Stephanie Price- Wong, and David Wong. 3 4 Showcase Finale Concert Friday, July 10, 2020, 8:00PM Zoom - Emceed by Ken Kubota CMC Ensembles present excerpts via Acapella and Bandlab String Quartet, Op. 80 ………..…........……….Mendelssohn II. Allegro assai The A Team Mari Jo Downing , violin, Anna Curtis, violin Isaiah Davidson, viola, Danielle Hall, cello String Quintet……………………………........……….Arensky II. Theme & Variations Votkinsk Quartet Jack Demos , violin, Audrey Maxwell , viola This Award was presented on stage at Alice Tully Hall to Deborah Price by David Finckel and Wu Han at the opening night concert on October 16. Joshua Richards-Jarvis, cello, Lucy Cheng, piano Under the leadership of founder and violist Deborah Price, Chamber Music Connection String Quartet No. 5, “Parks”………..…...………….Roumain brings together approximately 100 musicians of all ages and abilities to perform in chamber ensembles each year. Ensembles work with team coaches—including alumni, I. “I made up my mind not to move” faculty, and guest artists—to expose students to multiple interpretations. CMC students Rosa Quartet also participate in side-by-side residencies with renowned touring chamber ensembles in collaboration with their local presenter, Chamber Music Columbus. CMC was LakesAnne Deal, violin, Owen Looker, violin founded in 1992 as a summer festival and became a year-round program in 1998. Victoria Phillips, viola, Kate Fornshell, cello Today CMC presents over 30 concerts annually, and has a thriving gig and outreach program, a revolutionary high school fellowship program, and a jazz/alternative music String Dance Trio Op.27. No. 27 ………..…..…..Kabalevsky seminar. Moderato “We can hardly imagine a greater service to the art, or any organization more deserving of our distinguished award," said Co-Artistic Directors David Finckel and Wu Han. Super Team The CMS Award for Extraordinary Service to Chamber Music honors individuals and Elliott Eichenberger, violin, institutions that have significantly changed the landscape of chamber music through passionate commitment, dedication to the art form, and exceptional vision. Recipients Caleb Tang , cello, Riley Kwok , cello of the Award are chosen by the Society’s artistic department from a wide variety of fields connected to chamber music. Previous recipients include pianist Menahem Trinklied ……………………………….…..………..Beethoven Pressler (2013), CMS founding director Charles Wadsworth (2014), Marlboro Music (2015), and South Mountain Concerts (2016). I. Allegro con brio Melodic Musicians Mikayla Deal , violin, Lawrence Malhame , violin Keep the music playing! Emma Jontes, violin, Henry Squeo, violin, Rubina Singh, cello Support chamber music education with your tax-deductible gift—become a Friend of CMC! Sonata………………….……….……..…..……….……..Tartini MAKE A GIFT TODAY III. Allegro assai Teeny Tartini's Zoe Hassin, violin, Annabelle Huskey, violin 5 6 Sophia Slott, cello String Quartet Op. 33 No. 3, "Bird"……..…..………..Haydn Hungarian Dance No. 3………..………...….Brahms IV. Finale Presto Allegretto Lightyn Haydn California 4-Hands Kelsey Seymour, violin, Narayana Hillam, violin Kailey Shim, viola, Michael Snavely, cello String Quartet No. 2 “Company”…...……...….Glass Divertimento in G Major ….……………...…..………..Vanhal
Load more

Recommended publications
  • INTERNATIONAL CHAMBER MUSIC Competition for Young Professionals
    9th INTERNATIONAL CHAMBER MUSIC competition for Young Professionals SATURDAY | APRIL 10 | 2021 PROGRAM Dior Quartet Joseph Haydn—Quartet Op. 76 No. 3 “Emperor” IV. Finale: Presto Welcome to Chesapeake Music’s 9th International Caroline Shaw—Blueprint Christos Hatzis—Quartet No. 2 “The Gathering” Chamber Music Competition and while the world-wide III. Nadir health crisis makes it necessary to hold this event virtually, I Anton Dvorak—Quartet No. 13 in G Major, Op. 106 am confident you will be rewarded with a day of outstanding II. Adagio ma non troppo performances highlighted by musical skill and youthful Dmitri Shostakovich—Quartet No. 9, Op. 117 enthusiasm. V. Allegro This biennial event began nineteen years ago when a group of local music lovers resolved to create a way to encourage and AYA Piano Trio support young musicians in their efforts to build careers. This Wolfgang Amadeus Mozart—Piano Trio in C Major K. 54 vision has been fulfilled as many of the ensembles have become I. Allegro well known in the concert world and all of the participants gain Felix Mendelssohn—Piano Trio in C Major, Op. 66 valuable insights from our judges. I. Allegro energico e con fuaco I am amazed and enormously grateful for the effort put Maurice Ravel—Piano Trio in A minor forth by our Competition Committee. Every other year these I. Modéré volunteers take on the challenge of producing this major II. Pantoum, Assez vif musical competition and then last year the event was cancelled Dimitri Shostakovich—Piano Trio No. 2 in E minor just days before it was to go on.
    [Show full text]
  • American Idol S3 Judge Audition Venue Announcement 2019
    Aug. 5, 2019 TELEVISION’S ICONIC STAR-MAKER ‘AMERICAN IDOL’ HITS THE RIGHT NOTES LUKE BRYAN, KATY PERRY AND LIONEL RICHIE TO RETURN FOR NEW SEASON ON ABC Twenty-two City Cross-Country Audition Tour Kicked Off on Tuesday, JuLy 23, in BrookLyn, New York Bobby Bones to Return as In-House Mentor In its second season on ABC, “American Idol” dominated Sunday nights and claimed the position as Sunday’s No. 1 most social show. In doing so, the reality competition series also proved that untapped talent from coast to coast is still waiting to be discovered. As previously announced, the star-maker will continue to help young singers realize their dreams with an all-new season premiering spring 2020. Returning to help find the next singing sensation are music industry legends and all-star judges Luke Bryan, Katy Perry and Lionel Richie. Multimedia personality Bobby Bones will return as in-house mentor. The all-new nationwide search for the next superstar kicked off with open call auditions in Brooklyn, New York, and will advance on to 21 additional cities across the country. In addition to auditioning in person, hopefuls can also submit audition videos online or show off their talent via Instagram, Facebook or Twitter using the hashtag #TheNextIdol. “‘American Idol’ is the original music competition series,” said Karey Burke, president, ABC Entertainment. “It was the first of its kind to take everyday singers and catapult them into superstardom, launching the careers of so many amazing artists. We couldn’t be more excited for Katy, Luke, Lionel and Bobby to continue in their roles as ‘American Idol’ searches for the next great music star, with more live episodes and exciting, new creative elements coming this season.” “We are delighted to have our judges Katy, Luke and Lionel as well as in-house mentor Bobby back on ‘American Idol,’” said executive producer and showrunner Trish Kinane.
    [Show full text]
  • The Danish String Quartet 2019-2020 Biography
    The Danish String Quartet 2019-2020 Biography Frederik Øland (Violin); Rune Tonsgaard Sørensen (Violin); Asbjørn Nørgaard (Viola); Fredrik Schøyen Sjölin (Cello) Among today’s many exceptional chamber music groups, the GRAMMY® nominated Danish String Quartet continuously asserts its preeminence. The Quartet’s playing reflects impeccable musicianship, sophisticated artistry, exquisite clarity of ensemble, and, above all, an expressivity inextricably bound to the music, from Haydn to Shostakovich to contemporary scores. Performances bring a rare musical spontaneity, giving audiences the sense of hearing even treasured canon repertoire as if for the first time, and exuding a palpable joy in music-making that have made them enormously in-demand on concert stages throughout the world. The recipient of many awards and prestigious appointments, including Musical America’s 2020 Ensemble of the Year and the Borletti-Buitoni Trust, the Danish String Quartet was named in 2013 as BBC Radio 3 New Generation Artists and appointed to the The Bowers Program (formerly CMS Two). As part of a three-year residency, the Danish String Quartet brings a series of five concerts, which mirror the programs in its ongoing recording project with ECM New Series, PRISM, to La Jolla Music Society in November 2019. Each PRISM program is an exploration of the symbiotic musical and contextual relationships between Bach fugues, Beethoven string quartets, and works by Shostakovich, Schnittke, Bartok, Mendelssohn, and Webern, forming an expertly curated musical evolution within each individual program and across the entire PRISM repertory. Prism I, the first disc of this five-album project for the ECM label, was released in September 2018 and garnered a GRAMMY® nomination in the category of Best Chamber Music/Small Ensemble Performance for the group’s recordings of Beethoven’s Op.
    [Show full text]
  • The Debut Album from Duo Kalysta BWW News Desk
    Leaf Music Proudly Presents 'Origins' The Debut Album from Duo Kalysta BWW News Desk Leaf Music is proud to present Origins, the debut album from Duo Kalysta, the acclaimed flute and harp duo comprised of Lara Deutsch and Emily Belvedere. Origins, featuring entrancing music - both familiar and new - by Canadian and French composers, released on September 6, 2019. Belvedere, praised for her "crystalline technique" (MusicWeb International) and Deutsch, who reveals "new worlds of colour and meaning in every single note" (CBC Music) met at McGill University in Montreal, where they performed Mozart's Concerto for Flute and Harp under the baton of Alexis Hauser. "Origins" refers to their return to Montreal to record the album and to their beginnings as a chamber ensemble. Given the album's Canadian and French repertoire, the title also alludes to the musicians' Canadian heritage, as well as the heritage of their instruments, which were greatly impacted by French musical traditions. Gaining attention nationwide as a young duo with an exceptional musical connection, Duo Kalysta's recording projects include a series of music videos for Mécénat Musica Vidéoclips. Following a recent performance by Duo Kalysta in Montreal, Les ArtsZé commented that that the audience enjoyed "the technical breadth of the two virtuosos ... revealing a great richness." Origins features Claude Debussy's beloved Prélude à l'après-midi d'un faune, with its famous, dreamy flute solo, in an intimate arrangement by harpist Judy Loman. Jocelyn Morlock's Vespertine (2005) utilizes extended techniques to conjure night-blossoming plants and nocturnally-active creatures. Violist Marina Thibeault joins the duo for R.
    [Show full text]
  • N E W S L E T T E R Fall 2009
    Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2009 U.S. SECRETARY OF More than 1.75 million national music EDUCATION ARNE DUNCAN and arts education advocates were REINFORCES IMPORTANCE OF encouraged via a national network of THE ARTS IN SCHOOLS coalitions to participate in the call to hear Duncan express his concerns about access to arts education in U.S. Duncan featured on SupportMusic public schools, and how these programs Coalition Conference Call Discussing can be supported in the future. His Letter to School and Education Community Leaders that the Arts Are The call was initiated after Duncan Part of A Core Curriculum and issued a letter last week to school and Encouraging Use of Stimulus Funds education community leaders stating, “At this time when you are making critical and far-reaching budget and program decisions for the upcoming school year, I write to bring to your attention the importance of the arts as a core academic subject and part of a complete education for all students. The Elementary and Secondary Education Act (ESEA) defines the arts as a core subject, and the arts play a significant role in children's development and learning process…” U.S. Department of Education “The arts can help students become Secretary Arne Duncan tenacious, team-oriented problem solvers who are confident and able to The NAMM Foundation announced that think creatively,” he stated. “These it hosted a live, public teleconference qualities can be especially important in today with U.S.
    [Show full text]
  • High School Festival Music Competition Faqs 2021
    High School Festival Music Competition FAQs 2021 How many contests may I enter? Contestants may enter a maximum of three individual/solo contests combined in communication, music, and art. Contestants may not compete against themselves in any group competition (e.g., competing in two different small vocal ensembles) Do I need to be at a certain ability level to compete in the High School Festival? No. The Festival is open to students on all levels of music development. Can a high school graduate participate in the Festival? No, the Festival is only open to high school students currently in 9th-12th grades. May I enter the same contest in a successive year? Contestants – both solo and group – may enter and win the same contest in successive years performing different literature. How do I know what is required for my contest? Please note there are detailed contest guidelines specific for each contest area posted on the website. Will there be available rehearsal/practice space once I arrive on campus? Yes, we have practice facilities in two of the residence halls in addition to the Gustafson Fine Arts Center. Group contestants will be assigned times/locations for both rehearsals and pre-contest warm-ups and individuals will have the opportunity to sign up for time on a first-come basis after arriving on campus for the Festival. How many copies of my music do I need to provide for the judges? Please remember that you will need one original copy of each selection of music you perform for a judge's copy.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]
  • December 19, 7 30 Brochure.Pub
    American Protege is advancing the careers of our participants and win- ners as well as promoting their talents. Our program seeks to encourage more young musicians to perform and grow. We believe the program offers many benefits to participants and helps to build their confidence, strengthen their performance skills, and, ultimately, realize their dreams. By being introduced to new audiences on stage in New York City, one of the world’s grandest performance venues, participants can expect to have a memorable experience. This year our organization continues to grow and our International Pi- ano and Strings, Romantic Music, Concerto and Music Talent Competi- tions attracted the largest number of talented applicants on record. Our success and reputation as one of the most prestigious competitions can be attributed to several factors including highly qualified and acclaimed judges with strong musical backgrounds, friendly staff, a renowned re- cital stage and, foremost, elite participants from all over the world. Our Organizational Committee is extremely grateful to all the music schools and conservatories, where our participants acquire their music knowledge and receive careful nurturing. We would also like to thank the music teachers whose dedication has been indispensable in creating a strong and solid music foundation for the young artists. Finally, we thank all the parents for their support in organizing these exciting events and for giving their children an opportunity to get in touch with the amazing world of classical music. Congratulations to all the winners! Warm regards, Organizational Committee 20 The Winners’ Recital CONGRATULATIONS TO Saturday, December 19, 2015 ALL WINNERS At 7:30 in the Evening FROM THE AMERICAN PROTÉGÉ ORGANIZATIONAL COMMITTEE Weill Recital Hall At Carnegie Hall 2 19 December 19, 2015 Recital Participants Programme Maricel Obieta, 40, hails from a small city within the Na- 1 O Sole Mio Eduardo di Capua tional Capital Region of the Philippines.
    [Show full text]
  • Evaluation and Credentialing in Digital Music Communities
    Evaluation and Credentialing in Digital Music Communities This report was made possible by grants from the John D. and Catherine T. MacArthur Foundation in connection with its grant making initiative on Digital Media and Learning. For more information on the initiative visit http://www.macfound.org. The John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning A complete series list can be found at the back of the book. Evaluation and Credentialing in Digital Music Communities Benefits and Challenges for Learning and Assessment H. Cecilia Suhr The MIT Press Cambridge, Massachusetts London, England © 2014 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected]. This book was set in Stone by the MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Suhr, H. Cecilia (Hiesun Cecilia), 1979–. Evaluation and credentialing in digital music communities : benefits and challenges for learning and assessment / H. Cecilia Suhr. pages cm.—(John D. and Catherine T. MacArthur Foundation reports on digital media and learning) Includes bibliographical references and index. ISBN 978-0-262-52714-9 (pbk.
    [Show full text]
  • Case No COMP/M.3333 Œ SONY / BMG
    EN This text is made available for information purposes only. A summary of this decision is published in all Community languages in the Official Journal of the European Union. Case No COMP/M.3333 – SONY / BMG Only the English text is authentic. REGULATION (EC) No 4064/89 MERGER PROCEDURE Article 8 (2) Date: 03/10/2007 COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 03/X/2007 C(2007) 4507 PUBLIC VERSION COMMISSION DECISION of 03/X/2007 declaring a concentration to be compatible with the common market and the EEA Agreement (Case No COMP/M.3333 – Sony/ BMG) 2 I. INTRODUCTION..................................................................................................... 11 II. THE PARTIES.......................................................................................................... 12 III. THE CONCENTRATION ........................................................................................ 12 IV. COMMUNITY DIMENSION .................................................................................. 12 V. RELEVANT MARKETS.......................................................................................... 13 A. RELEVANT PRODUCT MARKET .............................................................. 13 1. PHYSICAL RECORDED MUSIC ................................................... 13 2. RECORDED MUSIC IN DIGITAL FORMATS ............................. 14 a) Introduction ....................................................................... 14 b) The wholesale market for licensing of digital music ........ 15 c) The digital
    [Show full text]
  • In Loving Memory of Miss Irma Stepp
    ippa’s ong ALICEP LLOYD COLLEGE • THE JUNES BUCHANAN SCHOOL In loving memory of Miss Irma Stepp Spring 2021 Vol. 72 No. 1 Message from the President Dear Friends, Alice Lloyd and June Buchanan encouraged students to 100 Purpose Road discover their purpose here on Caney Creek, and ulti- Pippa Passes, Kentucky 41844 mately live a life of service. Our founders’ ideas helped Pippa’s Song is published for develop The Purpose Road Philosophy and were imple- friends, alumni, and students of Alice Lloyd College. Third class mented into every aspect of campus life. Today, students postage is paid at Pippa Passes, continue to learn about the philosophy and the impor- Kentucky. tance of leading through service to others. Upon gradu- ation, our students know that Purpose Road signposts, Spring 2021 | Vol. LXXII No. 1 such as Perseverance, Faith, Integrity, and Duty, are not just words but are necessary attributes in serving others. Institutional Advancement Office of Alice Lloyd College 100 Purpose Road The servant leadership ideals of Alice Lloyd College are Pippa Passes, Kentucky 41844 qualities I grew up learning through my wonderful par- 606-368-6024 | www.alc.edu ents, Joe and Irma Derderian Stepp. After my father died in 1999, Mom came to Caney Creek and served as Joe Alan Stepp an ALC volunteer until we recently lost her after a short President illness. “Miss Irma” became a campus mainstay and embodied Christian love through service to others. She deeply cared for ALC students as if they were her own, and I am humbled by Robert M.
    [Show full text]
  • Robert Duvall
    VOICE Journal of the Alex Film Society Vol. 14, No. 1 February 2, 2008, 2 pm & 8 pm 02/08 of theTHEATRE Gregory Peck By Randy Carter has to age six decades over the course of the film regory Peck has and Zanuck thought Peck always been a could carry it off. Although Gleading man. He the film did well at the never played a waiter box office it didn’t recoup with two lines or a police Zanuck’s $3 million dollar officer who gets killed in investment. But Peck got an the first reel. A California Oscar® nomination for Best boy from La Jolla, he Actor and his position as a went to San Diego State top leading man was minted and Cal, did some college in only his second film. He theatre and headed to New would be nominated three York. A student of Sanford more times in the next four Meisner, he played the years for The Yearling (1946), lead in his first Broadway Gentleman’s Agreement production, “The Morning (1947) and Twelve O’ Clock Star”, a New York version High (1950). of a London hit by the Welsh actor/playwright Emlyn Williams. This was 1942 Gentleman’s Agreement teamed Peck with New Yorker and a few good notices, a round of Hollywood meetings Elia Kazan in a film about Anti-Semitism. Peck actually set up by his agent Leland Hayward, set the stage for played a gentile impersonating a Jew to observe the his first film role in the RKO production of Days of depth of prejudice in America.
    [Show full text]