Arata Isozaki, 1970
Positioning the Global Imaginary: Arata Isozaki, 1970 The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Jarzombek, Mark et al. "Positioning the Global Imaginary: Arata Isozaki, 1970." Critical Inquiry 44, 3 (March 2018): 498-527 © 2018 The University of Chicago As Published 10.1086/696910 Publisher University of Chicago Press Version Final published version Citable link https://hdl.handle.net/1721.1/126646 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. Positioning the Global Imaginary: Arata Isozaki, 1970 Mark Jarzombek One day I noticed two books ...sitting side by side on a bookshelf, and realised it is possible that two types of architecture from two different places (spatiality) and times (temporality) can be equidistant from my position, not to mention simi- lar to my methodological preferences. —Arata Isozaki1 Is there something to be gained any more by thinking the term global as an adjectival noun? On the surface this is a strange question to pose be- cause the word is practically meaningless in its ubiquity. The thingness, so to speak, of global has evaporated: global industries, global science, global news, global education, global florist exchange, global commerce, global vil- lage, global warming, and so on. Global has gone from rare to ubiquitous. It has become a parasitic—if not a predatory—adjective. So once again: Is there something to be gained by thinking global as an adjectival noun? The historicity of the word is relevant to an attempt to answer the question, so let me start this venture by identifying a place and time when its difference can be clearly noted.
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