Anamanaguchi - miku

Continue More AnamanaguchiListen's Mika in full in Spotify appLegalPrivacyCookiesAbout Ads Sorry! Has something gone wrong Is your network connection unstable or is the browser out of date? Edit Comments Share for the character, see Miku. song background work in the process. For information on how to help, see guidelines or this blog. More items classified here. this item has an epileptic content that may contain effects that cause epilepsy, viewed at your own risk. Other items are classified here. (trans first sound of the future) is a virtual pop star. She entered our world, just as we all enter her. Anamanaguchi Miku is an original English song by Anamanaguchi featuring Hatsone Miku. There is no official meaning behind the song, but many fans interpret the song as an introduction to Mika. Towards the end, the song takes a dark twist that seems as if Miku never wants you to leave it. This song is currently recorded in the Guinness Book of Records for having received the most views on YouTube in 2018 for the original song. Follow-up (edit source editing) Featuring Producers Category Alternative Version Lyrics (edit source editing) By Mika Mika, you can call me Mika Blue Hair, Blue Tie, Hiding in Your Wi-Fi Open Secrets, anyone can find me Hear Your Music Running Through My Mind, I Think Mika, Miku, oo 2oo (×4) I'm on top of the world. it's follow you I will continue to sing along with all of you I will sing along I think Mika, Mika, oo ee oo (×4) Mika Mick, what is it like to be you? Twenty, twenty, looking in the back look play me, break me, make me feel Like Superman You can do whatever you want, I'm on top of the world because of you I'm not doing anything they could never do, I'll keep playing along with you all, I'll keep playing along I think, Mick, Mick, oo ee oo (×4) Where we went along I'll see you in the end I'll take you there I'll take you there where you have never been and bring you back listen to me with my eyes I watch you in the sky, if you forget, I disappear I ask you to let me stay So bathe me in your magical light and keep it in the dark night I need you here to keep me strong to live my life and sing along I wait with you wide awake As your dear poison snake you found me here, inside sleep Walk through the fire straight to me Trivia edit source Closer to the end you can hear what appears to be Miku saying random sounds. If you change this part of the song, you can hear the words the first sound of the future, which is from you can hear other speeches in the media. Links (edit source editing) - Reddit ( External Links (edit source editing) Unofficial edit (edit) edit Community content is available under CC-BY-SA unless otherwise stated. Photo courtesy of Anamanaguchi 16-year-old Japanese pop star Hatsune Miku, who has just finished his most expansive headliner tour in North America, doesn't have a tour bus. She travels on a giant 18-wheeled transport full of different stage equipment. That's because she's the equipment: Miku isn't a real person, she's a Vocaloid, or a virtual musician whose music is created by singing synth technology that mimics the human voice. (Her voice is sampled from Japanese actress Saki Fujita and can produce several tones used to create music.) But which band can be worthy of opening for a virtual pop star's tour of the Pacific Ocean? Anamanaguchi, a New York-based band that has been making computerized music with chiptune for more than a decade, seemed destined for a concert. And to mark the tour, they released Mika, a song they wrote for their headliner to perform. (The song is just one of more than 100,000 written for Miku, according to her parent company Crypton Future Media.) Single Anamanaguchi, an inflatable pop track, is the closest that Miku has to the theme song so far: You can call me Mika/Blue Hair, Blue Tie / Hiding in Your Wi-Fi/Open Secrets / Anyone Can Find Me. This is one of three tracks Miku Anamanaguchi played live on Miku's tour this year (the other two are Sharing the World and Sankyuu). When I spoke to Peter Berkman of Anamanaguchi last week, the day before their final show with Mika in New York, he emphasized how different this tour is from anything the band has done before. This makes sense, of course, because Miku is unlike any artist for whom they previously opened. Shows start early and end early; he says the atmosphere is more like an amusement park than a pop concert. More like an amusement park than a pop concert Berkman is convinced that artists like Miku, which was officially released in 2013, will only continue to get more popular. But while Miku has had some success in the States, she hasn't been fully embraced like other virtual performers. When the U.S. has the technology to do these things, we resurrect dead people and put them on stage without their will, Berkman says, alluding to hologram re-creations of Tupac Shakur and Michael Jackson, who have played on major festival stages and awards shows. It may be some time until Miku headlines Coachella, but Vocaloids are already deeply woven into internet culture. I spoke to Berkman about a recent band tour, traveling with a virtual pop star, and what happens when power comes out. How do you relate to Hatsune Miku? It started when we were playing at the Anime Expo in Los Angeles. Obviously a group of people from Miku was there, but we didn't actually meet that night. We tried to meet, but we didn't. In my honest opinion, I feel that was both ways. We respect Mika so much, and... Funny. We ended up doing a lot of Skype meetings and stuff and they were really into what we did. I think it all started like, they asked us: Do you guys want a remix of The Song of Miku? And we said: We want to write a song to Mick and tour with Mika. (laughs) I don't know what to do. And then they said, Oh, we wanted to ask you, but we were too shy. But it was, in fact, just a mutually agreed idea. So you guys have known for a while that you want to work with Mika? Absolutely. We were all fascinated by Mika as a pop icon and what she represents for the shape of culture. And the agency it gives to the average person. The fact that this software is really available is inherently different from the structure of how was organized. Can you talk a little bit about the process of writing to Mick? We started in the basement in Chinatown - our friend has an art studio there. It's kind of a makeshift studio. We set up our monitors there and wrote the track and ended up finishing it in Tokyo in this really good studio. In the process we dealt directly with Crypton, and of course the choreography has to go through Sega. They have a model who performs songs live, so we had to organize a choreography with their model. Between this and yamaha's software and Mick's audience expectations, it was all just a collaboration with everyone. I didn't know you guys were working on choreography, either. yes, it was amazing. What's cool about Miku is that anyone with a clear vision can really make Miku do whatever they want, within reason. What the song definitely goes about. When you went into creating the show, was there anything specific you wanted to achieve? At Miku Expo we really play for its audience, which thousands of people are very well versed in all the minor details of her compositions and her choreography and everything related to Miku's experience. And we wanted to be as much of a part of it as possible. Respecting Miku's tradition by adding something new to the mix. And so much that came through the song that we perform live along with two of The favorite songs Mika has allowed us to perform with her: Sharing the World and Sankyuu, which is the Japanese word for 3 and 9. Being able to go through all the moods that these songs represent, from euphoria to confusion to adoration, is a fun ride. Mick is very much a reflection of the audience How performs with Miku is different from your usual live shows? Well, Miku is very much a reflection of the audience. On a typical show, you really don't know where things are coming from. Everyone has their own point of view. But here, speaking with Mika, it's a thing where people ... ready to sit back and Show. Participation is far more internal and coordinated communally than to say how, everyone emerges from the show with their own uniquely stark judgment of what just happened. It's a wild thing, it's a journey. Everyone comes to the show with glo-sticks, or is given to them if they don't bring them. Because of this, there are thousands of dots of light heading towards Miku. It's a light show unlike anything else. Do fans of choreography have answers to different parts of the song? Yes, absolutely. There seems to be a kind of informal understanding of fan choreography. In Los Angeles I was sitting with a friend from Japan and he's a little more versed in the canon of Miku, and he looked at the Jumbotron screen, and he said, if you look, you can see those who know the choreography and which ones are a little behind, learning how they go. Looks like the U.S. is just learning. I think Toronto was the most I've heard from Team Miku, was most similar to the Japanese response. Are there backup versions of Miku if something goes wrong? Actually, I'm not sure. But when we checked the sound in L.A., the food for the whole block went out. It was the same as the miku left the building. It was amazing. We all just sat in the dark and waited for Miku to come back. I feel that Miku probably just had to do something elsewhere. He felt just like Miku left the building. How do you feel about Vocaloids as a medium? I think it's inevitable that she's growing into something bigger. Between Vocaloid and the potential of pop stars and icons that are not tied to physical bodies, the potential is infinitely greater and just beginning to be explored. And we are very excited about the opportunity to participate in this discussion and in shaping the future. Or the real one. It's hard to learn a new language when you're very attached to your old I know there's an American vocaloid called Cyber Diva. Yes, I think the taste of American culture is very different from the taste of Japanese culture, but I think America learns a lot, in many ways, from Japan.I think that Vocaloid Performances will look a lot different than they do in Japan when they come to the U.S., though. When it comes to virtual pop stars here in the US, they come with almost a disadvantage that have been leaked into such a tradition with our very complex pop culture structure, where when we have the technology to do these things, we resurrect dead people and put them on stage without their agency. Miku is a completely different side of it. It's very similar to learning a new language, and it's hard to learn a new language when you're very attached to your old language. 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