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While trying to renew ties with Carol, who is now a young woman about to be married, heads begin to roll again. Is Lucy repeating her past? —Ray Hamel. Lucy Harbin has been in an asylum for twenty years after axing her husband and his mistress during a crime of passion, witnessed by her young daughter, Carol. While trying to renew ties with Carol, who is now a young woman about to be married, heads begin to roll again. Is Lucy repeating her past? —Ray Hamel. Uploaded By: FREEMAN January 18, 2019 at 07:23 PM. Director. Tech specs. Movie Reviews. Who says Castle couldn't direct. This is one of the most enjoyable horror films ever. The closing credits gag reveals the spirit of the picture - it is not to be taken seriously. By the way don't spoil a great laugh by reading what that gag is, in the "crazy credits" section. This is pure camp fun, played brilliantly by Joan Crawford in an Oscar worthy performance. The opening narration is hilarious - and Joan's get-up (black fright wig, clinging floral dress and clanging bangles) is outrageous. You'll probably guess the surprise ending - but that's not what this film is about. Besides the fun element there is also a subversive political statement - Castle sets his axe-murder horror on a sweet little farm, that looks like a set from a family sit-com. And the family that live in it are too good to be true as well. But all this is a facade, as insanity, lust and murder lie just below the surface. Also of note in the cast are George Kennedy - excellent as the twisted handy-man, and Diane Baker as the perfect daughter. And apparently that's Lee Majors being hacked up at the start of the film. Castle does a brilliant directing job, but it's Joan's film all the way - what she can do with knitting and matches is truly amazing! And the scene where she attempts to seduce her daughter's boyfriend is nothing short of magic. I can't believe that an actress who could play this scene with such good humour, could have taken herself as seriously as "Mommie Dearest" suggests. Do not miss this over-looked classic. William Castle Presents Joan Crawford In EMOTE-O-RAMA. Like all William Castle films, the story of STRAIT-JACKET is slight, full of holes, and often silly to the point of absurdity. Long ago Joan Crawford came home to find her husband in bed with a floozie and snatched up an ax. Adjudged insane, she is locked up in an asylum for twenty years, but now she's home--and pretty soon some really weird things begin to happen around the old family farm. Could it be, oh, I don't know. JOAN? Throughout his career, producer-director William Castle liked to build his movies around gimmicks: TINGLER had "Percepto," 13 GHOSTS had "Illusion-O," and HOUSE ON HAUNTED HILL had "Emergo." But STRAIT-JACKET had something better: Joan Crawford herself, who plays in a style that can only be described as "Emote-O-Rama." Say what you like about Crawford, she never gave any performance less than one hundred percent, and in STRAIT-JACKET she gives one hundred and fifty. In the opening scenes, 60-something Joan has the unmitigated gall to play Lucy in her 20s! Later, as Lucy in her 40s, Joan plays the role like a nice little old lady who occasionally drops acid: when she's not busy with her nervous breakdown, she sucks down bourbon, attempts to seduce her daughter's boyfriend (even to the point of putting her fingers in his mouth), knits like a fiend, lights a cigarette by striking a match on a record album, raises hell at a dinner party. and all of it about as subtle as a bulldozer. But they didn't call her a star for nothing: not only does Crawford manage to carry it off with complete conviction, she actually manages to endow the character with considerable pathos along the way. And I have absolutely no doubt that THIS was the film Faye Dunaway studied the most when preparing to play Crawford in the infamous MOMMIE DEAREST; watch both back-to-back and you'll know exactly what I mean. The rest of the cast is pretty interesting as well, featuring Diane Baker as daughter Carol, Leif Erickson as Crawford's brother, George Kennedy as an unsavory farmhand, and a very young Lee Majors as the ill-fated husband--not to mention Mitchell Cox, a Pepsi V.P. Joan was favoring at the time. There are cheap special effects (amazing, how she can neatly lop off a head or two with a single blow), Pepsi-Cola product placements, and even some dialogue that would do Ed Woods proud. It's all campy and bizarre and hilariously weird and ramped up to the nth degree by Crawford's full-force performance. With a somewhat better script and production values, STRAIT-JACKET could easily have matched Bette Davis' more sophisticated HUSH, HUSH SWEET CHARLOTTE; as it stands, however, it is a cult movie in all caps. The DVD release is very nicely done, with the film itself in excellent condition. A collection of Crawford's costume tests gives a surprising insight to actress' personality, and a particularly nice little making-of documentary includes comments from Diane Baker. (Note: don't watch the documentary, called "Battle-Ax," until after you've seen the film: it's a spoiler.) Strongly recommended to Castle, Cult, and Crawford fans! Gary F. Taylor, aka GFT, Amazon Reviewer. Crudely effective William Castle schlocker; Crawford's last hurrah. Following the unexpected smash-hit "Whatever Happened to Baby Jane," both Bette Davis & Joan Crawford saw their careers revitalized--as crones in horror films. Davis took the high road ("The Nanny" features one of her finest, most subdued performances.) Crawford apparently took whatever she could get, as witness "Strait-Jacket," an enormously entertaining low-budget low-class William Castle schlockfest wherein our gal Joanie's released from prison years after chopping hubby's block off upon discovering him in bed with another woman. When La Crawford is sent home to stay with her daughter (the lovely Diane Baker, whose career had apparently fallen on hard times as well), heads begin to roll again and guess who the cops think is wielding the axe? Like most of Castle's fright-fests, "Strait-Jacket" is a crude, outrageous (for its time), often genuinely shuddery thriller that does indeed deliver the goods--and benefits immensely from Crawford's undeniable star-power (whether you're a fan or not). The isolated farmhouse setting provides a perfectly eerie backdrop for the ghoulish goings-on, the cast includes such pros as Leif Erickson, George Kennedy and Rochelle Hudson, and when the battle-axe starts swinging, the chill-factor is truly alarming. The surprise ending is a corker--and such a neat, nasty twist that the exact same gimmick was used four years later when Ms. Crawford journeyed to England to take on the lead in the garishly Technicolored circus thriller "Berserk." If you've seen the latter, you'll know exactly what I mean, so I shall say no more. Except that, without Miss Crawford, both films could have easily come off as camp hoots. That they don't is a tribute to this lady's amazing professionalism. In private life (according to her daughter's memoir), Joan Crawford may have indeed been the mother-from-hell. In movies, however, she commanded the big screen right up to the bitter end. More power to her! Strait Jacket. “What do sinners want?” It is a question this anime poses but never directly answers. You can, however, be assured of one thing after suffering through the interminable hour and a quarter run time of Strait Jacket : What sinners want emphatically isn't pointless anime like this one, and anime fans are unlikely to want it either. The problems begin with the story. While the premise of the story is okay—your usual brand of anime weirdness—the plot is a veritable embarrassment. Strait Jacket , for the record, is not a self-contained animated feature film. It's just an OVA that mines the original source material, an ongoing light novel series by Ichiro Sakaki ( Scrapped Princess ), for a subplot or two. Leiot fights a bunch of demons, angsts a number of times about past misdeeds, and discovers a deep, dark conspiracy. Cue perfunctory scare sequences and gross out shots. After one final, climatic battle, he is redeemed and becomes a gainfully employed, legit Strait Jacket once more, friendly females in tow. The end. Woo hoo. Animation quality is equally uninspired, equivalent to most animated television series. Designs are vaguely cool in steampunk fashion but do not go anywhere more popular series such as Fullmetal Alchemist have not already trail-blazed before. And they are only moderately successful in distracting viewers from the lack of actual animation. The bad guys, meanwhile, are all one-dimensional monstrosities that like yelling the same nonsensical phrases over and over again while shedding large volumes of blood and wreaking maximum collateral damage. Though, apparently, they do occasionally stop to rape women and have morose but cute little kids like the four-eyed Cappeltetta. We do not get to see anything so x- rated happen, though. More's the pity. And if watching painfully mediocre anime with a pointless excuse for a plot were not bad enough, the soundtrack has got to be even worse. Turgid, predictable orchestral themes do nothing to improve matters, and the voice actors seem to being having trouble convincing themselves that Strait Jacket is worth the time of day, never mind their audiences' ears. The Japanese voice actors at least make an admirable go of it, though you will hear nothing here that you have not heard ten thousand times before accompanying more worthy endeavors. The English voice actors, on the other hand, just sound like they are suffering—and not because some demon is supposed to be ripping their characters limb from limb! All of the actors deliver their lines in a precisely pronounced yet stilted monotone that is so deliberate and slow that it makes the anime feel three times as long. Which is obviously not a good thing. Let's not even start on how stupid the demons sound in both languages. Needless to say, this DVD comes with absolutely no extras whatsoever. That is, unless you count the holographic slipcover, which, is blatantly trying to compensate for something. Strait Jacket does not deserve the treatment, so do not be fooled into buying it by how it looks on the store rack. The lack of extras is just as well though, since it's darn difficult to imagine what extras anyone could bring themselves to watch after the tiresome main feature. Do you really want to know how it was made? Doubtful, since it should never have been made at all. Do you really want to know what the creators and/or voice actors have to say about the experience of its production? Absolutely not! One has trouble believing they would have anything complimentary—let alone vaguely entertaining or remotely enlightening—to say anyway. In any case, the answer to the question, “What do sinners want?” is actually quite simple: Sinners want forgiveness. Unfortunately for the creators of Strait Jacket , forgiveness for this abomination probably will not be forthcoming from very many fandom quarters. Unless you are a huge fan of the original novels and must partake of every spin-off of the franchise , no matter how poorly produced, spare yourself the trouble and visit an insane asylum instead. You will have waaaay more fun with the straitjackets you find there than the ones you will find in this DVD. Strait jacket download torrent. Etsy uses cookies and similar technologies to give you a better experience, enabling things like: basic site functions ensuring secure, safe transactions secure account login remembering account, browser, and regional preferences remembering privacy and security settings analysing site traffic and usage personalized search, content, and recommendations helping sellers understand their audience showing relevant, targeted ads on and off Etsy. Detailed information can be found in Etsy’s Cookies & Similar Technologies Policy and our Privacy Policy. Required Cookies & Technologies. Some of the technologies we use are necessary for critical functions like security and site integrity, account authentication, security and privacy preferences, internal site usage and maintenance data, and to make the site work correctly for browsing and transactions. Персонализированная реклама. Для показа рекламных объявлений Etsy по интересам используются технические решения сторонних компаний. Мы привлекаем к этому партнеров по маркетингу и рекламе (которые могут располагать собранной ими самими информацией). Отказ не означает прекращения демонстрации рекламы Etsy или изменений в алгоритмах персонализации Etsy, но может привести к тому, что реклама будет повторяться чаще и станет менее актуальной. Подробнее в нашей Политике в отношении файлов Cookie и схожих технологий. STRAIT-JACKET (1964) “Love Slayer Insane” screams the newspaper headline. A female voice over narrates a flashback where we see young married man Frank Harbin (an uncredited Lee Majors in his first movie role) drinking at a roadhouse bar with an old girlfriend. His wife Lucy Harbin (Joan Crawford) is out of town on business. He takes the girlfriend home thinking his young daughter Carol is asleep. But his daughter is awake and she witnesses her father and the girlfriend in bed. Lucy Harbin returns home one night earlier than expected. She finds her husband in bed with the girlfriend and murders them both in a fit of jealous rage. Daughter Carol witnesses the horrific killing. Lucy is taken away in a strait-jacket protesting “I’m not guilty!” Coming out of the flashback we see the adult Carol (Diane Baker) telling her fiancée Michael (Anthony Michael Hayes) that her mother is about to be released after twenty years in an asylum. While her mother was away Carol grew up at a farmhouse in the care of her Uncle Bill (Leif Erickson) and Aunt Emily Cutler (Rochelle Hudson). During that time she became an accomplished artist and sculptor. When Lucy arrives at the farm from the asylum she is reticent and unsure of herself. Carol decides that a shopping spree is in order. She urges Lucy to buy wardrobe and wigs that make her look as she did twenty years ago. The transformation leads to an embarrassingly awkward scene in which Lucy comes on to Carol’s fiancée Michael. Lucy also wakes up in bed to find the heads of her deceased husband and his paramour. Carol, her uncle and aunt are jolted awake but they find no evidence of the grisly scene Lucy describes. They soothe Lucy and convince her it was just a nightmare. Around the same time, mentally challenged farmhand Leo (George Kennedy) taunts Lucy by chopping off a chicken’s head with an axe. Soon Leo himself is killed with an axe. We see his unidentified murderer hiding his body in a shed. Lucy’s former psychiatrist stops by the farm to see how she’s doing. She assures him she’s doing well but her age inappropriate clothing and hairstyle cause him to doubt her. Before long the psychiatrist also falls victim to the axe. STRAIT-JACKET full cover from original DVD release (now out of print) The ending of Strait-Jacket involves a gimmicky twist that was the hallmark of director William Castle’s psychological thrillers like Homicidal (1961) and The Nightwalker (1965). He was sometimes referred to as “the poor man’s Hitchcock” and that moniker bears some weight in that Castle, like Hitchcock, often appeared in trailers of his own movies. His psychological thrillers were clearly influenced by Psycho (1960). After the release of the Whatever Happened to Baby Jane? (1962), directed by Robert Aldrich and starring Bette Davis and Joan Crawford, he set out to cast an older actress in his own psychological thriller and contracted Robert Bloch (novelist of Psycho ) to write the screenplay. As luck would have it Crawford was available and game for the role. Castle was so happy that he acceded to her demand of having the to re-cast the daughter and to have a non-actor who served with her on the board of Pepsi Cola play the part of the psychiatrist. Is the movie campy? I’m certain Castle never intended Strait-Jacket to be taken too seriously as evidenced by the humorously altered Columbia logo at the end. And yet Crawford puts everything into the role as she did in her Warner Brothers movies including her Oscar-winning turn in Mildred Pierce (1945). The audience perception of Crawford as an actress has no doubt undergone a transition due to differences in acting style from the ‘40s to today. How Crawford was portrayed in the best-selling book book and movie Mommie Dearest (1981) directed by Frank Perry also altered perceptions. The practical effects in the movie do not compare to those in modern films. Yet the mere depiction of beheadings in a major studio release was shocking in 1964, especially coming barely two months after the assassination of President Kennedy. Master showman Castle would probably be happy that today’s audiences are entertained, whether they are laughing or shuddering in fear. Castle’s movies were never as sophisticated as Hitchcock’s but he considered himself a showman and entertainer first and he usually delivered on those counts. He loved to use gimmicks that he trumpeted in his trailers of to get audiences to the theater. He was the inspiration for the producer character Lawrence Woolsey played by John Goodman in Joe Dante’s Matinee (1993). He was an associate producer on The Lady From Shanghai (1947) directed by Orson Welles and a producer on Rosemary’s Baby (1968) directed by Roman Polanski. He had an unbilled cameo in Polanski’s movie as a man in a phone booth who the paranoid Rosemary believes to be her (Ralph Bellamy). He also appears in Day of the Locust (1975), John Schlesinger’s adaptation of the celebrated Nathaniel West novel, as a silent film director who oversees a catastrophic movie set collapse. 15-minute short documentary Battle-Axe: The Making of ‘Strait-Jacket’ (2002) that includes comments by co-star Diane Baker, Columbia Pictures spokesman Michael Schlessinger and film historians David Del Valle and Don Glut. The short piece mostly concerns the power that Castle allowed Crawford on the picture Short makeup tests Axe-swinging tests. WILLIAM CASTLE FILM COLLECTION DVD box set (currently out of print) *Extras included only on 2009 “William Castle Collection” DVD or DVD box set. The “William Castle Collection” version may not be easy to find but it is worth seeking out. The newer Sony Pictures Choice Collection version is a DVD-R available by order only. It has no extras.