DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 75, 1955-1956

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 75, 1955-1956 BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEASON BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE A square knot — fast becoming the most famous in America as the standard for use in Red Cross First Aid bandaging. It holds fast, but can readily be adjusted. Your insurance protection should be similarly secure, yet conform to current conditions and values. It will pay you to tie up with an agency such as ours, one capable of giving you complete insurance services. We shall consider it a privilege to serve you OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LAfayette 3-5700 SYMPHONY HALL, BOSTON Telephone, CO mmonwealth 6- 149* SEVENTY-FIFTH SEASON, 1955-1956 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1956, BY BOSTON SYMPHONY ORCHESTRA, Zf»C. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan Vice-President Richard C. Paine . Treasurer Talcott M. Banks, Jr. C. D. Jackson John Nicholas Brown Michael T, Kelleher Theodore P. Ferris Palfrey Perkins Alvan T. Fuller Charles H. Stockton Francis W. Hatch Edward A. Taft Harold D. Hodgkinson Raymond S. Wilkins Oliver Wolgott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager ) Assistant G. W. Rector Assistant J. J. Brosnahan, Treasurer N. S. Shirk \ Managers Rosario Mazzeo, Personnel Manager [ 1301 ] THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your ^overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities — and can be large or small. We will be glad to meet with you and your attorney, in strict con- fidence, to discuss a Living Trust as it fits in with your situation. For an appointment, at your convenience, please write or call the Personal Trust Department of the National Shawmut Bank, Boston, Massachusetts. No obligation, of course. Send for the Shawmut Bank's informative new booklet, "The Living Trust". It tells the whole story. Yours without charge. The National Shawmut Bank of Boston Member Federal Deposit Insurance Corporation [1302] SYMPHONIANA Season 1955-1956 Exhibitions List of Articles Message A THE TROUSSEAU HOUSE OF BOSTON EXHIBITIONS The exhibitions shown in the Gallery gossamer as a mid- during the season past were as follows: Paintings by Paul Barruel and Andrew summer night's dream, Wyeth (September 30-November 5) this misty double nylon "Seventy-five years of Painting in Bos- ton" (November 11-November 26) negligee in blue or Contemporary Italian Paintings (Gal- pink flocked with tiny leria dell' Obelisco, Rome) (Decem- ber 2-December 23) blossoms. Sizes 10 to Subscribers' Exhibition (December 30- January 7) "Portraits in Print" (Print Department 9.95 of the Boston Public Library) (Janu- ary 20-February 4) Drawings by Robert Nash (January 20) Exhibition from the DeCordova Muse- um (February 16-March 3) Color Drawings of Stained Glass Win- dows (March 8-March 17) Boston Society of Water Color Painters (March 28-April 8) Berkshire Artists (April 10-April 29) LIST OF ARTICLES Page Features of the 75th Anniversary Season 3 The Tour 55 This Week's Program on Long- playing Records (Martin Bookspan) 56 Gustav Mahler and his First Symphony (Bruno Walter) 107 Fidelio in Beethoven's Vienna 159 Reminiscence 189 Seventy-five Years of Painting in Boston 215 Salute to Rome 271 Orchestral Beginnings (Helen Henschel) 271 A Letter from Arthur Honegger 327 Network Stations 383 A British View of Arthur Fiedler 415 Honegger and the "Six" 415 416 Boylston St., Boston KE 6-6238 Ernest Ansermet 439 -"" L *• \ \ \V\ III W I. ^r' "Seamless Tapestry of Music" 440 ? 54 Central St., Wellesley WE 5-3430 Whistler's "Nocturnes" and Debussy's 495 A "Communication" from Ansermet 551 Subscribers' Exhibition 1955 551 The European Tour 607 »3<>3 Page Portraits in Prints 663 Debussy vs. Orthodoxy 664 Mozart on the Violin (Heifetz) 719 Mr. Munch's Concert in Paris 775 C^handlanaier s How to be Efficient with Fewer Tremont and West Streets, Boston Violins 776 "If This Be Long Hair" (Dedham Transcript) 831 Exhibition (DeCordova Museum) 832 Berkshire Festival Plans 887 Martinu Honored 888 "When Critics Disagree" (Neville Cardus) 888 Exhibition (Joseph G. Reynolds) 943 Berkshire Music Center Announces Summer Plans 944 Grand Prix for "The Damnation of Faust" 975 Martinu (Milos Safranek) 999 A Program to Evoke Memories 1111 Boston Society of Water Color Painters 1111 Some Berkshire Painters 1167 A MESSAGE Henry B. Cabot, as President of the Board of Trustees, addressed the Friends of the Boston Symphony Orchestra at the annual meeting on April 18, as follows:— Ladies and Gentlemen—Friends of the Boston Symphony Orchestra These annual meetings of the Friends are to my mind not only very pleasant but also very important. First, they constitute a visual demonstration of the large company of people who believe that this Orchestra is important to our community and who not only contribute their dollars, but come in person to hear about its affairs. Second, this meeting gives the Trustees an opportunity of reporting to you and to the public through you on the financial situation and other matters of interest. I am, there- fore, delighted at the large attendance here today. We are now approaching the end of laniddimo . the 75th Boston season and you know as well as I that this Orchestra has never been better. I think I can report softly let the music that the morale of the players and the fall upon the eye. whole organization has never been higher. You may be proud of this from a score of equal triumphs at Orchestra and that you are one of its Friends, but your pride is as nothing to that of the ladies and gentlemen who CHANDLER'S MISSES' DRESSES sit behind me. Be careful you make no SECOND FLOOR disparaging remarks about the Boston Symphony Orchestra in their presence. Continued on page 1355) [1304] outrageously alluring late-day look . this new fluid line in imported lace . * $125 A brilliant new mood for late-day dressing. The romance of lace . the new fluid line of the sheath . the new modesty of the covered neckline bared in back. In all — a beautiful way to look for weddings or cocktail parties. Imported lace, bound in grosgrain. Beige or navy. 10 to 20. frlene's french shops, seventh floor [ 1305 ] Mr. Steppington Declares a Dividend Mr. Steppington's young- set forth in the 20-page book- sters have an uncanny way of let, "Wills and Trusts." You're knowing just the right time to invited to send for a copy. discuss finances. Yesterday "the old man" was a wonderful target. He had just returned * from reviewing his will at Old Colony. WORTHY OF YOUR TRUST Mr. Steppington, with his lawyer, looked over his original Old Colony plans. Made a few changes. Dis- Trust Company cussed the tax situation. And ONE FEDERAL STREET, BOSTON left feeling everything was in T. Jefferson Coolidge Chairman, Trust Committee wonderful shape—and certain- Robert Cutler ly in the right hands. Chairman, Board of Directors The reasons for reviewing Augustin H. Parker, Jr. your will, and the many advan- President tages of appointing Old Colony Arthur L. Coburn, Jr. Chairman TrustInvestmentCommittee as Executor and Trustee, are } Allied with The First National Bank of Boston [1306] SEVENTY-FIFTH SEASON • NINETEEN HUNDRED FIFTY-FIVE AND FIFTY-SIX Twenty-fourth Program FRIDAY AFTERNOON, April 27, at 2:15 o'clock SATURDAY EVENING, April 28, at 8:30 o'clock Daniels A Psalm of Praise, for Mixed Chorus, Three Trumpets, Percussion and Strings (Composed for the y^th Anniversary of Radcliffe College; first performance at these concerts) Beethoven Symphony No. 9 in D minor, with final chorus on Schiller's Ode to Joy, Op. 125 I. Allegro, ma non troppo, un poco maestoso II. Molto vivace: Presto III. Adagio molto e cantabile IV. Presto; Allegro Allegro assai Presto Baritone Recitative Quartet and Chorus: Allegro assai Tenor Solo and Chorus: Allegro assai vivace, alia marcia Chorus: Andante maestoso Adagio, ma non troppo, ma divoto Allegro energico, sempre ben marcato Quartet and Chorus: Allegro ma non tanto Chorus: Prestissimo Chorus of the HARVARD GLEE CLUB and RADCLIFFE CHORAL SOCIETY (G. Wallace Woodworth, Conductor) Soloists Adele Addison, Soprano David Lloyd, Tenor Eunice Alberts, Contralto Mac Morgan, Bass These concerts will end about 3:35 o'clock on Friday Afternoon; 9:50 o'clock on Saturday Evening. For the program of the extra concert on April 29, see page 1 347. BALDWIN PIANO RCA VICTOR RECORDS ['307] MJta* the new deep-set hat . focal point of your costume, an indispensable of Spring fashion '56. So many versions, so many heady colors from which to pick your fancy. A big beautiful example . our meringue glace straw, riding light and high, 12.95 From our exciting new hat collections, second floor and Chestnut Hill.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 68, 1948
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON SIXTY-EIGHTH SEASON 1948- 1949 Academy of Music, Brooklyn Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Sooety of Brooklyn Boston Symphony Orchestra [Sixty-eighth Season, 1948-1949] SERGE KOUSSEVITZKY, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin, Joseph de Pasquale Raymond Allard Concert-master Jean Cauhape Ernst Panenka Alfred Rrips Georges Fourel Ralph Masters Gaston Elcus Eugen Lehner Rolland Tapley Albert Bernard Contra-Bassoon Norbert Lauga Emil Kornsand Boaz Piller George Zazofsky George Humphrey " Horns Paul Cherkassky Louis Arti^res Harry Dubbs Charles Van Wynbergen Willem Valkenier James Stagliano Vladimir Resnikoff Hans Werner Principals Joseph Leibovici Jerome Lipson Harry Shapiro Siegfried Gerhardt Einar Hansen Harold Meek Daniel Eisler Violoncellos Paul Keaney Norman Carol Walter Macdonald Carlos Pinfield Samuel Mayes Osbourne McConathy Alfred Zighera Paul Fedorovsky Harry Dickson Jacobus Langendoen Trumpets Mischa Nieland Minot Beale Georges Mager Hippolyte Droeghmans Roger Voisin Karl Zeise Clarence Knudson Principals Pierre Mayer Josef Zimbler Marcel La fosse Manuel Zung Bernard Parronchi Harry Herforth Samuel Diamond Enrico Fabrizio Rene Voisin Leon Marjollet Victor Manusevitch Trombones James Nagy Flutes Jacob Raichman Leon Gorodelzky Georges Laurent Lucien Hansotte Raphael Del Sordo James Pappoutsakii John Coffey Melvin Bryant Phillip Kaplan Josef Orosz John
    [Show full text]
  • Current Review
    Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven.
    [Show full text]
  • CCF 18-27 RELEASE: September 24, 2018 The
    COLLECTORS’ CORNER with HENRY FOGEL Broadcast Schedule - Fall 2018 PROGRAM #: CCF 18-27 RELEASE: September 24, 2018 The Art of Sergei Lemeshev – Program 1 A program of arias and songs sung by the great Russian tenor (1902‐1977). Please consult cue sheet for details. PROGRAM #: CCF 18-28 RELEASE: October 1, 2018 The Art of Sergei Lemeshev – Program 2 A program of arias and songs sung by the great Russian tenor (1902‐1977). Please consult cue sheet for details. PROGRAM #: CCF 18-29 RELEASE: October 8, 2018 Music by Josef Suk – Program 1 All pieces composed by Josef Suk. Please consult cue sheet for details. Fantasy for Violin and Orchestra (Pamela Frank, violin; Sir Charles Mackerras, conductor; Czech Philharmonic Orchestra) Meditation on Saint Wenceslas (Rafael Kubelik, conductor; Czech Philharmonic Orchestra) Minuet, Op.21 (Ignaz Friedman, piano) Praga (Libor Pesek, conductor; Royal Liverpool Philharmonic Orchestra) A Summer’s Tale (Jiri Belohlavek, conductor; BBC Symphony Orchestra) PROGRAM #: CCF 18-30 RELEASE: October 15, 2018 Music by Josef Suk – Program 2 All pieces composed by Josef Suk. Please consult cue sheet for details. Symphony in C Minor for large orchestra, Op. 27, “Asrael” (Vaclav Talich, conductor; Czech Philharmonic Orchestra) The Ripening, Symphonic Poem, Op. 34 (Vaclav Talich, conductor; Czech Philharmonic Orchestra) Four pieces for violin and piano, Op. 17, “Burleska” (Nathan Milstein, violin; Artur Balsam, piano) Pieces for Violin and Piano, Op. 17, no. 2, “Appassionata” (Ginette Neveu, violin; Bruno Seidler‐Winkler, piano) PROGRAM #: CCF 18-31 RELEASE: October 22, 2018 Music by Ernest Bloch – Program 1 All pieces composed by Ernest Bloch.
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • Boaz Sharon, Professor of Piano and Chair of Piano Department, Boston
    Boaz Sharon, Professor of Piano and Chair of Piano Department, Boston University Director of the Young Artists Piano Program at the Boston University Tanglewood Institute Born in Tel Aviv, Israel Boaz Sharon studied from the age of 13 with Stefan Askenase – famed interpreter of Chopin and Mozart – in Brussels, Belgium. He later pursued his piano studies in the U.S. at the University of Texas, Austin and received his MM Piano Performance at Boston University under tutelage of Leonard Shure. Sharon, who is First Prize winner and gold medalist of the Jaen International Piano Competition, is an international recording artist for Nonesuch, Hyperion, Arcobaleno and Unicorn-Kanchana Records. His recording released on Nonesuch/Asylum/Warner Bros. was cited as among the best recordings of the year by Newsweek Magazine and was cited by the New York Times as “beautifully recorded and played.” Among concerts given have been performances in the Taipei National Performing Arts Center, Taiwan, Steinway Celebrity Series, London, Phillips Collection and National Gallery, Washington, D.C., Liszt International Piano Festival, Rio de Janeiro the Chapelle Historique Piano Series, Montreal and the Gasteig Hall, Munich. Boaz Sharon was formerly Pianist-in-Residence at Duke University, and Professor of Piano at the University of Florida. He is a frequent judge at competitions including the Rudolf Firkusny International Piano Competition, Prague, the Liszt International Piano Competition, Moscow, and the Jaen International Piano Competition, Spain and the “Composers of Spain” International Competition, Madrid. Having founded and then directed the Prague International Piano Masterclasses for 13 years, he is also on the artist faculty of the Ruza International Piano Festival in Russia, and was co-founder and on the faculty of the International Certificate for Piano Artists (sponsored by the Ecole Normale de Musique Alfred Cortot, Paris).
    [Show full text]
  • THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St
    Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig
    [Show full text]
  • Voyager's Gold Record
    Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • 2016 Program Booklet
    Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 94, 1974-1975
    THE FRIENDS OF THE COLLEGE Presents BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, Music Director COLIN DAVIS, Principal Guest Conductor Ninty-fourth Season Monday evening, November 18, 1974 Tuesday evening, November 19, 1974 SEIJI OZAWA, Conductor William Neal Reynolds Coliseum 8 P.M. PROGRAM Le tombeau de Couperin Maurice Ravel Prelude Forlane Menuet Rigaudon Ostensibly this music represents neoclassic expression in its purest distillate. And it was, indeed, conceived as a pianistic idealization of the clavecin aesthetic exemplified by Francois Couperin le Crand. But that was in the fateful summer of 1914, and even Ravel's sleepy St. Jean-de-Luz was traumatized by the news of Archduke Francis Ferdinand's assassination at Sarajevo. France mobilized overnight, and by August was at war. By then the sketches for Le tombeau de Couperin were in a desk drawer. When he returned to them three wretched years later the composer was a very different man, broken in health and shattered emotionally by the loss of his mother, who had died barely a week after his medical discharge. Thus it was that the six movements became as many 'tomb- stones' (each one inscribed separately) for friends and regimental comrads who had been killed on the Western Front. As a work for solo piano—Ravel's last, incidentally—Le tombeau was not a notable success. Strictly speaking it could not have been because it marked a stylistic retrogression after the harmonic leaps forward in the Valse nobles et sentimentales and Gas-pard de la nuit. But fortu- nately that was not the end of the matter.
    [Show full text]